Thursday 9 May 2024

Heavy Metal/Doom/Stoner Metallers DUEL Premiere New Song/Video For CHAOS REIGNS From Upcoming New Album


Heavier and more menacing than their previous efforts, Duel’s fifth album features nothing but rowdy and beer-soaked stompers capturing the foursome's sizzling energy with unequivocal titles like "Chaos Reigns", "Berserker" or "Satan's Invention".

With its renewed rhythm section, Duel blasts harder into heavy metal territory with their explosive shredding and impassioned vocals, even catching the listener off-guard with some feverish stampedes along the way. This is Duel at their fiercest, and hell it's a party!

We're excited to premiere the superb new song CHAOS REIGNS from the upcoming new album BREAKFAST WITH DEATH thanks to our good friends over at Purple Sage PR.


DUEL state this about the song: "This song is an apocalyptic crusher about the war between man and the sea. A heavy metal funeral march for the countless souls lost in the deep."

Links:

FacebookBandcampInstagramSpotify

Pre-order Breakfast With Death now via Heavy Psych Sounds which will be released on July 05th 2024.


Thanks to Purple Sage PR for all of the details. 

An Interview With DOOMCAKES AKA Stephanie Zalta From SCREAMING FROM THE HEAVY UNDERGROUND Blog


Today, I'm interviewing one of the brightest new voices I've heard within the Doom/Stoner Metal blogging scene in quite some time. A new blog called Screaming From The Heavy Underground has just emerged with expertly written and brilliantly observed reviews that are quite in-depth. The person who runs this fantastic blog is Doomcakes aka Stephanie Zalta.

Stephanie first came to my attention writing for Scott Spiers great blog Clean, Sober and Stoner before branching out with Screaming From The Heavy Underground. Stephanie quickly became a well respected member of the infamous Doom Charts page which Scott and myself are also members of.

I wanted to find out more about Stephanie's work and how the blog came into being. Plus I wanted to know where "Doomcakes" originated from which Stephanie kindly answers with this fantastic in-depth interview.

Hi Stephanie. How’s it going. Thanks for doing the interview..

Hi, I’m great! Thank you so much for the opportunity!

We’re here to discuss your fantastic work that you carry out within the Doom, Sludge and Stoner Metal community and mostly your great blog Screaming From The Heavy Underground. How did that page start and where did you get the idea from.

I started out in the heavy underground community on Instagram, and I noticed that, as time went by, my descriptions about the albums I was posting there were getting longer and longer. Not only that, but I found myself wanting to write more in general, not just about underground music but about broader topics in music and some mainstream albums that have meant a lot to me throughout my lifetime.

At that point, I decided it was time to bite the bullet and start a blog page. To be honest, I hated the idea at first because everyone has a blog and bloggers have kind of a bad reputation for being annoying…but I decided I could try my best to be different. Of course, the primary purpose of the blog is the same as my Doomcakes pages: to shine a much-deserved and much-needed spotlight on the unparalleled and underrepresented talent in heavy underground music. Hence, I’m “screaming” from the heavy underground.

Was it a spur of the moment decision to start your own blog. As you did some cool work for Scott over at the great site Clean And Sober Stoner..

Actually, it was kind of spur of the moment. It was essentially time for the baby bird to leave the nest, so to speak. I have Scott to thank for so much; he really took me under his wing and was a great mentor. Without him, I wouldn’t be contributing to the Doom Charts! But, one day came when I decided it was time to go out on my own. Plus, I didn’t want to cramp Scott’s style with some of my less doomy fascinations, like jazz fusion, alternative, indie, and grunge.

Are you still contributing to Scott's site or you focusing solely on your own blog.

I’m just doing my own thing, but Scott and I still totally support each other!

What's the overall aim for Screaming From The Heavy Underground. Are you focusing mostly on unknown bands or more well known bands as well.

The overall aim is to increase my reach and make connections within the underground community in hopes that some of these amazing underground bands can get the attention they deserve. That could mean record deals, gigs, or just someone to help get the word out. I focus on both unknown and well known bands and everything in between. Of course, the more well known bands don’t need my help, but when I write about them, it’s just me pouring my heart out about how much I love them. That’s another great thing about the blog; it gives me an opportunity to write longer-form content about music that I love and explain how it’s touched me. That’s a great way to connect with other fans and I’ve had a lot of awesome online conversations with people that way.

I read your excellent bio and description for the blog and you stated you would like to do interviews sometime in the future. Are you going to start doing interviews in the near future.

I would love to! I just need to get a better audio setup, and that’s tough for me because I’m clueless when it comes to technology (and I’m very frugal!), but all in good time! I’m not really sure if I’ll start interviewing in the near or distant future yet, but if a good opportunity to get started presents itself, I’m there!

Did you ever consider doing other things with blogs such as news items and maybe even premieres if given the chance in the future.

Absolutely! I’d love to do all of those things.

The reviews that you've published are brilliantly written and quite in-depth at times. Do you prefer writing in-depth reviews compared to shorter reviews.

Thank you! Yes, I love doing in-depth reviews; the bands really deserve it. Nothing makes me happier than when an album really clicks with me and I’m able to write a longer, more heartfelt review. Then, when the band reads the review and they let me know that I really “get it”, there’s this amazing connection there that I find to be incredibly beautiful. We’ve all created something in our lifetime, and it can be tough to send that out into the world (especially the online world), opening it up to judgment. So, when someone else really understands what you were going for, it’s the coolest thing in the world.

Do you have a set of your own personal rules when it comes to reviewing a band on your site.

Simply that I have to like the band. If it’s not for me, I don’t feel comfortable reviewing it. That’s just not fair to the band. If I don’t like it, there’s someone out there that will absolutely love it and will give the band the review they deserve.

Where did the name of the blog come from. As it's a very cool title indeed.

I wanted the name of the blog to be something meaningful, really encapsulating what I’m trying to do with it. I started thinking about some of the more tougher aspects of supporting the heavy underground, primarily when a band just doesn’t make it or slips through the cracks. Sometimes, when I’m promoting some of these bands I feel like I’m actually screaming from the abyss or amid some noisy chaos so that hardly anyone hears me. But I’ll keep screaming…loudly.

You're also known by the name Doomcakes. Where did that name come from.

Everyone thinks my nickname is Doomcakes because I bake cakes and things a lot…and I do! But it’s actually a play on the pet name “Babycakes”. For me, it’s descriptive of the duality of my personality. Someone once said to me, “Stephanie, you’re so weird. One minute you’re giddy over shoes and makeup and the next you’re in your basement lifting weights, growling, and listening to music that scares me.” Basically, I can be both very feminine and very...brutal. :)

Have it surprised you the response your page has received from both fans and bands within the underground scene since you've started the page.

Oh my, yes! When I started my Instagram page, it was just a hobby of sorts, a place to post about the music I love that most people I knew personally found to be “weird”. Much to my astonishment, there are countless other people out there who really dig obscure music. I’ve made a ton of awesome connections with other fans that have been very meaningful. Of course, the response from bands has been equally great.

Bands in the underground scene are generally very approachable; they’re genuine people who are almost always incredibly grateful for any support you give them, even if it’s just a mention on social media. My favorite thing is when my relationship with bands turns into one of mutual support; that really means a lot to me. Definitely not something you’d experience as a blogger in mainstream music!

What is your favourite style of music from the Underground scene in general. And what style of music you cannot stand within the underground scene as well.

That’s a tough one! My favorite genres in the underground are primarily stoner rock, desert rock, psychedelic rock, and grunge/alternative. I can’t really think of a style that I can’t stand…rather, I don’t know if you could call this a style, but I hate it when people put something out that is quite literally just a bunch of noise, and/or it’s drowning so much in effects that there’s no discernible music anywhere. I call it “a chipmunk caught in a lawnmower” because that’s what it often sounds like to me!

Can you advise folks what a normal week is like for you when writing a new post for the blog. Do you spend an endless amount of time on BandCamp, YouTube and other streaming platforms searching for the best music currently out there.

I think people would be surprised to know just how much time it takes to write a good review! Generally, I’ll give an album at least one initial listen, listen again and make notes, then listen a final time as I’m writing to make sure I caught everything and to be as detailed as possible. If I did it all in one sitting, it would probably take me the bulk of a day to write one of my really in-depth reviews, but I usually break that up into an hour or two each evening until it’s done. I also like to write a little bit, sleep on it, then come back the next day with a fresh set of eyes to ensure I’m getting my point across the way that I want to. It’s incredibly important to me that I give it my best effort; like I said, the bands deserve that.

I’m listening to music almost constantly, no joke. I really like how streaming platforms will often list similar artists to the one you’re currently listening to (“If you like x then you’ll love y!”). I find a lot of great music that way, and I often spend hours just going further down the rabbit hole; it’s genuinely a lot of fun for me.

You’re a member of the Doom Charts. How did you get involved with the Doom Charts.

Scott from Clean and Sober Stoner actually nominated me almost as soon as I started writing for him, and I’ve been with the Doom Charts since September 2023.

Has it surprised you how well liked the Doom Charts have become and well respected by the Doom/Sludge/Stoner Metal community in general.

Yes, and no. I can only speak for myself, but it’s very uncanny to be approached by a lot of bands. I’m still feeling like, “You don’t understand, I’m just some random chick!” So in that way, it’s very surprising. Conversely, it’s not incredibly surprising because a lot of work goes into the Doom Charts; a lot of time is spent and a lot of great words are written. I read some of the blurbs from my fellow contributors and I’m floored, thinking some of these people should actually be writing for Rolling Stone or something!

You're becoming highly respected within the Doom/Stoner Metal community. What things do you like being involved with the community. Are there certain aspects you don't like when promoting bands across the entire scenes.

My favorite things are the connections with others; those are invaluable and mean so much to me. That goes for bands, fans, bloggers, and everyone in the community. The singular thing that I don’t like is saying no to a band when their music isn’t really up my alley. It truly breaks my heart when I can’t help, but I always try to think of someone who can.

Which band, artist or album got you involved with the Doom/Sludge/Stoner scene.

I’m a bit embarrassed to admit this, but it was actually Danzig! As a very sheltered kid, Danzig was the heaviest thing I’d ever heard. I found out many years later that Danzig is classified as doom metal, and that got me searching for other bands in the genre. In turn, that led me into the underground doom scene, and I ended up liking the underground doom bands infinitely more than many of the mainstream ones.

What are your favourite bands from within the scene itself. Any great bands that folks should know about.

Ah, I love this question! I’ll always say Giant Lungs first. They’re an amazing stoner/desert band from Germany who released their debut album in October 2023. Not only does Giant Lungs play stoner/desert music incredibly well, but the lyrics and vocals really make it unique, giving it a beating heart. There’s some very cool imagery within those lyrics but also some incredibly relatable things, very specific things for me personally, delivered primarily via metaphor that quite literally stopped me in my tracks when I heard it. I can never recommend this band enough.

Another great one for my fellow grunge fans would be Yeast Machine, another German band who just released their debut full-length album! They have a very authentic 90s grunge sound and a ton of passion.
 

On the psychedelic/prog side of the scene, I highly recommend Mouth; they have an incredible 60s/70s sound and their music always makes me feel so happy and energized.
 

Finally, if straight-up stoner rock is your thing, you have to check out Transonic Science. These guys have been pillars of the German stoner rock scene for almost 30 years now. Their sound really exemplifies the grittiness and energy that we associate with stoner rock.
 

You have a wide range of musical tastes across different genres. What are your favourite genres of music and why do they appeal to you.

I think my favorite genre, the one that really has my heart, is grunge. It’s a genre that, to me, feels like sunshine at the end of a storm. Lyrics are often very emotive, centered around the human experience and some of its darker aspects. Vocals and instrumentals alike are often simultaneously melancholic and bright and soaring…

Sometimes it makes you want to cry, sometimes it makes you want to jump in the pit, but no other genre resonates with me emotionally the way grunge does.

I think Jerry Cantrell says it best: “Darkness was always part of [it], but it wasn’t ALL about that…We were talking about what was going on at the time, but within that there was always a survivor element - a kind of triumph over the darker elements of being a human being.

That’s the very essence of grunge itself.

Which physical media do you prefer – Cassette, CD or Vinyl.

I prefer streaming! I feel like a bunch of people will come to my house and beat me up after reading that, but I admit it. I stream everything, mainly because I’m way too cheap to be a collector of vinyl and I’m a very tidy person who doesn’t like a lot of things lying around her house. However, I’ll never deny the fond memories I have of listening to Elvis records at my grandmother’s house as a kid. Nothing compares to that sound of the needle dropping.

How do you relax away from the crazy world of blogging. As we all need time away to chill out.

Oddly enough, I listen to more music! I take a break from being in “discovery mode” and listen to some of my old favorites, especially 90s indie/alternative. I also love cooking, I’m in the kitchen quite frequently whipping up some kind of concoction. I really love learning new things in general, especially when it comes to languages and scientific topics like space and biology (I’m a bit of a nerd, admittedly). 

My favorite way to de-stress, however, is to hit the gym. I call it my “church”; the combination of working out while listening to music is a spiritual experience for me…it’s the ultimate purge of both physical and emotional energy. I’m quite the curmudgeon if I don’t get my gym time a few times per week!

Thanks for doing this interview Stephapie. Do you have any final words of wisdom you would like to share with us all.

As stereotypical as it may sound: never settle. Keep learning and growing until the end. Always strive to be better as a human being and to be fulfilled. That being said, do what makes you love regardless of whether or not other people think that it’s silly (unless, of course, you’re a serial killer or something. That’s not cool). If it makes you happy, it’s a good thing. Be kind to and patient with yourself. You deserve it.

Words by Steve Howe and Stephanie "Doomcakes" Zalta

Thanks to Stephanie for taking the time the time out to talking to me.

Check out Stephanie's great blog over at Screaming From The Heavy Underground

Filthy Hippies Unveil Hypnotic New Single and Video, "Dual" Ahead of Upcoming Album Release


South African alternative collective Filthy Hippies, known for their fusion of psychedelic and shoegaze influences, have just released their latest single and accompanying video, Dual. The track is a taste of what fans can expect from their forthcoming album, Share The Pill, set for release on the 5th July via Mongrel Records.

Since forming in 2018, Filthy Hippies have been at the forefront of the burgeoning South African psych scene. Their distinct sound, which can be described as a Phil Spector-esque wall of sound merged with deep-rooted pop inflections, has garnered them a loyal following and secured their status as one of the scene's most exciting acts.

Over the years, Filthy Hippies have experienced various personnel changes, evolving into a five-piece lineup that retains the original trio's core. This new configuration brings fresh energy and innovative perspectives to the band's already dynamic sound.

Watch the video for DUAL below


Dual showcases the band's musical growth and creativity, blending intricate guitar riffs, lush melodies, and dreamlike vocals. The single is accompanied by a visually striking video that mirrors the song's otherworldly atmosphere and delivers a mesmerizing viewing experience.



Reflecting on the band's journey, Filthy Hippies have shared stages with notable acts such as the post-punk band Dangerfield during their album launch and have been featured at major events like 2019's Endless Daze Festival. Share The Pill is shaping up to be one of the most highly anticipated albums in the South African psych scene this year.

Follow Filthy Hippies

Facebook | Instagram

Thanks to Warren at Plug Music Agency for all of the details.

Wednesday 8 May 2024

Exclusive Album Premiere Of Doom/Thrash/Stoner Metallers CALLUS New Album GRAVIS DECENNIUM Released This Friday


Trepanation Recordings are delighted to be working with CALLUS to release their third album ‘Gravis Decennium’ on 10th May.

Preston, UK based CALLUS play down-tuned stoner metal fused with Thrash, Sludge and Doom elements forming a truly obnoxious, quite furious and outright terrifying sound.

The third studio album by UK heavy band CALLUS.

Gravis Decennium presents a tenth anniversary speciality of earlier material fully re-recorded with crushing new production to celebrate a whole decade of CALLUS.

From CALLUS:

This album is a collection of handpicked tracks from previous early releases, fully re recorded, heavier and more sonically dynamic than we ever thought possible. It's been a labour of love for the past "Heavy Decade" of this band and our lives... Play it fucking loud, we hope it brings you as much joy hearing these tracks as it has done for us re visiting them.'

We're beyond excited to premiere the whole album in full thanks to the awesome folks over at Trepanation Recordings.


‘Gravis Decennium’ will be released on CD, cassette and digital formats. Find pre-orders here: https://callus117.bandcamp.com/album/gravis-decennium

‘Gravis Decennium’ Tracklist:
1. Yog-Sothoth
2. The Primordial
3. Infinite Beef Machine
4. Cycloid
5. The Dunwich Horror
6. Leg Slice
7. The Root of all Evil
8. Dreameater

Credits:

Recorded February 2023 at Foel Studios in Wales.
Produced by Chris Fielding.
Mixed and Mastered by Chris Fielding.
Album painting by Ryan Hancock.
Digital layouts and original CALLUS logo by Dom Sohor.

Thanks to Trepanation Recordings for the promo.


This is also the last ever release from cult UK underground label Trepanation Recordings who are sadly calling it a day after five years of terrific service and sublime releases. I want to say thank you to Dan Dolby for his tireless work and dedication to the scene. You’ll be sadly missed and I wish you all the best for your future endeavours.

Blues Rock/Doom Metallers WIZDOOM Release New Single And Video For SONG OF THE UNHEARD


The new Wizdoom track ’Song Of The Unheard’ is available now!

A dark song, inspired by the Swedish ”Myling”, this is probably our heaviest song so far!

This new release is pure epic doom I would say, we went a little bit slower and darker than before. Personally I really like this new direction, the lyrics are still inspired by old Swedish creatures and stories, but I think the vocals and lyrics came alive very well with this darker sound. As I’m also a big fan of epic doom like Candlemass, I really enjoy this new song and I can’t wait to play it live on the road in the next few weeks!” - Chris. D

Watch here or below: https://youtu.be/NPSZs7RhmAA?si=lemyddcY5ph9TFKu
Stream here: https://hypeddit.com/wizdoom/songoftheunheard


WATCH WIZDOOM LIVE HERE:

9/5 SWE, Örebro - Kvarteret & Co (Bakgården)
10/5 SWE, Trollhättan - Backstage Rockbar
11/5 SWE, Motala - Bomber Bar Motala
18/5 UK, London - Desertfest London
25/5 SWE, Hagfors - Uddeholmsladan

Wizdoom previously released its debut EP ‘Trolldoom’ in 2023.

Stream here: https://orcd.co/trolldoom
Watch 'Doomed Fleet' Music video: https://youtu.be/FbErr9k6Kf8
Watch 'Way Of The Lost' Music video: https://youtu.be/oxQj5pbpMe0
Watch 'Engrave' Lyric video: https://youtu.be/3iSXYnVnl2Y



FOLLOW WIZDOOM:

https://www.facebook.com/wizdoomofficial
https://www.instagram.com/Wizdoomofficial
https://www.tiktok.com/@wizdoomofficial
YouTube: @wizdoomofficial
Bandcamp: https://wizdoom.bandcamp.com

WIZDOOM is the spark of Chris David (Majestica, Therion live, ex-Captain Crimson) as how Blues/Doom Metal sound in his head. Inspired by fellow wizards Candlemass, Witchcraft, and Joe Bonamassa, WIZDOOM crosses over stoner, sludge, and the traditional in honor of the creators of this Doom Blues that today we call Metal.

Thanks to Chris at Moving Air Music for all of the details.

CLEEN - Excursion (Album Review)

Release Date: May 10th 2024. Record Label: Electric Desert Records. Formats: DD

Excursion - Tracklisting

1.Planet 332b

2.No One Remembers But You

3.These Signs

4.Menticidal Betrayal

5.Year Of The Reaper

6.Sultane Of Sand

7.Moon Cruiser

8.Aroya

9.Fatal Blow

10.A Means To An End


Band Members


Patrick - Guitar/vocals

Jordan - Drums

Cooley - Bass


Review


Excursion is the debut full length album Doom/Stoner Metallers CLEEN and the band have been building up a fearsome reputation within the underground scene especially within their home area of Flint, Michigan. CLEEN who express their WEEDIAN philosophy through tales of mind-altering grooves and a few encounters with ALIEN lifeforms along the way. 


Inspired by the likes of SLEEP, KYUSS, Melvins, Soundgarden and Progressive Sludge Riffsters such as Baroness and Mastodon whilst performing in their own vivid and psychedelic way. The album is quite raw-sounding and pulls no punches with the production techniques used for Excursion which gives their album a real “underground” sound and feel whilst still sounding superb for a debut album such as this.


CLEEN get straight down to business by performing a Garage Rock or Street-Doom style of Stoner Metal with tales of paranoia and weed induced states on tracks such as Planet 332b, No One Remembers But You and These Signs. The music is evolved from the classic grooves and influential sounds the STONER or WEEDIAN scene has provided since the early 90’s but CLEEN bring a level of Punk Rock stubbornness and down-tuned seedy vibes where their music evokes memories of early-era SLEEP fused with the legendary Black Sabbath amplifier sound.


However, CLEEN throw in a musical intro, sound effect and heavy pounding grooves that takes the music into darker waters with a never-ending array of ferocious Noise Rock fuelled jams when merged with the drug-induced lyrics cause a deep sense of paranoia that maybe influenced by Philip K. Dick in parts.


The record is kind of reckless and this mentality allows CLEEN to develop their own sound with feedback loops, glitchy noises and a thrilling Psychedelic Rock movement developing into areas of Post-Doom surrounding which appear throughout the rest of the album on tracks such as Menticidial Betrayal, Year Of The Reaper, Sultane Of Sand, Fatal Blow and A Means To An End. 


Excursion takes a major turn into Melvins based creative territory where CLEEN wreck havoc with the rules of Doom/Stoner Metal as melodies become more complex and noise rock induced with a cracking Grunge after thought catching upto the WEEDIAN atmospherics. The record is superbly inventive with a devilish charm heard within Patrick’s vocals and guitar playing. Jordan on Drums and Cooley on Bass provide the monolithic and progressive fuel that makes this Power Trio really tick and jump right into action.


CLEEN have provided a different sounding Doom/Stoner Metal album with freakish sounds throughout and trippy hallucinogenic moments that will take the listener into the far vast reaches of this dimension and into the next. Excursion is a must have album from CLEEN and one that may propel them onto the biggest support slots and festival stages the scene has to offer sooner than expected. 


Words by Steve Howe


Excursion will be available to buy on Digital Download via Electric Desert Records from Friday May 10th 2024.


Links


Official | Facebook | BandCamp | Instagram

ISAAK // GEEZER - Interstellar Cosmic Blues & The Riffalicious Stoner Dudes (Album Review)

Release Date: May 03rd 2024. Record Label: Self Released. Formats: CD/DD/Vinyl

ISAAK // GEEZER - Interstellar Cosmic Blues & The Riffalicious Stoner Dudes - Tracklisting

1.Acid Veins (Geezer)

2.Little Voices (Geezer)

3.Mercury Rising (Geezer)

4.Oneirophrenia (Geezer)

5.The Whale (Isaak)

6.Crisis (Isaak)

7.Flat Earth (Isaak)


Review


Famed Heavy Rock Label Heavy Psych Sounds presents their latest split album release featuring two of their finest Cosmic Stoner Rock bands teaming up on a highly irresistible release featuring Cosmic Blues Rock Overlords GEEZER and Psychedelic Stoner Riffsters ISAAK. These two greats of the Stoner Rock scene bring their own trademark blend of Psychedelic Stoner Rock/Metal which are quite different to each other but both having the same purpose of providing the listener with a wicked style of highly energetic grooves and extended spaced out jams.


GEEZER provide four tracks of cosmic riffage which sees the band expand upon their Blues Rock and Cosmic dominated style with a freaky sideline within Seventies Space Rock aggression merging with a modern day Sludge Rock take on things appearing within Acid Veins and Little Voices being perhaps the standout tracks from GEEZER’s side of the split.


It’s good seeing GEEZER turning back the clock and venturing into sounds we’ve haven’t heard since their earlier album releases. There’s a ton of guitar reverb and fuzzed up feedback on GEEZER’s tracks which makes for some killer seedy instrumental sounds with Pat’s “Devil May Care” attitude and catchy vocals making a stirring impression on the final two tracks of Mercury Rising and Oneirophrenia. Plus with the added bonus of glitchy noises and a healthy overdose of SONIC feedback that sees GEEZER leaving you wanting to hear more from them on this release alone.


ISAAK’s side of the split release sees the band continue the experimental Stoner Metal sound heard on their last album HEY but with some familiar themes and creative ideas heard on their groundbreaking 2016 album Sermonize. The music is more fast-paced which you’ll encounter on The Whale with its Fuzzed Up Metallic attitude with a ton of Psychedelic aggression.


ISAAK keep going with that free-flowing Sludge/Stoner aggressive turn on the remaining two tracks of Crisis and Flat Earth with the band bringing a different theme to each track with the music constantly changing into something you don’t expect. ISAAK feel like a different band compared to HEY at times and that could be down to the creative partners or guest musicians who appear within their songs that are listed below:


Fabio Cuomo from Gotho & Liquido di Morte - THE WHALE

Fabio Palombi from Nerve & Burn the Ocean - CRISIS

Levre from Ufomammut - FLAT EARTH


My favourite track from ISAAK side of the split is FLAT EARTH as it feels like UFOMAMMUT in places especially within the Heavier Sludge movements that appear. This track also allows ISAAK to do their own thing at the same time. Though, Crisis is a track that could have easily come from their landmark album Sermonize but the harsh vocals give it a more unsettling appeal as well. So there’s something for everyone to enjoy, respect and admire from ISAAK’s music on this release alone.


Interstellar Cosmic Blues & The Riffalicious Stoner Dudes is a first rate collaboration from two of Heavy Psych Sounds roster of Psychedelic Stoner Rock/Metal outfits. This is a must have addition to all fans of GEEZER, ISAAK, Heavy Psych Sounds and Stoner Metal music in general.


As Pat from GEEZER would say - “You Dig” - and I most definitely do. Fantastic stuff…


Words by Steve Howe


Thanks to Purple Sage PR for the promo.


Interstellar Cosmic Blues & The Riffalicious Stoner Dudes will be available to pre-order on CD/DD/Vinyl now from Heavy Psych Sounds from Friday May 17th 2024.


Geezer Links


ISAAK Links:

Facebook | BandCamp | Instagram

Tuesday 7 May 2024

Spaceslug - Out Of Water (EP Review)

Release Date: May 03rd 2024. Record Label: Self Released. Formats: CD/DD/Vinyl

Out Of Water - Tracklisting

1.Tears Of Antimatter 06:20

2.Arise The Sun 08:36

3.Out Of Water 05:49

4.Delusions 05:30

5.In Serenity 05:48


Band Members


Bartosz Janik - guitars, vocals

Jan Rutka - bass, vocals

Kamil Ziółkowski - drums, vocals


Review


Out Of Water is the new EP from Psychedelic Doom/Stoner Metallers Spaceslug and it’s a record that offers thirty two minutes of trippy and pure Cosmic Doom heaviness from one of the most impressive and brilliantly creative bands from the underground scene. This time round Spaceslug continues the journey last heard on their 2021 release Memorial by blending this with the world-weary mysticism of their earlier albums.


The EP sees Spaceslug combining a wealth of different sounding vocals from all three members all vying for lead vocalist slot. The sound and journey of Out Of Water is one of despair and progressive heaviness which Spaceslug are absolute masters at. Heavy sludgy guitars have been given a slightly Post-Rock/Post-Metallic sound with the Progressive energy of Bartosz guitars allowing Jan and Kamil to conjure up a more gloomy and psychedelic sound on Bass and Drums respectively.


Spaceslug has written some spellbinding lyrics that gives Out Of Water a wholly driven narrative structure especially on the first two opening tracks of Tears Of Antimatter and Arise The Sun. There’s some similar themes and sounds on drummer Kamil's recent studio project Mountain Of Misery but with Spaceslug playing with a more bleak and destructive sound.


The EP sees Spaceslug become more thoughtful and reflective within their lyrics and even using some cinematic sounding Post-Rock movements on the later stages of the EP on tracks such as Out Of Water and Delusions. 


Out Of Water is a brilliant mix of harsh, ice-cold and progressive grooves that once again allows Spaceslug to bridge the gap between Psychedelic Stoner Metal and Cosmic Doom Metal for a refreshing style of music that only they can deliver. 


Spacrslug have once again delivered the goods and released an outstanding EP that takes their music to dramatic new heights which their dedicated fan-base will no doubt listen to time and time again. Sublime. End Of.


Words by Steve Howe


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Nine Moons - Caracaras (Album Review)

Release Date: May 03rd 2024. Record Label: Self Released. Formats: CD/DD

Caracaras - Tracklisting

1.Desert Eyes 03:51

2.Sage 04:38

3.Smokehouse 09:00

4.The Crawl 04:13

5.Hunter's Moon 02:31

6.Haunted Vista 08:04


Band Members


Kenyon Albon - Drums

Stuart Masters - Baritone Guitar, Oud, Vocals


Review


Heavy Psych Rockers Nine Moons latest album Caracaras is a record that is mostly driven by 1960’s & 1970’s era of Heavy Psych, Garage Rock, Acid Rock and Blues Rock. The sound is then topped off with a thrilling 1990’s devilish blend of Desert Rock, Grunge and Stoner Rock. The whole journey is one of that is unashamedly RETRO RAWK with moments of aggressive Stoner Rock which turns up in the most unlikeliest places with Nine Moons laying down a non-stop array of trippy Psychedelic jams which can be quite off-beat and kooky but for all the right reasons.


Caracaras gets off to a flying start with tracks such as Desert Eyes and Sage have a sublime style of vintage sounding Stoner Rock grooves where NIne Moons sound like QOTSA and KYUSS in places but if those great bands played with a more stripped back approach. The instrumental sounds can be quite trippy and you can hear echoes of Middle Eastern flavours starting to appear within the first half of the album. 


The vocals are warm, friendly and quite engaging from lead vocalist Stuart but Nine Moons do play some jagged and volatile sludgy guitars along the way. Nine Moons impress the most on the two lengthier tracks on the record with Smokehouse and Haunted Vista. These are the third and last tracks on the album but they offer the most soulful, bashful and heaviest moments of the record with a classic Blues Rock and Psychedelic Rock being quite “POP” based at times. These two songs are quite melodic but with a Prog Rock finish which allows Nine Moons to experiment with their sound even further.


There’s two other cool sounding shorter tracks of The Crawl and Hunter’s Moon which retain a more classic Stoner Rock/Grunge essence but with that Middle Eastern movement appearing once again. This allows Nine Moons to be quite comfortable and superbly clever with all the different styles and lengths of music that appear within Caracaras. 


Caracaras is quite a surprising album with the different creative turns that Nine Moons take the listener upon especially within the thirty two minutes short run time. This is a delightfully hip and adventurous record which offers some classic sounding riffs along the way.


Words by Steve Howe


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