Friday, 12 June 2026

KALAMATA - ZENOSYNE (Album Review)

Release Date: June 26th 2026. Record Label: Copper Feast Recordings / Made Of Stone Recordings. Formats: CD/DD/Vinyl

ZENOSYNE  - Tracklisting

1.THERE

2.IS

3.NO

4.COMING 

5.BACK


Members

 

Guitars - Peter Jaun

Bass - Niki Hosseinian-Sereshki

Drums - Olly Opitz


Review


Psychedelic Stoner Rockers KALAMATA return from a lengthy nine year absence to release their long awaited third album ZENOSYNE. I’m a huge fan and admirer of their previous two albums so I was very excited when I received this album to listen to. KALAMATA have redefined their music since their 2017 album with further emphasis on progression which puts their music into the land of Post-Rock and Post-Metal though still keeping their classic Stoner Rock instincts intact.


The album is split into five tracks under the banner of “THERE IS NO COMING BACK” which allows KALAMATA to create a different musical persona for the record. The sound is dense, heavy, thick and superbly melodic which shows the band exploring different musical avenues with some epic SONIC melodies and sludgy distortions coming from the stunning guitar work of Peter Jaun. Sometimes the band feels inspired by the likes of Karma To Burn, Yawning Man, Monkey3 and Earthless whilst for the heavier parts you can hear echoes of Russian Circles and Pelican which adds a whole level of atmospheric dominance.


Everything is wonderfully melodic and gloriously cinematic which allows the music to be described as “FULL BLOWN TECHNICOLOUR” which is down to the great use of Desert Rock, Ambient Rock and Spaced Out environments where it can be grounded and totally outrageous at the same time.


This also feels like KALAMATA’s most personal record to date with an emotionally engaging core developing on the majority of the tracks. My favourite tracks are THERE, NO and BACK which sees KALAMATA in a more reflective mood which not only challenges the listener but also sees the band playing some of the heaviest and most daring music of their career. The band do seem to have taken influence from classic soundtracks and different cultures for the making of this album as it can be quite trippy, surreal and totally left-field for an Instrumental Rock album.


The stunning rhythm section of Niki Hosseinian-Sereshki (Bass) and Olly Opitz (Drums) provide a clinical backdrop of grounded grooves for Peter to work his psychedelic guitars upon. Niki, Olly and Peter are quite forward thinking with how to deliver their music when weaving Post-Rock themes into the wider picture that ZENOSYNE fully represents. 


ZENOSYNE is an instrumental album that has it all which makes this such a brilliantly engaging and warm-hearted record. The journey has the same importance as the destination the record fully takes the listener upon. With a free spirited direction, ZENOSYNE does have some great “JAM” based moments where KALAMATA plays fast and loose with the rules of Instrumental Rock/Metal. 


The album has superbly realised production values which gives this a highly atmospheric and subversive sound especially when the Ambient sound effects linger in the background which leaves you on the edge of your seat thinking where this great album will take you next. 


KALAMATA may have been gone a long time but on the evidence with ZENOSYNE they’ve been sorely missed and will surely be wanting to make up for valuable lost time. They have delivered an outstanding album that will no doubt be considered one of the year’s best instrumental rock albums before the year is out.


Words by Steve Howe


Thanks to Creative Eclipse PR and KALAMATA for the promo.


ZENOSYNE is available to buy now on CD/DD/Vinyl via Copper Feast Records and Made Of Stone Recordings.


Links 


Facebook | BandCamp | Instagram