Showing posts with label IRATA. Show all posts
Showing posts with label IRATA. Show all posts

Saturday, 4 July 2026

IRATA - Human (Album Review)

Release Date: July 10th 2026. Record Label: Small Stone Records Co. Formats: CD/DD/Vinyl

Human - Tracklist

1.Altar

2.Confessions

3.Seeds

4.Delirium

5.Mirrors

6.Slipped

7.Goodside

8.Daystar


Members


Jason Ward: drums, keys, vox

Jon Case: bass, vox

Owen Burd: vox, guitar, keys


Review


Sludge/Stoner Metallers IRATA return with their emotionally charged fourth album Human which sees the band offer their most melodic record to date. IRATA uses a greater musical creative palette for this record with areas of Grunge, Shoegaze, Prog Metal and Cinematic based storytelling being added. With a mind-expanding use of sludgy psychedelics giving Human a cautionary sound which sees IRATA experiment with their music even further and even applying gloomy modern Doom-Pop hooks.

IRATA draws upon the likes of HUM, TORCHE, FLOOR, KYLESA and TOOL with influences appearing from other areas of the Nineties Alt-Rock scene which has become a constant staple of the band’s music whilst still sounding remarkably just like IRATA. The record may take a few listens to take everything in compared to their 2019 effort Tower and that’s down to IRATA’s great use of Progressive melodies and switching into heavier distorted sounds which gives a frenzied and grounded approach to their music.

The sound constantly switches between harsh environments and lush sounding Sludge Rock grooves with a heavy support of distorted Progressive atmospherics. IRATA depends more heavily on keyboards for this album which gives way to some of the best trippy and spaced out elements that IRATA have created to date. I still find it hard to believe or accept that IRATA have been going as a band for nearly two decades and this is their only fourth full length album. They always find the best time to return and this record does feel like a cause for celebration at times and despite the bleak subject matter the record contains you can’t help but feel the gloriously euphoric jams when they appear that leave you in a highly peaceful meditative state.

The first half of the album sees IRATA within their “business as usual “ phase by playing fast-paced and highly psychedelic grunge sounds which made their last two records personal favourites of mine. The music is constantly heavy with areas of distorted fuzz and grunge that’s played against a wall of destructive moments of Psych, Sludge and Stoner Metal with a developing sense of Shoegaze and Alt-Rock developing that turns into something heavier in the later stages of the record. 

The vocals from Jason, Jon and Owen are universally excellent throughout with shades of The Smashing Pumpkins, FLOOR, TORCHE and HUM appearing highly confident but with their own great style being superbly delivered. 

My favourite tracks on the first half of the album are: Altar, Seeds and Delirium as they bridge the gap to the classic sounds of IRATA but also allowing them to develop a new found sense of creativity especially when the music is stripped back and a forceful Progressive Sludge energy appears. Human becomes more evolving but offering moments of wonderful sing-along moments which you ultimately lose yourself in once more. 

The lyrics are super-fresh that taps into the Nineties nostalgia scene perfectly but adding that subtle modern day vibe that adds a level of darkness when you least expect it. Things change quite dramatically within the second half of the record as IRATA switches musical directions with a firmer grasp of Prog Rock/Metal with swirling TOOL-esque compositions being heard with IRATA putting their own great take of modern DOOM-POP into the mix.

IRATA always seem to be thinking five steps ahead when delivering the heaviest and sludgiest sounds on this part of the album with tracks Mirrors, Slipped and Daystar bringing a more focused and cerebral style of music which retains that classic IRATA energy. The record manages to convey that classic IRATA sound with outbursts of bleak sounding Sludge/Stoner Metal with melodic Psychedelic grooves being delivered from the highest point of MOUNT AMPLIFIED DISTORTION.

IRATA ends the record in the most perfect and complete way. You feel highly satisfied by the whole experience as Human actually feels like a record that has a beginning, middle and end. The musical performances from Jason, Jon and Owen are first rate, which is perhaps their best recorded musical performance to date. The production values are of the chart with Human being expertly produced with some eye-catching aggressive sounds being played from the speakers throughout.

Human is an outstanding album on all levels which IRATA should rightly be proud of. This is perhaps my favourite album from IRATA. It may not be as riff-centric as Tower but there’s a lot more progression and musical variety that allows the band to play some intense grooves we haven’t heard from them before which is perhaps the greatest thing you can take away from this record.

Words by Steve Howe


Thanks to Earsplit PR for the promo.


Human is available to buy now on CD/DD/Vinyl via Small Stone Records Co.


Links 



Saturday, 4 May 2019

IRATA - Tower (Album Review)


Release date: May 24th 2019. Label: Small Stone Recordings. Format: CD/DD/Vinyl

Tower – Tracklisting

1.Tower
2.Waking Eye
3.Weightless
4.Innocent Murmur
5.Leviathan
6.Crawl To Corners
7.Golden Tongue
8.Constellations

Members

Jon Case: bass guitar, vocals
Jason Ward: drums, vocals, synths, percussion
Cheryl Manner: guitar
Owen Burd: guitar, vocals, trumpet

Review

Irata finally release their new album Tower after a four year absence. This time Irata feel influenced by bands such as Floor and Torche. As their music has a hard-rocking “Doom-Pop” sensibility whilst carrying on the sludge vibes from their debut album.

Opening song – Tower – is a fast-paced Sludge/Doom/Stoner Metal song with elements of Psychedelic Rock giving Irata a heavier sound. The song is heavy and has a cool progressive sound from start to finish. The song also has a soft Drone based riff being played in the background. The vocals are excellent and have vastly improved from Sweet Loris.

Second song – Waking Eye – is where Irata go for the jugular by merging complex sludge/doom-pop melodies and gorgeous vocals to match. Maybe not as heavy as the opening song. However, Irata start to create a more expansive sound and the quieter moments are quite soulful in places. The Sludge/Stoner Metal guitars are quite ferocious in places but that doesn’t stop Irata switching to a more Ambient/Post-Rock driven sound towards the end of the song. This is one of the best songs on the album.

Irata don’t waste any time in playing the heavy Sludge/Stoner Metal riffs on the third track – Weightless. As they create a more progressive and complex musical environment with both the music and vocals. The lyrics are excellent and quite upbeat in places especially when the singalong choruses appear. Add a few impressive guitar solos along the way and Irata will impress you with the different styles of songs they’ve written for this album.

Fourth song – Innocent Murmur – is a strange song to initially listen to. As this song starts off as a soulful and melodic Pop based affair before this anthemic heavy sludge riff changes the musical landscape for the better. The song does move into Post Rock and Psych Rock territory and it’s good to see the band moving between Doom-Pop melodies and the move violent Sludge/Stoner Metal sounds.

I would love to do a song-by-song review but I will be here all day and I don’t want to spoil everything for the listener. The second half of the album is equally as good as the first half. If not better on certain songs such as: Leviathan, Crawl To Corners and Constellations.

Tower has a sweet natured innocence contained within it’s DNA and a dark violent side for when the heavy Doom/Sludge/Stoner Metal riffs appear. Irata prove both musically and creatively they have come a long way since their debut album as the band have made an almighty leap to greatness with Tower.

There’s no denying that Tower is a thrilling, complex and brilliant album from start to finish. Tower will rank as one of the year’s best albums. That’s how great it is.

Words by Steve Howe

Thanks to Earsplit PR for the promo. Tower will be available to buy on CD/DD/Vinyl via Small Stone Recordings from May 24th 2019.


Tuesday, 6 October 2015

Irata - Sweet Loris (Album Review)


Release date: October 09th 2015. Label: Retro Futurist Records. Formats: CD/DD/Vinyl

Sweet Loris – Tracklisting

Lion Slayer
Sweet Loris
Daisy
Chorine
March By Tens
Skin
Teeth Of The Arctic Storm

Band Members:

Jon Case - Bass, vocal
Jason Ward - Drums, vocals, synth
Cheryl Manner - Guitar

Review:

Purveyors of fine smokey riffs and a dense groove, Irata are back with their new album Sweet Loris. Whether you were a fan of their free flowing brand of stoner-esque rock before, you will find plenty of things that you will adore here and if you weren't a fan before, you will be after listening to Sweet Loris.

The band started their musical life off as an instrumental act and it is their loose jam style of making their groove laden rock so free flowing that makes them stand out, the addition of vocals turned them into a fine band and Sweet Loris ups the ante tremendously.

The thundering likes of the title track, March By Tens and Teeth Of a The Arctic Storm are an eager indication of even bigger things to come for Irata and for now we can listen and embrace how good the band sounds.

The thundering guitar of Cheryl Manner enhances the Irata sound here, at times monstrously heavy and others heartbreakingly beautiful while the bass/drums combo of band founders Jonathon Case and Jason Ward create a tribal rhythm that rumbles along perfectly.

The first track released from the album, Lion Slayer is a fine indication of the new streamlined Irata sound. This song is a snaking behemoth of a track that slithers into the listeners consciousness and doesn't let go and the hypnotic groove will be stuck in your head for days.

The rest of the album is no less mesmerising, with the likes of the aforementioned March By Tens and Skin coming across as the very definition of spellbinding and relentless rock fuelled energy joined together with a deeply melodic twist.

Irata are touring the U.S with kindred spirits and labelmates Kylesa upon the albums release and fans of the band in this country should pray that this tour will come over to the U.K and if there's any justice in the world, it will.

Words by Gavin Brown

Thanks to Earsplit PR for the promo. Sweet Loris will be available to buy on CD/DD from Retro Futurist Records from October 09th 2015. Vinyl will be released at a later date.

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