Friday, 24 January 2025

Polish Stoner/Doom Rock Vand VOLT RITUAL presents single "The Giant Awaits" from upcoming "Swamp Lake City" EP


VOLT RITUAL are on their quest for the ultimate riff. The band was formed in Bielsko-Biała, Poland in the middle of year 2020. First rehearsals took place in an abandoned and cold house – anyway, a volt ritual requires only electricity. Since the beginning they have been focused on delivering heavy riffs and high-energy grooves. Main sources of inspiration were, and are to this day, Fu Manchu, Monster Magnet, Black Sabbath and Electric Wizard.

Self-titled debut album got released in June 2022 and from that time the band actively plays live shows with fellow riff mongers. December 2022 brought a new single “Droga 2023”, departure of founding member, drummer Marcin and arrival of Tomek, whose drumming skills take the band’s sound to the new level. With Tomek on board the band recorded an EP “Return to Jupiter” which got released on February 2, 2024 and brought answers to all questions about ancient ruins, cold outer space and high voltage. In the middle of the year Joanna took over the low frequencies department.

Year 2025 brings a new EP titled “Swamp Lake City” and of course more live shows.

Band comments their upcoming release: "These two songs have been with the band since the very beginning, yet they needed some time to get their final form. Armed with classic stoner riffs we wander through the Solar System and face the ultimate gothic horror"

Music for new EP was recorded in 2024 and all were mixed and mastered by Roch Gablankowski. Cover artwork was done by Mateusz Węgrzynkiewicz. Album will be released on February 2, 2025 on digital format (pre-save) and limited CD.

PREMIERE!

Listen to the "The Giants Awaits" song

at 666MrDoom Youtube channel https://youtu.be/TsVC5I8mkCo


at Rob Hammer Youtube channel https://youtu.be/vadTTJnXDs4


Tracklist:

1. The Giant Awaits
2. Miasto Wśród Bagien

BAND SOCIAL MEDIA

Facebook | Bandcamp | Spotify | TikTok | Instagram


Thanks to Solid Rock PR for all of the details.

MAD ACT - Party Off (EP Review)

Release Date: January 29th 2025. Record Label: Self Released. Formats: DD

Party Off  - Track Listing:

1.Crash 

2.Sleep

3.Doom Party

4.Call Of The Void


Review


Party Off is the new EP from Post-Metal trio MAD ACT who incorporate Sludge, Doom and Stoner sounds into the mix. There’s a crushing Industrial beat that’s added very early on into the mix which gives the EP quite a Digital Hardcore feel which reminds me of The Mad Capsule Markets at times before MAD ACT settles for a harsh Sludge/Post-Metal groove. 


Opening track Crash is quite punishing with it’s endless shift of Industrial dynamics which could even see a diverse influence such as NIN appearing within the progressive Sludge/Post-Metal environments. The band then switched to a heavier and meatier style of Stoner Metal that blurs the landscape of riff-centric grooves that is quite intense and psychedelic at times. MAD ACT delve into Experimental creative waters for a chaotic style of music that matches the lo-fi and violent production values that Party Off ultimately contains.


Second track Sleep settles for a more straightforward Psychedelic Doom/Stoner Rock opening with plenty of fuzzy passages that soon transforms into a sublime Post-Sludge vibe with little traces of Industrial beats becoming BIGGER and more PRIMAL without losing the focus of the solid foundations of the Sludge/Doom Metal template that serves MAD ACT superbly well on this track alone. This is the standout track on the EP as you begin to see the true MAD ACT starting to form and fully appear. There’s riffs galore within Sleep and with a dedicated sense of rhythm and melody, the full nine minutes quickly goes by. That’s not to say that MAD ACT don’t venture into heavier areas of music as they do but it’s the Psychedelic energy contained within this track that kept me fully and emotionally invested throughout.


Third track Doom Party returns to the harsh Post-Metal/Industrial landscape with minimal Ambient noises appearing and MAD ACT playing at a deliberately slow tempo for the first few moments of the song. It’s quite bleak and opaque at times but the small flashes of Post-Doom and Post-Stoner energy make the journey worthwhile before exploding into a heavier style of Sludge/Post-Metal beats. The song is still cautiously slow but with a menacing purpose. The drumming is simply superb and allows the rest of the music to grow naturally. The track definitely earns it’s “DOOM” aspect of its title as MAD ACT fall under the “DOES IT DOOM” category and this track most definitely does that.


The final track Call Of The Void has similar themes and sounds to the standout second track Sleep but with a heavier dependence on the gloomy Post-Whatever sounds that appeared within the other two tracks. It’s quite melancholic at times with the Psychedelic sounds once again allowing MAD ACT to conjure up and play a different style of Instrumental Rock/Metal.


Party On is an excellent and altogether different style of Instrumental Doom/Sludge/Stoner Metal with MAD ACT keeping the listener on the edge of their seats from start to finish. Hopefully the band won’t leave it another six years to release their next record. As this is a must have release for fans of Instrumental Rock/Metal music who like their music with extra BITE and AGGRESSION. 


Words by Steve Howe


Thanks to MAD ACT for the promo.


Party Off Fortress will be available to buy on DD from Friday 29th January 2025.


Links


Facebook | BandCamp


Thursday, 23 January 2025

UK Caveman Doom Titans CONAN release new track "Frozen Edges Of The Wound"; new album "Violence Dimension" out April 25th on Heavy Psych Sounds



UK battle doom legends CONAN announce the release of their anticipated seventh studio album "Violence Dimension" on Heavy Psych Sounds this April 25th and unleash an earth-shattering first track "Frozen Edges of the Wound" today.

A song for anyone fighting, whether that be an external or internal foe. Have strength for death comes to us all, just don’t make it an easy kill.

Get crushed by Conan's new single "Frozen Edges of The Wound"


In 2024, Conan signed to Heavy Psych Sounds as a recognized name and one of the foremost acts of their generation, wildly influential in their home country of the UK and well beyond; headliners in practice and theory alike. Their fifth LP, 2022’s ‘Evidence of Immortality,’ brought a dark ambience to coincide with its outright attack. With experiments in darkwave and synth adding breadth to the stated root purpose of aural force, it’s never been harder to guess where the next few years might take their sound, but whatever’s coming, Conan will make it kill. The better part of two decades later, their reliability remains unshakable. Which you want when your band is so heavy that the floor and your ribcage both start to vibrate.

About their new album "Violence Dimension", the band comments: "Violence Dimension is our 7th full-length release. We have come quite a distance in time and space since we released Horseback in 2010. One thing that binds us all is violence, be that within a video game, or in a movie or on the daily news. Violence affects our daily life, perhaps more than love or kindness ever will. We are all bound by death, whether we like it or not. This release explores the hinterland between being scared to live and bring scared to die, and punches holes in the idea that we must live our life by one set of rules. We all live in the violence dimension, and there is no escape.”

"Violence Dimension" will be issued in various limited vinyl editions, classic vinyl edition, CD digipack and digital, with preorders available now from Heavy Psych Sounds.

New album "Violence Dimension" - Out April 25th on Heavy Psych Sounds - PREORDER


TRACKLIST:

1. Foeman's Flesh
2. Desolation Hexx
3. Total Bicep
4. Violence Dimension
5. Frozen Edges Of The Wound
6. Warpsword
7. Ocean Of Boiling Skin
8. Vortexxion (Bonus Track)

Conan’s doom is singular. Carved of granite. Yes, of course there’ve been changes since guitarist/vocalist Jon Davis founded the group in 2006, but the intention at the time toward superlative heavy – tonal extremity wrought with impressionist lyrics stripping ideas to the core where sometimes the whole line is just one word; they’ve always called it “Caveman Battle Doom” – remains at the root of everything they’ve done since. And across five studio records in the decade from 2012-2022, Conan have set the standard by which much of “heavy” anything is judged. And in comparison, most is found wanting.

But for every time you’ve heard about Conan’s music being like galloping steeds or frost-covered sharp-peaked mountains, etc., imagery of largesse and violence, the truth is Conan are an exercise in frequency. It’s the low resonance that shakes your chest, the depth of the bass – now handled by David Ryley (ex-Fudge Tunnel) – the push of air from Johnny King’s kick drum, or the way the dark-fuzz distortion of Davis’ guitar is offset by shouting vocals cutting through that sometimes punishing onslaught, rarely to offer comfort so much as add viciousness to the crash, plod and pillage.

Asia tour 2025

2/24 – Moonstep, Tokyo, JP
2/25 – Bears, Osaka, JP
2/26 – Nine Spices, Tokyo, JP
2/27 – Jack Studio, Taipei, TW
2/28 – Rave By Phil's Studio, Singapore
3/2 – Mr. Fox Livehouse, Bangkok, TH

New Zealand tour (with Borer)

3/6 – Valhalla, Wellington
3/7 – Sydenham Underpass, Christchurch
3/8 – Double Whammy, Auckland

Australian tour (with Pallbearer)

3/12 March – Max Watts, Melbourne
3/13 – Lion Arts Factory, Adelaide
3/14 – Crowbar, Sydney
3/15 – Crowbar, Brisbane

CONAN is

Jon Davis - Vocals/Guitars
Johnny King - Drums
David Ryley - Bass

CONAN links

Website ⎜ Facebook ⎜ Instagram ⎜ Bandcamp ⎜ Spotify

HEAVY PSYCH SOUNDS links

Website ⎜ Facebook ⎜ Bandcamp ⎜ Instagram ⎜ Youtube

Thanks to Purple Sage PR for all of the details.

Dorre - Fortress (Album Review)

Release Date: February 22nd 2025. Record Label: Lay Bare Recordings. Formats: DD/Vinyl

Fortress  - Track Listing:


1. Two Crawled Up The Mountain - 9:37

2. Human Cyborg Relations - 5:28

3. Carbonite - 7:48

4. Ender - 10:40


Members


Adriaan De Raymaeker - Rhythm guitars

Wolf Overloop - Drums

Erik Heyns - Lead guitars

Jan Greveraars - Bass

Brecht De Rooms - Vocals


Review


Belgian Psych/Doom/Sludge/Stoner necromancers Dorre return with their new album Fortress and the record is a gateway into a new style of abstract heaviness with the band touching upon moments of Post-Metal, Prog Metal, Hard Rock and Gloomy Space Rock. The sound is influenced by the likes of ISIS, Mastodon, Monster Magnet, The Mars Volta and UFOMAMMUT with its highly adventurous and experimental themes which can be quite Avant Garde and Jazz-centric at times.


 However, Dorre never loses their precise Doom/Sludge Metal focus with the vocals having quite an aggressive and surreal tone which comes to life superbly within the epic opening track Two Crawled Up The Mountain. With a helpful dose of Psychedelia, Space Rock and hallucinogenic ambient themes that all conjure up moments of paranoia within the lyrics on the early stages of the album. 


It’s great to see how Dorre evolved into a band with sublime vocals which is quite different to the instrumental post-metal surroundings they originally started with. Brecht De Rooms adds a cinematic level of storytelling to Dorre’s sound and they’ve added Jan Greveraars on Bass since their last record. Jan’s bass is more ethereal and perhaps fully tuned into a Progressive delivery which suits the outlandish sound that Dorre accomplishes here.


Second track Human Cyborg Relations is a cunning blend of Jazz, Post-Rock, Sludge Metal and Prog Metal that a delicious Tech Metal vibe being added with a fascinating “STOP/START” delivery which almost explores a more “EXTREME” side of Post-Metal before Dorre pull back and play a classic style of Sludge/Stoner Metal that offers the most riff-centric grooves on the whole album. This is perhaps my favourite track on the album as it’s the perfect fusion of Experimental Metal and Straightforward Rock and Roll with moments of first rate Psych Rock passages.


The final two tracks of Carbonite and Ender leans heavily into areas of music played by the likes of CAVE IN, Mastodon and ELDER but with a frantic Jazz Metal atmosphere taking complete control especially on Carbonite. Even at this late part of the album, Dorre are still finding time to experiment, refine and recreate their sound with endless feedback loops, ambient sounds and avant-garde vocals whilst never losing sight of their Doom, Sludge and Stoner Metal backgrounds.


The final track Ender is the other standout track with Dorre wisely allowing themselves maximum time of around eleven minutes to play the most out there type of music on the album but one that is perhaps the easiest style of grooves and riffs to listen to on the more catchiest parts of the record. 


Fortress is an absolute MONSTER of a record and it’s an album by Dorre to always think outside the box that entertains the listener on a huge level from start to finish. In this type of form, Dorre are simply unbeatable and in a league of their own. With moments of sheer brilliant and devastating brutality, Fortress is a record that deserves to be heard by the biggest audience possible.


Words by Steve Howe


Thanks to Dorre for the promo.


Fortress will be available to buy on DD/Vinyl via Lay Bare Recordings from Friday 22nd February 2025.


Links


Facebook | BandCamp | Instagram

Wednesday, 22 January 2025

Hexjakt - Hexjakt (EP Review)

Release Date: January 31st 2025. Record Label: Self Released. Formats: DD

Hexjakt  - Track Listing:

Rites of Fire 8:05

Thunderous Skies 8:12

Valley of the Dead 4:50

The Flood 7:49


Members


Hampus Henningsson - Guitar/Vocals

Toni Åkerman - Bass/Vocals

Dan Nordin - Drums


Review


Hexjakt are a Swedish Doom/Stoner Metal band who add a menacing Sludge Metal attitude to their music Their debut EP sees the band’s music bound by the unearthly domains and gloomy rules set down by their forefathers such as Black Sabbath, Electric Wizard and even High On Fire when Hexjakt decides to play that aggressive Sludge Metal sound. There’s a long drawn out distorted FUZZY amplifier groove inspired by the classic teachings of Black Sabbath.


There’s quite a progressive energy moving amongst the darkened masses of the excellent opening track Rites Of Fire which shows Hexjakt include that trademark SWEDISH DOOM/STONER Metal energy into the mix which allows the album to be quite abrasive and focused on more reverb based pastures. The vocals are quite grizzled and from the old-school of HARD ROCK and HEAVY METAL dominance with a touch of modern aggression that matches the sublime “CAVEMAN” or “PRIMAL” lyrics that truly come to life on tracks such as Rites Of Fire, Thunderous Skies and The Flood.


If you ever wondered what CONAN would sound like if given a SWEDISH based makeover then Hexjakt are perhaps the closest you’ll get to that vision. The instrumental sounds are LOW & SLOW and quite deafening in places. There’s a subtle rhythm that appears content and confident throughout with a punishing rhythm section allowing the sludgy guitars to conjure up a classic style of Sludge/Stoner Metal that crackles with violent excitement when the Psychedelic/Sonic visions appear.


Hexjakt's self-titled EP may not be the most groundbreaking style of music it doesn’t need to be. The underground scene will no doubt worship at the ALTAR and CHURCH of HEXJAKT where the riffs speak volume. Hexjakt pays huge respects to the legendary bands of the genre whilst forging some downright brutally original grooves of their own towards the later stages of the EP. The production values are quite LO-FI based but matches the whole sound and creative vision which makes this such an outstanding record to release as your debut release.


Excellent and Highly Recommended.


Words by Steve Howe


Thanks to Hexjakt for the promo.


Hexjakt will be available to buy digitally from Friday 31st January 2025.


Links


Official | Facebook | BandCamp | Instagram

PIGS PIGS PIGS PIGS PIGS PIGS PIGS Announce New Album DEATH HILARIOUS, Release New Song And New Tour Dates


Hello hello

We are delighted to announce our new album 'Death Hilarious' for release on April 4th 2025. We're told its our hardest, funnest, most frantic and exploratory record yet. We can't believe its album number 5.

As you may already know we have some headline shows in the UK and mainland Europe for April and May 2025 on sale now.

Dates for North America are in the works and lets just say keep June and August clear.

And to kick us off today we have a music video for 'Stitches', the second single from 'Death Hilarious'.

All below...

Our fifth album 'Death Hilarious' is released April 4th.

It is available to pre-order now!

Featuring gorgeous artwork by Aaron Johnson. @aaronjohnsonart on Instagram.


And some words by someone who wasn't us for some context:

The fifth album from Newcastle’s riff wizards Pigs Pigs Pigs Pigs Pigs Pigs Pigs is defined by calculated aggression and self-lacerating lyrics. Its startling bonuses include playful synth work and the appearance of a giant of hip-hop. With its title juxtaposing absurdity and seriousness, this is Death Hilarious.

Whereas 2023’s Land Of Sleeper was conceived as an immersive headphones experience, this time Pigs strove for something more directly hostile. That objective came, in part, from playing so many gigs over the last couple of years, including headline tours across the USA, Canada and Australia as well as their native UK and Europe. The band felt well-oiled and ripe to give listeners at home the kind of pummelling their audiences receive.

‘Stitches’ is like Motörhead trying to perform glam rock with a tipsy keyboardist. Incongruous synthesiser solos appear where guitar histrionics would usually fit. Piano tracks lurk in the mix, adding near-subliminal depth to the maelstrom. With a bizarre and grotesque animated video from Ben Faircloth which depicts the band being mutated and mutilated by hideous hybrid fauna from across multiple dimensions of nightmares.

DEATH HILARIOUS TRACKLISTING

1) Blockage
2) Detroit
3) Collider
4) Stitches
5) Glib Tongued (feat. El-P)
6) The Wyrm
7) Carousel
8) Coyote Call
9) Toecurler

Stitches' music video, made by Ben Faircloth.

ON TOUR IN 2025

This is everything that is on sale now.

UK - APRIL 2025:

02 - Portsmouth, UK - Wedgewood Rooms - LOW TICKET WARNING
03 – Brighton, UK – CHALK
04 – London, UK – KOKO
05 – Bristol, UK – SWX
07 – Nottingham, UK – Rescue Rooms - LOW TICKET WARNING
08 – Birmingham, UK – The Castle & Falcon - LOW TICKET WARNING
09 – Birkenhead, UK – Future Yard - LOW TICKET WARNING
11 – Manchester, UK – New Century Hall
12 – Leeds, UK – Brudenell Social Club - SOLD OUT
13 – Leeds, UK – Brudenell Social Club - LOW TICKET WARNING
15 – Edinburgh, UK – La Belle Angèle
16 – Glasgow, UK – St Luke's
25 – Newcastle, UK – Star and Shadow Cinema
26 – Newcastle, UK – Star and Shadow Cinema
27 – Newcastle, UK – Star and Shadow Cinema

EUROPE - MAY 2025:

17 – Paris, FR – La Maroquinerie
22 – Cologne, DE – Gebäude 9
23 – Düdingen, CH – Bad Bonn
24 – Munich, DE – Strom
26 – Leipzig, DE – UT Connewitz
27 – Berlin, DE – Säälchen
28 – Hamburg, DE – Knust

and then as alluded to above
NORTH AMERICA - JUNE AND AUGUST 2025
details coming soon...

TICKETS AVAILABLE FROM PIGSx7.COM


Exclusive Video Premiere Of Grunge/Doom/Stoner Rockers TEMPLE OF DISCORD New Song BLACK OUT THE SUN


Dark and brooding, yet beaming with a multi-faceted appeal, "In The Ashes" explores a wide array of genres including classic heavy metal, alternative and grunge rock, dark folk as well as progressive rock. Marklund's vocals are intense and heartfelt, leading the instrumentation to uncharted emotional territories while constantly remaining on the verge of reaching fever pitch. From intense riff-driven bursts to semi-acoustic lulls, this album provides a gripping and unique experience for anyone listening.

"In The Ashes" is a dark exploration of the human psyche, mortality, and existential dread. The album delves into themes of death, self-destruction, and the chaos of inner demons, and explores the inevitability of mortality ("The Reaper"), the consuming nature of obsessive love ("Closer", "Black Out the Sun"), and the despair of self-inflicted pain ("Razor Me"), while also confronting guilt and the repercussions of violence ("The Fields"), and the search for identity amid self-loathing ("Someone Else"). 

In its final tracks, the album critiques societal deception ("All Their Lies") and reflects on personal downfall and alienation ("Rails"). As stated by frontman Mattias Marklund, "the album paints a grim, introspective portrait of loss, turmoil, and the longing for understanding in an uncaring world. But I consider myself a happy person. I promise."

Thanks to the cool folks over at Purple Sage PR and Ripple Music you can watch the stunning new video for BLACK OUT THE SUN from their outstanding upcoming new album IN THE ASHES due out February 20th 2025 via Ripple Music




Thanks to Purple Sage PR for all of the details.

Monday, 20 January 2025

New Single and Lyric Video from NC Sludge/Doom outfit DOOMSDAY PROFIT

Doomsday Profit (Durham, N.C.) is pleased to announce the release of “Doomsday Profit,” the first single pulled from a new full-length album of the same name, due out later this year.

Barely letting the dust settle on last year’s split with Virginia psych-doom titans Smoke (Olde Magick Records), Doomsday Profit is ready to showcase the next era in the band’s sound. Recorded in summer 2024, “Doomsday Profit” is a long-gestating thesis statement, with pointed lyrics giving life to the band’s moniker, and a monolithic, minimalist arrangement mining the purest ores of sludge and doom

Regarding the song, the band offers the following statement:

“Doomsday Profit” was one of the first songs we wrote, and we always pictured it as a sort of thesis statement. Lyrically, at least, we were trying to marry the political vitriol of our favorite hardcore punk with the senses of dread and inevitability that course through the best doom metal. How else are you supposed to feel when you can watch, in-real time, as the string-pullers of global policy, the heads of major business and government, continue to casually ignore every warning of catastrophe, just so they can squeeze a little more blood and money out of the third stone from the sun? We’re all doomed, and they’re the reason.

Musically, it took us a while to find the right way to deliver “Doomsday Profit.” It just didn’t feel complete, so we shelved it. When David Ruiz joined the band, we revisited it, and ended up paring down the arrangement. In keeping it a little simpler, it felt like it hit harder, and the lyrics could stand out a bit more. Another lesson from punk rock, it seems.

This is the version of “Doomsday Profit” we’re glad to present to you today, Inauguration Day in the USA. And as we send this, things are still looking pretty bleak. But one thing this band has proven to us, over and over again, is we’re not alone in our fear, or our anger, or our resolve to live the best lives we can while we can. This one’s for all of us. Love,

Doomsday Profit


About Doomsday Profit

There’s no time to waste. At least that’s how Doomsday Profit seems to be operating. After making their debut with the gritty stoner-sludge of 2021’s In Idle Orbit, the Durham, N.C.-based band issued 2024’s psych-leaning split with Virginia-based Smoke, and has kept the momentum going ever since. With their forthcoming self-titled album, Doomsday profit now has embedded an even wider array of influences into their acerbic, dystopian sludge. Particles of monolithic doom, grisly death ‘n’ roll grooves, driving punk rock and scathing black metal all flash in the band’s raw self-titled LP.

As ever, Doomsday Profit has a finger pointed squarely at the powers that be, but they’ve also learned to turn their ire inward, and balance their vitriol with melancholic nuance. This broader approach has turned their already dynamic performances into a must-see, with a live resume that includes Hopscotch Music Festival and Seismic Summer, as well as supporting slots with established acts like Thou, The Obsessed, Black Tusk, REZN, and Restless Spirit.

On this recording, Doomsday Profit is: Bryan Reed (rhythm guitar/vocals), Kevin See (lead guitar/vocals), Ryan Sweeney (bass/vocals), and David Ruiz (drums).

Website | Instagram | Facebook | TikTok | Bandcamp | Spotify

Doom Metal Legend DEE CALHOUN Announces New Book LUMAN And Releases New Trailer


Underground Doom Metal legend SCREAMING MAD DEE aka DEE CALHOUN of bands such as IRON MAN, SPIRAL GRAVE, THEE IRON HAND and now releasing amazing solo records under is own has announced details of his new book called LUMAN.

More details below

LUMAN Lowdown

Who: Dee Calhoun

What: Publishing sixth book (and second novel), titled "Luman." This will be my first hardcover release

When: Friday, April 4, 2025

Where: Online retailers and at Dee's live shows


Book Synopsis:

Cursed with a dark power that rises under the full moon, one man has discovered a dangerous way to keep it at bay is a method nearly as deadly as the curse itself. Resigned to a life of solitude, he is blindsided by love. But will this unexpected connection lighten his burden or lead him into even greater peril?

As the full moon tests the limits of his control and love challenges the depths of his heart, he must decide how far he'll go to protect the one who makes him feel human. A gripping tale of love, sacrifice, and the relentless fight against inner darkness, Luman will keep you on the edge of your seat.

Notes:

This is a story that I conceived in the early 1990s. I took a stab at writing it in 1996, but only finished one chapter and realized I was in way over my head. After I published my first full novel (One Whore's Town in 2021), I decided to revisit this story at some point. It was great fun seeing this story, and the scenarios within, come to life after all these years.

Just for grins, here is the teaser video: 


Thanks to DEE CALHOUN for all of the details.

DOOM ON - An Interview With ROB HAMMER


Today I'm interviewing the head honcho ROB HAMMER behind the incredible Facebook Group Doom/Stoner/Sludge/Psychedelic and runs the excellent YouTube Page ROB HAMMER *stonerdoom*psych*sludge*grunge*metal* amongst other pages as well including one for his beloved and favourite band CONAN.

Rob Hammer explains how he became involved with the underground scene, building up his Facebook and YouTube pages over the years and also his role within orchestrating the mighty downfall of SMOD.

There's a lot of ground to cover and I'm grateful for Rob to completing this excellent and in-depth article. Read now.

Hi Rob. Thanks for doing this interview. How are things with you today? We’re here to talk about your amazing Facebook and YouTube channels. Can you give a brief history of how you became involved with the Facebook Page and when did you start the YouTube page.

Well it's more the other way around. In 2014 my youngest brother invited me to the biggest Facebook group there was at the time (and still is) DSSSM "Doom Stoner Southern Sludge Metal". I had never heard of doom metal even though I had been a music lover/collector for decades. Within months I was completely hooked! In the beginning I had no love for harsh vocals so bands like Windhand, Ufomammut & Arc Of Ascent were among the first ones to impress me and then there was Conan. I quickly found out that I had a thing for psychedelic effects and CRUSHING doom.

After relentlessly posting for quite some time I got asked to become a reviewer (for the Doom Charts) but since EngIish is not my first language (I live on the European mainland) I declined. Same thing when I got the offer to become a page admin for The Sonic Void. I knew I wanted to do more to help out "the scene" but I was still in doubt about how to do that. 

Then I contacted Tangy Zizzler, the guy behind 2 YouTube channels: Mr Stonebeliever & The Bong Druid Of Mammoth Weed Mountain, requesting to upload a couple of songs that were missing on YouTube. Nothing but respect for him but him failing to do so basically lead me to the decision to start a channel myself. The premier channels back then were all more into heavy psych & stoner or focused on traditional doom (The Holy Parish) so I saw some room on the heavier side of the spectrum. Blackened or funeral doom & doom/sludge, even though my personal taste at that time was very much pure (stoner)doom. 

In the early 90's I ate grunge for breakfast, lunch and dinner so a fantastic live track by Alice In Chains was my first upload in December 2016.. In the months after that, John Vasilakis (of The Sonic Void channel & page) explained to me how to do full album uploads and that really got things started....

YouTube: https://www.youtube.com/c/ROBHAMMERstonerdoompsychsludgegrungemetal

From the moment I had my channel I started posting my uploads in other groups as well. In that period I also got in touch with Sue Wright from Scotland (whom I asked to be my fellow admin once I had my own group) and Joe Eldridge. This American guy started a “secret” group on FB called Shadebeast and for quite a while we had an “incrowd” group filled with reviewers (such as yourself Steve 😉) , musicians, YouTubers (666MrDoom for example), bloggers, label owners, you name it. 

At some point Joe decided to make a number of members admin, so I got to see and experience what that meant which sparked the idea to get a group myself, and connect that to my channel in the hope that both would strengthen eachother.

One of the groups that I was active in was PUBLIC (it's private now but it had my my prefence back then), as where most others were private. It had exactly the genres that I wanted AND I saw that it was completely unmanaged at that point. I reached out to one of the admins and offered to start running it. So in May 2018 I was added as a moderator at first. I booted hundreds of inactive/bad accounts, deleted many posts that had no business there and I created a few announcements that contained some strict rules. 

The DSSSM group was filled with (weed)memes and I noticed that many of the more serious music lovers were fed up with all the bs that was posted in there, so that was the main reason to “take over” the Doom/Stoner/Sludge/Psychedelic group and change it into the more serious counterpart of DSSSM. I started adding the link to the group to my uploads and told the bands that I came in contact with about it as well. So we went from 12K members to the 37K that we got now and it's still growing hard.

Facebook (Doom/Stoner/Sludge/Psychedelic): https://www.facebook.com/groups/jpriest011

Has it surprised you how popular your channels have become over time and how important people consider your efforts to the overall underground scene. Truth be told, I only follow a few YouTube pages now and again but yours and 666MRDOOM I follow religiously every day or so. Helps me out on great records I maybe missing. So thank you for that. Do you follow any other YouTuber channels within the scene or do you focus upon your own stuff?

I think I can answer both questions in another lengthy answer 😉.

In the beginning there were a number of channels that had my attention and I'm subscribed to ALL of them because I wanted to know as many bands as possible. In order to get/buy/download music I got me a Bandcamp account where I started following a number of people that had (way) more experience and that I had gotten to know in the DSSSM group, as well as all bands & labels that I came across in groups, were uploaded by others and so on.

I'm close to 13K and new bands get added almost daily. Especially on Bandcamp Fridays it'll get crazy and I've had days with over 800 mails! In general I get dozens of Bandcamp mails even on the slowest of days. I also get many requests by mail and via pm's on Facebook & Instagram. (my “handle” for those 2 social media pages as well as for YouTube = @ Rob.DOOM.Hammer ). 

I think I put in 10-20 hours per week on my hobby but when I look at all the love I'm getting I can only say that it's totally worth it!!! You mentioned my “efforts to the overall underground scene”, but I'm just one of many! Earlier I named some of the people who were in that secret Shadebeast group and it's a combined effort of us all to help out the bands who spend a lot of money on gear, practice space and recording studios! That's the main reason why I refuse to make money in any way with my hobby. Every now and then I'll accept a CD or t-shirt but in general I'm just glad to get a download code for Bandcamp (where I spend at least 150 euros every month). I do what I do to support the underground scene, NOT to make a profit!

Do you have a set of rules that you abide by when uploading bands to your channel. (I know the SMOD rule which we’ll discuss later)? And what's your take on AI?

Well my rule in general is that I have to like the music! But of course there's stuff on my channel that's not really my thing but sometimes you also have to make choices in order to grow the channel which –in the end- will benefit the bands and labels on it. I try to spread my uploads as much as possible over the course of the day and when a do single track I usually follow with an EP or album. 

Pretty recent there's a big discussion about AI music. There's a bit of a grey area as I know of one band that writes the melody lines themselves but use AI to complete the songs. I did upload it but I don't think I'll do it again. But fully generated AI music? NO! I wanna help artists and bands! Not a guy that happens to be good with a computer program...I do however feel that the use of AI art is completely up to the one who's publishing the music.

Right. Time to the main business of the whole SMOD controversy. We were big advocates of banning that person (not even going to say the dude’s name) from the scene back in the day. How did you become aware of SMOD’s dirty underhanded practices? For myself, it was SMOD publicly threatening a female friend of mine using derogatory, sexist and racist terms. Also using my work without credit. I decided enough was enough.

For those who don't know what “SMOD” is; there's an American guy who runs a YouTube channel called Stoned Meadow Of Doom = SMOD.

I'm not sure if it were the "friends only” Facebook posts by Tangy Zizzler (of those 2 YouTube channels mentioned earlier), or the post by your colleague reviewer Frazer Jones (of the Desert Psychlist blog) in the (small) Hard Rock Revolution FB group about SMOD using reviews by others, mixing them up and pretending they were written by himself.



It felt like an endless battle for both of us. As we pointed this out, he had some high profile supporters still backing SMOD and telling us that we were wrong. It was frustrating and getting horrible backlash from his horrible cult of followers for stating the obvious. Even when we had evidence of this it still went unpunished. Did you ever feel like giving up at times which I unfortunately did as it affected my mental health.

Well he left me alone at first -my channel was probably too small at the time- but when I got my first takedown request because SMOD demanded exclusivity- I got mad and did an extensive post in the DSSSM group bringing all his shenanigans out to a big group for the first time, and that post was active for months! SMOD left the group when he noticed that people were clearly not on his side! For those active on FB, this is the permalink to a copy of the post that I did on my own page: 

https://www.facebook.com/Rob.DOOM.Hammer/posts/pfbid036aY7gLAby2ePuRNVroVFKSUrWoJK8bnRyKrRxZ72tna5zDVmUY5L7F7rPYbzzUgbl

Pretty soon after, my channel was taken down by YouTube. I got 3 emails with some vague reasons and that hit me pretty hard! I was very fortunate that a member of a band that I had promoted, read my post about my channel being taken down and he sent me a pm telling me that he worked for Google, and he was going to dive into the situation. 

It turned out that my channel all of a sudden had been massively reported so bots took it down. He got humans to take a look at it, and they quickly realised that there was nothing to report and it was simply an attack by a group of people trying to shut me down! Luckily my channel got restored after a couple of weeks, but without this Polish guy I might have given up eventually.

We formed a cool alliance with other folks and slowly the message started being heard but yourself and the other dude (whose name I’ve forgotten, apologies) were the main factors of SMOD finally get his just rewards. It was great to see his “EMPIRE” starting to fall and his biggest supporters starting to see what despicable practices he was upto with bands, individuals and anyone who disagreed with him in the scene. Was that one of your proudest moments you accomplished within the scene?

It was a post by a guy called Luca Piazzalonga at the end of 2019 that eventually led to a shitstorm that REALLY got the scene to notice!

You already mentioned the harrassing of female musicians or girlfriends of musicians, the stealing of reviews but lots of other stuff as well, most particularly the stuff that was going on in his FB group SMOD Nation. Homophobic/anti-semitic and racial slurs + the condoning of racism/fascism & 'Heil Hitler' memes in there. Several pages did articles/posts about the situation even though half of the stuff that I/we know wasn't even mentioned!

https://www.metalsucks.net/2020/02/19/stoned-meadow-of-doom-youtube-channel-founder-reveals-himself-as-racist-sexist-edgelord/

https://astralnoizeuk.com/2020/02/18/venomous-beed-the-problem-with-stoned-meadow-of-doom/

https://mfknzine.com/2020/02/17/stoned-meadow-of-doom-youtube-channel-outed-for-racist-comments-by-metal-community-alternative-channels-to-switch-to/

https://monsterriff.com/2020/08/08/a-fall-from-grace-what-happened-to-the-stoned-meadow-of-doom/

I can't say that that was one of my proudest moments but I was sure glad that the scene finally took notice! All big bands and almost all labels stopped working with him.

No, proud moments were more like doing a radio show for a local radio station where I handpicked all the music and got to talk about my hobby for 2 hours 😀 . I curated a compilation of unsigned bands that got released on CD by the Off The Record Label and I also curated 7 very succesfull compilations for the Doomed & Stoned Bandcamp page. Recommending bands to the directors of my 2 favourite festivals, and then seeing them get signed? Yeah, those were moments I was proud of 😊 .

I don’t know if SMOD is relevant or as important as he once was but it’s great to see him not having much of a say within the underground scene. Though, I know some bands still support him. I even have folks send them videos of his page of their album for me to review. They get deleted full stop. Does that annoy you as well to see folks still supporting SMOD?

Well if a band is already on my channel and I see it appear on SMOD I will reach out and tell them the story. The majority of the bands are just new and unaware. Most of them ask for a takedown or simply won't work with him no more on future releases which is ok for me. But in some occasions I'll simply take down my own upload and delete all evidence of promoting them.

In October 2023 YouTube implemented some new rules taking away the option to make money of another artists’ work so that took away his income! (He's now now charging 25$ per upload).

I'll admit that I had lots of fun when I found out that monetising was no longer possible 😝.

You told me previously that SMOD and his followers still harass you to this day. How do you deal with that? They don’t bother me now as much but perhaps after this interview is published I may be reacquainted with some old friends.

Well some time ago on international coming-out day, I got a new profile pic using the rainbow colours. As a hetero I wanted to show support to the gay community. I got ridiculed in SMOD nation for being a faggot and such. But it's basically been quiet ever since. SMOD will most likely never fully go away but as long as I'm active in the scene I won't stop informing people. It's my belief that people of all colours & gender, or from whatever sexual orientation, background or religion should feel welcome in the stoner/doom/sludge scene!

OK, enough SMOD talk. Do you love any other genres of music and would you consider putting those artists on your YouTube channel or perhaps even start another one?

Well the length of this interview is already getting out of hand so I won't elaborate on that. But Roy Orbison was the first artist that I loved as a very young kid. My 2nd LP was by the Selecter (2 Tone ska). Bowie & Prince dominated my teens and a bit later Bob Marley as well. And then I discovered grunge.... Soundgarden & Alice In Chains are my 2 alltime favourite bands but I collected anything that was labeled grunge in those days. But recently I actually uploaded some reggae to another channel as that's the music I listen to the most when I'm taking a break from doom. That's the very short version 😉 .

I know your deep love, respect and admiration for the mighty CONAN. Who are perhaps your favourite band (but I could be wrong on that one). How did you discover CONAN? Which release was this?

Yeah Conan is my current fave band. I was brand new to the scene and I'm not sure, but I think I first checked the video that they did for “Foehammer”, a track of their 2014 masterpiece Blood Eagle. My youngest brother & I went to see Conan for the first time in April 2015 (in the weekend of my birthday). I introduced myself and had my picture taken with the band. 

Some time later, completely by coincidence, I met Conan's Jon Davis on a small festival when he was the tour bus driver for The Skull. I introduced myself again and that started our contact. In the time after that I set up a YouTube channel for Jon's record label Black Bow Records https://www.youtube.com/c/BlackBowRecords and a Facebook group: CAVEMAN BATTLE DOOM *a group about CONAN and all associated things* https://www.facebook.com/groups/525649494915850

And you had the chance to listen to new material before it’s even released. Have you heard the new album? What can we expect?

Yeah I had the honour and pleasure of listening to all new stuff that Jon released after Revengeance (2016). He knows that I speak my mind so I guess he wants some honest feedback. I always do a little teaser post on Facebook but without actually telling anything 😉

So sorry, I can't spill anything about the new album except for this: it's Conan being Conan so WITH 2 vocalists...

We all need time away from the underground scene. How do you switch off and relax? Do you spend time with your family or have any hobbies that you’re involved with?

Well I keep my private life away from my hobby for the most, except for some pics that I share on Instagram. You can see there that I like to travel (over 30 countries). I play basketball and watch a lot of NBA (Stephen Curry & Luka Doncic are my favs). In the weekend I'll be doing beers at my fav bar and most Sunday evenings I'll go to the movies with one of my best friends.

If someone asked you for advice on starting a Facebook/YouTube channel, what advice would you give them?

There's actually a guy that's been harrasing me and George (666MrDoom) about this for quite some time. He keeps coming back with fake name accounts and emails asking for advice. Well except for being mentally stable; you REALLY have to commit because messages and requests will be coming non-stop! 

In 2019 my streak of daily uploads stopped because I went to China for 3 weeks. Same in 2022 when I got hospitalized twice with gallbladder issues. But last year I went to The Gambia (Africa) and I programmed stuff from my still-to-do list so my subs got something new to listen to every day 😉.

Rob, thanks for doing this interview and for the wonderful work that you do. You’re an asset to the scene. Keep up the great work.

Steve, same goes for you!!! One of your first sentences was: “Can you give a brief history”, I failed that one big time 😉, sorry ‘bout that... but thanks for having me.

I would like to thank the people that I haven't mentioned, but have helped & supported me for the past 10 years. Doom on!

Words by Steve Howe and Rob Hammer