Showing posts with label Album News. Show all posts
Showing posts with label Album News. Show all posts

Friday, 7 August 2026

Doom/Stoner Metallers DEATHCHANT Announce New Album KOVA And Premiere New Song/Video For ENEMY. Album To Be Released Via RIDINGEASY RECORDS


We are all at the unforgiving whim of life’s extremes. For every moment of overwhelming sorrow, there’s another of indescribable bliss. For every death, there’s a birth. For all of the darkness, there’s just as much light.

Deathchant have never shied away from extremes. Their sound seamlessly oscillates from high-octane rubber-burning riffs and gravelly chants to purring feedback and melodies as expansive as the desert at night. After gathering millions of streams, earning enthusiastic acclaim, and an endless string of packed shows, the Los Angeles, CA quartet—Thomas J Lemieux a.k.a. TJ [guitar, vocals, keys, bass], Doug Stuckey [guitar, vocals], Quinn-George Camacho [bass], and Nick “Joose” Mcdonnell [drums]—explore life’s highs, lows, and everything in between on their fourth full-length LP, KOVA [RidingEasy Records].

Named after their late friend Davey Kova, it’s simultaneously a raucous send-off worthy of a Viking, an introspective look at manhood, and a dyed-in-the-wool badass barnstorming hard rock record.

“To me, Deathchant means very intense brotherhood and friendship,” observes TJ. “I have a truly safe place to express every facet of myself. Even though we’re really heavy, this is also a vehicle for me to explore softer sides of music and wear my heart on my sleeve. For the last nine years, it’s allowed me to be a raw nerve. It was often brutal, because we lived our lives in the world of motorcycle culture, drugs, and partying. At the same time, I always had space for reflection. We implicitly trust one another. It’s rare for a friendship—let alone a four-way working relationship. I recently became a new dad, went through a divorce, and experienced serious loss. All of these massive shifts fed into the music, making it angrier, but more revealing and intimate.”

Back in 2018, Deathchant began to make noise on the West Coast. The group captivated a cult-like audience with the self-titled Deathchant [2019], Waste [2021], and Thrones [2023]. They landed looks from CBS News, Angry Metal Guy, and It’s Psychedelic Baby Magazine who marveled at their “combination of rumbling noise, chiming guitar melodies, bluesy boogie, NWOBHM thrash, and punk fury.” Plus, they ignited the YouTube channel Jam In The Van with a fiery performance and canvased the globe on tour, playing at festivals such as Psycho Las Vegas, Desertfest Belgium, Keep It Low Festival, and SonicBlast Festival.

While writing KOVA, they said goodbye to its namesake.

“My best friend Davey Kova was a dude who white-knuckled life, treated each day like it was his last, took chances, rode fast, and partied hard, but he was the sweetest guy you could ever meet,” sighs TJ. “It’s a weird way to live, yet it’s beautiful. He passed away during the writing process. The record seemed to finish itself after that. The album is a eulogy to not just Davey, but countless friends we’ve lost in the last couple of years.”

TJ helmed the album as producer and sent it off to Kurt Ballou’s legendary God City Studio in Salem, MA where Zach Weeks mixed it. Sonically, it maintained the edge that fans have come to know and expect with some slight tweaks.

“KOVA is different,” affirms the frontman. “I expounded on the lyrics more than I usually would’ve, because the subject matter is so personal. The vocals are also bit dryer and more intentional. You really feel it.”


The opener and first single “Enemy” definitely sets the tone. Feedback groans until a melodic lick pushes the song into overdrive. It culminates on an ominous refrain, “You’re the enemy…Keep the enemy close.” Fret-burning leads entwine at a breakneck pace, bleeding into a screeching solo drenched in wah and echo.

“It’s lyrically related to ‘Mirror’ from Thrones,” he reveals. “You’re ultimately realizing that you are your own worst enemy. So, you’re drowning the ego and being real with yourself about who you are. It’s aligned with the overall concept.”

Then, there’s the two-part title track “Kova (Crawl) Intro” and “Kova (Crawl).” On “Crawl,” acoustic strumming creaks beneath a soulful tear-soaked verse as he laments, “I heard that little boy go quiet, with heavy hearts we said goodbye.” Its heavier companion stomps forward on a swinging rhythm and chugging groove. Offering up a coronation over power chords, the hook booms with bravado, “Call him the king of wild hearts.”

“I was initially writing the song with a vague character in mind,” TJ goes on. “Davey died, and it became clear that the song was fully about him. That’s really when the chorus came to fruition. You’re watching someone slowly kill themselves in a tragic way. The acoustic and heavy versions are equally important. The two parts resemble the ripple effect Davey’s two sides had on people—the dark and the light sides.”

Then, there’s “Worshipper.” A fiery riff smolders in the foreground, giving way to a sample of Shannon Lay above distant gothic strings. “It’s dark as fuck,” he sighs. “I was dwelling in a really pessimistic place with a negative world view. I was depressed and drinking a lot. I had a few people around me who were leaning into Narcotics Anonymous, Alcoholics Anonymous, religion, and therapy. All of those things may be wonderful. However, they can also give a narcissist an artillery of weapons to use against others. ‘Worshipper’ embodies the weaponization of spirituality by a fake person on a soapbox. You’re worshipping a false prophet.”

“Forgiveness” hinges on bluesy guitar transmissions and a dusty vocal. TJ muses, “Truth is a chamber of bullets and echoes of friends.” Flanked by wailing six-string cries, he accepts, “The curtain keeps closing, but it’s too late to leave now. Goddamn.”

“The lyrics lined up with everything else,” he says. “It’s the human existence of battling addiction and living life to the fullest.”

Ultimately, this is the soundtrack for waking up and going full throttle in pursuit of whatever drives you.

“We’re lucky to be able to tell stories of a legend who’s not with us anymore,” TJ leaves off. “When you have good friends and bandmates around you though, the phoenix rises, and something beautiful comes out of that loss. Life is tough, incredible, and gnarly. Go ahead, embrace who you are, and keep going.”

KOVA is available for pre-order now on CD/DD/Vinyl and will be released by RidingEasy Records from September 25th 2026.

Links


Thanks to RidingEasy Records for the details.

Saturday, 6 June 2026

Doom/Sludge Metallers DREAD WITCH to release new album on October 31st 2026. Reveal New Artwork For Upcoming New Album.


Danish doom band DREAD WITCH are pleased to announce that their new album "CULT" will be released on LP, CD and digital on October 31st 2026.

Produced, mixed and mastered by Tue Madsen, "CULT" is a journey through dark landscapes of monumental bone shattering riffs, unnerving lyrics and haunting vocals - be prepared!

The LP will be released through Dutch label DHU Records, while DREAD WITCH will release the CD themselves through their own label Bottomless Pit. Gateway Music will handle the digital distribution.

DREAD WITCH will drop a music video for the title track later in June

Feast your eyes on the amazing and psychedelic art by Deliriavision!


Links

Thursday, 4 June 2026

Cosmic Doom/Stoner Metal Collective REDWOOD Releases New Song FUTURE From Upcoming New Album HYPERSPACE


California's institution of one-man heavy psych and space rock returns with epic new album "HYPERSPACE", cranking up the out-of-this world vibes and delivering ten tracks as only REDWOOD can.

Single "FUTURE" leads the charge with an 11 minute space odyssey, out now and streaming everywhere.

In the band's own words:

The single “FUTURE” dives into the unfortunate reality that we might not be in control of our future as a species, no matter how determined we are to make the world a better place, no matter how much we try to live in the moment, no matter how much progress we make in our society. There are times in life where I feel like the future is a sentient creature, and no matter what we do, it will do what it wants. It rules us like a dictator, and any evolutionary step forward we make in the world, feels futile at times. This song is written from the eyes of the sentient creature that we call “FUTURE”.

“I am the future
I killed the past
I am the future
and you will never last
All hail the future”


With "HYPERSPACE", this newest chapter of REDWOOD is easily my personal favorite so far, and I’ve been hard at work since the moment I finished the album “TIME TO LOSE”.

As a completely self-taught solo project, every album has been an opportunity to learn, grow, and improve through persistence and hard work.

At 10 songs, this is my longest release to date, bringing together many of my favorite elements from everything I've created so far, as well as re-recordings of songs from my previous solo project “Bloodshot Buffalo”. I don't do this for money or recognition—I do it to create something that might outlast me. If there's one REDWOOD album I'd recommend listening to, it's this one. I sincerely hope you enjoy it.


REDWOOD - HYPERSPACE

Out June 12th, 2026 (Digital)
Self-released
Northern California
Album art by Mirkow Gastow

Tracklist:

1. HIGHWAY NOVA (6:38)
2. HYPERSPACE (6:59)
3. ANOTHER PLANET (4:35)
4. GOT A FEELING (3:54)
5. LAND OF ANCIENT NOTHING (7:06)
6. OPIUM AND STIMULANTS (4:03)
7. MOTHER EARTH (4:06)
8. ASTEROID (6:03)
9. INVADERS (8:12)
10. FUTURE (11:32)

Links

Thanks to Good Boy PR for the details.


Saturday, 30 May 2026

The heavy blues trio BIRDSTONE will release their new album ‘IV’ on October 16th via Harpyes Records. They are unveiling a video for the debut track: "NO ONE ELSE".

Photo credit: Léonard Szakow.

When the power of blues meets heavy rock! French three-piece BIRDSTONE are announcing the release of their fourth album entitled ‘IV’ on October 16th 2026 via their own label Harpyes Records. Debut single and music video "No One Else" are due out on May 29th 2026, however Metalheads Forever are premiering the gem now.

Between ethereal atmospheres, dramatic tensions and impetuous climaxes, BIRDSTONE is crafting a magnetic world. The project fuses the mystical power of traditional blues with all the intensity and texture of heavy rock. 'IV' was recorded live in a family home tucked away in the French countryside of Aveyron, timeless and far removed from noise and daily stress. From this creative setting emerges a raw power, drawing equally from heavy psych, 70s hard rock and blues music. On top of this comes a pronounced taste for the mystical, mythological themes and esotericism. The six tracks on the album exude an organic, almost instinctive coherence. ‘IV’ is an album fuelled by contrasts, embracing and elevating its rough edges.


The album was recorded by Birdstone and mixed by Benjamin Rousseau. The mastering was handled by Thibault Chaumont at Deviant Lab studio. The artwork for the album cover and singles was created by Léa Largeau.

BIRDSTONE new album 'IV' -  Out October 16th 2026 via Harpyes Records.
Formats LP, CD, digital: PRE-ORDER.

Artwork: Léa Largeau.

TRACK LISTING

1. No One Else
2. Blackhand
3. Largo
4. Vultures
5. Fade and Disappear
6. Swell

The Lowdown

French heavy-blues trio BIRDSTONE unite the soulful energy of blues with the power and richness of heavy-rock. At the crossroads of mythological themes, esotericism and simple human passions, they narrates the inner struggles of human beings, as well as their mystical aspirations. Basile, Edwige and Benjamin draw their inspiration from rural life, just as the bluesmen did in the Delta in the late 19th century. Mourning, loneliness, doubt, corruption, but also rage and hope are all impulses and guides in the interweaving of the trio's melodies and lyrics, constantly navigating between grandiloquence and intimacy.

Their debut EP 'The Cage', released in February 2017, establishes the foundations of the band's musical universe: a kind of mystical trance, mixing the fiery spirit of rock with spiritual and religious topics. Their debut album 'Seer' (February 2019) has paved the way for the band's international development.

In 2022, just as the old world was crumbling, Birdstone released a new chapter: ‘Loss’.

Relentlessly and purposefully drawing inspiration from blues, soul and rock, the album ‘The Great Anticipation’ – released in 2024 – takes The Black Angels, Greenleaf and The Devil and the Almighty Blues and puts them through the mill to create a fresh, powerful sound.

The band performed at major festivals such as Hellfest, Terres du Son and the American Tours Festival, as well as supporting acts including Mars Red Sky, TriggerFinger, Monkey3 and King Khan & The Shrines.

BIRDSTONE’s new album ‘IV’ will be released on October 16th 2026 via Harpyes Records.

LINE-UP

Basile Chevalier-Coudrain: vocals, guitar
Edwige Thirion: bass
Benjamin Rousseau: drums

Links



Thanks to Shake Promotion For The Details.

Tuesday, 19 May 2026

Bristol’s Progressive Sludge Quartet URZAH share 3rd single 'The Call Beneath' on APF Records (Mastiff, Video Nasties, Swamp Coffin)

‘A Tranquil Void’ Cover Art (Credit: Putra Satria Nugraha)

Formed in 2020, just before the pandemic hit, Urzah’s intensely collaborative and productive writing process was immediately evident, leading to the quick release of self-titled EPs ‘I’ (2020) and ‘II’ (2022). These laid the foundation for Urzah’s unique brand of ‘progressive sludge’. Inviting comparisons to Neurosis, DVNE, Mastodon and Elder, their forward-looking sound combines the abrasive elements of punk and post-hardcore with atmospheric post-metal passages and soaring melodies.

Urzah’s vision of ‘Earthen Heaviness’, combining oppressive darkness with moments of transcendence and cosmic awe, was realised on their critically acclaimed debut LP ‘The Scorching Gaze’ (2024, APF Records). The band’s sonic world draws on both the intensely personal – rage, loss, grief and self-doubt – and a profound awe and vulnerability in the face of the celestial and natural worlds, framing visceral human struggle within vast cycles of death, decay and rebirth.
 
Since their debut, Urzah has refined their live shows across the UK, playing festivals and headline shows, and sharing stages with a diverse roster of heavy bands including Bongzilla, Tuskar, Mastiff, Greenleaf, OHHMS and Dopelord, as well as progressive atmospheric bands such as Hidden Mothers, Underdark and Nadja, demonstrating their strong cross-genre appeal.

The band recently announced that they are set to release new LP ‘A Tranquil Void on 5th June 2026 via APF Records. The record marks a defining moment for the band, following up their critically acclaimed debut ‘A Scorching Gaze’ (2024, APF) with an even more assured, mature and ambitious full-length. Conceptually, ‘The Scorching Gaze’ and ‘A Tranquil Void’ function as a visual, musical and thematic diptych; where their debut burned brightly with the rage and destruction of an erupting volcano, their new LP captures the cathartic, contemplative still that follows.

Tom McElveen (vocals/guitar) comments on 3rd single "The Call Beneath”, “this track is about dealing with grief for the first time, and letting yourself be pulled into its depths so the earlier version of yourself can die and a new one can be reborn and ‘rise to the surface’. This process can only happen when you stop resisting it. We play with dynamics and moving time signatures to build and rebuild tension, taking us through to the final cathartic stage of rebirth at the pinnacle.”

Listen now: https://lnkfi.re/91RJX1aJ / https://youtu.be/RNRSz6cDeOQ


Across 8 tracks, ‘A Tranquil Void’ pushes Urzah’s sound even further, combining brutal riffs, complicated meter and searing guitar tone with deeper explorations of space, dynamics and atmosphere, incorporating folk influences and drones built from cello and guitar. 13-minute album closer ‘Entwined, Twisted Roots of Chaos’ sees Urzah at their most ambitious; across multiple interlocking sections, enriched by guest vocals from friends in the Bristol scene, the song builds from a haunting whisper to a planet-obliterating roar.

ALBUM TRACK LIST


1. At the Mouth of the Cave
2. The Call Beneath
3. Infernal Star I
4. Infernal Star II
5. Bark & Branches
6. In the Mouth of the Wolf
7. Hunter in the Veil
8. Entwined, Twisted Roots of Chaos

Recorded at Stage 2 Studios, Bath, in November 2025, the LP was produced, mixed and mastered by Josh Gallop. Cello was provided by Luke Clemenger, with additional vocals from Dave Cook (Empire of Dust), Chris Wilson (Row of Ashes) and Victoria Bourne (The Spark’s Desire). The album artwork was created by Indonesian artist Putra Satria Nugraha.

ALBUM LAUNCH PARTY, EXCHANGE BRISTOL – 25th July 2026

To celebrate the release of their new album, Urzah are hosting a launch party at Exchange Bristol (main room) on Saturday 25th July with special guests HUNDRED YEAR OLD MANMOUNTAINSCAPE and DEAD SPACE CHAMBER MUSIC.

Urzah are proud to be part of Bristol’s thriving and diverse music scene, so this specially curated line-up is intended to showcase the best cutting-edge, genre-defying and progressive heavy music.

This immersive, atmospheric and crushingly heavy night will feature experimental gothic doom from Dead Space Chamber Music (Bristol), soaring cinematic post-metal from Mountainscape (Reading), crushing atmospheric post-metal from Hundred Year Old Man (Leeds), and brand-new material from Urzah’s long-awaited sophomore album ‘A Tranquil Void’.

LIMITED EDITION ‘SUPERNOVA’ VINYL VARIANT – https://apfrecords.co.uk/albums/a-tranquil-void

To celebrate Urzah’s new album, APF Records will be offering a limited-edition vinyl. The ‘Supernova’ variant features a blue and white burst, evoking the celestial vortex of the LP artwork.

URZAH LIVE:

Saturday 23rd May - Bristol, Loco Klub (Temple of Doom festival)
Friday 29th May - Bath, The Bell
Wednesday 10th June - Portsmouth, Edge of the Wedge
Thursday 11th June - Brighton, The Pipeline
Friday 12th June - Kent, Poco Loco, Chatham
Saturday 13th June - London, The Devonshire Arms, Camden
Friday June 26th - Newport, McCann's Rock N Ale Bar
Sunday June 28th - Torquay, Arena
Saturday 25th July - Bristol Album Launch Party, Exchange
Saturday 1st August - Chelmsford - Bay Days Festival

URZAH ARE:

Ed Fairman - Vocals / Guitar
Tom McElveen - Vocals / Guitar
Dan Bradley - Bass
James Brown – Drums


Thanks to For The Lost PR for the details.

Friday, 1 May 2026

Swedish Sludge Metal quartet MOLOKEN announces new self titled album and shares first single and video

MOLOKEN - Photo by Marcus Norman

Swedish four-piece Moloken have spent nearly two decades forging a sound where doom, death, sludge, black and post-metal converge into something singular and immersive. The result is a unique blend of dark, moody and menacing music that manages to be both cerebral and crushingly heavy.

Today, Moloken announces their self-titled fifth album for a September 25th release via Discouraged Records. The album marks a powerful return after six years of silence - a dark, introspective journey through themes of consciousness, death, and eternity - and with the album announcement, the first single and video ‘A Night Vision Revealed (Asterion Pt. I)’ is released.

As an entry point to the album, ‘A Night Vision Revealed (Asterion Pt. I)’ sets the tone for what lies ahead: a deeper exploration of contrast, where light and darkness coexist, and where Moloken’s evolving identity takes shape in its most human form yet. The song offers a glimpse into a new dimension of Moloken’s sound. Marking the band’s first use of clean vocals, the track reveals a more exposed and vulnerable side without sacrificing the weight and intensity that defines them.

'A Night Vision Revealed (Asterion Pt. I)' is a retelling of a classic story about the Minotaur of Crete, hiding in his labyrinthine palace. On surface level it is a story regarding profound loneliness, the loss of innocence and holding out hope for some kind of redemption but it is also a personal reflection on feeling stuck, the loss of self, life's dreariness and routine finally coming to a head.

Filmed in a single unbroken take in Holmsund, outside Umeå, the video captures the night sky in real time — a conceptual “slow video” where drifting clouds and the subtle movements of nature become the only visual counterpart to the music’s unfolding atmosphere.

Moloken will play two May shows in Sweden and Norway, with more shows to be announced in the months to come.

MOLOKEN Live 2026:

09.05.26 - Umeå, Stallet (SE)
15.05.26 - Vadsø, Valo Rock Festival (NO)

Watch the video for ‘A Night Vision Revealed (Asterion Pt. I)’


Doom, death, black, sludge or post - few metal subgenres escape Moloken's gravitational pull. Since forming in 2007, the four-piece from Umeå, Sweden has consistently pushed the boundaries of their sound, carving out new musical terrain with each release.

Moloken’s music moves like a shifting legend. For nearly two decades it has passed from listener to listener, changing shape along the way and leaving behind a lingering aura of mystique. Pinning the band down to a single genre is nearly impossible - but their uncompromising weight and precision as a live act are undeniable. At its core, Moloken is an experience: something to be felt rather than explained, reaching its full force on stage.

After six years of silence, the album marks a powerful return. Moloken reconnects with a more primal, doom-laden foundation while expanding their sonic palette: clean vocals, acoustic passages, and subtle traces of Nordic folk music are woven into the whole. Since ‘Unveillance of Dark Matter’ (2020), the band has undergone significant changes shaped by loss, hardship, and transformation - all of which resonate throughout the new material.

The band’s fifth album revolves around the burden of consciousness, death, and eternity. It unfolds as a journey through a Nordic mythscape, drawing the listener deep into a dense forest. Lush melancholy intertwines with a creeping unease; what first feels inviting gradually becomes disorienting. When the illusion breaks, you find yourself alone in the dark, surrounded by your own thoughts - with only a faint light somewhere beyond the fear.


MOLOKEN - ‘A Night Vision Revealed (Asterion Pt. I)’
Single artwork by Akrar

Online

Tuesday, 3 March 2026

Bristol’s Progressive Sludge Quartet URZAH announce Sophomore Album ‘A Tranquil Void’. Released 5th June 2026 on APF Records

‘A Tranquil Void’ Cover Art (Credit: Putra Satria Nugraha)

Formed in 2020, just before the pandemic hit, Urzah’s intensely collaborative and productive writing process was immediately evident, leading to the quick release of self-titled EPs ‘I’ (2020) and ‘II’ (2022). These laid the foundation for Urzah’s unique brand of ‘progressive sludge’. Inviting comparisons to Neurosis, DVNE, Mastodon and Elder, their forward-looking sound combines the abrasive elements of punk and post-hardcore with atmospheric post-metal passages and soaring melodies.

Urzah’s vision of ‘Earthen Heaviness’, combining oppressive darkness with moments of transcendence and cosmic awe, was realised on their critically acclaimed debut LP ‘The Scorching Gaze’ (2024, APF Records). The band’s sonic world draws on both the intensely personal – rage, loss, grief and self-doubt – and a profound awe and vulnerability in the face of the celestial and natural worlds, framing visceral human struggle within vast cycles of death, decay and rebirth.

Since their debut, Urzah has refined their live shows across the UK, playing festivals and headline shows, and sharing stages with a diverse roster of heavy bands including Bongzilla, Tuskar, Mastiff, Greenleaf, OHHMS and Dopelord, as well as progressive atmospheric bands such as Hidden Mothers, Underdark and Nadja, demonstrating their strong cross-genre appeal.

Now the band are set to release new LP ‘A Tranquil Void on 5th June 2026 via APF Records. The record marks a defining moment for the band, following up their critically acclaimed debut ‘A Scorching Gaze’ (2024, APF) with an even more assured, mature and ambitious full-length. Conceptually, ‘The Scorching Gaze’ and ‘A Tranquil Void’ function as a visual, musical and thematic diptych; where their debut burned brightly with the rage and destruction of an erupting volcano, their new LP captures the cathartic, contemplative still that follows.

‘A Tranquil Void’ draws inspiration from both personal introspection and awe in the face of the vast cosmos. Lead single ‘Infernal Star I’ reflects on the power of memory and connection to cast light in the darkness of a vast and uncharted universe. Listen to the track now:

https://lnkfi.re/teVrV8bO or below


‘In the Mouth of the Wolf’ examines forgiveness and personal healing, while ‘Hunter in the Veil’ explores cycles of death and renewal through grand elemental imagery, while other tracks grapple with overcoming grief (‘The Call Beneath’), rejecting apathy for aspiration (‘At the Mouth of the Cave’) and creating art and meaning in spite of adversity (‘Bark & Branches’).

Across 8 tracks, ‘A Tranquil Void’ pushes Urzah’s sound even further, combining brutal riffs, complicated meter and searing guitar tone with deeper explorations of space, dynamics and atmosphere, incorporating folk influences and drones built from cello and guitar. 13-minute album closer ‘Entwined, Twisted Roots of Chaos’ sees Urzah at their most ambitious; across multiple interlocking sections, enriched by guest vocals from friends in the Bristol scene, the song builds from a haunting whisper to a planet-obliterating roar.

Credit Naomi Jane Photography

ALBUM TRACK LIST

1. At the Mouth of the Cave
2. The Call Beneath
3. Infernal Star I [Lead single]
4. Infernal Star II
5. Bark & Branches
6. In the Mouth of the Wolf
7. Hunter in the Veil [2nd single]
8. Entwined, Twisted Roots of Chaos

Recorded at Stage 2 Studios, Bath, in November 2025, the LP was produced, mixed and mastered by Josh Gallop. Cello was provided by Luke Clemenger, with additional vocals from Dave Cook (Empire of Dust), Chris Wilson (Row of Ashes) and Victoria Bourne (The Spark’s Desire). The album artwork was created by Indonesian artist Putra Satria Nugraha.

ALBUM LAUNCH PARTY, EXCHANGE BRISTOL – 25th July 2026

To celebrate the release of their new album, Urzah are hosting a launch party at Exchange Bristol (main room) on Saturday 25th July with special guests HUNDRED YEAR OLD MAN, MOUNTAINSCAPE and DEAD SPACE CHAMBER MUSIC.

Urzah are proud to be part of Bristol’s thriving and diverse music scene, so this specially curated line-up is intended to showcase the best cutting-edge, genre-defying and progressive heavy music.

This immersive, atmospheric and crushingly heavy night will feature experimental gothic doom from Dead Space Chamber Music (Bristol), soaring cinematic post-metal from Mountainscape (Reading), crushing atmospheric post-metal from Hundred Year Old Man (Leeds), and brand-new material from Urzah’s long-awaited sophomore album ‘A Tranquil Void’.

LIMITED EDITION ‘SUPERNOVA’ VINYL VARIANT – https://apfrecords.co.uk/albums/a-tranquil-void

To celebrate Urzah’s new album, APF Records will be offering a limited-edition vinyl. The ‘Supernova’ variant features a blue and white burst, evoking the celestial vortex of the LP artwork.

Please note: Pre-orders from 3rd March via the APF Records website and from 6th March via Bandcamp.

URZAH LIVE:

Saturday 28th March - Hitchin, Club 85
Saturday 23rd May - Bristol, Loco Klub (Temple of Doom festival)
Friday 29th May - Bath, The Bell
Wednesday 10th June - Portsmouth, Edge of the Wedge
Thursday 11th June - Brighton, The Pipeline
Friday 12th June - Kent, Poco Loco, Chatham
Saturday 13th June - London, The Devonshire Arms, Camden
Friday June 26th - Newport, McCann's Rock N Ale Bar
Sunday June 28th - Torquay, Arena
Saturday 25th July - Bristol Album Launch Party, Exchange
Saturday 1st August - Chelmsford - Bay Days Festival

URZAH ARE:

Ed Fairman - Vocals / Guitar
Tom McElveen - Vocals / Guitar
Dan Bradley - Bass
James Brown – Drums


Thanks to For The Lost PR for the details.

Sunday, 1 March 2026

An Interview With Doom/Stoner Metal Amphibian Overlords FROGLORD


Doom/Stoner Metallers FROGLORD has one of the most intriguing and interesting creative story lines within the whole scene. Their acclaimed and highly original "Tale Of The Froglord Saga" has seen them release acclaimed albums since their inception in 2020 and a legion of followers within the underground scene. Their 2025 album "Metamorphosis" was perhaps their most outlandish and acclaimed record to date with Froglord drawing a close to this aspect of the "Froglord" saga.

Now the band have taken a step back from that saga to release their sixth album LOWER & SLOWER on March 06th 2026. Recorded live in a single studio take, Lower & Slower re-imagines six fan favourites from across the band’s catalogue in crushing, funeral-paced form. Everything is tuned deeper, slower and heavier a raw, immersive descent into the swamp.

Froglord revisit tracks such as They Came From Saturn and Green Inferno, culminating in a colossal, sludge-soaked rendition of Black Sabbath’s Iron Man.

Importantly, this release carries a strong charitable focus.

• 100% of digital proceeds
• 50% of physical and merch profits

will be donated to the Waterfowl & Wetland Trust (WWT), supporting their mission to restore 100,000 hectares of wetlands by 2050. Environmental advocacy has always been woven into Froglord’s mythos, and this release channels that ethos into direct action.

I always wanted to interview FROGLORD for a long time and I've finally caught up with the Amphibian Overlords of Doom/Stoner Metal. 

Read on for a great interview.

Hi guys. How are things with you all today.

Smashing thank you, Spring is upon us and the swamp is coming alive once again, for another exciting year.

For people not in the know, can you give a brief history of how the band came together and where it is today.

The project began in 2020 in the early days of the lock-down era, birthing as a one-frog endeavour. It stayed like this for the first couple of years, then after migrating to the swamps of Bristol, I crossed paths with 3 swamp priests who all conveniently happened to play guitar, bass, and drums. At which point we began performing our swamp rituals live, touring across the UK, and on occasion across the swamps into Europe.

Why did you call yourselves Froglord.

The Froglord is an amphibious deity, that rises from the mystic swamps every 10,000 years to restore the earth to its natural balance. We pay homage and offer reverence to his name.

Where did you come up with the overall idea for your acclaimed "Tale Of The Froglord Saga"

The ancient text of The Book of Amphibian has been guarded closely by the swamp cult for timeless generations. We have interpreted its words and prophecies into the sonic format presented today.

How many records is the saga spread across and are there more parts of the Froglord Saga to be released in the future.

Currently the saga has seen 5 instalments. With the first 3 records – Amphibian Ascending, The Mystic Toad, & Army of Frogs – presenting the original tale, telling of the Froglord's return during the modern era and subsequent war against the humans upon seeing their tyranny of environmental destruction. The following records act as sort of prequel to this story, which will ultimately see the story come full circle as we bare witness to the birth of the amphibious diety.


We're here to discuss your new album "LOWER & SLOWER" What can people expect from that record.

In Lower & Slower we revisit several songs from our back catalogue, presenting alternate maximum doomier versions. As the title would suggest, these are all played lower & slower than the originals. The record was recorded as “live in the studio”, as a full band in single session, this was to try create something that would feel akin to the live Froglord experience.

How did you decide on what classic tracks to include on the record.

There wasn’t too much deliberation in it. I think we already knew which tracks would lend themselves better to be interpreted the sound and vibe we wanted to achieve with this record. Of course there are a several tracks which are definitely some of our more popular tracks such as They Came From Saturn and Green Inferno, but we also wanted to give a new light to some of our favourite ones to play live that perhaps don’t get quite as much love, such as Road Raisin or Die By The Slime.

Was this a hard choice for you to include these selection of tracks and do you wish you could now include somewhere.

There's a very good reason that the record's title as “Vol. 1”. There's many more that we would love to re-imagine as Lower & Slower tracks in the future!

Your epic cover of the classic Sabbath track - Iron Man is brilliant. Why did you choose that cover. Any particular meaning.

It was certainly daunting to cover one of metals biggest songs, present that through the eyes of the swamp, and then have that track as one of the albums singles, but being a doom band we would be nothing without Sabbath and we thought it only right to pay tribute in this way. There are also some parallels between the Iron Man's tale of wishing to protect the earth only to be shunned by humanity; and that of The Froglord’s plight.


It's brilliant how you're donating 100% of digital proceeds and 50% of physical and merch profits to the Waterfowl & Wetland Trust (WWT). Obviously with your name being FROGLORD, this is a very important cause to you all. Did you have any other charitable organisations in mind or is this one quite close to you personally.

We’ve also been an environmental band at our core, in order to appease the wrath of the mighty Froglord hen he reawakens from his slumber. We’ve done work for Save the Frogs! In the past, most notably in our 2022 EP Save The Frogs. However on this occasion we wanted to do something closer to home. Being Bristol-Based we are blessed to have WWT Slimbridge only 30 minutes up the road from us. It is an incredible site and one I have spent countless hours wandering around and bathing in the peace of the many bird hides.

What is the creative process or setup within the band? Do you write the music together or do certain people within the band do that.

I (Froglord) still do the bulk of the writing myself, our guitarist Caudata is increasingly contributing to that process. Oftentimes he will come to me with a riff, and I will work that into the full track. It would be a disservice to them all however, to say that they have not all contributed and shaped that writing process quite significantly. They are all incredible musicians, and I am very lucky to have them here in the swamp.

Did your daily struggles, challenges and uplifting moments in life shape up the creative outline for the whole Froglord saga.

I have fairly extensive background working and studying within some facet of an environmental framework. Froglord was another manifestation of that work so far.


You're from Bristol, UK. What is the local Hard Rock and Heavy Metal scene like there? Is there a thriving gig scene and community that allows you to perform regularly or do you have to travel further afield to perform on a regular basis.

I have been lucky to live all over the UK, and can safely say the Bristol has one of the best metal scenes the UK has to offer in my personal opinion. I wouldn’t suggest we play in Bristol overly regularly. As with any other city, over saturation is something best avoided. But we are very busy frogs and have been performing all over the UK and beyond, pretty tirelessly and extensively for a few years now.

What future gigs have you coming up and will you be promoting the album more this year

We have a big list of exciting shows this year coming. Firstly our headline tour around the UK with Space Pistol over April. July will see us on the road supporting Bat Sabbath (the alter egos of Cancer Bats) for two weeks. Plus we’ve got some amazing festivals coming, not least to mention Bloodstock Festivals. Then between all of that there’s also a bunch of shows planned! It’s a lot to keep up with, but folks can find the full list at any of socials and buy tickets from www.Froglord.org. As for the rest of the year, time will tell if there is more in store!

What are your favourite venues when you have toured in the past. Any particular venues or locations you always look forward to when touring.

Exchange in Bristol is in many ways our ground zero. It’s where we things really started happening for us after winning Bristol M2TM there in 2024. So it’s always a joy to play there, especially as it’s our home swamp. There's several great venues that we always try come back to, but some of our favourites are Signature Brew in London, Corporation in Sheffield, and Dead Wax in Birmingham.

How would you describe the live FROGLORD experience.

To see Froglord live is to wander through a murky endless swamp in the heart of dusk. In the distance you follow the sound of drums where you find a crazed cult of swamp dwellers deep in ritual. Guide by plumes of smoke, you stagger into their ceremony. Before you stands the might and terror of the great amphibious lord himself. By the time you come to round from the haze and delirium, the swamp is empty again and you are left wondering whether any of it was real

What bands or artists influenced you to pick up an instrument and to become a musician.

When I was a tadpole my first major influence to pick up and instrument was watching Angus Young play guitar for AC/DC. Shortly thereafter, the first band I saw live was Turisas, as they were opening on tour for Dragonforce. To this day Turisas’ Varangian Way album is still in my top 10 albums of all time, and I think has played a massive role in my gravitational towards concept albums.

Do you have any side projects that folks can check out.

I’ve released a number of one-man black metal projects over the years. Definitely my favourite of the bunch however was an EP called I Hate Stuart Little. As they tittle suggest, I hate him.

Before you go, do you have any words of wisdom for your fans currently out there

Stay hydrated and go visit your local wetlands.

Words by Steve Howe and FROGLORD

Thanks to Neon Leopard Promotions for arranging this interview.

Links

Tuesday, 24 February 2026

Exclusive Song Premiere Of Sludge/Post-Metallers WE FOLLOW THE EARTH New Song SIRENS From Upcoming New Album FOAMDRINKER

We Follow the Earth is a sludgy doom band that will occasionally lean into a post-metal sound. Located in Winston Salem, North Carolina, the core of their sound is built on slow, crushing riffs, ever present soul shaking bass, and aggressive, strained screams.

Started as a solo project for Matthew Crotts, with his brother, Robert Crotts, offering to write the concept story and lyrics for the debut album “Lightbearer” in 2023. Shortly after releasing the debut album, writing started for the 2nd concept album “Extinct”, which was recorded/engineered by Jamie King and released in March 2024.

This new album, “Foamdrinker”, takes the listener on a journey through a world that is, for unknown reasons, stuck in a perpetual winter. Facing extinction, our characters are willing to go to any lengths to survive, but dangers beyond the ice lurk in the depths of the ocean and within ourselves. The struggle to overcome these challenges that we are presented with, both the external and the internal superstitions about how we think the world should work from the crux of this story. How we balance selfless acts against selfish ones can save or doom the world.

Thanks to the amazing folks at Desert Bloom PR, we're excited to premiere the debut single and video for SIRENS from the upcoming new album - FOAMDRINKER.


Album credits:

Matthew Crotts – Vocals, guitar
Josh Burton – Guitar
Jason “Buddha” Myers – Bass
Matthew Pickard – Drums
Robert Crotts – Story/Lyric writer
Engineered by Jacob Beeson
Mastered by Esben Willems (Studio Berserk)

Links

Facebook | BandCamp | Instagram


Thanks to Desert Bloom PR for all of the details.

Friday, 20 February 2026

Doom/Stoner Metallers FROGLORD Announce Sixth Full Length Album LOWER & SLOWER


Bristol Swamp Doom Collective Froglord release their sixth full-length album, Lower & Slower on 4 March 2026.

Recorded live in a single studio take, Lower & Slower reimagines six fan favourites from across the band’s catalogue in crushing, funeral-paced form. Everything is tuned deeper, slower and heavier a raw, immersive descent into the swamp.

The album briefly steps aside from the ongoing Tale of The Froglord saga to revisit tracks such as They Came From Saturn and Green Inferno, culminating in a colossal, sludge-soaked rendition of Black Sabbath’s Iron Man.

Importantly, this release carries a strong charitable focus.

• 100% of digital proceeds
• 50% of physical and merch profits

will be donated to the Waterfowl & Wetland Trust (WWT), supporting their mission to restore 100,000 hectares of wetlands by 2050. Environmental advocacy has always been woven into Froglord’s mythos, and this release channels that ethos into direct action.

For fans of Conan, Monolord and Weedeater, Lower & Slower captures the band at their most primordial and uncompromising.

Pre-order and stream here:

www.froglord.org
https://froglord.bandcamp.com/album/lower-slower-vol-1

Members

Vocals - Froglord
Guitar - Caudata
Bass - Bufo
Drums - Anura
Backing vocals and slime - Herman

Links


LinkTree | BandCamp | BigCartel


Thanks to Neon Leopard Promotions for the details.

Monday, 2 February 2026

Norwegian Stoner Rock stalwarts WOLFNAUT introduce new lead guitarist and return with “Book of Wolfnaut” and “Wall of Sound”.


Forged in the sounds of early hard rock and metal, and the desert and stoner rock scene that exploded in the mid-1990s, WOLFNAUT has since its debut in 1998 inhabited the musical landscapes where melodic and catchy heavy rock meets sludgy and doomy stoner rock. "Book of Wolfnaut” and “Wall of Sound” continues in that tradition, incorporating power vocals, swinging riffs, wide-open desert spaces, fast shuffle, slow-burn tension and crushing weight in a meaty package.

Listen to new single  Book Of Wolfnaut below

 

 WOLFNAUT spent the first half of the decade as a trio. Last January the band invited renowned Norwegian guitar slinger Jo Inge “Jengt Castral” Hemstad to join the fold. The chemistry was instant. Hemstad is a seasoned veteran of the Nordic heavy and stoner scene, spending years on tour with heavy rockers Svölk, that released two acclaimed albums on Napalm Records in the early 2010s. His first appearance on stage with WOLFNAUT was at Desertfest Oslo in May last year. “Book of Wolfnaut” and “Wall of Sound” are WOLFNAUT’s first releases of original material featuring Hemstad on guitar.

Listen to new single “Wall of Sound

"Book of Wolfnaut” and “Wall of Sound” was recorded at Audioskop studio, Sofiemyr, Norway, in July 2025. Production was handled by the band, with invaluable help from Ruben Willem and Bjørn Barstad. Mix and mastering was done by Ruben Willem (Kal-El, Håndgemeng, Gluecifer, The Good, The Bad and The Zugly). Photos by Sverre Houmb and cover design by Jo Inge Hemstad. "Book of Wolfnaut” was released on all streaming and download platforms 9 January 2026. “Wall of Sound” will be released 6 February 2026. Both singles are released on the band’s own label, Fuzzpanzer, and distributed internationally by The Orchard.

WOLFNAUT (formerly known as Wolfgang) started life in the mid-1990s in the town of Elverum, a two-hour drive northeast of the Norwegian capital Oslo. Their energetic live shows and debut album, «Welcome to the Cactus Mountains», became the stuff of legend in their hometown, and the album even garnered a solid review in Kerrang! WOLFNAUT reformed again in 2013, and the band released its second album, «Castle in the Woods», to raving reviews in 2016. The band’s third album, the aptly titled “III”, was released in 2022. “III” brought the band’s blend of catchy tunes and heavy stoner riffs to a larger international audience. Fourth album, “Return of the Asteroid”, was released by US based label Ripple Music in 2023. Both “III” and “Return of the Asteroid” was voted top 10 releases on the Doom Charts.

WOLFNAUT is

Tor Erik Hagen – Bass
Jo Inge «Jengt Castral» Hemstad - Guitars
Ronny «Ronster» Kristiansen - Drums & Theremin
Kjetil Sæter – Guitars & Vocals

WOLFNAUT links

Facebook | Bandcamp | Instagram | Spotify

Wednesday, 14 January 2026

US Heavy Rock Powerhouse ABRAMS to issue new album "Loon" on Blues Funeral Recordings this spring; first single "Glass House" streaming!


Denver-based heavy rock and post-hardcore goldsmiths ABRAMS blast the blistering debut single and visualizer taken from their upcoming new full-length "Loon", to be issued on April 17th through Blues Funeral Recordings.

With American idealism and societal unity in flames, ABRAMS’ ethereal ambiance has been permeated by vibrating, hair-trigger fury. 2024’s soaring and driving Blue City was a record full of arresting, nostalgic textures. This is no longer the world of that album.

The grinding hopelessness and chaos of these times have infused ABRAMS with the shattering intensity of Converge. Urgent and abrasive, Loon is acerbic, fed up, and riddled with pulverizing fury. Wistful melodies warp into dissonance and aggression. Crystalline beauty is inhabited by bitterness and rage. The band’s instinctive hooks aren't gone, and hopeful moments do shine intermittently through. But it’s clear that ABRAMS, like a lot of us, are pissed off. Desperate and seething, Loon is an irresistible, frenzied purge from a band refusing to give in.

️ Watch new Abrams video Glass House below ️+ listen to the single on all streaming services


On the album, guitarist and vocalist Zach Amster comments: "With each album, our goal is to evolve and not write the same record over and over again. There is no doubt in my mind our album "Loon" is the most unique Abrams record to date. It features some of the most aggressive and heavy Abrams tunes while also sharing some of our most poppy and melodic moments. Vocally, this is the most confident I have felt performance-wise, which sets the mood for the rather dark lyrical content, fitting for the daily bullshit and volatility we are forced to endure. The lead single and opening track, Glass House is a good precursor of what to expect with "Loon". We hope you enjoy!"


New album "Loon" - Out April 17th on Blues Funeral Recordings
Preorder via BFR website / Bandcamp / SPKR Shop


TRACKLIST:

1. Glass House
2. White Walls
3. Last Nail
4. Said & Done
5. Waves
6. How Did I Lose My Mind?
7. A State of Mind
8. Home
9. Remains
10. Sirens

ABRAMS blast forth a cathartic mix of driving rhythms, soaring vocals and dreamy ambiance. Fusing melody and dissonance, guitarist/vocalist Zach Amster, bassist/vocalist Taylor Iversen, drummer Ryan DeWitt and guitarist Graham Zander wield elements of heavy rock, shoegaze, grunge and hardcore with ease and fluency, crafting a blend that's bittersweet and familiar while urgently gazing forward.

Hailed as “one of the most musically diverse and emotionally impactful bands in the scene" by Distorted Sound Magazine, the Denver band's captivating approach finds them sharing terrain with the likes of Torche, Cave In and Converge, while their command of chunky, hooky riffs recalls alt-rock icons Hum and Quicksand, though this swirling amalgam of influences isn't the totality of ABRAMS. Having shared the stage with Dozer, Unsane, KEN mode, King Buffalo, Khemmis and Emma Ruth Rundle, the foursome has always strived to deliver memorable live shows.

A spearhead of the Denver rock scene, ABRAMS joined the ranks of tastemaker label Blues Funeral Recordings in 2024 for the release of their cornerstone album Blue City. Recorded and produced by Kurt Ballou (Converge, High On Fire), it saw their genre-defying heaviness and perfect melodic songcraft meld seamlessly into what Metal Hammer Magazine described as "an upswell of positivity in the face of frustration that’s sure to shake you from your existential slumber".

Their new album Loon will arrive on April 17th, 2026 on Blues Funeral Recordings, just in time for their first European tour the following month, including a performance at DesertFest London.

ABRAMS is:

Zachary Amster – guitar, vocals
Taylor Iversen – bass, vocals
Ryan DeWitt - drums
Graham Zander - guitar

ABRAMS links

Website | Facebook | Bandcamp | Instagram

BLUES FUNERAL RECORDINGS links


Thanks to Purple Sage PR for all of the details.

Monday, 12 January 2026

Cosmic Doom/Stoner Rock Entity REDWOOD Releases new single & music video "TIME TO LOSE" out now! Album out January 30th


Hot off the heels of 2025's full-length CLOUD COLONY, California’s heavy psych cosmonaut REDWOOD is back to kick off the new year with a brand new album.

TIME TO LOSE is an evolution of the REDWOOD you know and love. Atop the bedrock of fuzzed out stoner and space rock, tireless mastermind Sheafer McComber expands his craft to new vistas and sounds.

Twists and turns abound to add new elements to the REDWOOD sound as well, not least of which is the rough turn of vocals on bruiser of a track “HIGHWAY IS MY WAY”, possibly the heaviest slab of REDWOOD riffage to date. Track “TITAN” sees McComber work some cosmic wizardry with synth pedals, creating a space oasis for listeners to float upon into the album’s epic 11-minute-plus finale “BLUE MASS”.

TIME TO LOSE is a milestone in the REDWOOD catalogue, a triumph of pushing limits, exploring new dimensions, and of course laying down an avalanche of heavy rock righteousnes.


REDWOOD - TIME TO LOSE

Out January 30th, 2026 (Digital)
Self-released
Northern California
Mastered by Erik Hayhurst at Petaluma Pinebox Studio
Album art by Mirkow Gastow
FFO: Kadabra, Asteroid, Hawkwind, Turbonegro, Astroqueen, Howling Giant

Tracklist:

1. WORMHOLE (6:29)
2. CONGREGATION (3:27)
3. KING BID (4:36)
4. HIGHWAY IS MY WAY (3:08)
5. TIME TO LOSE (6:42)
6. CONTACT (6:26)
7. TITAN (3:21)
8. BLUE MASS (11:47)


Links


Thanks to Good Boy PR for the details.