Showing posts with label Abrams. Show all posts
Showing posts with label Abrams. Show all posts

Monday, 13 April 2026

Abrams - LOON (Album Review)

Release Date: April 17th 2026. Record Label: Blues Funeral Recordings. Formats: CD/DD/Vinyl

LOON - Tracklisting

1.Glass House 

2.White Walls 

3.Last Nail 

4.Said & Done

5.Waves

6.How Did I Lose My Mind?

7.A State of Mind

8.Home

9.Remains

10.Sirens


Members


Zachary Amster – guitar, vocals

Taylor Iversen – bass, vocals

Ryan DeWitt - drums

Graham Zander - guitar


Review


Sludge/Stoner Metallers Abrams take a step back from the Ambient and Psychedelic delivery they have forged with their last two albums where they start forging closer ties once again to the Post-Hardcore and Noise Rock movement they experimented with earlier in their musical career. The end result is their highly satisfactory latest record LOON which brings a turbo-charged and highly deceiving style of Sludge/Stoner Metal that has a constant influx of Noise, Psych, Doom and Alt Metal structures that moves the band into new areas of Progressive sounds along the way.


The first few songs of Glass House, White Walls and Last Nail are quite chaotic and jagged with Abrams adding a creative sense of music employed by the likes of CAVE IN, MUTOID MAN and BOTCH. Though, the soulful and uplifting psychedelic passages they brilliantly perfected on their acclaimed 2024 album Blue City continue to be heard at the most convenient time which allows the listener to fully immerse themselves into Abrams dark and gloriously riff-fuelled musical environment.


The bombastic atmospherics does have small doses of vibrant Post-Punk, Post-Rock and Post-Stoner energy with their engaging style of real-life lyrics, harmonies and glorious uplifting beats still having a volatile dimension to it all. The music is played at a very loud, fast and pissed off pace with raw sounding Punk Rock mechanics holding everything together. Sometimes LOON delivers a NIGHT and DAY message and creative energy compared to Blue City especially on tracks such as Said & Done, Waves and How Did I Love My Mind?


The vocals from Zachary Amster and Taylor Iverson compliment each other superbly well with the album allowing them to put their own identity within their music. Zach and Taylor both deliver dynamite musical performances on guitars and bass respectively with Ryan DeWitt (Guitar) and Graham Zander (Drums) also adding to the ferocious and pissed off delivery that LOON wonderfully contains.


LOON can be wholly unpredictable at the best of times with Abrams switching between modern day Stadium Rock anthems and pulsating Sludge Metal sounds that can be quite deafening even when the listener is rocking out and headbanging in full agreement. There’s also a real sense of cynicism and downbeat energy on the later stages of the album and that’s not hard to see why.


A lot has changed in the world since Abrams released their last record. The world is teetering on the brink of destruction more than ever before and Abrams perfectly captures those violent surroundings on the remaining tracks of A State Of Mind, Remains and Sirens that are my favourite moments of the whole experience.


Abrams could have easily delivered Blue City Part Two and I will admit I still prefer that record only slightly compared to LOON, however I admire their bold creative choices they’ve achieved with LOON. This is their heaviest, aggressive and most violent record to date and maybe Abrams may return to more uplifting Psychedelic pastures for future records. However, the time is now and Abrams once again prove why they’re one of the most essential and consistently forward thinking bands the Sludge/Stoner Metal scene currently needs right now.


This may take a few listens to fully appreciate and truly admire but it’s well worth the journey as LOON has it all and offers an uncompromising style of music you cannot ignore.


Words by Steve Howe


Thanks to Purple Sage PR for the promo.


LOON is available to buy on CD/DD/Vinyl via Blues Funeral Recordings: 


BFR website / Bandcamp / SPKR Shop


Links 


Website | Facebook | Bandcamp | Instagram


Wednesday, 14 January 2026

US Heavy Rock Powerhouse ABRAMS to issue new album "Loon" on Blues Funeral Recordings this spring; first single "Glass House" streaming!


Denver-based heavy rock and post-hardcore goldsmiths ABRAMS blast the blistering debut single and visualizer taken from their upcoming new full-length "Loon", to be issued on April 17th through Blues Funeral Recordings.

With American idealism and societal unity in flames, ABRAMS’ ethereal ambiance has been permeated by vibrating, hair-trigger fury. 2024’s soaring and driving Blue City was a record full of arresting, nostalgic textures. This is no longer the world of that album.

The grinding hopelessness and chaos of these times have infused ABRAMS with the shattering intensity of Converge. Urgent and abrasive, Loon is acerbic, fed up, and riddled with pulverizing fury. Wistful melodies warp into dissonance and aggression. Crystalline beauty is inhabited by bitterness and rage. The band’s instinctive hooks aren't gone, and hopeful moments do shine intermittently through. But it’s clear that ABRAMS, like a lot of us, are pissed off. Desperate and seething, Loon is an irresistible, frenzied purge from a band refusing to give in.

️ Watch new Abrams video Glass House below ️+ listen to the single on all streaming services


On the album, guitarist and vocalist Zach Amster comments: "With each album, our goal is to evolve and not write the same record over and over again. There is no doubt in my mind our album "Loon" is the most unique Abrams record to date. It features some of the most aggressive and heavy Abrams tunes while also sharing some of our most poppy and melodic moments. Vocally, this is the most confident I have felt performance-wise, which sets the mood for the rather dark lyrical content, fitting for the daily bullshit and volatility we are forced to endure. The lead single and opening track, Glass House is a good precursor of what to expect with "Loon". We hope you enjoy!"


New album "Loon" - Out April 17th on Blues Funeral Recordings
Preorder via BFR website / Bandcamp / SPKR Shop


TRACKLIST:

1. Glass House
2. White Walls
3. Last Nail
4. Said & Done
5. Waves
6. How Did I Lose My Mind?
7. A State of Mind
8. Home
9. Remains
10. Sirens

ABRAMS blast forth a cathartic mix of driving rhythms, soaring vocals and dreamy ambiance. Fusing melody and dissonance, guitarist/vocalist Zach Amster, bassist/vocalist Taylor Iversen, drummer Ryan DeWitt and guitarist Graham Zander wield elements of heavy rock, shoegaze, grunge and hardcore with ease and fluency, crafting a blend that's bittersweet and familiar while urgently gazing forward.

Hailed as “one of the most musically diverse and emotionally impactful bands in the scene" by Distorted Sound Magazine, the Denver band's captivating approach finds them sharing terrain with the likes of Torche, Cave In and Converge, while their command of chunky, hooky riffs recalls alt-rock icons Hum and Quicksand, though this swirling amalgam of influences isn't the totality of ABRAMS. Having shared the stage with Dozer, Unsane, KEN mode, King Buffalo, Khemmis and Emma Ruth Rundle, the foursome has always strived to deliver memorable live shows.

A spearhead of the Denver rock scene, ABRAMS joined the ranks of tastemaker label Blues Funeral Recordings in 2024 for the release of their cornerstone album Blue City. Recorded and produced by Kurt Ballou (Converge, High On Fire), it saw their genre-defying heaviness and perfect melodic songcraft meld seamlessly into what Metal Hammer Magazine described as "an upswell of positivity in the face of frustration that’s sure to shake you from your existential slumber".

Their new album Loon will arrive on April 17th, 2026 on Blues Funeral Recordings, just in time for their first European tour the following month, including a performance at DesertFest London.

ABRAMS is:

Zachary Amster – guitar, vocals
Taylor Iversen – bass, vocals
Ryan DeWitt - drums
Graham Zander - guitar

ABRAMS links

Website | Facebook | Bandcamp | Instagram

BLUES FUNERAL RECORDINGS links


Thanks to Purple Sage PR for all of the details.

Monday, 13 May 2024

Abrams - Blue City (Album Review)

Release Date: May 24th 2024. Record Label: Blues Funeral Recordings. Formats: CD/DD/Vinyl

Blue City  - Tracklisting

1.Tomorrow 

2.Fire Waltz 

3.Etherol

4.Lungfish

5.Wasting Time

6.Death Om

7.Turn It Off

8.Narc

9.Crack Aunt

10.Blue City 


Band Members


Zachary Amster– guitar, vocals

Taylor Iversen – bass, vocals

Ryan DeWitt - drums

Graham Zander - guitar


Review


Blue City is the new album from Sludge/Stoner Rock TITANS Abrams and sees the band are still evolving their sound to new SONIC pastures with this record focusing more on texture, melodic, shoegaze and a dynamically powerful Sludge Metal rhythm. The HARDCORE flow of their earlier albums has mellowed recently with Abrams taking a similar sound to bands such as TORCHE, Cave In and HUM.


Opening track Tomorrow is full of free-flowing Psychedelic movements with Abrams bringing a tightly woven blend of Sludge/Stoner grooves with a powerful Post-Rock and Shoegaze energy with the sublime melodic vocals from Zachary and Taylor. The song is at it’s most heaviest when there is a sudden departure into Punk Rock lore and waves of Progressive Rock/Metal sounds that set the scene for Blue CIty becoming Abrams most outstanding release even at this early stage.


Second song Fire Waltz sees the band channelling HUM with a classic Space Rock/Sludge Rock drive which feels right at home within the best and outstanding classic moments from the last 30 years of the Alt Metal, Sludge Metal and Stoner Metal scenes. The constant Post-Metal punishing sound is quite bittersweet and uplifting with Abrams bringing some intense screeching guitars into the mix which fans of CAVE IN or Mutoid Man would be mighty impressed by.


Third song Etherol is more Ambient Post-Rock and Space Rock swagger with emotionally charged lyrics with bittersweet vocals soon giving way to an engaging DOOM-POP transformation which builds upto impressive STADIUM ROCK sized grooves. There’s a subtle noise rock and guitar amplifier delivery coming from angle with Abrams now creating highly original and brilliant anthemic songs of their own making.


Blue City takes a more reflective and emotional turn within the next two tracks of Lungfish and Wasting Time. The atmosphere is more Post-Rock and Post-Metal focused with direct amounts of Sludge/Stoner Metal aggression being used at the right moment but never taking the mellow creative aspects away from the actual record. This part of the album has the most melodic and catchiest parts of the whole album with Abrams slowly changing into masters of SONIC and AMPLIFIER distortion which becomes the more dominant part of their music for the remainder of the album.


Blue City is perhaps Abrams most cinematic record yet with the intense musical composition becoming more Psychedelic in the heavier parts that appear on tracks such as: Death Om, Turn It Off and Blue City perhaps being some of my favourite moments on the whole album. This part of the album firmly allows Abrams to cement their place as one of the essential acts that the Sludge/Stoner Metal scene needs to know about right now.


Blue City is Abrams most deeply engaging and brilliantly rewarding album to date and I’m hoping this allows the band to break out into playing the bigger stages the Sludge/Stoner Metal scene has to offer.


Album Of The Year potential. You bet. Blue City has it all. End Of…


Words by Steve Howe


Thanks to Purple Sage PR for the promo.


Blue City will be available to buy on CD/DD/Vinyl via Blues Funeral Recordings from Friday 24th May 2024.


Links


Official | Facebook | BandCamp | Instagram


Saturday, 27 April 2024

Blues Funeral Recording Latest Updates With ABRAMS, HORSEBURNER And HASHTRONAUT

HASHTRONAUT No Return (splatter vinyl edition) - (photo courtesy of Igor Lukina)

Holy moley! We try not to be too in-your-inbox with our updates, but we didn't mean to let it get to the end of April without a word. Now we have to catch you up, but we promise you're gonna want to hear all this.

When the year started, we told you 2024 would be a bit of a pivot for us, not in music quality or style, but in bringing out records from some younger bands whose names you might not always recognize.

Don't worry, this doesn't mean we're finished working with legends and heavyweights like Dozer and Acid King! It just means we found ourselves blasting the hell out of stuff from a handful of newer bands that's so good we just couldn't pass up the chance to bring it to the world.

Our goal has always been that the Blues Funeral brand would be a mark of quality, an assurance that fans of colossal riffs, soaring melodies, massive tones and irresistible hooks could rely on being able to dig pretty much any record with our logo on the back.

We're don't literally expect you to love every single thing we release, but honestly, that's always what we're striving for! And we're pretty confident that with what we've got coming in 2024, you'll have a hell of a time finding something that doesn't deliver.

ABRAMS


ABRAMS "Fire Waltz" Official Music Video

First up in the coming months is a band called ABRAMS, whose new record Blue City is a cathartic mix of catchy, driving rhythms, soaring vocals and ethereal ambiance that we think fans of everything from post-metal to classic grunge will dig. Wait, grunge? Really?

So here's the thing: our founder started his first label in 1997, right when desert/stoner rock was coalescing into a worldwide movement. He'd been listening to Kyuss, Monster Magnet and Fu Manchu since 1992, but you know what else he was listening to during that time?

Yep, grunge. And we'd be lying to ourselves if we didn't acknowledge that stoner rock shares a ton of common roots with grunge.

Both came into being around the same time.

Both drew from heavy 70s and classic rock and metal.

Both were a response to the superficiality of late 80s hair-metal and the watered-down commerciality of 90s radio rock.

And both were characterized by total authenticity. Yeah, grunge blew up and stoner rock not as much, but in terms of heavy music styles, the only one on par with stoner rock if you're talking undeniable commitment to unpretentious heaviness is grunge.

We're not afraid to say that you may hear a touch of grunge swirling around in what ABRAMS do. But that's also what's so damn cool, because these guys were barely alive when grunge was happening.

ABRAMS are young, hungry, and they've been guzzling the entirety of heavy rock history and letting it seep into their blood, and now they're unleashing their take on what modern heaviness can be.

That's why we can say without hesitation that if Torche, ASG and Cave In are up your alley, we know you'll be riveted by ABRAMS, but also if you dig Failure, Quicksand, Hum, and hell, even Soundgarden.
We can't say enough about how stoked we are to be working with this band and how bowled over we are by their perfect melodic songcraft. It's cathartic and bittersweet, nostalgic while feeling fresh, and above all, it fucking rocks.

Check out the video above for the first single "Fire Waltz" and if you dig it, head over to Bluesfuneral.com, our Bandcamp or our European Web Shop to preorder Blue City, the new album from ABRAMS that arrives next month.

HORSEBURNER


HORSEBURNER "The Gift" Official Music Video

Speaking of up-and-coming bands who you may or may not know (but should), here's a no-brainer: Blues Funeral will release the new album from HORSEBURNER this June.

Where to start? This is one of Howling Giant's favorite bands. In fact, they've been touring together regularly for years. So yeah, that's point one in their favor.

Point two is that these guys have utterly mastered galloping modern metal in a way that only the absolute topmost tier of heavy bands have; we're talking Mastodon, Baroness, that level of heavy musicianship.

This is breakneck high-energy riff-metal that'll have you swerving toward freeway dividers, you'll be banging your head so hard.

Okay, let's breathe for a second.

HORSEBURNER isn't a "new" band. They've been around a few years, and they put out a killer album in 2019 on Ripple Music. But like every band in our scene, part of making a mark is showing you'll be here for the long haul, that you're gonna keep growing and burning down stages year after year.

Again, going back to examples like Dozer and Acid King, these are bands who've been going for decades, and their greatness wasn't just accepted by any of us on day one. They persevered, and eventually, what they did was in your DNA and ours.

That's the track HORSEBURNER is on. Mastodon didn't go from Remission to Crack the Skye in a week. They built, they tore down, they rebuilt, they set it on fire, they started again.

What HORSEBURNER has made with new album Voice of Storms is them on that path. It's a massive leap, an endless array of musical flexes. It's blistering tempos, fearless hooks and burly crush. Voice of Storms is a sludge-prog triumph full of soaring, obliterating mini-epics. These guys do things a lot of other bands never try, because a lot of other bands just could never do it.

HORSEBURNER will be with us all for some time, but this is their Leviathan... so it's time to get on the boat.

Preorder Voice of Storms at Bluesfuneral.com, our Bandcamp or our European Web Shop, and stream first single "The Gift" right now at the video link above or on all digital platforms. And be looking out for more live dates this summer (yes, some of them with their pals in Howling Giant).

HASHTRONAUT

HASHTRONAUT on Tour!

In January, we introduced you to HASHTRONAUT, a band who represented this label's first foray into the grand tradition of weed-metal odysseys. And you responded by making this one of the fastest growing and exploding bands ever on this label.

Their Spotify numbers, if you pay attention to that kind of thing, went from 300 listeners a month to over 5000.

There was no magic. We haven't figured out any tricks or behind the scenes maneuvers to bump streaming numbers up.

This was all you.

Fans of quality heaviness just love HASHTRONAUT's No Return album, and are letting the world know by streaming the goddamn hell out of it.

We're down to our last few copies of the stunning splatter vinyl version of No Return, but the band will be hitting the road on tour this May and they're carrying a handful with them as well. So order your copy now, or get out and see them to snag one.

Thanks for taking a chance on something completely new. Thanks for giving us the confidence to bring you bands you might not know and showing us you're into it. And thanks for supporting these dudes! We can't say enough great things about HASHTRONAUT, so we highly (get it?) encourage you to check them out if they're coming your way, it'll be worth your while and they sure as hell deserve it.

Catch HASHTRONAUT on tour in May (with more dates coming later this year):

May 9 - Hi Dive - Denver, CO
May 10 - Ace’s High Saloon - Salt Lake City, UT
May 11 - Neurolux - Boise, ID
May 12 - Substation - Seattle, WA
May 15 - High Water Mark - Portland, OR
May 16 - The Eagle - San Francisco, CA
May 17 - Mrs. Olsons - Oxnard, CA
May 18 - Til Two - San Diego, CA
May 19 - Redwood Bar & Grill - Los Angeles, CA
May 20 - The Dive Bar - Las Vegas, NV

And stay tuned for more killer heaviness to come, 'cause we're just getting warmed up!

The Blues Funeral Team

Hashtronaut "Rip Wizard" - Official Music Video

Tuesday, 12 March 2024

US heavy rock goldsmiths ABRAMS to release new album "Blue City" on Blues Funeral Recordings this May 24th; watch new video "Fire Waltz" now!


Denver, Colorado's heavy rock stalwarts ABRAMS have signed to Blues Funeral Recordings for the world release of their new album "Blue City" this May 24th, and unleash their fiery new single "Fire Waltz" on all streaming platforms today!

Striking like a thunderstorm on the Colorado plains, their new single "Fire Waltz" charges ahead at full volume with its ardent riffing and powerhouse vocal melodies. Propelled by an enveloping groove, ABRAMS fire up on all cylinders, poised to conquer the hearts of heavy music fans across the scene!

Get hooked on the rifftastic power of new video "Fire Waltz" below and listen to the official single at this location


About "Fire Waltz", guitarist and vocalist Zachary Amster says: "I didn't think this song would make the record, yet it turned out really great in the studio, with some of my favorite guitar tones on the album. The second verse is a standout to me, with its ethereal trippy guitar lead and memorable vocal melody singing 'haunted idols'. When we added this to the song, it definitely made it a game-changer. Additionally, the rock-out jam in the odd time signature of 5 is a fun part to play!"

Fusing melody and dissonance, ABRAMS blast forth a cathartic mix of catchy, driving rhythms, soaring vocals and ethereal ambiance into the heavy music landscape. Wielding elements of heavy rock, shoegaze, grunge and post-metal with ease and fluency, they create a crystalline heaviness that's bittersweet and nostalgic yet also gazes forward. The Denver band's arresting sound finds them sharing terrain with the likes of Torche and Cave In, while their penchant for crunchy, irresistibly hooky riffs recalls alt-rock icons Quicksand. Even so, their swirling meld of influences isn't the totality of ABRAMS.

Recorded and produced by Kurt Ballou (Converge, High On Fire, Torche, Chelsea Wolfe) at his legendary GodCity Studio, their new album "Blue City" is where genre-defying heaviness and perfect melodic songcraft converge, a sojourn through lush, cinematic passages and contemplative psychedelia. About the album theme, Amster comments: "The songs on 'Blue City' deal with the feeling of being trapped in a place of comfort and normality. Where we may really want to pack up and try anything new; but the scare of change is holding us back for what is known as routine. The blue city is a metaphor, for this is a cold but familiar place that keeps us imprisoned from any drastically new experience. A comfort in the familiar, a fear of the unknown."

"Blue City" will be released on deluxe vinyl, limited CD digipack and digital on May 24th, with preorders available from Bandcamp, Blues Funeral website (world) and Blues Funeral SPKR shop (Europe).

ABRAMS - New album "Blue City" - Out May 24th on Blues Funeral Recordings


TRACKLIST:

1. Tomorrow
2. Fire Waltz
3. Etherol
4. Lungfish
5. Wasting Time
6. Death Om
7. Turn It Off
8. Narc
9. Crack Aunt
10. Blue City

ABRAMS started in 2013 in Denver, Colorado, with guitarist/vocalist Zach Amster and bassist/vocalist Taylor Iversen at the helm. Later joined by drummer Ryan DeWitt, the thunderous trio has always made a point of honor at crafting compelling melodies driven by blistering energy. From the full-blown progressive sludge and post-hardcore aggression of their debut album "Lust. Love. Loss." (2015) and follow-up "Morning" (2017), the band has honed their craft and revealed their magnetism with 2020's "Modern Ways", yet it is the moody and mountain-heavy rock venture of their fourth full-length "In The Dark" that saw ABRAMS taking their music journey to the next level.

Produced by Dave Otero (Khemmis, Cattle Decapitation), "In The Dark" showcases an expansive collection of AmpRep-worthy post-grunge tunes that trigger a wide range of emotions through luscious guitar hooks, brooding leads and outstanding vocals. The album landed in numerous end-of-year lists and was unanimously acclaimed by international critics who described it as an "in-your-face sludge/post-metal package that just goes the moment you hit play" (Metalsucks) and the "most explosive, bombastic, and convincing version of Abrams" (Heavy Blog Is Heavy).

Having shared the stage with Unsane, KEN mode, King Buffalo, Khemmis, Jaye Jayle or Emma Ruth Rundle, ABRAMS has always strived to deliver memorable live shows. A spearhead of the Denver rock scene, the foursome has recently joined the ranks of tastemaker label Blues Funeral Recordings for a spring 2024 release of their fifth album "Blue City", which they recorded with Converge's riffmaster and producer Kurt Ballou at GodCity Studio.

ABRAMS lineup:

Zachary Amster – guitar, vocals
Taylor Iversen – bass, vocals
Ryan DeWitt - drums
Graham Zander - guitar

ABRAMS links

Website ⎜ Facebook ⎜ Bandcamp ⎜ Instagram ⎜ Spotify

BLUES FUNERAL RECORDINGS links


Thanks to Purple Sage PR for all of the details.

Tuesday, 30 August 2022

An Interview With Zach Amster From Psych Stoner Rockers ABRAMS


Psych Stoner Rockers ABRAMS have steadily been building up a well deserved reputation within the underground Psych Stoner Rock scene thanks to acclaimed albums such as "Lust. Love. Loss.", "Morning" and "Modern Ways". However, they may have released their definitive work to date with their upcoming new album In The Dark.

A stunning mix of Psych Rock, Stoner Rock, Sludge Rock and Ambient Rock. Perhaps influenced by bands such as Torche, Baroness and Mastodon. ABRAMS deliver their own blend of fantastical heavy Psych Stoner/Sludge Rock. 

Newly signed to Small Stone Records, ABRAMS ultimately aim BIG with In The Dark and exceeded on all levels.

I caught up with Zach Amster (Guitars/Vocals) from ABRAMS where we discussed their musical history and the making of the new album. 

Read on what Zack has to say.

Hi Zack. How’s it going? Thanks for doing the interview.

Hi Steve! Doing great, getting ready for the album release which is always exciting but also a little stressful. Thanks for the high praise in your review.

For folks not in the know, can you give a brief history of the band and where it is today/

Hailing from Denver, Colorado we formed in 2013 and have 4 LPs and 1 EP. You can hear the gradual progression with each release from a more post hardcore, sludge sound moving to a more progressive, psychedelic, heavy rock band. Taylor Iversen (Bass/Vox) and I (Zach Amster G/V) are the founding members. 

We are so happy to say we don’t have Spinal Tap syndrome anymore with the addition of our incredible basher Ryan DeWitt who has been with us since Modern Ways (2020). We have recently added our good friend Patrick Alberts on second guitar, formerly of Call of the Void (Relapse Records). Not only has he helped shift the band to a new musical direction, but we can more easily recreate our ‘wall of sound’ in a live setting as a four piece.

How would you describe your music in your own words?

At the end of the day, we are a Heavy Rock band. Like I mentioned previously, you can hear a cool evolution with each record from post hardcore to a more heavy progressive rock band. I believe with our newest release, ‘In The Dark’, we have found our true and honest sound. We’ve recently heard comparisons to Cave In, Quicksand, and Torche which I think pretty rad.

We’re here to talk about your upcoming new album In The Dark. What can people expect for this album?

We are very proud of this record and how it came about. They can expect a slight shift in our sound with a new psyched out, heavy shoegaze element added. I feel like we upped our game in the vocal department. We don’t scream anymore and put a huge emphasis on hooks. The production quality is top notch, thanks to the incredibly talented Dave Otero. I’m still a huge fan of putting on a record and listening front to back. I may be biased but this one flows really well.

A different sound compared to your previous albums. More Progressive and more Ambient in places. Was this the ultimate creative goal for this album to release something different for people to listen to?

For sure! A big part of the shift happened when Patrick brought in ideas of what would become ‘Body Pillow’. We were so stoked on these beautiful riffs, but there was definitely some hesitation that had us asking, "is this an Abrams song?" I'm glad we answered that question rather quickly. This song opened up a lot of doors for us creatively and gave us the confidence to realize it's ok to chill out a little. We realized that we don't have to be blasting on 10 for an entire album let alone an entire song. The playfulness with the dynamics in Body Pillow really helped us create a better vision for how we wanted the record to sound. I think this is one of our favorites because it was just new to us and a slight turn from our past efforts.

What is In The Dark all about and why did you call the album that.

We never had a concept going in. It kind of naturally happened as there is a common lyrical element. Thematically, the song ‘In The Dark’ encapsulates the overall concept of the record. So, it seemed fitting to give it the album title. There is a general concept of not feeling comfortable in your own skin. What appears on the surface often times does not tell the true story of what lies beneath. It’s dark in nature but offers inspiration to overcome. "Not wearing my own skin, it doesn't feel like my own"..."it's the way you act when you're alone"..."when you're in the dark, are you hiding from me, just hold your head up high, it's all you can do".


I’ve been a fan of Abrams ever since your debut album. What a fantastic album that was. Looking back at all of your albums. Were you surprised at the receptions they all received and would you change anything about them?

Thanks! We had a lot of fun with the first record. It’s always nice to receive positive feedback from something you have spent so much time on. I wouldn’t change a damn thing! I love everything about the writing process and each record serves as a stamp in time. When listening back I get pretty nostalgic thinking about all of the memories, good and bad. Hearing the natural evolution and progression from LP1 to this new one really trips me out. As a band, we are very happy with the direction we are heading.

What were the recording sessions like for the new album? Was this a hard album to write and record for?

We recorded with producer/engineer extraordinaire Dave Otero (Khemmis, Cattle Decapitation). Recording is always stressful. It’s expensive and we’re always wondering if we’ll have enough time. Not only is Dave an amazing engineer, he’s a fantastic producer with an amazing ear for melody and harmony. His relaxed demeanor makes for just an overall great time. This was our 3rd time working with Dave and we were the most prepared we’ve been prior to going into the studio (more on that in the next question).

Did you do anything different when recording this album compared to your previous albums?

This was the first time we did any legit pre-production for an album. Previously, we mainly wrote as a unit in the room together. During the heights of the pandemic we did not get together. Instead of going batshit crazy, we beefed up our home recording setups and just demoed pretty much nonstop. This was key in shaping the way the songs turned out, especially for vocals. I learned how much easier it is to write vocal hooks when I put the guitar down and just dig in.

What is the creative process or setup within Abrams? Do you all write the music and lyrics together or do certain people within Abrams do that?

Like I mentioned in the last question, we wrote the majority of this material during the pandemic in isolation. I would demo out mostly full songs to a drum machine. Patrick also came in with a lot of solid riffs and song ideas too. Once we felt comfortable, it was really cool to go from hearing the demos to fleshing them out in the room together. 

The songs took on a new life of their own with each member adding their own personalities to them. Since I used a simple drum machine on the demos, the drums saw this the most. Ryan’s style is very flashy in nature and his influences are different than us. He loves a lot of techy, insane heavy stuff mainly because all of those drummers are incredible. It’s a huge advantage to have this. He comes up with rhythms none of us would have thought of and gives the songs a fresh attitude. It was super cool to see the music go through every filter from demos to rehearsals and then finally to Otero! I write the lyrics I sing and Taylor his. Patrick lended his hand to some lyrics as well.

Who and what influenced your lyrics for the new album?

I write from personal experience so I guess life is my main influence. I try to keep the lyrics on the more ambiguous side of things to leave them open to interpretation.


Who designed the excellent artwork. Very Seventies inspired and heavily Psychedelic which I dig.

Robin Gnista. A fantastic artist who has done a number of album covers, concert posters, and shirts for a lot of amazing bands. He did a fantastic job!

Will you be touring this album heavily in the USA or perhaps even overseas dates in the future?

Yes! We are working on finalizing dates in November for a short West Coast run with our good buddies in the excellent In The Company of Serpents. Those dates will get released as soon as everything is finalized. We plan to hit it harder in 2023. Keep your eyes peeled! We’d absolutely love to make it overseas so if anybody is interested in booking, hit us up!

Small Stone Records are releasing this album. How did you hook-up with that legendary label?

We were introduced by Jesse from the incredible Lo Pan who have 3 releases through Small Stone. I gave Jesse the record, he loved it and sent it over to Scott who contacted us pretty quickly after the fact. We are really excited about this partnership!

How did you get involved with music. Was it a particular album, group or artist that made you want to write and play your own music?

I’d have to credit my Dad. He’s a huge Neil Young and Springsteen fan. Once he got me into grunge I never looked back.

What is the current state of the Denver, Colorado Rock/Metal scene. Do you perform gigs on a regular basis and do you have a local scene that you're actively involved with?

The Denver rock/metal scene is pretty happening. We’ve seen a lot of our friends grow from locals to getting on some big labels and rad tours. It’s a friendly community of musicians where everybody has your back. Touring acts seem to love playing Denver these days with all the awesome venues we have and crowds like to get rowdy in the mile high. We play somewhat frequently around town.

Thanks for doing this interview. Before you go, do you have anything to say to your fans currently out there?

Thanks for listening! Spread the good word and share our music with your friends!

Thanks for the interview!

Words by Steve Howe and Zach Amster

Thanks to Claire at Purple Sage PR for arranging this interview and thanks to Zack for doing this interview.

In The Dark will be available to buy on CD/DD/Vinyl via Small Stone Recordings from September 9th 2022.


Links


Facebook | BandCamp


Saturday, 20 August 2022

Abrams - In The Dark (Album Review)

Release Date: September 9th 2022. Record Label: Small Stoner Recordings. Format:CD/DD/Vinyl

In The Dark - Tracklisting

1.Like Hell

2.Death Tripper

3.Better Living

4.In The Clouds

5.Fever Dreams

6.Body Pillow

7.Leather Jacket

8.White Sand

9.In The Dark

10.Black Tar Mountain

11.East Coast Dreams (Bonus track)


Members


Zachary Amster: guitar and vocals

Taylor Iversen: bass and vocals

Ryan DeWitt: drums

Patrick Alberts: guitar


Review


Psych Stoner Rockers Abrams return with In The Dark that further expands their dreamy and trippy based sound with elements of Sludge Rock, Post-Rock and Ambient Rock for perhaps their most confident release yet. The grooves are plentiful and powerful with Abrams in fine magnetic form. Taking cues from bands such as Torche, Mastodon and Baroness but delivering their own style of Sludge/Stoner Rock.


Opening song Like Hell is powered along by modern day Progressive Stoner grooves with a more distinctive Mastodon grungy vibe. Abrams make this style work to their advantage with powerful vocal performances from Zachary and Taylor. The music is LOUD and quite Radio Friendly at the same time but still being a product of the Stoner Rock underground. This is a song with SOUL and PERSONALITY that carries on through to the rest of the album.


Second song Death Tripper is a more gloomier song with the song moving between Post-Doom and Post-Rock. The music then moves onto heavier themes with a more alternative sound allowing the band to play one of darkest tracks on the album. Throw in some top-notch drumming by Ryan with crunchy guitars courtesy of Patrick and Zachary with Taylor laying down some epic bass along the way. 


Third song Better Living is a more hopeful Ambient based Post-Rock or Post-Stoner song that starts slowly and builds up to a more cinematic song. The slow paced nature of this song is one of it’s strongest aspects as this feels like a more personal track from Abrams. The vocals are nuanced with heartfelt lyrics allowing this to be one of the best tracks on the album. This song is still a heavy blast of Sludge/Stoner Rock aggression that leaves you wanting more. Fans of TORCHE and Elephant Tree will get a kick out of this track with Abrams playing a more anthemic style of music.


Fourth song In The Clouds is where Abrams truly excels with HUGE STADIUM SIZED riffs that last an age with a dreamlike Post-Doom edge merging with a classic Alternative/Grunge feel. The music is fast-paced and downright catchy with the right amount of Psychedelic Rock/Metal aggression. This is the standout track of the album that captures Abrams at their creative best. Wait till you hear the epic Sludgy guitar solos within this song. 


Four tracks in and this album already has the “WOW” factor. Abrams continue to impress even further with tracks such as:Fever Dreams, Body Pillow, In The Dark and Black Tar Mountain.


The band moves further into their dreamlike world with stunning lyrics, powerhouse vocals and sublime riffs that should see Abrams gain wider recognition from the Sludge/Stoner Rock Underground and even mainstream attention. 


Working with Dave Otero once again who is on multiple recording duties as well as co-producing the album along with Abrams. In The Dark is their best collaborative effort yet with everything sounding first rate. Everything is LOUD but with real PURPOSE.


In The Dark is a first rate musical adventure that surprises and amazes with the multiple different genres of music that Abrams have included on the album. This is Abrams most complete album to date and definitely their finest hour yet.


This is an outstanding album and ranks as one of the best Albums Of 2022.


Words by Steve Howe


Thanks to Earsplit PR and  Purple Sage PR for the promo.


In The Dark will be available to buy on CD/DD/Vinyl via Small Stone Recordings from September 9th 2022.


Links


Facebook | BandCamp