Showing posts with label Mountain Of Smoke. Show all posts
Showing posts with label Mountain Of Smoke. Show all posts

Monday, 25 April 2022

Mountain Of Smoke - Imprinted (Album Review)


Release Date:April 22nd 2022. Record Label: Self Released. Format: CD/DD


Imprinted - Tracklisting

1.Imprint 01:39

2.Pain Providers 02:11

3.The Glass King 04:11

4.As We Slept 04:13

5.Tuning 02:15

6.The Weeping Spine 03:46

7.Sleep Now 04:03

8.Funeral of God 03:48

9.Then Came The Strangers 08:10

10.Freeze My Eyes 04:40


Members


Alex Johnson- pedal steel, guitar, synth, and vocals

PJ Costigan- Drums

Brooks Willhoite- bass, guitar, and vocals


Review


Doom/Sludge/Stoner Metallers Mountain Of Smoke have been blazing a trail of bloodied/retired replicants and heavy sludgy grooves over the last few years. With their “Blade Runner” inspired albums and releases, Mountain Of Smoke have become one of the more original bands from the underground scene. Their last proper original “studio” release was 2019’s Future Sins but the band did release a remix album of their second full length album and a covers album as well.


Now the guys are back with Imprinted and the guys have switched their attention to another cult film “Dark City” for their latest album though I believe some themes from Blade Runner are felt within this release. Imprinted is more of an Industrialised Sludge/Stoner Metal adventure with outbursts of manic Punk Rock and Doom Metal sounds.


Opening song Imprint is an Industrial/Punk/Doom Metal/Digi-Hardcore hybrid that reminds me of Author & Punisher and The Mad Capsule Markets for it’s brief 100 seconds run time. There’s a heavy amount of aggression and pissed off vocals on this track plus don’t get me started on the almost 200 miles per hour guitar beats. Well it feels that way.


Second song Pain Providers is the Mountain Smoke that I know and love. Intricate Psychedelic based energy with socially aware lyrics with a deeply flawed science fiction theme. The music airs on the side of Post-Doom/Post-Metal caution but still stands out within the boundaries of Sludge/Stoner Metal.


Third song The Glass King does feel mostly inspired by Dark City within the lyrical department mostly but the electronica sounds are from the world of Blade Runner. This is a weird and surreal cinematic journey with spellbinding vocals and claustrophobic industrial beats. The music is quite nightmarish and is one of the darkest songs on the album. Add some 90s hard-hitting Alt-Rock/Gothic/Alt-Metal sounds and Mountain Of Smoke maybe recovering from a bad trip that Philip K Dick always wrote about. Paranoia reigns supreme on this track and the later stages of the album.


I can’t really go into the remaining seven songs on the album as I will be here all day. However, Mountain Of Smoker carry on with their Paranoia Induced mission by playing their distorted and nightmarish Doom/Sludge/Stoner Metal grooves with twisted Psychedelic vocals and lyrics to match.


The final three songs of the album Funeral Of God, Then Came The Strangers and Freeze My Eyes is my favourite part of the album. As Mountain Of Smoke plays a menacing blend of different styles of music with the music still feeling like a WEEDIAN based album in places. Perhaps very hard to distinguish at first but Mountain Of Smoke have always been fantastic at creating multi-layered levels of music with hidden depth and imagination to it all.


Imprinted is a quite a daring album that offers no easy answers but if you’re on the lookout for a more experimental Doom/Sludge/Stoner Metal album then please spend some time with Mountain Of Smoke. This album is another outstanding release from Mountain Of Smoke. End Of.


Words by Steve Howe


Links


Facebook | BandCamp | Twitter


Saturday, 28 July 2018

Mountain Of Smoke - Gods Of Biomechanics (Album Review)


Release date: July 14th 2018. Label: Self Released. Format: DD

Gods Of Biomechanics – Tracklisting

1.Incept 02:21
2.Tannhauser Gate 03:40
3.Orion's Shoulder 02:52
4.Caesium Beams 03:46
5.Zhora 04:20
6.Morphology 02:55
7.Retirement 03:03
8.Leon 04:25
9.Tyrell 03:19
10.. Gods of Biomechanics 02:53

Members

PJ Costigan- drums
Alex Johnson- pedal steel and synth
Brooks Willhoite- bass and vocals

Review

Making an album on seminal classic science fiction film Blade Runner is mighty bold and impressive by anyone’s standards. However doing another album based on the same film is downright insane. Who could pull such a task off. Well, Mountains Of Smoke for a start. The hard edged Sludge/Stoner Metallers are back with their new album – Gods OF Biomechanics.

An intriguing and thrilling progressive album that takes many themes from the landmark movie and adds a nightmarish surreal industrial Doom/Sludge/Stoner Metal sound with hints of warped electronica. The opening two tracks Incept and Tannhäuser Gate is what you expect from the band with fast-paced drone like riffs weaving psychedelic sounds into the realm of Blade Runner.

The vocals from Brooks are heavily digitised which is natural for an album such as this. Mountain Of Smoke have devilish fun blending the ideas of the movie against a backdrop of heavy Doom/Sludge based themes. Mountain Of Smoke already tried this idea on their self-titled debut album back in 2014. I remember listening to the album back then. I remember not being fully sold on the whole concept and sound of the album.

However I have no such problems with Gods Of Biomechanics as Mountain Of Smoke have created an album that captures the dystopian tone of the classic movie. The heavy industrial sounds and bleak lyrics may leave you feel slightly down but the frantic punk based energy of Orion’s Shoulder and Caesium Beams show a band not afraid to experiment with their sound.

Maybe the album is partially influenced by Nine Inch Nails and Author & Punisher as the heavy industrial sounds start to overpower the Doom/Sludge/Stoner Metal vibes that appear on the early stages of the album.

Mountain Of Smoke have included a high amount of samples from the movie and they appear throughout the album, including the legendary “Tears in Rain” monologue. Mountain Of Smoke deserve credit for trying something different with this album. it’s not the most easiest album to listen to as there is a lot going on. The songwriting is good but there are a few songs that don’t quite work as they possibly should. However the heavy industrial music and mechanical stylised vocals save the day.

The real question that needs to be asked is: Who short first – Han or Greedo. Damn, Sorry, wrong Harrison Ford Movie.

No, the real question(s) I want to know is what version of Blade Runner inspired Mountain Of Smoke to write this album to. We do have about 6 or 7 versions to choose from. My second question is -Will they release an album based on the classic sequel Blade Runner 2049.

Anyway, I digress. Gods Of Biomechanics is a thrilling and spectacular heavy album.

Excellent and Highly Recommended.

Words by Steve Howe

Links: