Showing posts with label Freakout Rock. Show all posts
Showing posts with label Freakout Rock. Show all posts

Saturday, 21 June 2025

Black Helium - The Animals Are Coming (Album Review)

Release Date: June 20th 2025. Record Label: Riot Season Records. Formats: DD/Vinyl

The Animals Are Coming - Tracklisting

1.Return The Curse 2.Saviour Destroyer 3.Worm Vision 4.They Have Bodies 5.Up On A Hill 6.Inside The Horror Mask 


Members


Stuart Gray (vocals, guitar)

Beck Harvey (bass, vocals)

Diogo Gomes (drums)


Review


Psych Rockers Black Helium return with their fourth record The Animals Are Coming which allows each band member's creative personality to fully shine through which gives this record a more daring “fast and loose” approach compared to their previous albums. There’s more focus on SONIC experimentation from Black Helium as they embrace a heavier, dynamic and self-contained sound that allows this to become their most accessible and riff dominated record to date.


However, Black Helium still excels by playing warped Space Rock movements and extended progressive melodies which adds a heavier style of distorted warped energy through that monolithic “JAZZ” energy that’s a constant driving force for the whole album. With echoes of classic KrautRock, Glitched based noises and a serious Droned Rock attitude forming within the stunning opening track of Return The Curse which lasts over eleven minutes as Black Helium aim for NIGHTMARISH rock and roll excess.


The vocals from Stuart Gray and Beck Harvey once again offer a quality entrance into the band’s surreal and fearless instrumental passages with the distorted surroundings being quite nightmarish, fearless and highly original when the standard grooves appear.


Second track Saviour Destroyer adds a Post-Doom and Psych Rock attitude with Noise Rock arrogance which is matched against a classic Space Rock flavour. The music starts off quite slowly with a TOPSY-TURVY delivery before expanding into slices of Sixties based Psychedelic and Freakish environments that also transforms into areas of Heavy Sludge Rock.


Black Helium channel the likes of Hawkwind and Monster Magnet on the next few tracks but also showing their love and affection for bands from the legendary KrautRock scenes with a dash of Japanese based Freakouts that remains a constant and evolving part of the album to impress long time fans of the band.


Third track Worm Vision sees Black Helium play a subtle Post-Rock style delivery with that elevated Psych Rok attitude that soon aligns the record to a richer, fuller and subtle Space Rock atmosphere. The JAZZY effects are quite sullen with a slow-paced melody forming against the trippy noises, synths, glitches and other wonderfully weird sound effects. 


Black Helium add an experimental Electronica vibe to their music which appears within the subdued fourth track They Have Bodies which has small amounts of intricate Proto-Doom appearing mainly thanks to the expert drumming of Diogo Gomes. Beck Harvey (Bass) and Stuart Gray (Guitar) allow Diogo to conjure up black holes into another world with Beck’s dominant bass rhythms and Stuart’s epic progressive riffs being quite heavy and remotely quiet at the same time.


The final two tracks of Up On A Hill and Inside The Horror Mask is where the old school and real magic happens with Black Helium embracing their new found reflective sound which is matched against their old-school Sludge/Stoner Rock roots. Up On A Hill is cool and welcoming for the first half before the second half becomes chaotic, aggressive with a brooding attitude forming. 


Inside The Horror Mask is a ten minute plus track where Black Helium entice and deceive  listeners in highly dramatic fashion with that highly melodic Post-Rock/Post-Stoner style transforming into a heavier style of freaky HEAVY METAL which is where the band excels and impresses the most.


The Animals Are Coming is another expertly played and brilliantly produced record from Black Helium that once again solidifies their reputation as one of the true original Heavy Psych Rock bands the UK underground has to offer. With stunning production values that offers a warped and fractured SONIC experience that fully rewards Black Helium of completely being in a league of their own making. 


Outstanding. End Of.


Words by Steve Howe


Thanks to Black Helium and Riot Season Records for the promo.


The Animals Are Coming is available to buy now on DD/Vinyl via Riot Season Records


Links


Facebook | BandCamp


Wednesday, 22 November 2023

HIBUSHIBIRE - Magical Metamorphosis Third Eye (Album Review)

Release Date: November 24th 2023. Record Label: Riot Season Records. Formats: CD/DD/Vinyl

Magical Metamorphosis Third Eye - Tracklisting


Orangesunshine Of Your Lovemachine

We Won't Go Back To The Past

Death Surfin USA

Tomorrow Never Ends

Ayahuasca Witch Abduction


Members


Tetsuji Toyoda - Bass/Bass Synthesizer/Vocal (Mermaid Mountain)

Aoi Hama - Drums/Suntur/Vocal (Cat Tongue Queen)

Changchang - Guitar/Acoustic Guitar/Guitar Synthesizer/Bouzouki/Electronics/Vocal (Melting Eye Spectacle)


Review


Magical Metamorphosis Third Eye is the new album from Japanese Psych/Space/Prog/Stoner Rockers HIBUSHIBIRE and sees the band return with a different line-up compared to their 2019 acclaimed album "Turn On, Tune In, Freak Out". This album sees HIBUSHIBIRE use themes such as Occultism and Mysticism though it's also about other things the band likes such as UFO's, Pyramids and Psychic Phenomena according to the press release. HIBUSHIBIRE play a never ending style of classic freakout psychedelic guitars throughout the album. Add elements of 60's/70's based Psych Rock, Cosmic Rock and Prog Rock which airs a cautious rebellious feeling within the quieter moments of the album before a frantic and aggressive seedy underbelly of Krautrock and legendary Japanese Psychedelic beats.


Opening track Orangesunshine Of Your Lovemachine is a catchy and chaotic style of Experimental Psychedelic Stoner Rock with frenzied guitars and jagged drumming that allows the vocals to drift off into multiple different directions. 


HIBUSHIBIRE do feel more creatively closer to certain landmark bands of the 1960's Rock scene such as The Beatles, The Byrds and The Beach Boys on the superbly mellow second track We Won't Go Back To The Past which showcases a different style of music from HIBUSHIBIRE. 


Third track Death Surfin USA matches the crazed glitchy and distorted Psychedelic sounds from the excellent opening track which draws upon THE WHO in the heavier destructive moments whilst still retaining that quality Japanese Psychedelic Freakout sound. The later stages of the track are wonderfully aggressive with HIBUSHIBIRE playing without a care in the world at times but there is METHOD TO THEIR MADNESS allowing the band to play with a sense of reckless abandonment but still retaining a cool sounding experimental groove.


Fourth track Tomorrow Never Ever Knows is driven by that Occultism and Mysticism influence mentioned previously with heavy frantic and sleazy trippy guitars perfectly balancing the 1960's Psych Rock Dream and then turning on it's head with a seedy almost sounding Doom Rock sound. The vocals have a certain conceptual feeling and flow to them but it matches the heavy rock attitude that HIBUSHIBIRE play within the background. There's moments of Psychedelic based Middle Eastern instrumental flavours that work amazingly well with the more riff-centric attitude of the album. 


The final song Ayahuasca Witch Abduction is an epic twenty minute plus song where HIBUSHIBIRE play everything that's been heard previously on the album but on a more grander and progressive scale. Ambient sounds, Jazzy beats and glitchy sound effects have an almost true life LSD feeling where I felt like I was being transported to another world at times. The instrumental work is confusing at times and with the vocals moving from one different tone to the next, the first few moments can be quite jarring at first. 


However, when HIBUSHIBIRE settles down into play a more cohesive and creative musical journey and that's when the real magic happens. Trippy extended instrumental Psych/Space Rock jams with the seedy underbelly of 1960's and 1970's RAWK & ROLL being given that Japanese Freakout makeover then HIBUSHIBIRE are KEEPERS of their own CREATIVE DOMAIN with a non-stop style of experimental and psychedelic breakdowns and frantic Cosmic activity that makes you wanting to hear more.


Magical Metamorphosis Third Eye is perhaps the freakiest and most far-out album of the year with HIBUSHIBIRE releasing a highly unconventional releases that twists the creative fabric of what is impossible within the Psychedelic/Space Rock scene and sound so devastatingly original within it's own right.


Then again am I really surprised with this great album being released by the always amazing and ever reliable Riot Season Records. Which is perhaps the perfect record label for the seriously weird and wonderful bands of the Underground Rock Scene to call home. And that's another great reason why to check out this brilliantly inventive album from one of Japan's finest Psychedelic/Space Rock bands. 


Excellent and Highly Recommended.


Words by Steve Howe 


Thanks to Riot Season Records for the promo.


Magical Metamorphosis Third Eye will be available to buy on CD/DD/Vinyl via Riot Season Records from November 24th 2023.


Links


Facebook | BandCamp