Showing posts with label MWWB. Show all posts
Showing posts with label MWWB. Show all posts

Tuesday, 9 April 2024

EYE - THE NEW BAND FROM MWWB SINGER-SONGWRITER/MUSICIAN JESSICA BALL - SHARE VIDEO FOR ‘IN YOUR NIGHT

Photo by Ren Faulkner

EYE – the new band from Mammoth Weed Wizard Bastard (MWWB) singer-songwriter/musician Jessica Ball – recently announced the arrival of their eagerly awaited debut album, 'Dark Light’ set for release on 26th April via New Heavy Sounds (Shooting Daggers, MWWB, Blacklab).

‘Dark Light’ is an intensely atmospheric fusion of emotionally charged songcraft and inspired sonic energy. The clue is in the album's paradoxical title. Chilling and even bleak melodies with arrangements daringly and deliberately stripped down and minimal. Revealing a kinship with sonic bed-fellows Mazzy Star, Chelsea Wolfe or even Portishead, which can be heard on first single ‘In Your Night’. Jessica comments,

"Our first release 'In Your Night' represents Eye musically, conceptually and lyrically and I'm proud for this to be the first song that everyone hears from us... Light and dark, night and day, quiet and loud is the running theme throughout this song and album as a whole. Whether you're up close to a song, or listening to the album as a whole, these themes will be ever present throughout. We're playing around with these two extremes sonically and what these represent emotionally and mentally. I feel that nothing takes you on a journey more effectively than a good build up, or something happening unexpectedly, much like real life. We are just the eye that witnesses it all."

Watch the video for ‘In Your Night’ - 


Jess adds, "These songs have been many years in the making... Some of these ideas were crafted before MWWB, this is something I've always wanted to do. Over the last couple of years, I’ve spent some time on finishing and crafting these ideas and pieces of music into songs. Some were snippets of lyrics from my early twenties which reflect on what seems like a different person. I think it’s quite poetic how it’s all come together now.

I was also encouraged after finding musicians who understood the vision and style I was trying to achieve, and of course my experience of being in MWWB. I’m a guitarist above all, and I loved reconnecting with guitar again. It feels like all my influences and favourite styles have come together in this album. Shoegaze, doom, folk, dream pop... It’s a real mix bag but as a whole, it represents many different stages of my life and tells a story.

The album ultimately is quite introspective yet lyrically loose enough to be open to interpretation – I’ve always been a fan of songs that seem to perfectly slot into the situation I’m experiencing and not too specific to one person's experience... I think that comes across in this album.”

Jessica relocated from Wrexham to join her new partner, veteran Welsh musician Gid Goundrey (Gulp, Ghostlawns, Martin Carr), in Cardiff just as the pandemic era dawned. Confined to their small Grangetown flat, they quite naturally began making music together.

Having earned acclaim and a fervent fan following for her role in MWWB, Ball took the opportunity to compose songs that were all her own – nuanced, lyrical, and hypnotically distinctive.

Triggered in part by the existential dread looming outside as well as the sudden ill health of her dear friend, MWWB guitarist Paul “Dave” Davies, then fighting for life after a Covid-related stroke.

With Goundrey on drums (for the first time in his musical career) and joined by keyboardist Jonny, Eye experimented with sounds to match Ball’s melodic songs, traversing a diverse spectrum of dark folk, dreampop, IDM and psychedelic doom, to create sometimes heavy and foreboding drones, alongside spare but still richly textured sonics.

Songs like “The Other Sees”, “Respair”, "See Yourself" are chameleonic and commanding, wielding snaky, chiming guitar back to back with fuzzed out riffs. Vocal melodies may be sweet but melancholic, amidst tightly contrasted spatial dimensions, and Ball’s signature vocals are at the forefront, sometimes soaring but also with a heart of darkness. Of the two ‘heavier’ numbers “In Your Night,” slowly builds to a brooding fuzz-groove like a down-tuned Yo La Tengo until a huge space-doom riffs carries you home while with "See Yourself" the contrast from folk delicacy to tripped out sub-bass fuzz riffage is astounding.

So, whilst not strictly speaking ‘Doom’ or ‘Metal’ fans of Jessica’s previous work with MWWB will not be disappointed. Along with producer Chris Fielding (MWWB, Conan) EYE have produced something otherworldly, which is at times heavy and epic, yet still deeply intimate and dark. A striking debut.

‘Dark Light’ is due to drop on 26th April 2024, and as with all New Heavy Sounds releases, will come in a deluxe limited vinyl edition. Green/Purple half and half effect vinyl, with full download included as well as limited edition CD and at all digital platforms.



Thanks to For The Lost PR for all of the details.

Wednesday, 23 March 2022

MWWB - The Harvest (Album Review)

Release Date: March 25th 2022. Record Label: New Heavy Sounds. Format: CD/DD/Vinyl

The Harvest - Tracklisting

1.Oblok Magellana

2.The Harvest 09:10

3.Interstellar Wrecking

4.Logic Bomb

5.Betrayal

6.Altamira

7.Let's Send These Bastards Whence They Came

8.Strontium

9.Moon Rise


Members


Jessica Ball, vocals and synths.

Paul Michael Davies, guitar and synths.

Stuart Sinclair, bass

Dom McCready, drums


Review


The Harvest is the new album from Psych Doom/Stoner Metallers MWWB formally known as Mammoth Weed Wizard Bastard. The band have not only shortened their name but brought a whole different creative perspective for this album. The album was meant to be released in 2021 but was delayed due to guitarist Dave suffering from a severe stroke after contacting COVID which he's still thankfully recovering from.


Vocalist Jessica explains in greater detail below:


“It’s been a long and arduous road for him ever since. He had to be put into a medically induced coma while the doctors battled to keep his oxygen levels up. It was touch and go for many months, and at one point we were told to say our final goodbyes to him.

 

As we all waited for that awful day to come, Dave had other ideas. Against the predictions of the doctors, he came back fighting. Fast forward to today, and Dave is doing exceedingly well in rehabilitation and once again surpassing the expectations of everyone around him. Despite the life-altering effects of having a stroke, including relearning speech and movement, Dave has worked his hardest at every challenge presented to him and it shows. He is visited regularly by his partner Charlie and their son Zeke, who have been nothing but incredibly strong and positive for all of us through this time.”


The Harvest was recorded before Dave's illness appeared and the album is vastly different from MWWB previous albums with the band adopting a left-field approach with their music.


As they bring in elements of Electronica and Seventies Psych Rock. MWWB are influenced by the works of John Carpenter, GOBLIN and Pink Floyd while still showing their acclaimed Cosmic based Doom, Sludge and Stoner Metal. This is all done under the guise of Chris Fielding (CONAN) on Production Duties and the mood is always constantly adventurous, distorted and beautifully engaging.


The music is progressive from start to finish with the opening tracks Oblok Magellna and The Harvest allowing MWWB considerable time to blend their well-known Amplifier Distorted Grooves with the experimental Psychedelic based Electronica glitches that appear on the title track. Sure there’s a lot of different glitches and noises to take in but MWWB play their acclaimed style of sludgy riffs with the action being more centered around the more “experimental” noises and sound effects of the album. Jessica’s vocals are quite sparse and solitary to begin with and I wonder if “Brian Eno” was a major influence on this album as well, especially with the production values of the whole album.


The Harvest feels like a soundtrack to an unknown classic Seventies Horror Movie that is helped along by amazing John Carpenter-esque synths that are truly prominent on third track Interstellar Wrecking. With its “Escape From New York” eerie melodic parts making me think of Snake Plisken. Never thought I would say that when listening to a Doom/Stoner Metal album.


MWWB have delivered something truly different compared to their previous albums with The Harvest being their most diverse, thrilling and surreal offering to date. The album revels with it’s outlook on Seventies Electronica and Classic Doom spliced with modern day Psych Stoner Metal aspects which lovingly come to life on the stunning fourth track Logic Bomb which is perhaps my favourite song off the album. Everything is pitched perfectly on this track with Jessica’s eerily haunting vocals leading the way and the heavy down-tuned grooves not too far behind. There is a sense of danger lurking within the shadows on this track but it offers a wonderfully uplifting atmosphere as well.


The album takes some dramatic and gloomy turns on the second half of the album with the Psychedelic element being given a slightly sinister makeover but the Electronica sounds still leaving you cautions and that’s with the outburst of downbeat and uplifting grooves MWWB have written for this part of the album.


Other standout songs include: Altamira, Let’s Send These Bastards Whence They Came and Strontium with every song offering a different style of music for MWWB to impress you with.


I’ve been a fan of this band since their debut release and they always constantly amaze me with the different styles of records they’ve released to date. However, this record is definitely my favourite so far. As the band have changed their musical and creative style for the better and I love the seedy uncompromising vision of it all.


The Harvest is an action packed release that ventures amazingly across the subgenres of Doom, Sludge and Stone Metal that brings a new Electronica/Synth driven perspective that is so brilliantly fresh and downright original. 


MWWB have worked their magic yet again with The Harvest. This is going to be considered as one of the Top 5 Albums Of The Year when those inevitable Albums Of The Year Lists are posted. Don’t be too surprised or shocked this will definitely be in my Top 5 Albums Of The Year. 


Incredible. End Of.


Words by Steve Howe


Thanks to Simon at For The Lost PR for the promo.


The Harvest will be available to buy on CD/DD/Vinyl via New Heavy Sounds from March 25th 2022.


Links


Facebook | BandCamp