Monday, 24 April 2017

Summoner - Beyond The Realm Of Light (Album Review)

Release date: May 12th 2017. Label: Magnetic Eye Records. Format: CD/DD/Vinyl

Beyond The Realm Of Light – Tracklisting

1.New Sun
2.The Huntress
3.Beyond the Realm of Light
4.The Emptiness
5.Skies of the Unknown
6.Into Oblivion


Scott Smith, Chris Johnson, Joe Richner, A.J. Peters


I was given the distinct pleasure of checking out the new record from Boston stoner rock band Summoner. Beyond The Realm Of Light is the band's 3rd record and I'm going to be brutally honest, this record kills. It didn't grab me right away, but after a couple of listens I was hooked like a riff obsessed crack addict.

Summoner doesn't really tread any new ground, but lay a heavy as claim to their own chunk of the sonic landscape. This record is rocking, it is catchy, it has huge riffs, gigantic drums and shredding solos aplenty.

The band wastes no time, as New Sun kicks in right away. It is the perfect intro for the next 30+ minutes. The Huntress follows and is littered with some NWOBHM style old school guitar solos. The title track, Beyond the Realm of Light, comes in as a slower heavier, more doom laden track and it is a monster.
Next is The Emptiness with a driving, heavy pace that grabs you right by the throat. Skies of the Unknown starts with a slower, spacey intro before kicking in big time with another hard driving finish. The record closes with Into Oblivion, a fitting closing that puts it's foot right on your throat.
After listening to this record, I was reminded of everything from Red Fang to Kyuss, Sabbath to Helmet, and about everything in between. This is a rock record. Period. Track this one down, give it a couple of spins, it won't leave your listening rotation, I guarantee.

Words by Todd Stealey
- Instagram @alltheghoststhathauntyou

Thanks to Jadd at Magnetic Eye and Carl at Action PR for the promo. Beyond The Realm Of Light will be available to buy on CD/DD/Vinyl via Magnetic Eye Records from May 12th 2017.


L'IRA DEL BACCANO - Paradox Hourglass (Album Review)

Release date: April 14th 2017. Label: Subsound Records. Format: CD/DD/Vinyl

Paradox Hourglass – Tracklisting

1.PARADOX HOURGLASS - Part 1(L'Ira Del Baccano) 11:10
2.PARADOX HOURGLASS - Part 2 (No Razor for Occam) 08:28
3.ABILENE 11:17


Alessandro “Drughito” Santori - guitar/direction and architecture of Baccano
Roberto Malerba - guitar/synth
Sandro “fred” Salvi - drums
Ivan Contini Bacchisio - bass


L'Ira Del Baccano (LDB) returns with another round of heavy spaced out instrumental psych doom. Arriving two and a half years since their last album - Terra 42. Paradox Hourglass sees LDB carry on with the subtle psychedelic sounds from that album with a more progressive feel the album is split into four parts - Paradox Hourglass Part One, Paradox Hourglass Part Two, Abilene and The Blind Phoenix Rises.

The first track - Paradox Hourglass Part One - is LBD at their most addictive as they create heavy doom based sounds. The album feels like a natural progression from their last album. As the sound is very familiar if you're already a fan of the band. The instrumental work is superb and LDB show a keen eye for experimentation with their sound. This album isn't as heavy as previous albums as LDB play a more mellow style.

Second track - Paradox Hourglass Part Two - has a more jazz style approach. The song takes time to fully get going but once it does the band don't disappoint with dazzling riffs spliced with the top-notch drumming present throughout the album.

The final two tracks Abilene and The Blind Phoenix Rises is the exciting part of the album as the songs have a fresher feel than the opening two tracks. LDB feel they're having more fun with their music on the final two songs. They have a more interesting dynamic and feel more complete with the heavy instrumental sounds reaching their natural conclusion.

If you're a long time of this great band then no doubt you will find much to enjoy here. If you're new to the world of LDB then this is the best place to start as it offers the most perfect insight of what this band is all about. It's a stylish and heavy psychedelic affair with LDB becoming one of the more interesting Instrumental Psych Rock Bands currently out there.

I will say this is perhaps the best the band have ever sounded on record. The whole feel and mood of the album never feels rushed or forced and that's down to the production of the album. I still prefer Terra 42 to Paradox Hourglass but this is still another great album from LDB. If you're a fan of classic spaced out Hawkwind style riffs merged with a heavy sounding doomy atmosphere then look no further. Paradox Hourglass is the album for you.

Words by Steve Howe


DUEL - Witchbanger (Album Review)

Release date: April 28th 2017. Label: Heavy Psych Sounds. Format: CD/DD/Vinyl

Witchbanger – Tracklisting

3.The Snake Queen
4.Astro Gypsy
5.Heart of the Sun
6.Bed of Nails
7.Cat's Eye
8.Tigers and Rainbows


Tom Frank - guitar,vocals
Shaun Avants - bass, vocals
JD Shadowz - drums
Jeff Henson - guitar


Duel return with their second album - Witchbanger - and it's another heavy slice of classic Heavy Metal carnage merged with slabs of powerful Stoner/Doom Metal. The album has a very classic eighties heavy metal feel with the vocals proving that this album will appeal to both the more traditional metal-head and the more modern doom metal fan.

Opening track - Devil - is what you expect from Duel. Fast-paced riffs that never outstay their welcome as the band play a blend of heavy metal sounds merged with modern sounding doom metal theatrics. The twin guitars have a slight Thin Lizzy feel and that is always a good thing. Duel know who they and they make no apologies for making straight-forward Doom/Heavy Metal such as this. It’s good to see the band mixing things up a bit on this track as it acts as the catalyst for things to come.

Second track - Witchbanger - carries on the vintage sound heard on the first track but with a gloomier atmosphere. It's one of the standout tracks on the album with creepy lyrics and pitch-perfect riffs adding a more subtle blues rock vibe at times. I don't want to spend to long reviewing every song on the album as I want this album to be kept as a surprise for both fans of the band and first time listeners.

If you want a good old fashioned Doom/Heavy Metal album where the riffs, vocals and lyrics are equally as important as each other then. Witchbanger is the album for you. I will admit this was the first album I've heard by Duel as I passed their debut album by. My mistake as Duel are a serious hard-rocking unit who have some cool and original ideas of their own especially on the excellent third track - The Snake Queen.

This track shows how inventive Duel can actually be with the band taking a more psychedelic approach and influenced by the legendary sounds of Black Sabbath and Saint Vitus. Whilst still creating their own sound. Other great tracks to check out are: Astro Gypsy, Heart Of The Sun and Tigers and Rainbows.

The production is first rate throughout as Duel have done their homework here. As Witchbanger sounds like it could have been released back in the classic heyday of Doom Metal whilst still offering a modern Stoner based sound. Witchbanger is an exciting wild ride into the realm of Doom/Heavy Metal and I urge you not to pass this album by as Duel have created another quality album.

Words by Steve Howe

Thanks to Claire at Purple Sage PR for the promo. Witchbanger will be available to buy on CD/DD/Vinyl via Heavy Psych Sounds from April 28th 2017.


Saturday, 22 April 2017

An Interview with Marty Harvey from SLOMATICS and WAR IRON

With today's announcement of SLOMATICS headlining the first Gizzard Fest in Rotherham, where you can find all the details here.

I've been a fan of Slomatics for a long time now. They have released a string of acclaimed albums and they're a major influence on the mighty CONAN. I wanted to interview one of the guys from Slomatics for ages but I never got round to it until now.

I caught up with Marty Harvey (Drums/Vocals) to discuss his role in Slomatics, festival appearances and their acclaimed 2016 album – Future Echo Returns. So sit back and enjoy this epic interview. I apologize now when we start discussing our beloved football team – Newcastle United.


Hi Marty. Thanks for doing this interview. Before we start discussing your upcoming appearance at the Gizzard Fest in Rotherham. We need to discuss your current album – Future Echo Returns which was released last year. That album has won a considerable amount of praise from fans and critics alike. Has the responses surprised you all within the band.

I think getting any kind of praise is always cool, whether it’s after a show or reading something on a blog/review, it’s a recognition of time spent writing, practising and all the other behind the scenes stuff that happens to make an album, but truthfully we’re still surprised when we get it. It’s definitely not something we set out to get or crave by any means. I suppose since A Hocht, then Estron there had been a building response from fans and critics, so with the release of Future Echo Returns, I guess the momentum with whatever praise we got from those albums continued. But it would seem Future Echo Returns has gained the most attention yet.

Did you ever expect it to be embraced the way it is. Excellent reviews and appearing on a wide range of best album of the year lists.

When writing music, reviews and end of year lists simply don’t feature as a reason to do what we do. We play music together simply for fun and to please our ears!! When we play live or people buy our music I always find it humbling that music we’ve made is discussed or considered to be held in the same regard as bands who have been on the scene for years touring, recording and playing live.

Did you know you had something special on your hands before you released it.

Can’t say we did, can’t say we do now!!! As the music started to come together and we jammed out sections it became apparent that there was more melody this time around and more use of synth textures and vocally a decision by myself to try more harmonies. Musically we feel it’s probably the most complete album we’ve done.

What was the overall experience this album compared to other albums that you’ve recorded.

From a recording perspective A Hocht and Estron were recorded in Start Together Studios, Belfast by Rocky O’ Reilly, both in their entirety, with Future Echo Returns we took a decision to use both Start Together and Skyhammer. Chris Fielding (Bass Player, Conan/Producer @ Skyhammer) has produced some great sounding music with some great bands and the overall approach to how he recorded and got such great sonics was something we were interested in. We were curious to see how he used his skills with our music. We recorded all drums, guitars and vocals at Skyhammer over 2 sessions, with a middle session held at Start Together to use Rocky’s vast array of vintage keyboards and synths. So recording in 2 different studios with sufficient time in between sessions gave us time to fine tune the recordings and see what did and didn’t work!!

Did you do anything differently when recording this new album. Your vocals are different compared to other albums you’ve recorded with Slomatics.

There was really nothing too different from a technique perspective that I did largely different vocally. Lyrically I come up with ideas fairly quickly once the music has been written. When we are playing through/practising songs without vocals I am coming up with vocal melodies in my head and trying to phrase them so I can sing and play drums at the same time!! This is something I’ve got better at doing over the years. I do feel that I’m developing a style that suits me vocally and hopefully using melody/harmonising more in the songs.

As you’re now signed to Black Bow Records. How did all that come about. Though Slomatics are a major influence on the label owner Jon from the mighty CONAN

Black Bow Records, as you say, we’re now signed to. It was kind of a natural progression. Jon’s label has developed with his repertoire of artists and to be a part of his label is a really cool thing for us. It was an easy decision when we chatted.

You’re also performing at Roadburn and Psycho Las Vegas later in the year. Did you ever expect to be performing on the international stage such as those two awesome festivals. What’s the current mood within the band in regards to performing in both festivals.

To be asked to play shows that us as fans would want to attend due to the amount of really cool bands on the bill is a great thing. I’ve been to Roadburn a few times and had some great experiences as a fan, going back as part of the festival is going to be awesome. We played the Incubate festival a few years ago, playing the Green Room Stage in the 013, this time round we will be back on the same stage.

Psycho Las Vegas festival was something which came totally out of the blue. Truthfully I had never heard of it. Getting approached to play a show in Las Vegas doesn’t happen everyday!! It’s something which we have talked about, playing in USA, but due to real life stuff like family and work, it was something which we feel would not have happened. But it all seemed to come together and so in August Slomatics are playing their 1st American show. Naturally we’re excited!!

What can people expect from those two shows.

More of the same, but now with added cool visuals that have been put together by Dermot Falloon who did our “Electric Breath” video.

Now you’re headlining the Gizzard Fest gig which Chris from United in Fuzz and Spaztik Munkey is currently arranging. How did that come about. A lot of people will be genuinely excited for that gig.

This is gonna be a head scratcher when the readers are checking this answer out…there are 2 Chris’s and 2 Dave’s!! We were approached by Chris (Festival Organiser) and we couldn’t refuse. The whole set up seemed like something we would all be into. It’s based at a pub with nice ale, so seems like a no brainer!! Chris (Festival Organiser)is good mates with Dave Main (D*A*M Guitar Pedals) and Chris (Slomatics) and Dave (Slomatics) wax lyrical about Dave Main’s pedals as both use them in their set up. So it all seemed like a cool and fun show to do, something when we look at doing shows is a prerequisite!!

Chris has arranged some exciting bands for that gig. Which bands are you currently looking forward to.

Well it’s a 12hr celebration of all things heavy, loud and fuzzy!! What’s not to like!! And all happening in an outdoor marquee with fine cask ales!! So, I’m looking forward to checking out all the bands, some of which I’ve heard of and others I’ve yet to experience. That’s what is really cool about bills like this, you get to see and hear bands that you normally would not get an opportunity to do so.

Is there any chance that Slomatics do a proper UK tour. Instead of one-off dates here and there. Or is it too expensive to do at the moment.

When looking at the logistics of doing a show it’s an obvious thing to factor in finances when a promoter approaches you. So in accepting a gig we are always up front about our costs, generally promoters are aware of our travelling needs from Northern Ireland to mainland UK/Europe and assist accordingly. Touring is something we’re just not into as a band. We all have other commitments with work and family so getting away for a few dates for specific shows is how we like to do it.

You’ve been part of Slomatics since 2011. Did you ever expect the journey the band has taken you on. Three full length albums and a few split EP’s as well. How did you become involved with Slomatics for people who don’t know your history with the band.

I’ve known Dave since we were kids at school and Chris for about 20 years when he stumbled up on stage to play a guest spot for a band me and Dave were in, guesting on a theremin!! Me and Dave were in a band called Cosmonaut, mainly an instrumental stoner band, with Joe the original Slomatics drummer on bass.

We changed the band set up to include Baggy (War Iron) on vocals and Chris joined on guitar, we did our thing for a good number of years, calling it quits in 2004, Dave, Chris and Joe formed Slomatics, me and Baggy formed War iron. I got a call from Dave asking would I stand in for a while until they found a new drummer after Joe left, I said I’d help out for a few months, so 6 years on they still haven’t found a replacement, they seem happy enough with the current stand in!!!

When I joined Slomatics there was no need to get used to playing styles, having played with the guys for years, so it was an easy enough transition for me. I was a fan of the band beforehand and knew they had a number of releases behind them, so to add to that back catalogue was cool. There was no real plan, as is still the case!! Since I’ve been with Slomatics, we’ve released 3 albums, a few EPs, split vinyl and played some great shows, recorded music for an animated movie, with new music being written during practice for our next release.

You appear in another great band called War Iron. What is the current state of that band. Will you be recording any new material with War Iron. Or is Slomatics is your main focus.

I drum in War Iron, leaving vocal duties to Baggy with Ross on guitar and Goat on Bass. War Iron were formed by me and Baggy as a result of our band The Naut (also with Chris, Dave and original Slomatics drummer, Joe) splitting up years ago. Chris, Dave and Joe got Slomatics off and running and did great things with Flooding The Weir and Kalceanna and so War Iron got around to releasing The Faceless Sea, The Fifth and Final Sun Albums, a few EPs and a split 7” with Headless Kross. War Iron have just had 2 great shows with Napalm Death and currently weighing up a few options at the moment. I try to split my time with bands equally.

You're involved with The Planet Of Doom film. How did that come about. 

Planet of Doom came about by being contacted by David Paul Seymour, the creative mind behind the animated movie.  Through discussion the project felt it was something cool and something which we had not done before, so it was really appealing.  We were sent rough concepts/stories about our particular theme.  Writing a song to someone else's concepts was an interesting way to write, especially when you have specific time parameters to stick to and a storyboard theme to get across to the listeners. 

You've recorded a new song for that project. Can you tell your fans what people can expect on that new song. Have you seen the final segment of your part of the movie. 

We recorded our song in Start Together Studios in Belfast with Rocky O'Reilly over the course of a weekend and it was pleasing when David Paul Seymour heard it.  It fitted his brief and told the specific story of the themes we were given...relief!!  The song itself sounds like Slomatics!!  Can't give too much away until the movie is released, as of yet we have not seen the animation for our part of the movie which our song portrays, but with anything that David Paul Seymour has done we know it's going to be super cool!!

You know I’m going to move away from music and talk about our favourite football team. As we both support the same team – Newcastle United. How did you end up supporting Newcastle United. As I thought you would be supporting Manchester United. As most people I’ve came across from Northern Ireland always support Manchester United. Why our beloved Toon.

As a kid I supported Tottenham Hotspur as I just happened to catch them on TV during one of their European matches and wanted to support a Spurs it was!! It just happened to feature 2 Argentinian players..Ossie Ardiles and Ricardo Villa, I thought they were great, flashy skills and just having a touch more skill than the UK players on the team. I particularly liked Ossie and always followed his career. He left Spurs and I kind of lost interest, as you do as a kid!! A few years later I found out he was managing Newcastle United albeit for a year, then Keegan came into manage when Ossie left. I loved Keegan as a kid, as I watched him on Superstars and as a fickle teenager I changed allegiance to the Toon!! The rest is history.

It’s always hard for ourselves as we haven’t won a major trophy for decades. Though we’re trying to get promoted back to the Premier League. Have you seen a Newcastle United football match. If so, who was it against and what was the final score.

Yeah I’ve been over to see Newcastle a good few times. Seen them play and win, draw and lose. Saw them for the 1st time in 2003 when they were managed by Sir Bobby, then made a point to try and get once a year, saw them fall to bits with John Carver, then each year with Graeme Souness, Glenn Roeder, Sam Allardyce achieve little!!

Keegan came back on the scene and threw the head up and left, wobble under Joe Kinnear and even Shearer that year couldn’t help not get them relegated. Hughton brought the The Toon back up, Carver again made a shambles of things, paving the way for McClaren's laughable tenure and now we’re looking pretty good under Benitez, straight back up to the Premiership!! He just needs to stay and we’ll be back to the good old days that we had under Sir Bob!!

Best moment by far was watching Shearer crack in his 206th goal against Portsmouth in 2006, becoming the clubs all time record goal scorer!! Worst game I was at was v Man Utd beaten 5-0 and I had paid silly money for the tickets!! Enough said!! I am sure none of this football chat is of interest to anyone but you and me Steve!!!

Well Marty, thanks for doing this interview. Much appreciated. I should have done this sooner but I was always too hesitant to ask. Do you have anything to say to your fans before you go.

I’d just like to say thanks to you Steve for your continued support through Outlaws of the Sun and a big thanks to anyone who appreciates our music, whether buying our merch or coming to a show to check us out. If you’re at a gig come over and say “Hi”.

Words by Steve Howe and Marty Harvey

Slomatic Links

War Iron Links

Into Orbit - Unearthing (Album Review)

Release date: February 3rd 2017. Label: Self Released. Format: CD/DD/Vinyl

Unearthing – Tracklisting

1.Dark Matter 03:52
2.Stone Circles 05:41
3.Scattering Light 03:06
4.Equilibrium 08:02
5.Caldera 05:40
6.The Archer 04:43
7.Unearthing 03:36
8.Gilgamesh 06:51


Paul Stewart (guitar) and Ian Moir (drums)


Into Orbit are a Post-Rock/Post-Metal duo from New Zealand who add elements of Space Rock and Doom Metal into their music. Their debut album – Unearthing – is packed full of different sounds and visions as the band fully explore their full musical landscapes. Fans of Pelican, Telepathy, Kylver and Russian Circles will enjoy this.

The album contains 9 tracks as Into Orbit take you on mind-expanding progressive journey where the doomy atmospherics allows the band to inject waves of space rock sounds. Songs such as Dark Matter, Stone Circles, Caldera and Gilgamesh all convey subtle riffs with an air of intelligence within them. The progressive rock/metal themes are a major highlight of the album as Into Orbit experiment with their sound on each individual song.

Bands who merge so many different genres normally become bogged down with ideas that often feel flat. Into Orbit have no such trouble as they've created some highly intriguing and original sounds of their own. For a duo these guys are insanely loud.

If you're looking for a different take on the Post-Rock/Post-Metal genre then look no further as Unearthing is a beautiful work of progression and melody.

Excellent and Highly Recommended.

Words by Steve Howe


On September 23rd, 2017 The Cutlers Arms in Rotherham. 

A celebration of all things heavy, loud and fuzzy will be taking place between the hours of 12pm & 12am. It'll be taking place on outside stage, under the marquee.

They'll be local store stalls, the finest cask ales, and food available within the venue!


Doors: 12pm
Early-Bird Tickets: £8 - Buy Tickets Here

Train Station/Venue Directions:

Local Hotels:

Wednesday, 19 April 2017

Arc Of Ascent - Realms Of The Metaphysical (Album Review)

Release date: April 09th 2017. Label: Self Released. Format: CD/DD

Realms Of The Metaphysical – Tracklisting

1.Set the Planets Free 07:59
2.Eye of Sages 07:10
3.Hexagram 07:34
4.In the Light 08:05
5.Benediction Moon 05:57
6.Temple Stone 09:40


Craig Williamson - Bass/Vocals
Matt Cole-Baker - Guitar
Mark McGeady - Drums


Arc of Ascent are a 3-piece band that consist of a guitarist strapped with a riff cannon, a bassist who must have stringed up with rubberbands the size of truck tires, and a drummer who floats like a skateboarder that rises, falls and abounds within an empty swimming pool. The overall vibe of this album is reminiscent of an old Bloodrock gin and tonic, accented with an added new twist of lime laden stoner doom and psychedelica.

‘Realms of the Metaphysical’ is a tremendous album of top-notch heaviness that harmonize the scorpions cacti against the background of a warm, burnt orange sunset. This album is definitely more solidified and further self-assured than ‘Circle Of The Sun’ and is categorically farther in line, at least sonically, with ‘The Higher Key’.

This album is a demonstration of gloomy aligned confidence and eerie united refinement. Every song holds its ontological own, while simultaneously gelling the album together like elastic super glue. The songs…

‘Set The Planets Free’ is slow, deliberate and perfectly stoned. Catch the riff, its time to fly.

‘Eye of Sages’ is a crusher; a heavy pound cake containing all the ingredients required in premier sonic doom.

‘Hexagram’ is a holy surfboard ride along a prehistoric sailfish during the crustaceous period.

‘In the Light’ throbs like a giant oil rig drilling deep for nature’s coveted crude with each support swinging broad and lubricated with farm margarine.

‘Benediction Moon’ has a pulsation not unlike an oscilloscope stuck on vector display mode. A stoner doom chef-d'oeuvre.

‘Temple Stone’ bestows supernatural sprays of cosmic distortion, mixed with the mystical Helmholtz motion of a sitar, along with tidal waves of rich and splendid organ.

Arc of Descent hold the stoner doom talisman high and reveal that this object is more than just a trinket, for held at its sanctified centre is the crowned jewel of magnificence, all of which is representative of a band on the way to a veteran realm status. In ‘Realms of the Metaphysical’, the traditions of stoner rock and heavy doom are fused together, showcasing the skills portrayed by this killer team of the melodic elite and their most consummate sound to date.

Words by Nick Palmisano


Label Spotlight - Necio Records

Necio Records is a record label operating in Peru since 2013. They deal in Prog /Psych / Stoner Doom / Jazz / Experimental / Noise based releases. If you look at their BandCamp Page they have a wide range of great artists to check out such as Ancestro, El Jefazo, Cholo Visceral and Spatial Moods.


El Jafazo

Cholo Visceral

Spatial Moods 

Necio Records have some other fantastic bands to check out if you're want to immerse yourself with other bands from the Psych, Noise, Experimental and Stoner scenes.

Head over to their Facebook Page and give their page a like.


Facebook | BandCamp

Sunday, 16 April 2017

Dead Ranch - Brumation (Album Review)

Release date: April 14th 2017. Label: Sunmask Records. Format: DD/Cassette Tape (June 2017)

Brumation – Tracklisting

1.An Awkward Moan 05:26
2.Blood Staff 05:46
3.Tarred and Feathered 04:08
4.Garrulous 04:11
5.False Negative 03:09
6.The Skinning 03:31
7.Maple Ape 06:13


Chad Alsop-Guitar/Vocals
Andre Cornejo-Guitar/Vocals
Ryley Devine-Drums
Alana Mercer-Bass/Vocals


Canadian Hardcore Sludge Bruisers – Dead Ranch – return with their 2nd full length album – Brumation. A rousing slab of heavy Sludge/Stoner Metal driven numbers inspired by High On Fire and early era Mastodon. You want a heavy assault on the senses with twin guitars blasting fast-paced Sludge/Stoner riffs. Well Dead Ranch are the band for you.

I'm a huge fan of their debut album – Antler Royal – released way back in 2013. It's good to see their sound remains the same as that album contained a winning combination of Punk and Hardcore vibes merged with the heavy sludge driven sounds.

Opening track – An Awkward Moon – shows the band have a keen talent for dramatic progressive flair with elements of Progressive Rock/Metal being the main focus of their music. Touches of Remission-era Mastodon can be seen but with the band opting for a more modern stoner based sound. The vocals from Chad or Andre (sorry I don't know who is the primary vocalist here) have a certain hardcore punk based edge. It's quite melodic in parts with Dead Ranch showing they know how to play a mean pissed off riff.

Second track – Blood Staff – is reminiscent of the Sludge Metal sounds of the past decade or so but don't let that put you off as Dead Ranch inject a few tricks of their own to the mix. The vocals once again remind me of early-era Mastodon but with the more ferocious riffs that High On Fire are known for. Dead Ranch start creating their own sound when they start playing a thrashier and punk style of sound. The guitar solos are very precise with twinges of Psychedelic Rock finally making an appearance.

Third track – Tarred And Feathered – sees Dead Ranch opt for a more Hardcore Punk style delivery. The stoner grooves can be heard at different parts of the song as the band add superb psychedelic instrumental sounds into the mix. The most addictive part of this song is when the band play some epic guitar solos and the intense drumming from Ryley make this one of the standout tracks on the album.

Fourth track – Garrulous – has a stop-start approach with the riffs. As the band play short and brutal riffs before slowing things down and then exploding into a more faster style of pissed off Sludge Metal. The vocals veer into almost Death Metal style growls and whilst it's good to see the band being more adventurous with the vocals. I prefer the cleaner style vocals heard earlier on the album. Apart from that minor complaint this is another superb track on the album.

The final 3 tracks on the album follow the same path as earlier songs with the vocals impressing yet again. The music is more daring here especially on the 5th track – False Negative.

Brumation is a powder-keg of emotions with Dead Ranch playing a pissed off style of Thrash, Sludge, Stoner and Hardcore Punk all colliding for one manic testosterone fuelled ride of extreme riffage.

Words by Steve Howe

SAPIEN - Laika, Come Home (EP Review)

Release date: March 23rd 2017. Label: Self Released. Format: CD/DD

Laika Come Home – Tracklisting

1.Elerium 02:35
2.Signals 06:57
3.Desolate Waves 07:18
4.Myötähäpeä 06:02
5.Drudger 07:28
6.Searching For... 01:49
7.Laika 13:28


Dan Atkinson (Bass/Backing Vocals)
Fergus Thomson (Guitar/Vocals)
Ronan Wevling (Guitar/Vocals)
Lyle Brown (Drums)


SAPIEN state this is an EP. Though Laika, Come Home lasts for 45 minutes and that's quite lengthy for an EP. If that's their definition of an EP then I would love to see their definition for a full length album. Anyway I'm digressing before I've even started the review.

So, SAPIEN are back with their 2nd EP entitled Laika, Come Home. SAPIEN play a progressive blend of Sludge, Doom and Stoner Metal with traces of Grunge and even Space Rock at times. If you're a fan of Mastodon, Orange Goblin and High On Fire then you'll feel right at home with these hugely talented bunch of Sludge/Stoner Rockers.

SAPIEN may not offer anything new or original here but Laika is still an exciting album to listen to. Sorry I mean EP. With the band creating epic riffs merged with heavy prog rock/metal grooves. The vocals are handled superbly well throughout with SAPIEN not being afraid to experiment with both their vocals and music.

The first few tracks – Elerium, Signals and Desolate Waves – show you what Sapien are fully capable of when in full flight. Heavy Psychedelic Sludge/Stoner riffs with an epic progressive spaced out feel. The instrumental work is ferocious and highly addictive and it allows SAPIEN to pay homage to their musical heroes whilst still forging their own identity. It's the spaced out psychedelic sounds that SAPIEN include within their music that makes them such an intriguing band to listen to.

The songwriting on Laika, Come Home has improved immensely since their 2013 debut EP – Toad Handler. The other tracks on the album, sorry EP – Myötähäpeä, Drudger and the epic – Laika – show that SAPIEN should be more well known within the Sludge/Stoner Metal community. Hopefully with this record or when their full length debut album is released.

As SAPIEN have a lot going for them. Huge riffs and superb ideas contained in most of the tracks on the EP. The production on the EP is good for the most part. There are a few rough parts but nothing that should stop your overall enjoyment of the EP.

All in all, Laika, Come Home is a fantastic slice of Progressive Sludge/Stoner Metal that will appeal to fans of High On Fire and Mastodon the most. Give these guys a chance as you will be pleasantly surprised.

Excellent and Highly Recommended.

Words by Steve Howe