Black/Noise/Sludge Metallers BELIEVE IN NOTHING have released their second new single 'Complete Desolation'

Believe In Nothing is an Eastbourne-based sludge/noise band founded in 2023. Consisting of Caine Hemmingway (vocals/noise), Lawrence Rodriguez (guitar), Steve Collier (guitar) and Jasper Lyons (drums). Believe In Nothing utilise layers of cacophonous and erratic noise, overlaid with gruesome

harsh vocals to build up a bleak atmosphere of dread through both their on-record and live performances.

Despite only making their live debut in May 2024, the band have quickly made themselves known as a force to be reckoned with, having already supported the likes of Mizmor, Harrowed and Unyielding Love in their short timeline. With their debut single ‘Boiling Stone’ released via Bandcamp in June 2024, the band have signed to UK heavyweights Church Road Records for a string of 2025 releases, that will cement them as the dissonant soundtrack to the bleak reality we exist in.

They released their first new offering in the form of ‘What Would You Do?’ on March 25th. The track is an interesting blend of post punk meets insanely heavy riffs akin to Primitive Man and Eyehategod. The band are now back with their second new single ‘Complete Desolation’, which sees them doubling down on the heaviness. This song is as unforgiving as the planet we inhabit.

“The song "Complete Desolation" is an early song we wrote that helped shape the overall sound of the band. It forces you into a future where the wars have been fought, and the mistakes have been made. Primal horror and an economy of pain are all that remain” - Believe In Nothing

Band members:

Caine Hemmingway - Vocals / Noise
Jasper Lyons - Drums
Lawrence Rodriguez - Guitar
Steve Collier - Guitar

Credits:

Recorded at Bad Habit/Echo Zoo studios in Eastbourne by Jasper Lyons and Matt Pugh. Mixed and mastered by Wayne Adams of Bear Bites Horse studios.

Links

Official | BandCamp

Thanks to Church Road Records for all of the info.

Lesbian Weed Coven - Lesbian Weed Coven (EP Review)

Release Date: April 20th 2025. Record Label: Self Released. Formats: DD

Lesbian Weed Coven  - Tracklisting

1.From the Soil 09:35

2.I Feel Everything 07:00

3.Dysphoria 07:41

Members:

Vocals: Ashley Cackle

Guitar: Tessa Walsh

Drums: Sophie Mongrain

Review

Psych/Doom/Stoner Rockers Lesbian Weed Coven are a self described “dykedelic anguish stoner metal trio” from Montreal, Quebec. The band conjures up a “LOW & SLOW”  style of down-tuned Doom/Stoner Metal with a harsh vocal performance from lead vocalist Ashley Cackle on their excellent debut EP. There are moments of aggressive trippy soundbytes and murky sound effects that sees Lesbian Weed Coven inspired by the likes of Windhand, SLEEP, Electric Wizard and Black Sabbath within the grooves department. 

The tracks on the EP are similar to each other with the band employing nightmarish DRONE soundscapes and landscapes for a slightly warped and distorted sound. The added use of Guitars and Drums played superbly by Tessa Walsh (Guitars) and Sophie Mongrain (Drums) is quite vicious and unsettling with projections of MONOLORD and SUNN 0))) jamming together in places. There’s plenty of great solos and riffs waiting to be found especially on the superb opening track of From The Soil. 

From The Soil could be classed as a little bit more experimental, metallic and hardcore based compared to the standard Doom/Stoner Metal riff. However, Ashley’s vocals have a demented and intense presence to them especially when they reach violent horrific growls which gives the “LOW & SLOW” dynamic of Lesbian Weed Coven quite an “extreme” texture in places.

The music is superbly slow, dense, heavy and thick with the sense of anguish being created with a demonic appetite which makes it perfect for BONG IN HAND and DRONE OUT OF CONSCIOUSNESS sessions. The EP is quite raw and unhinged in certain places especially with some of the sludgy guitars and trippy effects but there’s method to the madness here as the final two tracks I Feel Everything and Dysphoria have quite an emotionally charged feel within the lyrics.

Perhaps not the easiest record to listen to at first but Lesbian Weed Coven are onto something very cool, bleak and monolithic here which I’m hoping will develop into a slightly more refined sound on future releases. However, this is still a superbly realized EP that deserves some love and recognition from the Doom/Stoner Metal underground scene.

Words by Steve Howe

Links

BandCamp | Instagram

Album Premiere Of Progressive Doom/Post-Metallers BEWARE OF GODS Epic New Album: Upon Whom The Last Light Descends II : Amnesia Island.

While founding member, principal composer, Jason O’Donnell aka The Archetype is steeped in an affinity for & consciousness of the Proto Doom Metal tradition, there is way more going on in his compositions & productions than what can be easily placed into one box/genre. That awareness shifts my attention to The Archetype’s at times, hauntingly pained melodic voice juxtaposed against ‘blackened’ discordant whispered screams or guttural growls that tip the hat to Chris Cornell, Chino Moreno or Thou as much as perhaps Ozzy Osbourne. 

In terms of ambient soundscapes, there are also stellar initial stabs at sound design work on PT I that bring to mind Skinny Puppy or even NIN. From here, my journey into the B. O. G. gets really interesting because the addition of Sound Design veteran Feederwire & Engineer/Producer Pete Grossmann (Gates To Hell, Warforged, Weekend Nachos, Frail Body, Scientist, Huntsmen) of Bricktop Recording is already bringing the concept into even more focus & catapulting it into what The Archetype references in the intro ‘Concussion Dream’ as ‘Amnesia Island’ : “A post apocalyptic glitchy outpost floating in a bio mechanical ocean that is appearing to lead us along, with it’s protagonist/hero I Nomad, into an even deeper hybrid of analog & digital sounds that provide the landscape for a cast of broken antagonists trapped... 

Thanks to the amazing folks over at DESERT BLOOM PR we're beyond excited to premiere the brilliantly destructive chapter from BEWARE OF GODS and their extraordinary new album - Upon Whom The Last Light Descends II : Amnesia Island.

The Lowdown

Jason O'Donnell - Vocals, Guitar, Bass & Synth

Feederwire - Sound Design & Additional Guitars on Submerged...

Eric Plonka - Additional Guitars on Temple Of Thieves and D. I. E. Sect

Kellii Scott - Drums

Co Produced, Engineered & Mixed - Pete Grossmann

Mastered - Brad Boatright

Recorded at : Bricktop Recording

Executive Producer - Christopher Dyer

Artwork - Unexpected Specter

Upon Whom The Last Light Descends II : Amnesia Island will be available to buy digitally from Friday 02nd May 2025 and our review will be published within the next few days.

Thanks to Desert Bloom PR for all of the details.

Links

Facebook | BandCamp | Instagram

Album Premiere Of Doom/Sludge/Stoner Metallers MASTER CHARGER New Album POSTHUMOUS RESURRECTION

Hailing from the blackest heart of the Midlands, UK-based trio Master Charger deliver a fierce and unmistakable blend of groove-drenched doom, sludge, and blues-laced rock 'n' roll—an explosive sound fans have come to describe as a “Satanic Blues Rumble.” Now signed to Octopus Rising / Argonauta Records, the band is entering a powerful new chapter in their heavy underground journey.

Formed in 2006 from the ashes of earlier semi-successful projects, Master Charger quickly established a name for themselves with their bold and gritty sonic identity. Their discography includes the crushing debut Unity in Black (2011), the hard-hitting Eroding Empires (2016), and the dark and brooding Origin of the Lugubrious (2020). Over the years, their relentless live energy has seen them share stages with titans of the genre such as Monolord, Orange Goblin, Black Rainbows, Conan, Raging Speedhorn, Fireball Ministry, Dead Witches, Overkill, Alunah, and Paradise Lost. They've also left their mark on major underground festivals including HRH Doom vs Stoner, HRH Metal Chapter III, and Hammerfest XI.

Drawing inspiration from the pioneering heaviness of Black Sabbath, Led Zeppelin, Deep Purple, and Motörhead, while channeling the raw aggression of Slayer, Venom, Celtic Frost, and Black Flag, Master Charger craft a sound that is both classic and cutting. With echoes of Mountain, Free, Trouble, Saint Vitus, and Pentagram, the band delivers a riff-laden experience that’s both unrelenting and steeped in vintage groove.

Unapologetically loud, fiercely authentic, and always evolving, Master Charger continue to be a driving force in the doom/sludge scene—ready to shake the underground to its core.

Thanks to the cool folks over at Argonauta Records and Grand Sounds Promotion we're excited to premiere this superbly heavy and kick-ass new album which you can listen to below:

Thanks to Grand Sounds Promotion for all of the details.

Posthumous Resurrection will be available to buy on CD/DD via Argonauta Records / Octopus Rising from Friday 02nd May 2025.

Links

https://www.facebook.com/mastercharger
https://mastercharger.bandcamp.com
https://www.instagram.com/masterchargerofficial/
https://www.argonautarecords.com/
https://grandsounds.net/

AAWKS - On Through The Sky Maze (Album Review)

Release Date: May 02nd 2025. Record Label: Black Throne Productions. Formats: CD/DD/Vinyl

On Through The Sky Maze - Tracklisting

1.Celestial Magick

2.Death Trip

3.Lost Dwellers

4.Caerdroia

5.The Figure

6.Wandering Supergiants

7.Drifting Upward

8.Cursed Soul

9.Sky Maze

Members:

Kris Dzierzbicki - Vocals/Guitar/Synth

Randylin Babic - Drums

Paraiso - Guitar/Violin/Synth

Ryan “GrimePup” Mailman -Bass/Vocals

Review

On Through The Sky Maze is the second full length album from Psych/Doom/Stoner Metallers AAWKS where they blend dark tales of the Occult that’s merged with Psychedelic and Spaced Out folklore. This is an intriguing and quite original concept of how AAWKS have approached the album with. At one moment the album is a full on Occult Doom record and the next it’s a trippy Space Rock adventure with AAWKS taking influence from the likes of Black Sabbath, Hawkwind, Pink Floyd, Electric Wizard and FU MANCHU whilst keeping to their own creative narrative.

The sludgy guitars are powered by a dirty and seedy avalanche of FUZZED UP guitars which has a slight Swamp Rock attitude. Vocals switch between SHAMANIC CHANTS and SATANIC GROWLS with a heavy emphasis on both clean vocals and distorted growls courtesy of Kris Dzierzbicki and Ryan “Grimepup” Mailman. 

WIth a non-stop style of distorted Doom/Stoner Metal paranoia running amok through the album with AAWKS thriving upon their heavy distorted loops, spectacular amounts of reverb and amplifier feedback that adds a unhealthy level of SONIC aggression into the whole VOLUME department of the record. The songs themselves all have their own exciting story to tell with dark tales of the night and the far reaches of the COSMOS which is brought very early on tracks such as: Celestial Magick, Death Trip and Lost Dwellers.

AAWKS undergo a sudden shift into Psychedelic and Space Rock tendencies on the excellent second track Second Trip with the opening track of Celestial Magick having a classic ELECTRIC WIZARD vibe. 

Things get ever more serious and creepy with the great use of classic soundbytes on the stunning fourth track of Caerdroia which opens with a brilliant vocal clip which sets an unexpected scary tone for this track alone. The music is mostly Proto-Doom with AAWKS surrounding themselves with harsh Fuzz, Sludge and Stoner Rock passages. The lyrics are quite subversive with AAWKS fully selling their full-on hybrid OCCULT/SPACE ROCK musical odyssey.

AAWKS are at their absolute best when they embrace the heavier, primal and psychedelic tendencies of the record as that’s where the heaviest and unexpected violent melodies appear. The vocals can be disgustingly filthy but delivered with real purpose. The album becomes ever more creepy, disturbing and dare I say self obsessed which I mean as a huge compliment.

Other standout tracks include: The Figure, Wandering Supergiants, Cursed Soul and my absolute favourite track Sky Maze. 

This part of the album is where AAWKS explore Psychedelic Myths and technical methodology or should I say riffology which feels inspired by Mastodon at times mostly on the standout final track Sky Maze. This track alone makes the album worth the purchase alone. There’s some thrilling “INTERDIMENSIONAL SPACE GOAT” territory on the final parts of the record.

On Through The Sky Maze is an absolute crushing record that’s full of epic sounding grooves throughout that allows this record to quite an original album on its own merits and stand out as one of the definitive Doom/Stoner Metal records to be released this year. 

This is most definitely ALBUM OF THE YEAR material. No Question.

Words by Steve Howe

Thanks to C Squared Music for the promo.

On Through The Sky Maze is available to buy on CD/DD/Vinyl via Black Throne Productions.

Links

Official Website: https://www.aawks.ca/
Bandcamp: https://aawks.bandcamp.com/
E-Shop: https://blackthroneproductions.com/
Facebook: https://www.facebook.com/AAWKSBAND
Instagram: https://www.instagram.com/aawksband/
Twitter/X: https://x.com/aawks666?t=

Lightless - A Foreseen Loss (Album Review)

Release Date: April 30th 2025. Record Label: Self Released. Formats: CD/DD/Tape/Vinyl

A Forseen Loss - Tracklisting

1.Social pestilence

2.Alternating preeminence

3.Malicious hopes turned to dust (feat. Val Atra Niteris)

4.Humanity's closing chapter

Members:

Dr. Christian Engelmann - Guitars, vocals

Marc Odin Kade - Bass, backing vocals

Martin Heidler - Drums

Review

A Foreseen Loss is the debut album from Doom/Sludge/Post-Metallers Lightless who bring an aura of destructive Black Metal surroundings to the record. This is quite an expansive album which is told across four epic tracks lasting around eighty minutes in length. Some listeners may have their work cut out for them here with Lightless playing a sullen and moody piece of music at times though there’s a lot of different styles that Lightless never fully align themselves to.

The songs are highly complex, multi-layered and beautifully melodic when the times call for this with perhaps Lightless playing a brooding style of Cinematic based Blackened Doom. There are echoes of Ambient Metal and depressive slabs of Sludge Metal that ultimately takes time to fully form and appear within the majority of the songs held on the album. The music switches between slow-paced Post-Rock sounds and faster Post-Metal/Blackened Sludge grooves which aren't afraid to venture into more extreme styles especially with the excellent vocals from Dr. Christian Engelmann and Marc Odin Kade. 

Lightless feel inspired by the likes of Wolves In The Throne Room and Fall Of Efrafa especially with the album’s take on HUMANS destroying NATURE and everything around them. The organic tone can brilliantly be felt through the lyrics and harsh vocal delivery that Lightless provides. With Lightless focusing primarily on slow-paced melodies and blackened Post-Metal structures for the majority of the epic opening track of Social Pestilence which transforms into a whirlwind of destructive passages fuelled by moments of Thrash, Death, Sludge and Prog Metal technical ability.

A Foreseen Loss continues with the hard-hitting and emotionally damaging social commentary which allows the record to be quite a thought-provoking record which becomes even extreme throughout the likes of Alternating Preeminence and Malicious Hopes Turned To Dust. The music once again opens with slow paced instrumental passages with a deft touch of uplifting melody and even clean vocals appearing. 

The deeply engaging and brilliant emphasis on environmental themes allows A Foreseen Loss to be an unnerving and unforgiving experience. The technical ability that Lifeless perform on the record is nothing short of spectacular with different levels of Prog Metal, Extreme Metal and intense Sludge Metal vibes making this record truly a product of the wonderful underground metal scene. 

Maybe the record maybe too long for some but if you’re a fan of the likes of THOU, Neurosis, Primitive Man, SUMAC and Wolves In The Throne Room then A Foreseen Loss is a record that will fully consume your soul and still leave you wanting to hear more. Lifeless experiment with Psychedelic sounds and long drawn out distorted notes which once again allows the band to play a sublime mixture of slow paced and fast paced grooves that results with a socially aware message that makes the listener feeling being knocked out by the worst case of BLUNT FORCE TRAUMA imaginable.

A Foreseen Loss is a jaw-dropping experience and if you’re a long time admirer of the Blackened Doom/Post-Black Metal scene then accept no substitute as these guys are real FUCKING deal.

Words by Steve Howe

A Foreseen Loss is available to buy now on CD/DD/Tape/Vinyl via Ligthless BandCamp Page.

Links

LinkTree | BandCamp

Doūsk - Live! (Album Review)

Release Date: May 01st 2025. Record Label: Riff Dealers. Formats: DD

LIVE! - Tracklisting

Sludge Dredd

Whisky Robot Dance

Over9000

Running On The Roof

5

Blueprint

Dark Materials

Members:

Igor Shaminsky – bass guitar

Dmitry Vashkov – drums, synthesizers

Review

Live! is the debut album from Instrumental Sludge/Doom/Stoner Metallers Doūsk who are primarily a Drums and Bass duo who specialize in LOW & SLOW and HEAVILY DISTORTED grooves with a mighty raw and aggressive sound. The album was recorded live On March 21, 2025at at "Reactor" club in Minsk, Belarus. Quite a ballsy and brave move releasing a live album as your debut release but Doūsk’s music speaks for itself with a level of SONIC distortion and manipulation which adds real weight to Igor Shaminsky’s pummelling bass and Dimitry Vashkov’s intense drumming. 

The musical notes are quite long and drawn out in places with the rough sounding production values giving Doūsk a real muscular presence especially in the first few tracks with Sludge Dredd and Whisky Robot Dance setting the scene. Doūsk have a real CHAINSAW style effect to their music with the glitchy noises and sounds that feels like KARMA TO BURN jamming with BONGRIPPER, SUNN 0))) and The Melvins at times. Being a purely instrumental band works to Doūsk’s favour as they focus upon primarily developing a harsh Sludge/Stoner Metal sound with freakish amounts of noise inducing and amplifying heavy surroundings to a highly appreciative audience in attendance. 

Doūsk generates a bleak sounding atmosphere throughout the album with flashes of Proggy Spaced Out Doom on tracks such as Over9000, Running On The Roof and Blueprint. With the lo-fi trappings of the record and some intense moments of screeching instrumental passages, the album can also be highly melodic and progressive on the later stages of the record. Doūsk perhaps rely on too much FEEDBACK and HEAVY REVERB at times but this allows the record to have quite an organic and dangerous industrial based energy which I wouldn’t expect on a LIVE album such as this. However, Doūsk prove what a highly talented band they really are. 

This is the type of album that could see Doūsk obtain a loyal and dedicated cult following within the underground scene. I’m looking forward to hearing a proper “STUDIO” recording from Doūsk in the future but LIVE is one hell of a record that demands your full and undivided attention. 

Excellent and Highly Recommended.

Words by Steve Howe

Thanks to Riff Dealers for the promo.

LIVE! will be available to buy Digitally via Riff Dealers from Thursday May 01st 2025.

Links

BandCamp | Instagram

Demonic Death Judge - Absolutely Launched (Album Review)

Release Date: April 30th 2025. Record Label: Suicide Records. Formats: DD/Vinyl

Absolutely Launched - Tracklisting

1.90's Violence 03:34

2.Natural Wine Guy

3.You've Got Red On You

4.Goner 04:54

5.Dead Dogs

6.I Realize That... Now

7.Spliffhanger

8.Absolutely Launched

Members:

Jaakko Heinonen - vocals

Eetu Lehtinen - bass

Lauri Pikka - drums

Toni Raukola - guitar

Review

Sludge/Stoner Metal heavyweights Demonic Death Judge are back with a BANG after a five year absence with Absolutely Launched. This record sees the band leave the deeper depths of the aquatic world heard on their previous records and launch an almighty assault on DRY LAND but still keeping the oceanic theme but a healthy dose of black humour which you can see from the brilliant album cover.

Demonic Death Judge covers a lot of ground on this release with inspiration coming from The Melvins and UNSANE with the band still providing their own wicked blend of Sludge/Stoner Metal grooves. The harsh vocals of Jaakko Heinonen once again surround the fast-paced instrumental sounds with a heavy dose of FINNISH underground attitude being contained within the kick-ass lyrics. This is Demonic Death Judge’s most outrageous and fun record to date. There’s still a high amount of bleak sounding moments but the band are sure having a hell of time on this record and no doubt the listener will too.

The songs are spiky and fresh with a GONZO sense of Surf Rock appearing on the opening tracks of 90’s Violence and Natural Wine Guy. Some clever word play and fast paced sounds blends Doom, Sludge and Stoner Metal imagery into a frenzied metallic approach which can be quite melodic in places but still maintaining their subtle aggressive attitude.

The delicious and seedy level of FUZZ ROCK becomes ever more dominant throughout the album but most noticeable on the excellent third track You’ve Got Red On You which has first rate melodic Psychedelic passages. Jaakko’s vocals once again adds a demented atmosphere to proceedings with music that will appeal to fans of Church Of Misery and BONGZILLA. Slightly depressing soundbytes appear which shows that Demonic Death Judge haven’t left their old school vibes behind even within this record, perhaps being their most modern sounding record to date.

The band reinvent themselves in so many different ways with Absolutely Launched with subtle changes in melodies and story themes projected into the album. What hasn’t changed is Demonic Death Judge’s talent for conjuring up a mighty THICK WEEDIAN RIFF out of thin air and transforming into a highly original style of music you haven’t heard before. The record is also heavily distorted with plenty moments of down tuned instrumental sounds where the AMPS most definitely at bursting point. The aquatic moments add an almost surreal Post-Rock vibe before the classic Stoner Metal surroundings restore creative order.

Other great tracks to check out are: Dead Dogs, Spliffhanger and Absolutely Launched.

Absolutely Launched is dynamite entertainment which sees Demonic Death Judge on top of their game and having a blast from start to finish. This is one of the band's standout albums to date and will impress anyone who listens to it. 

Brilliant stuff. End Of.

Words by Steve Howe

Thanks to Viral Propaganda PR for the promo.

Absolutely Launched will be available to buy on DD/Vinyl via Suicide Records from Wednesday April 30th 2025.

Links

Facebook | BandCamp

A Flock Named Murder - Incendiary Sanctum (Album Review)

Release Date: May 02nd 2025. Record Label: Hypaethral Records. Formats: CD/DD/Vinyl

Incendiary Sanctum - Tracklisting

1. Garden Of Embers - 14:40

2. Pierced Flesh Catharsis - 13:07

3. Eulogy Fields - 18:56

4. To Drown In Obsidian Tides - 17:27

Members:

Ryan Mueller - Guitars, Voice

Mike Wandy - Bass, Voice

Cam Mueller - Drums, Lyrics

Review

Incendiary Sanctum is the second album from Post-Metal collective A Flock Named Murder and is a record that lives upto its EXTREME METAL sensibilities with it’s inspired take on all things Death, Thrash, Doom, Sludge and Black Metal with a harsh Progressive Metal outlook. The record has a gloomy Psychedelic outlook which can be quite abstract and wonderfully aggressive throughout.

The album contains four tracks with the shortest running under fourteen minutes and the longest over seventeen minutes. This is a lengthy album running for sixty two minutes with A Flock Named Murder exploring many different styles of extreme music with expert timing and precision when the band switches from Post-Metal surroundings to a heavier style of music. Taking cues from the likes of Wolves In The Throne Room Agalloch, YOB, Neurosis and Cult Of Luna for the most part. 

The album stands on its own creative merits when the band pushes the Post-Metal envelope further with moments of Post-Rock bliss and Classic Heavy Metal guitar shredding which you’ll experience very early on within the superb opening track Garden Of Embers. The track is brutally destructive, aggressive, technically brilliant and wonderfully melodic. A Flock Named Murder blends Ambient Post-Rock sounds with a non-stop style of thrashy beatdowns, sludgy grooves and Progressive Rock/Metal flair which adds a trippy surreal element to the record which I didn’t expect at all.

A Flock Named Murder lay down the building blocks for the rest of the album within the opening track and they decide to go all out for complete POST-METAL domination with further excursions into extreme surroundings with an incredible display of technical proficiency that manifests into epic fast-paced instrumental movements and incredible vocal displays from Ryan Mueller and Mike Wandy. The real star for me on the record is Cam Mueller on drums. He’s a FUCKING MONSTER behind the sticks with Ryan on Guitars and Mike on Bass still providing brilliant work themselves but Cam’s performance is on another level throughout. 

The other songs on the record allows A Flock Named Murder to create some of the best Post-Black Metal grooves I’ve heard since the early days of Wolves In The Throne Room especially on tracks Pierced Flesh Catharsis and To Drown In Obsidian Tides. The record has its fair share of subtle calm moments but with a sense of eerie danger never too far behind which allows the deeply rich and multi-layered Psychedelic movements and Ambient themes to develop a highly original and organic style of music which can be described as uplifting in places. 

However, A Flock Named Murder always return to their EXTREME ways by developing and delivering a masterclass in Post-Metal brutality which has a menacing sense of realism and purpose which matches the actual concept of the whole album. Another aspect I loved was how the whole record sounded. As the record has a raw stripped back sound and rustic energy which flowed beautifully and allows the different musical elements to become quite poetic, organic and brutally devastating at the same time.

My final thoughts for Incendiary Sanctum is that it's perhaps going to be considered one of the most innovative, most important and landmark albums from the Extreme Metal scene in the years to come. 

WOW. End Of.

Words by Steve Howe

Thanks to Earsplit PR for the promo.

Incendiary Sanctum will be available to buy on CD/DD/Vinyl via Hypeathral Records from Friday May 2nd 2025.

Links

Facebook | BandCamp | Instagram