Tuesday, 13 October 2026

Firebreather - Blood That I Spill Turns to Fire (Album Review)

Release Date: October 16th 2026. Record Label: Heavy Psych Sounds. Format: CD/DD/Vinyl

Blood That I Spill Turns To Fire - Tracklist

1.Only in the eyes of others

2.El Cuervo

3.Blood that I spill turns to fire 05:22

4.The Sorrow hides

5.Protector of realm

6.Against the light

7.Shrines 06:51


Members


Mattias Nööjd - Vox / guitar

Jacob Madetoja - Bass

Joakim Olsson - Drums


Review


Doom/Sludge/Stoner Metallers Firebreather return in glorious Psychedelic fashion with their epic fourth album Blood That I Spill Turns To Fire. This is their first album in four years, the band teaming up with the mighty Heavy Psych Sounds for this release. The whole record sees Firebreather drifting further to an epic style of Post-Doom and Post-Stoner musical abyss. The sound is quite progressive with some flashy and grounded instrumental melodies forming from the very start inspired by the likes of High On Fire, SLEEP, Mastodon and Shrinebuilder. 


Though Firebreather have always been bold and brash in equal measure to apply that classic style of Swedish Heavy Metal direction into their music. However, the modern Psychedelic and Cosmic surroundings have a distorted and riff-centric delivery which is heard throughout the album. Lead vocalist Mattias Nööjd develops a different style of vocals for this record as they have a more aggressive and direct sound compared to Firebreather’s previous albums.


There’s a sudden influx of FUZZED OUT sounds that merges across the Post-Doom and Post-Stoner spectrum with an Atmospheric Sludge Rock appetite being heard within the opening tracks of Only In The Eyes Of Others, El Cuervo and Blood That I Spill Into The Fire. There’s some great modern day STADIUM ROCK aspect that shows how FIrebreather are thinking further ahead of the conventions held within the underground rock/metal scene. Even though the music is constantly aggressive and brilliantly heavy, there’s a few cool sounding quieter moments that see Firebreather apply a different creative style into their music.


Firebreather have a determined Sludge Metal focus to their music which reminds me of their earlier albums and perhaps even back further Mattias’s days with his original band GALVANO. Though, Firebreather still demonstrates a thrilling modern Spaced Out Doom advantage on the following tracks: Blood That I Spill Turns To Fire, The Sorrow Tides, Against The LIght and Shrines. 


There are moments where you think certain instrumental passages feel so out of place but a few seconds later Firebreather injects an outstanding psychedelic element into the mix and the album becomes so much better for it. The album is full of intense musical solos that allows every band member to shine in their own unique way especially on Joakim Olsson putting in a massive  drumming performance from start to finish. Credit must also go to Jacob Madetoja on Bass who develops some devastating sounds that puts a whole level of destructive volume into the mix which allows Mattias’s thrilling guitars to do some lasting damage especially on the later stages of the record.


Blood That I Spill Turns To Fire is the type of album that sounds superbly original and eeriely familiar at the same time which is one of the main strengths of the album. I also adored the understated and highly aggressive delivery that Firebreather applies to the heaviest and bombastic parts of the album which is spread throughout different sections of the record. 


Firebreather had to deliver a HUGE SOUNDING record such as this and they fully deliver on all fronts with tremendous production values allowing Blood That I Spill Turns To Fire having an unpredictable force of nature quality and destructive energy that leaves you emotionally drained every time you listen to the album.


This is another outstanding record from Firebreather and one that will no doubt be making a strong case for being considered as one of the best albums of the year. 


Words by Steve Howe


Thanks to Purple Sage PR for the promo.

Blood That I Spill Turns to Fire is now available to buy on CD/DD/Vinyl via Heavy Psych Sounds.

Links


London Heavy Rockers OKAY YOU WIN announce fall UK shows. Debut album "End of Days" out now Blues Funeral Recordings.


London, UK's heavy rock revelation OKAY YOU WIN announce a full run of UK fall shows in support of their widely acclaimed debut album "End of Days" on Blues Funeral Recordings.

About the upcoming shows, the band enthuses: "With an incredible show at Stoomfest 2026 now done and dusted, we’re gonna be hitting the road as part of our perpetual ‘Human Garbage Tour’ with a busy run of dates in the south and east of England in the run in towards Christmas, and before we start looking further afield in 2027! Come see us on the road!"

Okay You Win's hard-hitting forthcoming debut album End of Days deploys a towering blend of driving riff-rock chiseled with a touch of psychedelic gold and doom breakdowns that hit like a collapsing cathedral — all propelled by frontman Dave Kirk's breathtaking, soaring vocals. From the first riff to the final drum hit, this album washes over you with hooks that bury themselves in your skull for weeks.

Okay You Win fall UK shows:

24 Oct - St. Leonards - Tough Love Records
25 Oct - Canterbury - Lady Luck
29 Oct - Norwich - Voodoo Showroom w/ Hippie Death Cult
30 Oct - London - Imperial Palace of the Big Red
31 Oct - Tunbridge Wells - Forum Basement
20 Nov - London - Helgi's Bar
21 Nov - Chatham - Poco Loco
28 Nov - Hitchin - Club 85

Debut album "End of Days" out now on Blues Funeral Recordings 
LP and CD available on Bandcamp and Blues Funeral Recordings 
Watch the latest videos Smoke / Beat Me Down / End of Days 

“A record that’s absolutely stacked with classic songs from start to finish.” - Outlaws of the Sun
“A slab of utterly captivating songs that take no prisoners.” - Rock Hard Magazine
“Eight pieces of straight magnificence.” - Headbanger Reviews
“Extremely impressive and catchy as hell.” The Razor’s Edge
“Electrifying and monumental.” Headbanger Reviews


Since their formation in London in 2023, Okay You Win have quickly built a solid reputation in the UK underground since their formation in London in 2023, bringing their blend of driving rock with stoned psychedelics and doomy breakdowns to a string of shows and festivals across England and further afield. Drawing heavily on Seattle grunge, California desert rock, 90s alt-rock and classic British metal, the four-piece caught the attention of fellow UK rockers Psychlona, who offered enthusiastic support and guided their friends toward producer Andy Hawkins and The Nave studio in Leeds for the recording of their debut album, released this summer on independent US label Blues Funeral Recordings.

Okay You Win is


Rodrigo Barradas – Bass
David Kirk – Vocals
Ryan O'Hare – Guitar
Antonio Peci – Drums

Okay You Win links

Blues Funeral Recordings links


Thanks to Purple Sage PR for the details.

The Grey Men - Resentment (Album Review)

Release Date: September 21st 2026. Record Label: Woven Eye Propaganda. Format: CD/DD

Resentment - Tracklist


1.Resentment 05:12

2.Resentment, Part 2 02:35

3.Spite 06:07

4.Ruin 04:30

5.Useful 07:02

6.Coherence 02:27

7.Spite (noise) 06:06


Review


Resentment is the fifth album from Drone/Doom/Noise Rock collective The Grey Men who follow a similar style of music by the likes of EARTH, SUNN 0))) and NADJA. The album is not a straight-forward record with The Grey Men constructing an abstract narrative and sandbox to create, develop and play their music. There’s harsh atmospherics with some unsettling industrial and electrical themes being used throughout as some parts of the album remind me of Aphex Twin in places. 


The Grey Men at least play some “standard” musical notes on this record but they’re mostly played slowly and sometimes annoyingly they feel heavily out of place. However, this is still a fascinating and highly engaging listen with the songs all having a different tone, structure and musical delivery to each other. When the music does become more fascinated with Doom Metal and Drone Metal sounds, then there is a sense of haunting Industrial Metal themes dictating how the music grows into something more familiar whilst keeping that highly experimental sound.


The record works best when The Grey Men merge their experimental themes with a standard “riff-centric” message with the music still being Drone/Doom Metal obsessed. The intricate Post-Rock, Ambient Metal and Psych Metal soundscapes allow the violent vocals to remain cautiously lurking violently in the background. The album does have an eclectic soundtrack quality to it with gloomy synths and underused industrial themes transforming into a different style of extreme music. 


The two main weapons of choice for The Grey Men to deliver their music is VOLUME and DISTORTION which they apply throughout this album. Some parts of the album do feel like SUNN 0))) performing with WOLVES IN THE THRONE ROOM which you’ll fully appreciate on tracks such as Resentment Part Two and Spite. 


The Grey Men are wonderfully creative and brilliantly subversive with Resentment which perhaps leaves you more confused than entertained. However, this album is perhaps suited for long-time followers of Experimental Music with songs that don’t have a beginning, middle or end. I applaud The Grey Men for going down this route as the music is unbelievably harsh and superbly violent when you least expect this but one that also offers some blissful movements of distorted Post-Rock and Post-Metal.


Resentment is a great record and is a record that has real “CULT APPEAL” which always goes down a storm with the underground Doom/Drone Metal scene, If you’re in the mood for endless feedback loops, sonic distortion and amplified warfare being played when you least expect it then Resentment could actually be an exciting and thrilling prospect for folks to fully check out.


Words by Steve Howe


Links


Facebook | BandCamp | Instagram


Sludge/Doom trio SHAKHTYOR releases second single "Alone" (feat. members of UR) From Upcoming New Album

 

Hamburg, Germany-based instrumental sludge/doom trio SHAKHTYOR has unveiled "Alone", the second single from their highly anticipated third studio album "Simulacron", which will be out on November 6 via Moment of Collapse Records.

The new track offers the next glimpse into the dark, dynamic universe of "Simulacron", expanding the band's sonic framework with a notable vocal collaboration while delivering a poignant critique of modern digital existence. As the band explains:

"'Alone' is the melancholic soundtrack of our lives amidst the digital maelstrom. Before long, we will lose the ability to distinguish between right and wrong, reality and fantasy and pleasure and pain. This song features our friend Martin from UR on vocals.


When SHAKHTYOR were formed in Hamburg in 2009, the direction initially seemed clear: instrumental doom. It soon became apparent, however, that the trio would not be content to stay within those confines. Doom and sludge collide with black and death metal eruptions, psychedelic jam passages, hypnotic grooves and spacey synthesizer textures. For SHAKHTYOR, genre boundaries are material to work with rather than limitations.

"Simulacron" is now the Hamburg trio’s third album, following their self-titled debut and its successor "Tunguska". Once again recorded at Tonmeisterei, the album sounds anything but stagnant despite the band’s long history. Quite the opposite: the songwriting has become more concise and focused, while their musical boundaries have been pushed even further. Songs longer than 10 minutes are no exception.

The guitars remain the crushing foundation. Riff walls flatten everything in their path before the songs drift into psychedelic passages or are swept away by eruptive black/death metal assaults. Particularly effective are the long, stoic grooves that burrow almost hypnotically into your skull. SHAKHTYOR create pressure not through constant speed, but through dynamics, repetition and carefully constructed tension.

Samples and electronic soundscapes are far more than mere decoration. They give the songs a dark, at times almost cosmic atmosphere, making "Simulacron" feel like the soundtrack to some seriously twisted trip inside your head.


Tracklist:

01. Simulacron
02. Das Sechste Siegel
03. Alone
04. Wolfmannsgehau
05. Letzte Schleuse
06. Electric H

Seventeen years after their formation, SHAKHTYOR remain difficult to categorize. "Simulacron" combines crushing riff power with psychedelic depth and atmospheric finesse. A heavy, idiosyncratic beast - and precisely for that reason, one hell of an intriguing album.

"Simulacron" will be out November 6 on Moment of Collapse Records and is available for pre-order HERE.

SHAKHTYOR are:

Christian Müller
Nils Langbehn
Christian Herzog

For more info visit:

Thanks to All Noir PR for the details.

Sunday, 11 October 2026

Red Desert - Red Desert (Album Review)

Release Date: May 15th 2026. Record Label: Self Released. Format: DD

Red Desert - Tracklist

1.Fallen 05:57

2.Day Late Dollar Short 05:16

3.Searching 03:54

4.New Dawn 05:02

5.Big Top 04:55

6.Unkind Man 06:20


Review


Desert/Stoner Rockers Red Desert return after a six year absence with their latest self titled album which is full of heavy Fuzz Rock grooves that aims to bring a subtle Blues Rock and Grunge influence along the way. The record offers a highly methodical and classic style of Stoner Rock/Metal which is deeply rooted in the classic era of that legendary scene. The music is quite fast paced with Red Desert picking up where they left off with their excellent 2020 album Horizon. 


The album is quite compact, running around thirty one minutes in length which means Red Desert offers a direct style of music with flashes of progressive momentum along the way. There’s influences by the likes of KYUSS, FU MANCHU, MONSTER MAGNET and TRUCKFIGHTERS which can be heard from the very start but Red Desert have been around long enough to create and play their own winning style of classic Stoner Rock. Songs such as Fallen, Date Late Dollar Short and Searching has a grounded delivery with those intense Desert/Fuzz Rock passages opting for a soulful GROOVE based delivery.


The vocals are quite gritty but still offer a cool modern day atmosphere which allows Red Desert to add a level of psychedelic energy when the time calls for this. Red Desert become a more vibrant band when the music transforms into a seedy style of Doom and Grunge which appears on Day Late Dollar Short where you can feel some epic ALICE IN CHAINS and SOUNDGARDEN inspired lyrics leading the way.


There’s some great Spaced Out exploration within this album which took me a few listens to fully detect and wholly appreciate as this allows Red Desert to bring another Space Rock dimension into their music where they almost channel some classic SLEEP amplified distortion. The album is never boring and despite the short running time, the record feels essentially longer especially on the standout tracks of Day Late Dollar Short, New Dawn, Big Top and Unkind Man. 


This is Red Desert’s most aggressive, heaviest and riff-fuelled record to date which should really be listened to by the biggest audience possible. The production values are off the scale thanks to the amazing work carried out by Nick Tveitbakk (Engineered, Produced and Mixed the album) and Kent Stump (WO FAT) who mastered the record. Those two great individuals know a thing or two of how to make a band sound HUGE and they allow RED DESERT to deliver the goods here.


Red Desert are a super tight unit who never disappoint and I’m hoping the guys don’t make us wait so long for their next release. As this is album is fucking good. Add this to your collection now!!!


Words by Steve Howe


Links


Facebook | BandCamp | Instagram


Seismic - The Abyss Of Time (Album Review)

Release Date: October 02nd 2026. Record Label: Self Released. Format: CD/DD

The Abyss Of Time - Tracklist

1.In the Days of the Comet 12:22

2.The War of the Worlds 04:46

3.When the Sleeper Wakes 08:08

4.Star Begotten 08:12

5.The Time Machine 29:15


Members


Mike Lang – Drums

Ken Miller – Bass

Tommy McEwan – Guitars

Anthony Mariano – Guitars


Review


After releasing a couple of great releases back in 2020 and 2023, Seismic are finally ready to release their debut album upon the world and what a great record the band have released. The Abyss Of Time is a sprawling epic containing five tracks lasting over sixty two minutes. Seismic are an Instrumental Doom/Sludge/Stoner Metal band who use expressive forms of Cosmic Doom and Spaced Out atmospheres within their music that explores a darker style of Psychedelic Metal within the compounds of Instrumental Heavy Music.


If you’re fan of the likes of PELICAN, BONGRIPPER, BELZEBONG, VINNUM SABBATHI, SPACE WITCH and UFOMAMMUT then you should find solace here with this brooding masterclass of Spaced Out Doom. Seismic plays music that explores the darker areas of Instrumental Rock/Metal with a gloomy stripped back energy allowing the music to venture into a distorted environment. The music is highly atmospheric but also quite bleak with that punishing rhythm section superbly played by Mike Lang (Drums) and Ken Miller (Bass). 


Seismic adds a violent “Blackened Doom” sound into their music which allows the heaviest and progressive themes to develop with excellent guitars played by Tommy McEwan and Anthony Mariano. The music is sometimes unapologetically slow and earth-shattering violent which allows Seismic to cause massive layers of distorted drone to develop in the background. Sometimes the music can be quite an uphill battle to fully listen to the end but there’s something real and hypnotic at how Seismic keeps hold of your full attention which appears very early on the album on tracks such as In The Days Of The Comet and The War Of The Worlds. 


Each track allows Seismic to tell a different part of the story the album fully contains with different flavours of Post-Metal, Doom, Sludge and Stoner Metal converging for a destructive experience with some grounded fast-paced grooves being played towards the majority of the tracks. Seismic adds a wealth of different Ambient, Psych, Space and Cosmic themes into their music that sometimes feels quite forceful but also an essential ingredient that gives The Abyss Of Time a highly mysterious quality. 


When the excellent third track When The Sleeper Wakes arrives, the listener should fully be sold on how Seismic play their music by weaving in and out of different Instrumental Rock/Metal soundscapes which only becomes heavier and aggressive with each passing moment. There is a constant shift in Psychedelic and Cosmic textures with Seismic forming complex Stoner/Sludge melodies with a haunting Post-Metal delivery lasting long in the memory.


Fourth track Star Begotten once more offers a cautious slow-to-mid approach with Seismic channeling a classic “DOOM & GLOOM” style that the likes of PELICAN and BONGRIPPER are known for. However, you can hear some fantastic LOW & SLOW sonic based distortion which allows Seismic to elevate to a similar style of music that SLEEP are well known for. The stop/start approach that is widely used within this track shows a different style of heaviness being added to the whole record which is a major part for the final epic track.


The centrepiece of the album has to be the final track The Time Machine which lasts almost thirty minutes. This feels like a mini rock opera in itself with the song having a multiple character arc that allows Seismic to play something more emotionally charged and stripped back. However, the main attraction is those MASSIVE and EARTH SHATTERING instrumental soundscapes which bring a colossal style of Doom, Sludge and Stoner Metal to deafen the listener with. This is quite an endurance exercise and can be quite excessive but the journey is an absolutely essential part of the whole experience. 


The Abyss Of Time has the hallmarks as being one of the finest instrumental albums to be released this year and we’ve already had amazing records by the likes of BELZEBONG, SACRI SUONI and L’IRA DEL BACCANO. Add this album to that list as Seismic have released a breathtaking and beautifully cinematic record that’s pure poetry in motion. Even if that motion is a destructive COSMIC DOOM METAL album that will destroy everything within its path.


Words by Steve Howe


Links


Official | Facebook | BandCamp | Instagram


Desert Rock trio HERBA MATE announces new album "Bolide I & II"; Unleashes music video for first single "Poppy"

Photo by Paolo Zauli

Italian Desert Rock trio HERBA MATE has announced its upcoming studio album "Bolide I & II", which is set to be released on November 20 via Go Down Records. Alongside the album announcement, the band unveils the track, "Poppy", offering the first glimpse into the world of "Bolide I & II". The single is out now on all major streaming platforms and you can watch the video here:


Stream the single HERE

The band says: "'Poppy' is our invitation to look beyond the ordinary, immerse ourselves in the natural world, and rediscover something authentic within. We are inspired by the landscape, capturing the shifting dialogue between earth and sky at sunrise and sunset, amplifying the track’s introspective spirit. Blending desert rock, psychedelia, and Western-inspired influences, 'Poppy' unfolds through layered guitars, percussion, and ambient textures to create a hypnotic, cinematic atmosphere."


Tracklist:

1. Gully Island
2. Boogie Mouse
3. Sawdust
4. Milky Way Lungfish
5. David vs Goliath
6. Daisy
7. Juli
8. Poppy
9. Desert Inn III

Formed in 2000, HERBA MATE's comeback album is rooted in the band’s everyday life: family, friendship, work, the streets, and their beloved Romagna - a homeland stretching from clay canyons to the sea. The record title evokes a fascination with what races forward: technology, progress, speed, and efficiency. This tension defines our time, shaped by the pursuit of perfection. Yet acceleration also risks disconnecting us from the tangible simplicity of the world around us, made up of water, air, earth, and fire: the elements that bring us back to our essence. This contrast lies at the heart of the album’s concept and sound. The project unfolds across two consecutive releases: "Bolide I & II", exploring Earth and Air, followed by "Bolide III & IV", which will turn to Fire and Water.

HERBA MATE's music draws inspiration from the vast California deserts - the birthplace of Desert Rock and Stoner Rock, and home to influential bands such as Kyuss, Fatso Jetson, Queens of the Stone Age, Yawning Man, and Fu Manchu. From their base in Italy, the three friends reinterpret these lysergic sounds through psychedelic dynamics, deep low frequencies, and hypnotic riffs, adding a distinctly Romagna-flavored edge.

"Bolide I & II" will be out on November 20 via Go Down Records and is available for pre-order HERE

Line-up:

Andrea Barlotti - Guitar
Alessandro Trerè - Bass, vocals
Ermes Piancastelli - Drums

For more info visit:

https://www.instagram.com/herba_mate/
https://www.facebook.com/HerbaMateBand/
https://www.godownrecords.com/


Thanks to All Noir PR for the details.