Thursday, 15 October 2026

DOMKRAFT drop new advance track 'Aurora' taken from forthcoming album "Night Songs

Photo by Fredrick Francke

DOMKRAFT release the sizzling track 'Aurora' as the final advance single taken from their forthcoming new full-length "Night Songs". The fifth album by the Swedish heavy psychedelic rockers is slated for release on November 20, 2026, via Magnetic Eye Records. The album is available for pre-order at THIS LOCATION.

Listen to 'Aurora' here:


DOMKRAFT comment on 'Aurora': "This track revolves around two riffs, one sharp and airy, the other gravelly, muddy and downright dirty", vocalist and bass player Martin Wegeland writes. "In a way, this song comes with a slightly new kind of groove for us. Then again, at the same time, it somehow connects all our albums into one track. 'Aurora' has all the lumbering beats, the open structures and the fist-clenching intensity that we aim for."


Tracklist

1. Unnamed
2. Lights On
3. Aurora
4. Void Runner
5. Eclipse (Outlast the Night)
6. Dead Rocket
7. Tunnels

Personal experience of any kind has always inspired artists. It is therefore hardly surprising that the traumatic medical crisis which DOMKRAFT guitarist Martin Widholm faced in 2025 has found an echo on the Swedes' fifth album "Night Songs". Although his band mates didn’t have to undergo several complicated surgeries as he did, they were of course also affected as bystanders in less threatening but nonetheless meaningful ways.

Their collective outlook on life and what is truly important shifted during this period of terror. When the band started working on new songs during Widholm’s long phase of recovery, many contradictory feelings surfaced in both the music and the lyrics. From fear bordering on panic, the pendulum swung to cautious relief. And through sadness and joy, hope and despair, they went all the way to finally arrive at the humbling realisation that they were still able to do what they dearly love: creating music.

The album title, "Night Songs", partly stems from the Swedes' experiences during the past year, but also crosses into the broad idea of darkness versus light. This can mean personal hardships, the present state of the world, or the concept of actual night itself. The night may turn into a time of regret, solitude and insomnia but also into the opposite, as a calm phase of relief, relaxation, and even debauchery. All of this happens at night. And just maybe, these "Night Songs" could foremost deal with resilience.

Nordic trio DOMKRAFT have always been true to their musical course, but also grew audibly in maturity with each new release, honing their considerable songwriting skills on each outing. Gradually and through determination and small tweaks and nuances, their stylistic range shifted from towering doom anthems towards heavy rock with psychedelic influences.

DOMKRAFT sprung into being when singer and bass player Martin Wegeland, guitarist Martin Widholm, and drummer Anders Dahlgren realised that they had firmly bonded over a mutual love of bands such as SPACEMEN 3, MONSTER MAGNET, SLEEP, and HAWKWIND.

DOMKRAFT's monolithic 2016 debut album, "The End of Electricity", drew equally from the heaviness, psychedelia, and hypnotic minimalism of their influences. Building on this foundation and with a curious lust for experimentation, the trio explored different sonic angles and musical avenues while building an ever-growing audience and continued critical acclaim with each following release: "Flood" (2018), "Seeds" (2021), and "Sonic Moons" (2023).

DOMKRAFT furthermore established an excellent reputation as a considerable live force and audience magnet on both sides of the Atlantic. The trio performed at such prestigious festivals as four Desertfests (BE, DE, UK & US), Psycho Las Vegas (US), Blow Up (FI), Sonic Whip (NL), Høstsabbat (NO) ArcTanGent (UK), and many more.

"Night Songs" was recorded at the renowned Studio Gröndahl in Stockholm by David Castillo (OPETH, CANDLEMASS, KATATONIA et al.). Karl Daniel Lidén (GREENLEAF, LOWRIDER, BREACH) was asked to maintain DOMKRAFT's sonic identity by again mixing and mastering the album.

"Night Songs" should be enjoyed like a feverish, dream-like cocktail that is expertly mixed from equal parts deafening quiet and soothing loud noises, then sprinkled with insomnia, relief, contemplation, and a dash of red-hot anger for raw spice.

Line-up

Martin Wegeland – vocals, bass
Martin Widholm – guitars
Anders Dahlgren – drums

Recording by David Castillo at Studio Gröndahl, Stockholm (SE)
Mix & mastering by Karl Daniel Lidén

Artwork & layout by Björn Atldax

Live

23/24 OCT 2026 Oslo (NO) Kulturkirken Jakob, Høstsabbat
8-10 JUL 2027 Erfurt (DE) Stoned from the Underground Fest


Thanks to All Noir PR and Magnetic Eye Records for the details.

Doom pop power duo SIXYEARHEX announce debut full-length "Liminal Space Cadet", out November 13th


Following 2024's “Under The Glow” EP and a string of singles this year, North Carolina’s doom pop power duo SIXYEARHEX are ready to unleash their debut full-length, “Liminal Space Cadet”.


The tag is no misnomer: SIXYEARHEX deal in inescapably catchy hooks built on a foundation of gravelly crunch and soaring riffs. Early QOTSA and Lanegan-esque grunge can be glimpsed among the grooves, and the rolling powerhouse drumming of Derrick Brown builds a meaty bedrock beneath the crisp, charisma-packed vocal performance of Rob Broyhill.

IN THE BAND'S OWN WORDS:

Rob - "I'm excited to put this first full-length album out into the world. The ‘Under The Glow’ EP was me doing everything, just trying to introduce SIXYEARHEX to the heavy underground. But this time around it was great to step back, not be an engineer, and just focus on the performances and collaborating with a like-minded individual. That collaboration process took the songs to places they wouldn't have been able to go otherwise. I'm very proud of this album and think it's a strong statement for our first chapter and sets a clear foundation for where we're going next."


Derrick - "I couldn't be happier to collaborate with Rob on this two piece project. I feel that the album combines a lot of our shared philosophical ideas lyrically about the modern world and exemplifies key elements of our musical backgrounds and tastes."

WHAT'S NEXT:

"We have the next album already locked and loaded. It's just a matter of organizing and getting videos completed / artwork finalized / promo stuff sorted, etc. and a timeline. In the meantime we'll continue to play live and try to expand our regional footprint."


SIXYEARHEX - Liminal Space Cadet

Album out November 13th, 2026
Self-released (CD, Cassette, Digital)
North Wilkesboro, North Carolina, US
FFO: Torche • early QOTSA • Clutch • Mastodon
Artwork by Rob Broyhill
Original photograph by Justin Driscoll

SIXYEARHEX is:


Rob Broyhill – Guitar, Vocals
Derrick Brown – Drums, Vocals

Tracklist:

1. Midnight Incantation (4:45)
2. Control (4:21)
3. Original Sin (4:54)
4. All Is Well (5:08)
5. When The Darkness Shines (3:25)
6. Existential Blues (4:53)
7. God Luck and Good Speed (3:44)
8. Exile (3:27)

Links:

Thanks to Good Boy PR for the details.

Doomhjälpen, a charity event with Domkraft, Doomherre, Hexjakt, Kaiser and Ordos (December 5)


Doomhjälpen 2026 - Doom bands team up for charity in Stockholm

On Saturday 5 December, Kollektivet Livet in Stockholm opens its doors for Doomhjälpen, an independent charity night where musicians from the doom scene raise money for Musikhjälpen, Sweden's annual charity campaign.

Five bands - Ordos, Kaiser, Doomherre, Hexjakt and Domkraft - take the venue's main stage, and every one of them is playing for free. Doom Girls from FLOW Stockholm add a dance show created exclusively for the night, and Domkraft will be celebrating the release of their new album.


No fees, no glamour, just artists and fans doing something together. Kollektivet Livet is lending the venue and Backline Sthlm the equipment, so that as much of the ticket money as possible goes to the cause.

After VAT, fees and hotel costs for two of the bands, the goal is to raise 60,000 SEK (approx. €5,500). Donations can also be made directly through the Doomhjälpen fundraising page, and the night will be livestreamed on YouTube for anyone who can't make it.

"The doom community is incredibly welcoming and the scene is really tight-knit, so doing something for people who need help felt like a no-brainer. We also wanted as many people as possible to be able to join us, so there are three ticket prices, from 150 to 400 SEK. Whichever one you pick, you're supporting Musikhjälpen," says Max Collin of Doomherre.

Facts

When: Saturday 5 December 2026, [doors / start time]

Where: Kollektivet Livet, Stadsgårdsterminalen, 116 45 Stockholm, Sweden

Playing: Ordos (Uppsala), Kaiser (Finland), Doomherre (Stockholm), Hexjakt (Arboga) and Domkraft (Stockholm - headliners, with a new album out). Doom Girls (Stockholm).

Tickets: 150, 250 or 400 SEK via Billetto: billetto.se/e/doomhjalpen-2026-biljetter-2023055

Donations: bossan.musikhjalpen.se/doomhjaelpen

More information: doomhjalpen.se

About Doomhjälpen

Doomhjälpen is an independent initiative raising money for Musikhjälpen. It is organised by Max Collin, Toni Åkerman and Anna Dahlqvist, who are all active in the Swedish doom, sludge and stoner scene.

Doom/Stoner Metallers ASTRAL GOAT DOMINION Release Live Videos For ONLY LUCIFER AND FUZZ and THE ACID RITUAL


Doom/Stoner Metallers ASTRAL GOAT DOMINION release two new live videos for the songs ONLY LUCIFER AND FUZZ and THE ACID RITUAL from their acclaimed 2025 album Only Lucifer And Fuzz.

Only Lucifer And Fuzz


The Acid Ritual


The Lowdown

Formed by Oniric (bass, vocals, synth, rituals) and Khaosfuzz (guitar, vocals), Astral Goat Dominion was conceived as a psych ritual stoner doom project blending heavy, fuzz-laden soundscapes with occult and luciferian atmospheres. Through hypnotic riffs, immersive textures and ritualistic intensity, the duo explores a sonic path where doom, psychedelia and spiritual transcendence converge.

The project first emerged with the release of the debut single "Lucifer (Part I)" on June 6th, 2025, followed by the full-length album Only Lucifer and Fuzz on October 31st, 2025. The record marked the beginning of Astral Goat Dominion's journey into a world of distortion, trance and esoteric devotion, laying the foundations for what is yet to come.


Tuesday, 13 October 2026

Firebreather - Blood That I Spill Turns to Fire (Album Review)

Release Date: October 16th 2026. Record Label: Heavy Psych Sounds. Format: CD/DD/Vinyl

Blood That I Spill Turns To Fire - Tracklist

1.Only in the eyes of others

2.El Cuervo

3.Blood that I spill turns to fire 05:22

4.The Sorrow hides

5.Protector of realm

6.Against the light

7.Shrines 06:51


Members


Mattias Nööjd - Vox / guitar

Jacob Madetoja - Bass

Joakim Olsson - Drums


Review


Doom/Sludge/Stoner Metallers Firebreather return in glorious Psychedelic fashion with their epic fourth album Blood That I Spill Turns To Fire. This is their first album in four years, the band teaming up with the mighty Heavy Psych Sounds for this release. The whole record sees Firebreather drifting further to an epic style of Post-Doom and Post-Stoner musical abyss. The sound is quite progressive with some flashy and grounded instrumental melodies forming from the very start inspired by the likes of High On Fire, SLEEP, Mastodon and Shrinebuilder. 


Though Firebreather have always been bold and brash in equal measure to apply that classic style of Swedish Heavy Metal direction into their music. However, the modern Psychedelic and Cosmic surroundings have a distorted and riff-centric delivery which is heard throughout the album. Lead vocalist Mattias Nööjd develops a different style of vocals for this record as they have a more aggressive and direct sound compared to Firebreather’s previous albums.


There’s a sudden influx of FUZZED OUT sounds that merges across the Post-Doom and Post-Stoner spectrum with an Atmospheric Sludge Rock appetite being heard within the opening tracks of Only In The Eyes Of Others, El Cuervo and Blood That I Spill Into The Fire. There’s some great modern day STADIUM ROCK aspect that shows how FIrebreather are thinking further ahead of the conventions held within the underground rock/metal scene. Even though the music is constantly aggressive and brilliantly heavy, there’s a few cool sounding quieter moments that see Firebreather apply a different creative style into their music.


Firebreather have a determined Sludge Metal focus to their music which reminds me of their earlier albums and perhaps even back further Mattias’s days with his original band GALVANO. Though, Firebreather still demonstrates a thrilling modern Spaced Out Doom advantage on the following tracks: Blood That I Spill Turns To Fire, The Sorrow Tides, Against The LIght and Shrines. 


There are moments where you think certain instrumental passages feel so out of place but a few seconds later Firebreather injects an outstanding psychedelic element into the mix and the album becomes so much better for it. The album is full of intense musical solos that allows every band member to shine in their own unique way especially on Joakim Olsson putting in a massive  drumming performance from start to finish. Credit must also go to Jacob Madetoja on Bass who develops some devastating sounds that puts a whole level of destructive volume into the mix which allows Mattias’s thrilling guitars to do some lasting damage especially on the later stages of the record.


Blood That I Spill Turns To Fire is the type of album that sounds superbly original and eeriely familiar at the same time which is one of the main strengths of the album. I also adored the understated and highly aggressive delivery that Firebreather applies to the heaviest and bombastic parts of the album which is spread throughout different sections of the record. 


Firebreather had to deliver a HUGE SOUNDING record such as this and they fully deliver on all fronts with tremendous production values allowing Blood That I Spill Turns To Fire having an unpredictable force of nature quality and destructive energy that leaves you emotionally drained every time you listen to the album.


This is another outstanding record from Firebreather and one that will no doubt be making a strong case for being considered as one of the best albums of the year. 


Words by Steve Howe


Thanks to Purple Sage PR for the promo.

Blood That I Spill Turns to Fire is now available to buy on CD/DD/Vinyl via Heavy Psych Sounds.

Links


London Heavy Rockers OKAY YOU WIN announce fall UK shows. Debut album "End of Days" out now Blues Funeral Recordings.


London, UK's heavy rock revelation OKAY YOU WIN announce a full run of UK fall shows in support of their widely acclaimed debut album "End of Days" on Blues Funeral Recordings.

About the upcoming shows, the band enthuses: "With an incredible show at Stoomfest 2026 now done and dusted, we’re gonna be hitting the road as part of our perpetual ‘Human Garbage Tour’ with a busy run of dates in the south and east of England in the run in towards Christmas, and before we start looking further afield in 2027! Come see us on the road!"

Okay You Win's hard-hitting forthcoming debut album End of Days deploys a towering blend of driving riff-rock chiseled with a touch of psychedelic gold and doom breakdowns that hit like a collapsing cathedral — all propelled by frontman Dave Kirk's breathtaking, soaring vocals. From the first riff to the final drum hit, this album washes over you with hooks that bury themselves in your skull for weeks.

Okay You Win fall UK shows:

24 Oct - St. Leonards - Tough Love Records
25 Oct - Canterbury - Lady Luck
29 Oct - Norwich - Voodoo Showroom w/ Hippie Death Cult
30 Oct - London - Imperial Palace of the Big Red
31 Oct - Tunbridge Wells - Forum Basement
20 Nov - London - Helgi's Bar
21 Nov - Chatham - Poco Loco
28 Nov - Hitchin - Club 85

Debut album "End of Days" out now on Blues Funeral Recordings 
LP and CD available on Bandcamp and Blues Funeral Recordings 
Watch the latest videos Smoke / Beat Me Down / End of Days 

“A record that’s absolutely stacked with classic songs from start to finish.” - Outlaws of the Sun
“A slab of utterly captivating songs that take no prisoners.” - Rock Hard Magazine
“Eight pieces of straight magnificence.” - Headbanger Reviews
“Extremely impressive and catchy as hell.” The Razor’s Edge
“Electrifying and monumental.” Headbanger Reviews


Since their formation in London in 2023, Okay You Win have quickly built a solid reputation in the UK underground since their formation in London in 2023, bringing their blend of driving rock with stoned psychedelics and doomy breakdowns to a string of shows and festivals across England and further afield. Drawing heavily on Seattle grunge, California desert rock, 90s alt-rock and classic British metal, the four-piece caught the attention of fellow UK rockers Psychlona, who offered enthusiastic support and guided their friends toward producer Andy Hawkins and The Nave studio in Leeds for the recording of their debut album, released this summer on independent US label Blues Funeral Recordings.

Okay You Win is


Rodrigo Barradas – Bass
David Kirk – Vocals
Ryan O'Hare – Guitar
Antonio Peci – Drums

Okay You Win links

Blues Funeral Recordings links


Thanks to Purple Sage PR for the details.

The Grey Men - Resentment (Album Review)

Release Date: September 21st 2026. Record Label: Woven Eye Propaganda. Format: CD/DD

Resentment - Tracklist


1.Resentment 05:12

2.Resentment, Part 2 02:35

3.Spite 06:07

4.Ruin 04:30

5.Useful 07:02

6.Coherence 02:27

7.Spite (noise) 06:06


Review


Resentment is the fifth album from Drone/Doom/Noise Rock collective The Grey Men who follow a similar style of music by the likes of EARTH, SUNN 0))) and NADJA. The album is not a straight-forward record with The Grey Men constructing an abstract narrative and sandbox to create, develop and play their music. There’s harsh atmospherics with some unsettling industrial and electrical themes being used throughout as some parts of the album remind me of Aphex Twin in places. 


The Grey Men at least play some “standard” musical notes on this record but they’re mostly played slowly and sometimes annoyingly they feel heavily out of place. However, this is still a fascinating and highly engaging listen with the songs all having a different tone, structure and musical delivery to each other. When the music does become more fascinated with Doom Metal and Drone Metal sounds, then there is a sense of haunting Industrial Metal themes dictating how the music grows into something more familiar whilst keeping that highly experimental sound.


The record works best when The Grey Men merge their experimental themes with a standard “riff-centric” message with the music still being Drone/Doom Metal obsessed. The intricate Post-Rock, Ambient Metal and Psych Metal soundscapes allow the violent vocals to remain cautiously lurking violently in the background. The album does have an eclectic soundtrack quality to it with gloomy synths and underused industrial themes transforming into a different style of extreme music. 


The two main weapons of choice for The Grey Men to deliver their music is VOLUME and DISTORTION which they apply throughout this album. Some parts of the album do feel like SUNN 0))) performing with WOLVES IN THE THRONE ROOM which you’ll fully appreciate on tracks such as Resentment Part Two and Spite. 


The Grey Men are wonderfully creative and brilliantly subversive with Resentment which perhaps leaves you more confused than entertained. However, this album is perhaps suited for long-time followers of Experimental Music with songs that don’t have a beginning, middle or end. I applaud The Grey Men for going down this route as the music is unbelievably harsh and superbly violent when you least expect this but one that also offers some blissful movements of distorted Post-Rock and Post-Metal.


Resentment is a great record and is a record that has real “CULT APPEAL” which always goes down a storm with the underground Doom/Drone Metal scene, If you’re in the mood for endless feedback loops, sonic distortion and amplified warfare being played when you least expect it then Resentment could actually be an exciting and thrilling prospect for folks to fully check out.


Words by Steve Howe


Links


Facebook | BandCamp | Instagram