Showing posts with label Proto-Doom. Show all posts
Showing posts with label Proto-Doom. Show all posts

Saturday, 7 March 2026

FANGUS - Emerald Dreams (Album Review)

Release Date: March 13th 2026. Record Label: From The Urn Records. Formats: DD/Vinyl

Emerald Dream - Tracklisting

I - Howling Hammer

II - Pyre Of Love

III - Psychoïd Telepath

IV - Quest For Fire

V - Emerald Dream

VI - Time Gambler

VII - Shapeshifter

VIII - Stardust Regulator


Members


Alex Bigras - Guitars

Snake St-Louis - Drums

Vick Trigger - Bass

Chub - Synths/Organ/Backing Vocals

Jim Laflamme - Lead Vocals/Tambourine


Review


FANGUS debut album Emerald Dream is an intoxicating mix of Psych, Acid Rock, Doom Rock, Proto-Metal, Occult Rock, Blues Rock and Stoner Rock. The album is quite wild and wickedly vivid with how FANGUS blend different genre conventions with an outlandish premise that pushes the boundaries of Heavy Psychedelic music.


The music is mostly sourced from the legendary sounds of the Sixties and Seventies scenes with the band never venturing into modern day themes. This makes the album quite a cool sounding and hip leaning slice of RETRO ROCK with a great attitude to match.


The record starts off spectacularly heavy and fast paced through the opening tracks of Howling Hammer, Pyre Of Love and Psychoïd Telepath which relies quite heavily on the extraordinary talents of Chub who provides an amazing array of Synths, Organs and sublime backing vocals along the way. His performance was what instantly drew me in at first though the rest of the band are amazing musicians as well with all them putting in first rate performances. Though, it took me a few listens to actually listen to each individual performance on certain sections of the album.


The lead vocals from Jim Laflamme feels like he was brought up on a steady diet of The Doors, Black Sabbath, Led Zepp, Alice Cooper, MC5 and The Who with his vocals having a slightly grizzled Classic Rock and Heavy Rock feel. The album does lean into early Seventies Proto-Doom metal records with a sudden outburst of Heavy Psych and Garage Rock making the album sound quite heavier and vindictive at times. The Occult Doom themes become the most interesting aspect on the later stages with FANGUS feel like they’re developing a soundtrack for a lost classic horror movie that’s being discovered for the very first time.


Everything is bloody OVER THE TOP and insanely dramatic but you can’t deny how beautifully melodic and insanely addictive the album is at the same time. The record moves to more demented areas of Occult Rock with some amazing FREAK-OUT instrumental passages courtesy of some wonderful guitars laid down by Alex Brigas. 


There’s also a slightly Ritual and Tribal aspect to Emerald Dreams that starts to break through on tracks such as Quest For Fire, Emerald Dreams, Shapeshifter and Stardust Regulator where the album does have a minor Space Rock aspect starting to form which allows the album to become ever more unpredictable.


The production values are outstanding which allows FANGUS to transport not only themselves but also the listener to another forbidden dimension told through the power of music.


Emerald Dreams doesn’t feel like a debut album. This feels like a greatest hits collection with FANGUS providing their best musical output for a new legion of followers to discover for the very first time in the present day. That’s the best way I can describe Emerald Dreams and I’m have no doubt that FANGUS will start to build quite a loyal cult following within the underground scene thanks to this superb album. 


Words by Steve Howe


Thanks to Purple Sage PR for the promo.


Emerald Dreams  is available to buy now on DD/Vinyl via From The Urn Records.


Links 


Facebook | Bandcamp | Instagram

Saturday, 1 November 2025

Pesta - The Craft Of Pain (Album Review)

Release Date: October 15th 2025. Record Label: Glory Or Death / Gate Of Doom Records. Formats: CD/DD/Vinyl

The Craft Of Pain - Tracklisting

1.Rites of Enclosure 00:39

2.Masters of the Craft of Pain 05:18

3.Marked By Hate 05:38

4.Mirror Maze (Feat. Wino) 04:56

5.In the Drive's End 05:28

6.Thumbscrew 02:54

7.The Inquisitor, Pt.I 06:13

8.The Inquisitor, Pt.II 03:38

9.Canto XXI (Feat. Rodrigo Garcia) 03:12

10.Shadows of a Desire 05:41


Members


Thiago Cruz (Vocals)

Anderson Vaca (Bass)

Marcos Resende (Guitar)

Flávio Freitas (Drums)


Review


Doom/Stoner Metallers Pesta return with their third full length album The Craft Of Pain and they bring a classic sounding NWOBHM sensibility into their music. The mood is also heightened by a great style of Occult Rock and Proto-Doom grooves which adds an extra level of gloomy spiciness into their music. Pesta are quite content with having a classic HEAVY METAL creative energy throughout the whole album. 


You can hear influences from bands such as Black Sabbath, Saint Vitus, Iron Maiden and The Obsessed on certain parts of the record though you can still hear more modern surroundings especially when some unexpected sludgy moments appear. The majority of the record is deeply rooted in Eighties Heavy Metal with flashes of other musical eras appearing whenever the mood calls for this. Pesta are quite flashy with their music with a multitude of different musical solos flying about but it all fits in with the overall tone and sound the band demonstrate with The Craft Of Pain.


The vocals from Thiago Cruz are superb throughout as Thiago fully sells Pesta’s twisted Doom Metal vision with some help along the way from Doom Metal legend WINO on the standout third track of Mirror Maze which could easily be considered an actual track released by The Obsessed or Spirit Caravan. Though, before that Pesta blast their way through a few tracks that screams EIGHTIES HEAVY METAL EXCESS on Rites Of Enclosure, Masters Of The Crafts Of Pain and Marked By Hate. 


The album is constructed superbly well with excellent production values that manages to allow Pesta to play a multitude of different styles of Hard Rock and Heavy Metal whilst retaining their Doom/Stoner Metal identity within the other standout tracks of the record with In The Drive’s End, Thumbscrew, The Inquisitor Pt 1 and Shadows Of A Desire. The lyrics are quite outlandish but it allows Pesta to create a highly exciting and tense atmosphere within the whole record and by playing some top-notch musical passages along the way.


Pesta are a superb technical band which you don’t fully appreciate until after multiple listens as some of the music is highly progressive that moves into other areas of music that I didn’t expect to hear. So you have to give them credit for doing something different especially with the Psychedelic themes and sounds that suddenly appear out of nowhere. 


The Craft Of Pain is a marvellous record that will keep you entertained for a long time to come. If you want a Doom/Stoner Metal record that isn’t afraid to embrace the sounds of Classic Heavy Metal then you can’t go wrong with The Craft Of Pain. This is a winning record on every level possible.


Excellent and Highly Recommended.


Words by Steve Howe


You can buy The Craft Of Pain from the links below:


Links


Facebook | BandCamp | Instagram


Wednesday, 29 October 2025

An Interview With Psych/Prog/Classic Rockers MOUNDRAG


Heavy Psych/Prog Rockers MOUNDRAG released their stunning and beautifully different new album DEUX where they explore the different areas of Seventies Psych Rock, Prog Rock, Hard Rock, Proto-Doom and Classic Rock. 

What makes the band standout is them being an Organ and Drums duo formed by Camille and Colin Goellaen Duvivier. With Camille on organ and Colin on drums though both sharing vocals for quite a highly original and brilliantly organic sound of their own making.

I was asked to do an interview with the band where I jumped at the chance. As they're great musicians forging their own identity within the world of Heavy Rock.

Here's what MOUNDRAG had to say.

Hi guys. Thanks for doing the interview. How are things with you today?

Hey, thanks for having us! Things are going great — we just launched the album and began the tour with two release parties in Brittany. It was amazing! We can’t wait to start the EU tour!

For folks not in the know, can you give a brief history of how the band came together and where it is today?

We’re brothers, and we’ve always listened to music at home because our parents are musicians. When we were teenagers, our Irish uncle bought us Made in Japan, and we’ve been playing rock ’n’ roll ever since! The band started in 2019, and now we’ve never felt more fired up — we’re ready to rock the world!

How would you describe your own sound?

We play the kind of music we want to hear — it’s proggy and sometimes heavy. We like to describe ourselves as a hard prog heavy psych band, haha.

Congrats on your excellent new album Deux. Love the album. What can people expect to hear from this album?

Thank you very much, it’s an honour! People can expect a lot of references to ’70s bands. They can lose themselves in the album and discover our homage to the classics. You’ll also hear some crazy drum playing, plenty of vocal melodies, and heavy organ riffs.

Completely enjoy the mix of Prog, Psych, Hard Rock, Doom, Sci-Fi and Fantasy set against a classic Rock & Roll setting. This still allows this to be quite a different record to your previous album. Was that your plan to create something different to what has came previously.?

On the previous album, our main idea was to do something very classic rock/classic prog, with a full 20-minute song on one side. For Deux, we wanted to change things up a bit — to create more songs than before, while keeping some long tracks and adding atmospheric transitions between them. It ended up being nine tracks full of different genre references.

When we finished the first album, we decided to move in the same direction but make it both brighter and gloomier. We’re human, so both we and our music are constantly evolving — and we always want to reach the unexplored. I think that’s why Deux feels different.

You’re quite unusual for playing your music through an Organ / Drums setup though still be being brilliantly heavy in places. How did that decision come about to play with that unfamiliar setup.

We started that setup because of our first band, Smooth Motion (which is still going — we’re actually working on a new album right now!). It’s a four-piece band with drums, organ, bass, and guitar. When the guitarist and singer left for a six-month trip around the world in 2018, we decided to create this rock brothers duo so we could keep playing together and experiment with new songs without guitar or bass. At that time, we weren’t singers at all — we learned little by little, and we’re still learning, ha ha!

Did you ever have any pressure to add guitars to the mix. Is this something you might add further down the line or in the near future.

Never, mate! The goal of the Moundrag project is to play rock without guitars — ever! On the album, we added some bass, piano, and percussion, but a guitar? Pfff, no way! We already have one band with a guitar player and another with three guitarists — that’s enough! (Check out Komodrag and the Mounodor, a fusion between us and Komodor — it’s like a Lynyrd/Allman/Purple band!)

What is the new album about and did your real-life experiences help make this record.

This album has a lot of themes about the human condition. Sometimes people are dying inside because they’re living a nightmare (Morning Epitaph, Black Flames, Limbo). Other times, they want to change the world (The Caveman, Changes, Take Me To The Stars).

I think we’re singing about our lives — or at least fragments of them. Most of the songs are a bit pessimistic about the world that surrounds us. We like to scream our bad vibes, our fears, and our sadness.


What bands and artists influenced you when recording this album.

A lot of new artists! That's our playslist for DEUX:

Birth Of Joy, Deep Purple, Genesis, ELP, Atomic Rooster, Temples, Uriah Heep, Kadavar, Motorpsycho...

What formats is the album being released upon?

The vinyls and CDs are already available!

You've teamed up with the awesome record labels to release the album (Spinda Records and Stolen Body Records). How did that come about.

They’re fantastic people, and they have some amazing bands! They loved the album right away — they were the first ones to show interest, so we wanted to work hand in hand with them. Support indie labels — they’re doing a great job!

What is the creative process or setup within the band? Do you all write the music together or do certain people within the band do that?

All the songs were composed in the basement at our parents’ home — it’s the place where we’ve always written everything down. The two of us handle the music, but some of the lyrics are written separately. When we run into issues with song structure or lyrics, we like to work with Goudzou for the music and AA Da Snake, the poet.

Who designed the excellent album cover. Really brings to light what the whole album is about. And reminds me of the legendary artwork of bands such as YES and ASIA by the amazing Roger Dean.

We were devastated while creating the album because we had no idea what the cover would be. But one morning, Justyna — a young surrealist Polish artist — reached out to us on Instagram, looking to collaborate with bands. We instantly fell in love with her art; it reminded us of those classic prog-rock covers. We’d always dreamed of having artwork like this cause we are huge fans of Roger Dean, and we’re so proud of how it turned out!


Can you advise if you’ve played or currently playing in other bands so folks can check out your other musical projects?

Please check our fellows Komodrag and the Mounodor and Smooth Motion, forever our brothers.

What is the current state of the local French Rock/Metal scene? Do you perform gigs on a regular basis and do you have a local scene that you're actively involved with?

The French rock scene is very active and massive! We’re right in the middle of it, with bands like Komodor, Howard, Grandma’s Ashes, Gravecult, Executor, Howlin’ Jaws, Decasia, and Red Sun Atacama and all the friends we've just forget here ha ha. 

France might not be the easiest country for rock, but we’re fighting the best we can to shine a light on this scene!

Will you be performing any gigs to promote this album locally or further afield.

The tour has already begun in France, and we’ll be reaching Spain and Portugal in February, and the London Desertfest in May. We hope to play even more shows after that!

Before you go, do you have any words of wisdom for your new and potential fans out there.

We fought through dark days while creating this album. Sometimes we wanted to give up, but we never lowered our arms.

Keep on listening our music or any music in general, buying the records and going to the shows! The scene is nothing without you, so come see us live and keep on fighting, believe in your dreams.

Words by Steve Howe and MOUNDRAG

Thanks to Purple Sage PR for arranging the interview and to MOUNDRAG for doing this interview.

DEUX is available to buy now on CD, Digital and Vinyl from the links below:

Buying from Spain, Portugal, Gibraltar? Please go to Spinda Records
Buying from UK? - Please go to Stolen Body Records
Buying from USA? Please go to Echodelick Records


Links


Saturday, 2 August 2025

Ever Age - Ever Age (Album Review)

Release Date: August 01st 2025. Record Label: Self Released. Formats: CD/DD

Ever Age - Tracklisting

1.Coldera 03:31

2.Psychlone 03:39

3.The Great Beyond 05:38

4.Black Suede 03:06

5.Radiant Figure 04:54

6.RAMP 05:23

7.Everlanche 08:13

8.Memory Carve 00:54

9.Anytime 08:02


Members


Neil Snyder - Drums

Eli Saltzberg - Bass

Aiden Snyder - Guitar & Vox


Review


Ever Age's debut album is a heavy mix of Psych Rock, Blues Rock, Doom Rock and Stoner Rock where the band adds an ice cold blast of Mountain / Appalachian melodies throughout. The sound is always heavy with a refreshing Classic Rock approach which allows the record to be quite soulful with the heavy amount of Blues grooves that Ever Age lay down on the early stages of the record. 


There’s quite a heavy BASS HEAVY attitude being played by Eli Saltzberg’s dynamic and powerful presence which allows Neil Snyder (Drums) and Aiden Snyder (Guitar / Vocals) to perform a sublime Stoner Rock based sound which brings a refreshing Seventies RAWK & ROLL vibe on tracks such as Coldera and Psyclone.


The record becomes quite heavy with Ever Age frequently moving into DOOMIER pastures from the exquisite third track The Great Beyond with its subtle Blues Rock/Proto-Doom swagger which sees a slight variance of Sludge Rock appearing. Though, Ever Age keeps everything grounded with perhaps the first standout track of the album developing right here. 


The band marches fully into their POWER TRIO stance with Ever Age being influenced by the bands of the Sixties and Seventies era of Hard Rock. If you’re a fan of ALL THEM WITCHES then you’ll be right at home here as Ever Era taps into that superb aura of music which always feels fully fleshed out with hard-hitting melodies and supreme levels of intricate storytelling.


Other standout tracks to check out include: Black Suede, Radiant Figure, RAMP, Everlanche and Anytime. There’s an unexpected switchover to Prog Rock passages on the majority of tracks with Ever Age keeping in with their Blues Rock / Mountain Rock ideals whilst still playing superb levels of straight out Heavy Rock which results in some top-notch instrumental solos being delivered.


Ever Age is a winning combination of great melodies, fantastic vocals and excellent lyrics that allows Ever Age to release quite an original record that has a haunting emotional quality to it all.


Excellent and Highly Recommended.


Words by Steve Howe


Links


Facebook | BandCamp | Instagram


Saturday, 24 May 2025

The Ossuary - Requiem For The Sun (Album Review)

Release Date: May 23rd 2025. Record Label: Supreme Chaos Records. Formats: CD/DD/Vinyl/Tape

Requiem For The Sun - Tracklisting

1.Sacrifice 04:29

2.Altar In Black 05:17

3.Far From The Tree 04:57 video

4.Wishing Well 05:04

5.The Others 04:28

6.Requiem For The Sun 05:53

7.The Volume Of Void 04:15

8.Eloise 08:44


Members


Stefano Fiore - VOCALS

Alex Nespoli - GUITARS, SYNTH

Max Marzocca - DRUMS, SYNTH, BACKING VOCALS


Review


Psych/Doom/Stoner Rockers The Ossuary are absolutely on fire with this album as Requiem For The Sun fully allows the band to sell their style of 1970’s Proto Metal and high voltage Classic Rock with complete conviction. With an endless supply of 1980’s NWOBHM grooves and modern Psychedelic Stoner Rock passages coming into effect, The Ossuary combines classic Doom Metal Folklore against subtle Post-Stoner soundscapes which makes this such a great record to listen to.


With a non-stop reliance of 1980’s Hard Rock guitar shredding, you’ll be surprised to experience the Post-Doom and Post-Stoner trippy sounds that appear within the opening batch of tracks Sacrifice, Altar In Black and Far From The Tree paying homage to bands such as Blue Oyster Cult, Metallica, Black Sabbath, Saint Vitus and Trouble but having a vital modern day attitude.


The Ossuary impress the most with their  highly intricate melodic instrumental sounds and superb vocals performed by lead vocalist Stefano Fiore and Max Marzocca providing excellent back-up vocals. 


There’s some interesting creative choices where the band blend Thrash, NWOBHM, Hard Rock and Psych Rock surroundings which still allows Requiem For The Sun to have an almost Commercial Rock sound. However, the sinister lyrics and creepy overtones of the later stages of the record firmly solidifies The Ossuary as firmly part of the Doom Metal world once and for all.


The album is gloriously HIP and OVER THE TOP throughout but The Ossuary know how to write, construct and play a mighty classic riff that sends CHILLS down your spine. Throw in plenty of HEAD-BANGING moments then this is perhaps the quintessential CLASSIC HARD ROCK and HEAVY METAL record you need in your life right now. Requiem For The Sun is the record that should allow The Ossuary to establish themselves more greatly with the Hard Rock / Heavy Metal scene.


The songs are superbly written throughout and could even show certain bands a thing or two about the creative dynamics of good-old fashioned musicianship and storytelling when set against a more commercial backdrop and still have your DOOM METAL credibility fully intact.


Excellent and Highly Recommended.


Words by Steve Howe


Thanks to Anger Management PR for the promo.


Requiem For The Sun is available to buy now on Cassette/CD/DD/Vinyl via Supreme Chaos Records.


Links


Facebook | BandCamp | Instagram


Thursday, 5 December 2024

Wizard Tattoo - Living Just For Knife Fighting (Album Review)

Release Date: December 06th 2024. Record Label: Garage Fire Records. Formats: DD

Living Just For Knife Fighting - Track Listing:

1.Living Just For Dying 04:34

2.The Wizard Who Loved Me 05:25

3.Tomorrow Dies 06:12

4.Sanity's Eclipse 04:51

5.Varsak of Man 06:02

6.A Wizard's Blade 05:08

7.My Second Knife Fight 05:05

8.Edge of Reprisal 02:28

9.In the Meantime (Helmet Cover) 03:38

10.Dirty Black Summer (Danzig Cover)

11.Orgasmatron (Motörhead Cover)


Members


All songs written, performed, and produced by Bram the Bard. 

Vocals on "Varsak of Man" by Fausto Aurelius; vocals on "A Wizard’s Blade" by Djinnifer; additional vocals on "My Second Knife Fight" by Fausto Aurelius and Brick Diesel.


Review


Living Just For Knife Fighting is the new album from Doom/Stoner Rock unit Wizard Tattoo and is the full complete release of their acclaimed EP’s Living Just For Dying and One Of These Knives which I reviewed both earlier this year. This album doesn’t offer any new versions of these tracks but it’s good to have them in one complete collection where you can here Bram The Bard journey through areas of Psych, Doom, Sludge, Stoner, Blackened ‘N’ Roll, Blues Rock, Americana and Country that appear throughout the whole album.


The only difference for these releases is that Bram has included covers of the classic tracks:


  • In the Meantime (Helmet Cover) 

  • Dirty Black Summer (Danzig Cover)

  • Orgasmatron (Motörhead Cover)


Here’s my original thoughts of each original EP’s release.


Living Just For Dying


Sludge/Stoner Metal collective Wizard Tattoo returns with their new EP Living Just For Dying and it’s a completely different tonal shift compared to their gloriously entertaining debut album Fables Of The Damned. This time round Wizard Tattoo opts for an Acoustic blend of Folk and Jazz for the majority of the EP. However, there are moments of heavy Sludge/Stoner movements but it’s mostly out done with the heavy reliance on Acoustic and Prog Rock sounds.


That’s not to say there isn’t any enjoyment to be found from Living Just For Dying and I will admit I prefer the outlandish sounds heard within Fables Of The Damned. This can be best described as Dark Americana Folk which comes into superb effect on the haunting opening track Living Just For Dying.


Living Just For Dying offers a hazy and muted collection of outstanding tracks that will surprise the dedicated followers of Wizard Tattoo. Though the later stages do offer some fantastic melodic Grunge/Stoner rhythms that could easily have been lifted from Fables Of The Damned. 


It may take a few listens to form an actual opinion of the record as it takes many subtle turns along the way which does become a more refreshing experience with multiple listens. 


One Of These Knives


Wizard Tattoo returns with their superb new EP One Of These Knives which is a cautionary style of Doom Metal, Stoner Rock and NWOBHM which matches the creative surroundings of their 2022 debut EP and acclaimed 2023 debut album Fables Of The Damned. 


There’s a scorched Desert Rock philosophy appearing within the opening track Varsak Of Man which blends that classic Stoner Rock/Metal vibe with an almost Blackened Roll approach. The song does see the band surround themselves with movements of Thrash Metal and Prog Rock overlays whilst staying within the Doom Rock/Stoner Metal framework that he’s applied for all of his records he’s released to date


Final Thoughts on Living Just For Knife Fighting


The added bonus of those three extra covers offers a fresh perspective and dynamic to this release as they offer the heaviest parts of the album with the excellent covers of In The Meantime (Helmet) and Orgasmatron (Motorhead) being the closest we’ll get from Wizard Tattoo to match the brilliant intensity of their classic album Fables Of The Damned. 


The covers are quite spaced out and psychedelic to their originals. I’m not too keen on the Dirty Black Summer cover as I’m not the biggest fan of DANZIG but I know that he’s a huge influence on Bram The Bard and it’s good to see this included here. It’s a great performance and interpretation of that track but I can take it or leave it. Apologies to Bram on that one. The vocals are excellent by Djinnifer though and offer one of the strongest performances of these batch of covers.


However, Living Just For Knife Fighting is the complete version to get of these releases and could be considered the “Director’s Cut” from Wizard Tattoo. With a stunning array of different genres, themes and sounds on this record, Wizard Tattoo have outdone themselves yet again. I still prefer Fables Of The Damned but this is still an outstanding album within it’s own right.


Words by Steve Howe


One Of These Knives All Quiet will be available to buy on Digital Download from Friday 06th December 2024.


Links


Official | BandCamp