Sunday, 8 November 2015

Kings Of Cavalier - Heavy Is The Head (Album Review)


Release date: November 06th 2015. Label: Self Released. Format: DD

Heavy Is The Head – Tracklisting

1.For The All Father 04:21
2.White Board 04:40
3.Beyond The Millennium 05:38
4.Looming Shadow 03:30
5.Stoned Dragon 10:09
6.Bug Out 04:01
7.Pray II Survive 03:30
8.Brown Acid 04:38
9.Just Ok (with the USA) 03:13
10.Tainted Queen 08:48

Band Members:

Reed Hutchins
Kurt Colfelt Jr.
Ben Still
Ian McKagan

Review:

Kings Of Cavalier debut album – Heavy Is The Head – is a lo-fi grunge based album offering heavy distorted Sludge/Stoner Rock riffs with a groovy Psych vibe. It runs for an impressive 52 minutes or so and it will appeal to the most jaded of Stoner Rock fans.

Sure the band don't offer anything new but it's their punk based attitude that makes them such a great band to listen to. Opening tracks – For The All Father and White Board offer grizzled grunge based riffs with good, honest vocals to match. King Of Cavalier unleash a garage rock sound that allows them freedom to create as much LOUD, ANGRY, HEAVY and TWISTED NOISE they possibly want. Trust me, there's a lot of NOISE lurking within this album.

The album becomes very trippy and psychedelic at times especially on tracks such as Beyond The Millennium, Looming Shadow, Stoned Dragon and Tainted Queen. Kings Of Cavalier are perhaps a more exciting band on the albums two epic tracks – Stoned Dragon and Tainted Queen. As it allows the band to create spaced out grungy riffs to lose yourself in.

Grunge plays a big part on this album which isn't surprising since their from Seattle. You got to give Kings Of Cavalier credit for bringing other sounds to the mix as this album has it's fair share of heavy Sludge/Stoner Rock grooves.

The album has been recorded by Tad Doyle. So you know it's going to sound superb from start to finish. Tad knows his stuff. If this is good enough for Tad Doyle then you sure can bet your bottom dollar it's going to be good enough for you.

Heavy Is The Head is a fantastic album from start to finish. This will have you rocking out for days.

Excellent and Highly Recommended.

Words by Steve Howe

Links:

Facebook | BandCamp

Roundtable - Dread Marches Under Bloodied Regalia (Album Review)



Release date: October 29th 2015. Label: Self Released. Format: DD

Dread Marches Under Bloodied Regalia – Tracklisting

1.A Fool's Errand 06:05
2.Corpulent Warlord 10:13
3.Consummation of the Sanguine Rite 07:41
4.The Siege of Uthur's Keep 11:14
5.Encircling Demons 03:03
6.Abarath Pass (The Road to Dominion) 10:43

Band Members:

Jono Gilmour - Electric and acoustic guitar
Joshua Hickey - Drums and percussion
Rhys Walmsley - Bass and vocals

Review:

Rountable's debut album - Dread Marches Under Bloodied Regalia - is one that's generating a lot of excitement with the Doom/Stoner Blogging community. My good pal Billy Goate of Doomed & Stoned has already give this album some very high praise indeed with his excellent recent review.

Roundtable's music is very hard to describe. Parts Doom, Sludge, Stoner, Post-Metal and a ton of Folk Metal battle style mythology to give the band a great sound of their own. The album is quite a complex musical journey and one that will take a few listens to fully understand. Some people have been saying this is what High On Fire would sound like if they ventured into the realm of Folk/Medieval Metal.

The riffs are played at a slow pace with different musical instruments drifting in and out of the equation. Second track – Corpulent Warlord – has a slight Mastodon feel though with added acoustic instruments to give Roundtable a real sense of originality and excitement. The riffs are stripped back, de-constructed and then given a Medieval feel. This is full on Sludge Battalion Metal.

The vocals are what you expect from an album such as this. Loud, brash, confident and a little bit cocky in places but that's good as these guys give you the impression they're not meant to be FUCKED WITH!!!

One of the albums strengths is how Roundtable experiment with their sound and put genres you wouldn't expect to work. Stoner-Folk. It sounds crazy I know but trust me when songs such as The Siege of Uthur's Keep and Abarath Pass (The Road to Dominion) appear you will be so engrossed you won't notice the epic run time pass you by.

Only 3 of the songs contains vocals as such as the other 3 tracks are purely instrumental but it's good to hear the band focus on the riffs instead of the vocals. The production is first rate through out and the band deserve as much credit they can possibly get for creating an epic and expansive album such as this.

I don't know what's happening with the Australian Doom/Sludge/Stoner Metal scene at the moment as they're providing a ton of awesome bands to check out. Roundtable just maybe the weirdest and most far-out band to come from the Aussie Doom/Sludge/Stoner Metal scene.

Dread Marches Under Bloodied Regalia is an excellent album. Check it out.

Words by Steve Howe

Thanks to Roundtable for the promo.

Links:

Facebook | BandCamp


Thursday, 5 November 2015

Far Out, Mammatus - Interview with Aaron from Mammatus


Psychedelic Space Rockers – Mammatus – are perhaps one of the most weirdest, strangest and exciting bands around within the Psychedelic/Stoner/Space Rock world. They have showed a wealth of creativity in the last 10 years they've existed as a band.

Epic spaced out drone based riffs that can last a lifetime. Their last album – Heavy Mental – won a huge range of admirers within the Doom/Stoner Community as it was one of the strangest audio experiences you could hear in 2013. I classed it as their best album to date as it showed that the band weren't afraid to change their sound for one heavy as hell sonic experience.

Two years later the band are about to release their 4th album – Sparkling Waters – and from the sounds of opening track – Sparkling Waters Part One – this album is going to be another awesome album from these guys.

I was luckily enough recently to get an interview with Aaron from Mammatus. Here's what went down....

Hi guys, Thanks for doing this interview. How are things with you today.

Far Out.

For people who haven’t heard your band before, Can you give a brief history of how the band came together and where it is now.

My brother Nicky and I had been playing music together since we were kids. Our first jam sessions occurred before I had a drum set. Nicky would play guitar through a little amp and I would bang on plastic boxes and hit a metal dish filled with coins for cymbals. We had a few different bands as teenagers, playing at high school Battle of the Bands and house shows and coffee shops and so on.

Eventually we started a band called Sad Monsters and recorded an album with Nicky and I playing all the instruments and mixing in all kinds of weird found sounds and field recordings and stuff. We wanted to create a live band to play songs from the album and we ended up with our friend Chris Freels on bass, who we knew from high school. Chris was that kid at school who knew the name of every person in every important punk band there ever was. He was also pretty into metal. Once he started playing live with us our music just started getting heavier. We were always into Black Sabbath and Led Zeppelin and stuff, but Chris was the first guy to introduce us to more modern heavy bands like Sleep and Neurosis.

After a while it became apparent that we were transforming into a different band altogether, so we decided to reform and became Mammatus. We played a few shows as a trio and then added Mike Donofrio on second guitar. Those were the good old days in Santa Cruz, around 2004 and 2005 there were a bunch of really good really weird bands playing every week at dive bars and warehouses. Santa Cruz had recently gotten some attention as a psychedelic hub thanks to bands like Comets on Fire, Six Organs of Admittance, and Residual Echoes. I got a job at Streetlight Records in Santa Cruz and met Adam Payne of Residual Echoes. I helped him record some of his songs for a EP that Rocket Recordings was putting out. I sent them a Mammatus demo and they were immediately into it. Adam was also doing a record for Holy Mountain at the time, so I sent them a demo too, and they were also very into it.

In fact Holy Mountain wanted to put out the demo just as it was. I think it was live to two track cassette. We recorded our first album by ourselves in our parents garage using Pro Tools with a Digi 001 interface and a bunch of really cheap pre amps. Rocket and Holy Mountain put it out and it seemed like lots of people liked it. Suddenly we were being asked to play much bigger shows opening for way bigger bands, it was pretty fun. We went on some tours around the US and Canada and had a blast. I was also playing drums for Residual Echoes and we did a tour with them where I played in both bands. In 2007 we released The Coast Explodes and toured North America with Acid Mothers Temple.

After that we decided to slow down a little bit. We were all in our mid 20's and trying to figure out what we were going to do with our lives. We all got married and started careers and had kids and bought houses. We scaled down and became a power trio again. We began writing new music that eventually became the album Heady Mental, but due to the obligations of life it was a very slow process. Heady Mental didn't come out until 2013, and by then I'm sure lots of people had forgotten about us. Now we're back with our most ambitious record yet, and we seem to be moving at a better pace these days.


I’ve been a fan of your band for a number of years now. Always wanted to know why you called yourselves Mammatus.

Our music has always been an attempt at reflecting the awesome power and beauty of our natural world, so we wanted a name rooted in nature that also communicated a large sense of scale and general far out-ness. Mammatus clouds are large and heavy and beautiful and far out, which is how we try to make our music. Nicky came up with the name from looking in his cloud photo book.

How would you describe your music as I’ve seen Mammatus been described as a million different things. What would you guys call your music.

Post Wizard New Mage Far Out Casual Spa Rock Breath Metal


You’re about to release your 4th album – Sparkling Waters – and I’ve heard it’s going to be your most diverse, experimental and heaviest record yet. And hearing the 22 minute opening track – Sparkling Waters Part One – I feel that is the case. What can people expect from the new record.

This is our first album that was made in an actual recording studio, so hopefully people will enjoy the enhanced sound quality. It's quite expansive, lots of finger tapped guitar arpeggios, lots of synths, lots of sick riffs, lots of ambient zone outs, a few pastoral reflective passages, and even a straight up Tangerine Dream style jam. It's a double LP designed for a complete sit down zone out session. It's a commitment to listen. We're trying to conjure up in you the feeling we have while standing on a cliff below a redwood forest watching the ocean sparkling and exploding beneath us.

Your last album – Heavy Mental – was perhaps your most diverse record and experimental record to date. It took me a few listens to fully enjoy the record compared to your earlier albums. Were you pleased with the response that album received. As it did receive a ton of great reviews though it took some people time to fully appreciate it.

Heady Mental is a weird record, I can't really say I've heard anything quite like it. It certainly hasn't been a huge commercial success. We are just happy that anyone at all would like it and buy it because that is what allows us to keep making music. We have never really expected much exposure or critical acclaim because we know we're kind of a weird band that doesn't get out much.


Was that the original intention when you released Heavy Mental. Release some different what came before it.

I think our intention was to challenge our brains and hands to see how far they could go. The concept was that we would make a record about making a record, trying to communicate the intensity of tripping out on a riff over and over again, trying to piece different small fragments of sound together, getting lost in the clouds and layers of constantly changing ideas. Often times our jam sessions would leave us in a sort of stupor, Brain Drain we called it. That became the theme of the record. We got faster and tighter and proggier. We had just gotten a bit bored of sludge and wanted to widdly wah a little more.

Was – Sparkling Waters – an easy or hard album to write and record for. Did you do anything different recording this album compared to your other albums.

I can't even remember writing these songs, we've been playing them for so long. After a while they just sort of feel like they've always been there. I think writing the songs comes pretty naturally for us, we just gotta be patient and let the song form over time. We move very slowly to allow the song to evolve and we don't record until that evolution is over. That can take years. We recorded this album in two quick bursts over two different weekends. It is the first time we've worked in a proper studio. We did it in San Francisco with Phil Manley, who is absolutely a most righteous dude to work with.

What is the song-writing dynamic in the band. Is it down to one individual or is it a group collective.

We just jam forever until a song forms. Often times we have a bunch of little short riffs that we piece together and flesh out over time.


Do you all use an advanced setup when recording or playing live. As you guys have pack a lot of different sounds into your music.

Nothing too fancy. When we play live it's just guitar, bass, and drums. Nicky can conjure up quite a bit of atmosphere with his guitar pedals. In the studio we like to expand more and add synthesizers, piano, flute, pedal steel, field recordings and effects, that's the fun of making records. These days we like to think of the guitar, bass, and drum tracks as a canvas to layer all sorts of other far out sounds on top of.

You started the band back in 2005. Did you ever expect that it would last this long and over the course of 4 albums.

Yes I've always expected to be playing in a band with my brother. Nicky and I have been playing together since before we both knew how to play. Chris has been with us so long now he's sort of like the third brother. I can't imagine not being in Mammatus. We don't plan on stopping any time soon.

What have been your personal highlights with Mammatus. And if you could change anything what would it be and why.

My personal highlight is getting to hold my very own record in my hands for the first time. Growing up being obsessed with vinyl it just seemed like a far away dream to be able to make our own record, I'm still kind of blown away that I've been lucky enough to do it multiple times. If I could change anything I guess it would be nice if we had more commercial success, as it would be number one dream come true for us if we could actually make a living playing music.

Will you be touring much to promote the new album. If so, where will you be performing. Are there plans for an Overseas/European Tour in the near future.

Unfortunately we have no plans to tour. We all have lots of commitments with jobs and small children, we can't really afford to go on the road. Hopefully that will change one day.

It’s good to see you’re releasing the new album on Vinyl. Looks a fantastic design. Did you have much input to the design of the vinyl. Or was that left to the record label(s).

I took the photographs and did the design for this record and for Heady Mental. Spiritual Pajamas is a great label because they pretty much let us do whatever we want and they love it.

Which bands and artists influenced you as musicians. Any particular bands or albums stand out.

Popol Vuh, ZZ Top, The Ventures, Eno, and Bach.

With 2015 drawing to a close. What have been your favourite albums to listen to this year.

We all listen to lots of new age. Not much current music. As far as records that came out this year I like “1000 Days” by Wand, “Where all is Fled” by Steve Hauschildt, and “Buy Now” by Eyeliner.

Thanks for doing the interview guys. All the best with your new album. Can’t wait to hear it. Before you go do you have anything to say to your fans.

Thank you for taking the trip with us. It is for you that we live and explore our dreams, it is because of you that we live and explore our dreams. Because of you the three of us feel a deep sense of purpose and you validate the joy of our existence. We are deeply grateful to you for this.

Words by Steve Howe and Aaron Emmert

I want to thank Aaron for taking the time out to talking to me. Much appreciated. Sparkling Waters will be available to buy on CD/DD/Vinyl from November 20th 2015.



Carved Up - Matador (Album Review)


Release date: November 13th 2015. Label: Crowquill Records. Format: CD/DD/Vinyl

Matador – Tracklisting

1. Death Remains The Same
2. The Arrangement
3. We Built Riff City
4. Riffer Phoenix
5. Hot Pocket
6. The Riffer Wild
7. Helena, Save Me
8. Crevice – Crevasse
9. Mystic Riffer
10. Ωx

Band Members:

TJ Schilling - Guitars, Bass, Vocals
Nick Norvilas - Guitars, Bass, Vocals
Josh Cooper - Drums

Review:

After a series of mini albums and EPS, Matador, which is Carved Up's debut album has arrived and has been well and truly worth the wait. The momentum gained by their past releases (including the fantastic 2013 EP Tiffani Amber Threesome) has left fans of the band waiting in anticipation for this debut and they will not be disappointed, in fact anyone who is into the discordant sounds of the Touch & Go and Amphetamine a Reptile record labels will undoubtedly find something to adore on Matador

The powerful trio have taken this momentum and let rip on Matador which is full of the power and drive the band are known for. Matador kicks off with the Death Remains The Same, a fantastic lesson in riff laden noisy rock and doesn't let up for the entirety of its 10 tracks. Carved Ups knack for full on noise anthems ala Botch hasn't wavered at all and the bands sound on Matador is bolstered by canyon sized jams that let the bands sound soar and the use of cello and violin adds a nice touch.

The highlights on Matador are plentiful with the pick of the bunch being the massive sounding The Arrangement, the expansive and fantastically titled We Built Riff City which certainly lives up to its name with riff after riff of crushing fury and the same can definitely be said for the trio of also brilliantly riff titled tracks Riffer Phoenix, The Riffer Wild and Mystic Riffer while Crevice-Crevasse has all the power and intensity of a reincarnated Unsane with its riffs that just keep on building and building reaching a forceful conclusion.

Matador definitely lives up to expectations and has to be one of, if not the noise rock records of the year and one that should be on many album of the year lists of 2015. A brilliant debut from a band that will undoubtedly get bigger based the quality on show that oozes from this riff laden masterpiece.

Words by Gavin Brown

Thanks to Earsplit PR for the promo. Matador will be available to buy via Crowquill Records from November 13th 2015 on CD/DD/Vinyl

Links:

Stoned Jesus - The Harvest (Album Review)


Release date: February 24th 2015. Label: Self Released. Format: CD/DD/Vinyl

The Harvest – Tracklisting

1.Here Come the Robots 03:17
2.Wound 03:14
3.Rituals of the Sun 07:01
4.YFS 05:10
5.Silkworm Confessions 09:07
6.Black Church 14:45

Band Members:

Igor Sydorenko - vocals, guitars, Hammond organ, occasional keyboards and percussion
Sergii Sliusar - bass, FX, drummachine, backing vocals
Viktor Kondratov - drums, percussion, backing vocals

Review:

Stoned Jesus new album – The Harvest – was released back in Feb 2015 and it’s an album I’ve been sent numerous times to review but I’ve resisted all temptation as I’ve listened to it quite a few times and I couldn’t find any connection to it at all. That’s not to say I don’t like the band. Far from it, I loved their last album – Seven Thunders Roar. The Harvest is a slightly different beast to its predecessor. It’s a more complex, experimental and heavy offering from the Kiev based Stoner Metallers.

So why am I reviewing it now, 9 months after its initial release. It’s down to a lot of things. Endless people sending me copies to review, my friends within the Doom/Stoner Metal world telling me how much they love it and acting surprised when I stated I didn’t have time for it. So it’s now time to state that I was wrong. I’ve seen the light. The Harvest has restored my faith in Stoned Jesus as a band.

Maybe, The Harvest is one of the albums that need multiple albums to fully understand the amount of different ideas and noises the band have created here. Or maybe I was just being too stubborn for my own good. Opening track – Here Come The Robots – is a fast-paced Stoner/Desert Rock number with the band on fine bombastic form that fans of Orange Goblin/Kyuss will much to enjoy here. It has a stripped back punk vibe compared to their earlier albums.

Second track – Wound – is another 3 minute blast of psych based Stoner Metal grooves with the band adding a classic Hard Rock vibe with strong vocals to match. There’s nothing complex on show here but it’s great to hear the band having so much fun and you can’t help but rocking out yourself. Igor’s vocals have come on leaps and bounds since he first started this band as a solo project many years ago.

The next 4 songs on the album sees the band venture into more progressive territory as the songs become longer and even more complex. Third track – Rituals Of The Sun – is a bass-heavy affair with shades of 70s Black Sabbath as Igor feels like he’s channelling a young Ozzy Osbourne at times. You’ll experience your first true hint of Doom Metal here as the Stoner Rock/Metal atmosphere is layered with doom/gloom noises and Igor’s vocals feel slightly demonic at times. It would have been good if the band added faster riffs as the song does drag at times. Other than that this is a fantastic song.

Fourth track – YFS – opens with a superb bass heavy funk-driven riff that sees the band offer crazed psychedelic and trippy Stoner rhythms that gets you into the mood to fully lose control. The part I loved most about this song and the album is when they start playing a more soulful/funk based Stoner rhythm. It’s an original sound that I want to hear more of especially when it’s played against the heavier riffs. Perhaps my fave song on the album.

Fifth track – Silkworm Confessions – offers 9 minutes of slightly crazed Doom/Stoner Metal riffs with the band keeping you entertained until the final riff. Before then you’re treated to a demonic progressive treat. Igor once again impressing the most with his vocal range. And the riffs aren’t bad either with the band staying firmly in the Stoner Metal world.

The final song – Black Church – is perhaps the most complex song the band has written so far. It’s a slice of progressive and experimental based madness with the band slowly adding noises to give this song quite a claustrophobic feel. The drumming is fantastic on this song as it becomes the main weapon of choice for Stoned Jesus to scare you with. The heavy riffs do appear but it takes 5 mins of the songs 14 minute epic run time. The vocals become slightly repetitive and tiresome at times especially with the endless chants of “HA” near the middle of the song. I can detect a slight Nine Inch Nails influence on this song as the band experiment with their sound with industrial and ambient noises drilling into your psyche. It’s quite an adventurous and depressing song for the band to create. Though I give them top-marks for doing something different.

I still have some of the original reservations about The Harvest when I listened to it months ago. However, I can now see what the band was trying to achieve with this album. Mainly to offer something different and perhaps unsettling compared to their previous albums. I still prefer – Seven Thunders Roar – to this album. Though this is still a fantastic and at times unique take on all things Stoner Metal.

Words by Steve Howe

Thanks to Claire at Purple Sage PR (and the multiple other people who have provided me copies over the last 10 months or so). The Harvest is available to buy now on CD/DD/Vinyl


Monday, 2 November 2015

SONANCE/TORPOR Interview - A Conversation with Lauren from Torpor, Ben & Will from Sonance

Torpor and Sonance are perhaps two of the heaviest Sludge Bands the UK has to offer at the moment. Both different sounding bands but each with the same objective in making some of the heaviest Sludge Metal around.

Torpor released a stunning debut album earlier this year with From Nothing Comes Everything. Sonance have been creating bleak experimental Sludge/Post-Metal for the last few years now. I've became a fan of these great bands over the last few years.

So when Lauren (Bass/Vox) from Torpor and Ben (Guitar) & Will (Vox/Guitar) from Sonance contacted me recently to discuss their forthcoming split record they will be recording and releasing next year, I couldn't say no. It was also a great chance to catch up with these two awesome bands.

So here's the interview with Lauren, Ben and Will.

Hi Ben, Will and Lauren. Thanks for doing this interview, how are things with you today.

Lauren – Hey Steve! Really good thanks, just enjoying a day off in the rain. Much tea and sofa time…

Torpor - Photo by Torpor

So we are here to talk about the forthcoming split record between Torpor and Sonance. What can we expect from this release.

Lauren – 20 minutes of stumbling mammoth riffs and swirling vortices of harmony and noise.

Will – Heavy as fuck, low and slow. We're writing shorter songs this time around rather than single tracks lasting a whole side.
When will it be released.

Lauren – I think we’re aiming for spring 2016.

Will – First part of next year, with our usual pattern of getting the download out asap and other formats/vinyl following soon after.
Sonance
When did you get the idea to release a split record.

Will – We're huge Torpor fans and have shared the stage a few times, they seemed like the ideal band to reach out to.
Lauren – The idea came about while we were planning a weekender earlier this year, which didn’t quite come together. If I remember, Ben felt guilty that he didn’t ask us to play their Blackflower release show, so the split was a consolation prize! Haha.

Ben - We asked torpor a while back. i've never done a split before, it seems like a fun thing to do with a band you love.
Whilst Torpor and Sonance are both heavy sludge based bands. Both bands have a different sound to each other. Does the sound of both bands work together for the new record. As I never thought both of your bands releasing a split record together.

Lauren – I feel that we share a lot of common ground with Sonance, without especially sounding similar. For me that’s the perfect kind of creative alliance – inspiring but not stepping on each other’s toes. The beauty of a split is that fans of each band get to hear something they might not check out otherwise, so the two sides could be polar opposite and still work as a whole because they are joined by a thread of inspiration or values.

Ben - We'll see. i'd imagine so, torpor have a raw sound to me, something i love to see live and on record so far has left me wanting more. splits work better when they are not the same style bands anyway....i think converge/hellchild was immense.
Will – We're collaborating a bit on material, for example I'm doing vocals on a track of theirs. We have a very special guest vocalist lined up for one of our tracks too.
Does the split record feature entirely new material.

Ben - From us yep.
Will – Yep, all new material, we're writing a lot at the moment so have a few tracks to choose from.
Lauren – We’ve written two new songs for this record. One of them was pretty much done when the split idea was finalised, but it just so happened that it felt perfect for this release.

Will you be touring together to promote the record at all.

Lauren – We’re planning a weekender or short tour for late spring 2016 I think.

Will – The aim is to do a short tour together to promote the release. We're hoping to do a show at The Cube in Bristol where we did the Blackflower release earlier this year. It's a cinema so the situation is optimal for visuals/atmosphere.
Ben - We'll do at least a weekender covering Bristol and London.
Both bands are well regarded within the UK Doom/Sludge Metal scene. Has it surprised you the response to your music by fans and critics alike.

Lauren – We still feel like nobody has really heard of us outside of our little community, so it’s nice but surprising when people like you say things like that! We’re still mostly opening shows, although those opening slots are getting a bit more high profile recently (like for Amenra!) I think playing in London makes it hard to judge how people respond to you – folded arms and a general air of indifference are pretty standard! We really like going to smaller towns and cities where people are a lot more forthcoming, and you think “oh right, people do like us!”

Will – We've been very lucky to have so much positive response to our music. It fuels our fire.
Ben - We got a great response after like ghosts and blackflower, in my opinion was not as well received, which was fine by me. They're two different records and i can see what people may like or not like in each release. What's important is for this band to keep writing and releasing music.

Lauren – Torpor’s new album – From Nothing Comes Everything – was released earlier this year. That was a brutal and quite frankly brilliant album. It received some lovely praise all over the place. Did that surprise you. Would you change anything about that album. Or would you leave it as it is.
Lauren – Thank you! We were really pleased at the amount of positive press it received. We didn’t have any expectations, but we worked very hard on that record, we spent a long time crafting it and I think people can hear that in the finished album. It was a true reflection of the band at that time, and with that in mind I wouldn’t change anything about it – we’re all really proud of it. Torpor is constantly changing and evolving, most obviously with Nats leaving quite recently, so the new songs sound different and we are really looking forward to going back into the studio and seeing how the next recording turns out. We’ve lost one very strong influence, and it’s set us free creatively. You’ll hear much more of our individual tastes coming through, we’re stretching our wings again.


Ben, Will – Sonance have just released a new album with Mirror And Vie. Another experimental offering from you guys which you’ve said can be played by itself or with previous albums. How did that idea come about releasing a record such as that. Was it an easy record to write and record for. I don’t know if you were influenced by BORIS who did something similar years ago.

Will – More influenced by Neurosis's Grace/Times of Grace combination from nearly 20 years ago. The intention is for Mirror and Vie to be an on going release i.e. we'll add to it with more experimental and ambient content, that can be listened to alone or in combination with our future releases.
Ben - refer to will's answer.... it's been done before sure, but it's something we feel we can keep doing over the years.
Both bands are both fairly active with the UK Live Doom/Sludge Metal scene. Some people are saying that the scene is thriving whilst offers are saying it’s in major decline. What’s your own verdict on this. And if it is declining, how can we improve it.

Lauren – We have a fantastic, supportive community around us but we’re naturally loners and kind of keep ourselves to ourselves. We don’t bother with people we don’t like and don’t inspire us – why waste time bitching about stuff like that or spending hours you’ll never live again watching music that does nothing for you?! We leave them to it and just focus on what we’re doing. My verdict? There are some fantastic bands around and it’s a real privilege to count them as friends and peers, and there is (as there always has and always will be) a fair bit of derivative stuff. We all have different tastes and music serves different purposes for us, if someone wants to get drunk and listen to recycled Down riffs then who am I to play judge! The pundits could use their time better by creating something positive rather than trying to define a moment in time when ‘the scene’ declined or moaning about a lack of originality – that just highlights a short-sightedness on their part.

Ben - The scene is great, but i'll happily go on record saying that stoner metal or sludge metal in the UK or worldwide has become boring. Slabdragger are exempt!
With 2015 almost drawing to a close, what have been your fave records you’ve listened to this year.

Ben - i'll sound like a twat and say i can't recall any.
Lauren – I’ve been mostly listening to records that friends and bands we know have released, including ‘Spectrum’ by Human Future; ‘The Finest Day…’ by Monolithian; Dead Existence’s absolute blinder of an album ‘Endless Misery’, and revisiting old ground like Grails ‘Burning off Impurities’, feeding an obsession with Me’Shell Ndegeocello, and some Ornette Coleman. There’s loads I’ve forgotten, I have a terrible memory!

Will – I wasn't expecting to like it as much but Harm's Way - Rust hasn't left my player since I got it. Really, really looking forward to the Dragged into sunlight/Gnaw their tongues collaboration.
Do you have any exciting plans happening in 2016 that you can tell us about.

Will – We're concentrating on writing a lot more than we have in the past so 2016 should see more releases than usual from Sonance.
Lauren – We’ll be doing a couple of weekenders with friends, and writing a lot. If people would like to book us for some festivals that would be fantastic, thanks. Haha.

Ben - Write......maybe plan a tour....release this split....
Well thanks for doing this interview. All the best with the new record. Can’t wait to hear it.

Lauren – Neither can we! Thanks Steve.

I want to thank Lauren, Ben and Will for taking the time out to talk to me. It was great catching up. Can't wait to hear the new split record next year. You know one thing, with these two bands, it's going to be HEAVY....

Words by Steve Howe, Lauren, Ben and Will.

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Satan's Satyrs - Don't Deliver Us (Album Review)


Release date: 30th October 2015. Label: Bad Omen Records. Format: CD/DD/Vinyl

Don't Deliver Us – Tracklisting

1. Full Moon and Empty Veins
2. Two Hands
3. (Won’t You Be My) Gravedancer
4. Spooky Nuisance
5. Germanium Bomb
6. Creepy Teens
7. Crimes and Blood
8. You-Know-Who
9. ‘Round the Bend -

Band Members:

Clayton Burgess: Bass, Vocals
Jarrett Nettnin: Guitar
Stephen Fairfield: Drum

Review:

With their wild and trashy tales of bikers, the occult, senseless violence and the sordid and undeniably fun things in life over classic riffs, solos and a solid, dirty and heavy groove, Satan's Satyrs are a fuzz drenched tour de force and the band blast back with their latest offering Don't Deliver Us.

Satan's Satyrs open their latest hard rocking opus with the superbly titled Full Moon And Empty Veins, a hard rocking anthem reminiscent of an in their prime Stooges and this sets the scene for an adrenaline fuelled ride to a dark, depraved and altogether thrilling place. The band don't let up the pace from this bombastic beginning with the likes of the Sabbath on speed of Two Hands, (Won't You Be My) Gravedancer which has a slower and more doomy feel but retains the feedback and distortion that the band are known for, just check out the bass on it and the groovy Spooky Nuisance (complete with more supremely fuzzy bass) which both evoke the spirit of their heroes Blue Cheer and the sheer 70s decadence that the decade was infamously known for.

Elsewhere, the full on sleazy blast of Geranium Bomb, the catchy Crimes And Blood and proto rock/glam stomp of Creepy Teens are all highlights on a no holds barred record that doesn't let up all the way through it and Don't Deliver Us ends on a high with the full on You Know Who (check out the mind bending jams and solos on that one!) and the epic riff fuelled beast of a track that is Round The Bend.

As with their previous three albums, Don't Deliver Us is a no holds barred look into the minds of riff crazed maniacs who truly embody the spirit of free minded rock n roll. A treat for the ears and the mind from start to finish.

Words by Gavin Brown

Thanks to Bad Omen Records and Carl at Action PR for the promo. Don't Deliver Us is available to buy on CD/DD/Vinyl from Bad Omen Records now.

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