Psych/Noise/Space Rock Collective Dead Sea Apes Announce New Album 'Psychic Tension' - Immersive Title Track Unveiled

Photo by Lee Edwards

Manchester’s heavy psych cosmonauts Dead Sea Apes return on the 18th September 2026 with their new album, Psychic Tension. A sprawling cosmic journey, the record arrives via a transatlantic partnership between Cardinal Fuzz and Feeding Tube Records.

Immerse yourself in the first transmission with the title track on The Sleeping Shaman

Artist: Dead Sea Apes
Title: Psychic Tension
Label: Cardinal Fuzz / Feeding Tube Records
Release Date: 18 September 2026
Format: Vinyl / CD / DL

Dead Sea Apes are back with a fierce new album Psychic Tension – an urgent soundtrack for the nerve-shredding times we live in. Our collective psyche is under attack, reeling from the chaos of a modern world under siege: from war, death, destruction and climate catastrophe to political decay, media manipulation, growing inequality and the rank depravity of the so-called elite. Do we overload ourselves with anxiety, vent our frustration at others, make token gestures to ease our conscience, or just try to carry on regardless? Dead Sea Apes have wrestled these dilemmas – this Psychic Tension – into sonic/musical form, creating catharsis from the chaos.

Psychic Tension picks up where the previous album Rewilding left off, carrying forward the momentum of massive riffs, juggernaut rhythms and squalling sonic overload. Noise-rock, Japanese psych, minimal dub and Electric-era Miles are all part of the mix: each member of Dead Sea Apes brings decades of musical exploration to bear on the music. The iterative repetition of Can meets the telepathic mind-meld of the power trio; the deceptive simplicity of Crazy Horse is pulled through the sonics of PSF Records; the live-in-the-practice-room energy is bolstered by layered landscapes of sound - from ethereal echoes to feedback drones to transistor-torturing lead lines.

Dead Sea Apes have always followed their own path, the music instinctively wired into the world around them. On Psychic Tension, they have once again cooked up a sound that is wholly their own, speaking directly to the turmoil within us and surrounding us in these wild times.

Biography

Dead Sea Apes are a Manchester-based three-piece psych-noise band. Taking influences from across the full spectrum of psychedelic rock, noise-rock, krautrock, Japanese psych, dub, and elsewhere, they create a sound that is wholly their own. A vital fixture of the UK rock underground, Dead Sea Apes have shared stages with seminal acts such as The Heads, Part Chimp, Carlton Melton, and Acid Mothers Temple.

Formed in 2009, the band have become a cornerstone of the independent scene, releasing over 10 albums – including collaborations with artists such as The Band Whose Name Is A Symbol and Black Tempest. Much of their catalogue has found a home on the widely celebrated UK psychedelic label Cardinal Fuzz, alongside stateside partnerships with the legendary Feeding Tube Records.

Psychic Tension Tracklist:

01. Damn Your Eyes
02. Psychic Tension
03. Severance
04. Ursa Minor
05. Deathless

Dead Sea Apes is:

Brett Savage - Guitars
Jack Toker - Bass, Guitars
Chris Hardman - Drums

Live Dates:

17/07/2026 - Outpost, Liverpool w/ Mugstar, Shoun Shoun [Info]
09/08/2026 - Kozfest, Penmaenau Farm, Builth Wells [Info]
13/09/2026 - Golden Lion, Todmorden [Album Release Party]

Dead Sea Apes new album Psychic Tension releases 18th September 2026. Pre-sales will start imminently via Cardinal Fuzz in the UK and Feeding Tube Records in the USA.

Links

Website | Bandcamp | Instagram | Facebook

Thanks tot Lee Edwards at Shamedia for the details

Exclusive Premiere Of Noise Rock/Sludge Metallers BLEETH Stunning New EP Lázara

Drive through the neighborhoods of Southwest Miami and you’ll see him: San Lázaro, standing in a glass enclosure among the manicured lawns and palm fronds. Eerily positioned between the divine and the mundane, he is a constant, quiet fixture of the city.

For us, the origin of this EP traces back to one of those statues in particular. While we were writing in a cramped side room, a human-sized San Lázaro stared back at us. At first, it was just a joke—a creepy visitor crashed our sessions. But over time, the image of Lazarus became a sort of talisman, a presence that wove itself into the fabric of these songs.

That shift didn't happen in a vacuum. With the rights of the LGBTQIA+ community feeling more precarious by the day, these sessions became a necessary outlet for our collective rage. We needed a way to process the uncertainty and the weight of the current political landscape.

In that pressure cooker, Lazarus took on a new meaning. Through a queer lens, he became a figure marked and cast aside, only to be brought back to life. That tension between collapse and renewal, death and resurrection, is the heartbeat of Lázara.

This set of songs is a new beginning for us. After a period of turbulence that could have easily ended the band, we came out the other side with the heaviest, most eclectic music we’ve ever made.

You can here the blistering new EP Lázara below thanks to the cool folks over at Good Boy PR.

Lázara - Tracklisting

1.Pretty on the Inside 02:44

2.Porcelain 03:46

3.Bent 02:15

Members

 

Lauren Palma (vox,guitar)

Ryan Rivas (vox,bass)

Hector Mojeno (drums)

Links

Official | BandCamp | Instagram

Thanks to Good Boy PR for all of the details.

Bleeth - Lázara (EP Review)

Release Date: May 29th 2026. Record Label: Self Released. Formats: DD

Lázara - Tracklisting

1.Pretty on the Inside 02:44

2.Porcelain 03:46

3.Bent 02:15

Members

 

Lauren Palma (vox,guitar)

Ryan Rivas (vox,bass)

Hector Mojeno (drums)

Review

Miami-based queer Sludge Metal/Noise Rock band Bleeth latest EP Lázara is meant to be a rebirth for the band after a period of tough challenges and experiences they’ve faced or currently facing within this hostile world. Being part of the LGBTQIA+ community and what they're currently going through allows Bleeth to re-invent their music with a new found style of aggression and maturity which is quite refreshing from their 2025 album Marionette. 

Lázara opens with a blistering and brutal cover of the HOLE classic Pretty On The Inside with the original’s Punk and Alt-Rock energy being replaced by a primal mix of Noise Rock, Sludge Metal and Harsh melodies. The stripped back sound of the original track is still there but it’s a stripped back style of crushing sludgy guitars with a ferocious Post-Punk sound allowing Bleeth to fully move into an Industrial and Experimental direction.

The EP does contain two original tracks of Porcelain and Bent which offers six minutes of abstract Sludge Metal and Noise Rock melodies with raw sounding production values. Bleeth are quite rightly pissed off on this EP with the whole creative flow surrounded by intricate Post-Punk and industrial beats. The lyrics hit pretty hard with a solitary and emotionally wrought experience hidden behind them. Bleeth inject that legendary brutal MIAMI underground vibe into their music throughout both of these tracks that remind me of CAVITY and FLOOR.

Lázara maybe on the short side but it gets shit done by allowing the LGBTQIA+ community to have a unique voice within the scene where we usually pride in saying “everyone is welcome” but sadly that isn’t always the case. Lázaras is a genuine gut-wrenching, pissed off and brilliantly heavy EP that allows Bleeth to have a real voice within the underground Sludge Metal scene. 

If this is the new musical direction that Bleeth will be taking then I can’t wait to experience what they have in store for future releases.

Words by Steve Howe

Thanks to Good Boy PR for the promo..

Lázara  is available to buy now on Digital Formats from all good stockists. 

Links

Official | BandCamp | Instagram

Red Beard Wall - FTW (EP Review)

Release Date: June 05th 2026. Record Label: Snake Piss Records. Formats: DD

FTW - Tracklisting

W.A.N.T.S.

FTW

Members

Drums: Red Beard Wall

Guitar: Red Beard Wall

Vocals: Red Beard Wall

Review

Sludge/Stoner Metallers Red Beard Wall return after a five year absence and I thought the band had called it quits ages ago as things have been fairly quiet from the band. However, the band are back with this two track EP called FTW which sees Aaron flying solo this time and venting his pissed off aggression at the current state of the world and perhaps with their most politically charged and pissed off release to date. FTW only contains two tracks but there’;s a mixture of pounding Sludge, Doom, Stoner, Noise and Noise Rock sounds that Red Beard Wall made their name with.

There’s a sudden influx of Hardcore passages with their trademark streetlevel “DOOM-POP” sound being kept to a minimum that’s set against harsh realistic lyrics with Aaron venting out against the world mostly within the track W.A.N.T.S. That track still has a certain TORCHE based influence towards the end of the song but most of the time Red Beard Wall plays a highly volatile mix of down-tuned Fuzz/Sludge instrumental surroundings with socially aware lyrics to make this track an extra spicy level of pure heaviness.

The remaining track FTW is pure Red Bead Wall through and through with a stripped back Psych/Punk Rock groove exploding into a wall of heavy PISSED OFF noise which takes aim at more the dreaded enemy of Artificial Intelligence which sees Aaron taking aim at the perhaps the most dangerous threat known to man at this moment in time. The stripped back production values is obviously free of any A.I/ involvement with Aaron playing a more grounded style of Noise, Punk, Psych and Stoner Metal carnage with down-tuned Sludge Metal riffs that destroys everything within sight.

FTW is quite short running under ten minutes but it’s always great to have new material from Red Beard Wall and I’m hoping there’s a longer release in the long term. As this proves that the world of Sludge/Stoner Metal need RED BEARD WALL more than ever!!!

Words by Steve Howe

Links:

Facebook | BandCamp

FATIMA - Primal (Album Review)

Release Date: February 03rd 2026. Record Label: Black Robes Records. Formats: DD

Primal - Tracklisting

1.Sassquatch 04:05

2.Mammoth Graveyard 04:17

3.Killer Wart Hog 05:06

4.Dog Ham 03:34

5.Chilled Monkey Brains 04:50

6.Gazelle Horns 04:55

7.Primal 06:00

8.Waters of Babylon 03:07

9.Chilled Monkey Brains (Single 2026) 04:50

Review

Doom/Grunge/Stoner Rockers FATIMA release their fifth album Primal which is perhaps their heaviest and most progressive release yet that builds upon similar themes heard within their 2022 album Fossil. FATIMA has a great way of blending classic Grunge soundscapes against a backdrop of Sludge Metal, Psych Rock, Noise Rock and Post-Punk attitudes. The whole sound is quite direct with FATIMA taking influence from the likes of Soundgarden, Nirvana, Alice In Chains, High On Fire and Mastodon with the multitude of different musical styles forming very early on through the excellent opening tracks of Sassquatch, Mammoth Graveyard and Killer Wart Hog.

There’s a heavy reliance on “MONSTER” folklore within FATIMA’s lyrics and how the album forms against these types of mythical beasts and the legends they provide. However, FATIMA have used this style of storytelling on previous albums though with the lyrics being more grounded despite the FANTASTICAL element they’re originally from. The switching to Post-Punk and Post-Doom surroundings allows the seedy GRUNGE aesthetic to generate a moody atmosphere which does become quite dominant with Post-Metal and Heavy Psychedelic attitudes holding everything together.

The added use of down-tuned and slightly dirty FUZZ ROCK grooves allows a level of freakish and violent attitude to form which gives Primal a truly outlandish quality on tracks such as Dog Ham, Chilled Monkey Brains, Gazelle Horns and Primal. FATIMA always opt for a truly amplified sound which allows the LOW & SLOW and REVERB parts of the record to provide an exhilarating display of pure ROCK & ROLL fury.

The production values are handled superbly well with a classic Nineties Grunge/Stoned Out energy appearing from every single corner that allows FATIMA to play with extreme musical confidence. Sometimes the record does become a bit over the top for its own good along the way but this is offset by FATIMA’s superb musicianship which results within non-stop musical solos along the way. 

Primal is a record that delivers on all fronts which is most definitely worth multiple repeated listens.

Excellent and Highly Recommended.

Words by Steve Howe

Links 

Facebook | BandCamp | Instagram

Libbianski - Episode 1 (EP Review)

Release Date: December 04th 2025. Record Label: Self Released. Formats: DD

Episode 1 - Tracklisting

1.Continue The Sad 03:57

2.Steve French 04:26

3.Finding A Cure 04:44

Members

Kurt Williams - guitar/ vocals

Nat Reid - bass/ vocals

Tom LaHatte - drums

Review

Episode 1 is the debut EP from Libbianski who fuse Doom, Shoegaze, Post-Metal and Alt Metal that has a solid Doom-Pop foundation with the band playing similar sounds to bands such as TORCHE, HUM and Slow Crush. The record has quite an aggressive and vivid energy which I didn’t fully expect which comes out in full force within the excellent opening track of Continue The Sad. The harsh vocals from Kurt Williams (Guitar) are quite different from Nat Reid’s (Bass)  sublime Alt Metal and Punk Rock delivery.

The music moves from catchy Doom-Pop hooks to a gloriously delicious Post-Metal energy with a sludgy attitude forming throughout. Add a subtle Grunge and Noise Rock attitude which allows Libbianski to dominate the Doomgaze landscape. The lyrics are quite insightful but with a rebellious presence to them. That style of music continues within the outstanding second track Steve French which captures a slightly downbeat Nineties sounding melody with outbursts of Sludge Punk surroundings with the band following closely to their gloomy Pop hooks.

Libbianski are from Wellington, New Zealand which once again shows a different style of Hard Rock and Heavy Metal band to emerge from there with the likes of BEASTWARS, ULCERATE, Planet Of The Dead and Sidewinder impressing me over the years. Libbianski play their own great style of distorted sounds which takes a more warm hearted and disjointed approach within the final track Finding A Cure with Kurt’s and Nat’s vocals once again offering different styles and musical perspective. Tom LaHatte puts in a wonderfully understated performance on drums which makes everything tick throughout the whole EP.

Episode 1 is a superbly heavy, quirky and extremely delightful record with Libbianski offering a different style of Shoegaze that’s brimming with wonderful creativity. 

Words by Steve Howe

Links 

Facebook | BandCamp

Feel Worse - This Will Weigh Heavily On Your Annual Performance Appraisal (Album Review)

Release Date: November 28th 2025. Record Label: Self Released. Formats: DD

This Will Weigh Heavily On Your Annual Performance Appraisal - Tracklisting

1.In Public 03:47

2.Elbow Party 04:31

3.Graves Upon Graves 06:17

4.Break the Ice 03:17

5.So You Die 04:58

6.The Giant Who Wanted Company 03:30

7.Storms 03:57

Review

This Will Weigh Heavily On Your Annual Performance Appraisal is the debut album from Noise/Post-Hardcore/Sludge Metallers Feel Worse and it’s a project made up of members from bands such as Sulaco, Sully and Burn Everything. Feel Worse play a wide range of different musical themes such as Post-Rock, Black Metal, Psych Metal and Industrial Rock within their main Post-Hardcore and Sludge Metal attitude. 

The band are perhaps closer to the likes of KOWLOON WALLED CITY and WHORES with the band creating sludgy anthemic grooves with a stirring social conscience appearing within the lyrics. The vocals are very much of the Post-Hardcore and Punk Rock variety as the music even has influences such as The Melvins, At The Drive-In and Converge to give this quite a highly experimental vibe. Feel Worse even find the time to play around with Psychedelic and Sonic movements which you can feel the full force on tracks such as In Public, Elbow Party and Graves Upon Graves.

With a twisted sense of melody allowing Feel Worse to move across different musical boundaries and even when the vocals move into Pitch-Black territory, the music is constantly melodic with a dark Psychedelic energy appearing within some of the more longer tracks of the record. There are some parts where the music is quite chaotic and Jazz focused in places but it’s quite refreshing to hear with Feel Worse always thinking ahead by creating complex rhythms and musical structures that also allow you to focus upon the lyrical content even more especially on tracks Graves Upon Graves, Break The Ice and The Giant Who Wanted Company.

Feel Worse has a harsh Nineties Alt-Metal attitude appearing on the later stages of the record with plenty of menacing beat-downs and progressive beats becoming more part of the action. This is a highly captivating slice of Noise Rock with a full on Sludge Metal attitude with the album also having quite a surreal experimental sound throughout.

This Will Weigh Heavily On Your Annual Performance Appraisal is a superbly entertaining record which dares to be quite different and still leaves you wanting to hear more with it’s great collection of individual songs that have BRAINS and BRAWN to match in equal measure.

Words by Steve Howe

Links 

Facebook | BandCamp | Instagram | LinkTree

Old Deer - Someone In The House (Album Review)

Release Date: November 07th 2025. Record Label: Self Released. Formats: CD/DD

Someone In The House - Tracklisting

1. 2eizure 2alad (0:19)

2. The Hatch (5:00)

3. Still so Still (2:35)

4. Take it All (2:40)

5. Astrid (0:49)

6. Someone in the House (8:10)

7. Maelstrom (3:36)

8. 4507 (12:40)

Members

Matt - Guitar, Vocals

Josh - Bass

Tyler - Guitar

Adam - Drums

Review

Old Deer’s debut album Someone In The House is an uncompromising slab of Hardcoure Punk, Noise, Sludge Metal, Doom and Psychedelic violent tendencies. The sound despite its violent appetite can be superbly melodic with areas of Post-Metal and Post-Doom appearing for a sense of calm even when Old Deer play a brutal style of Doom/Sludge Metal with a Mathcore identity emerging.

There’s an unorthodox and experimental style of Jazz being added with the use of Saxophones appearing very early on within the record. Old Deer will appeal to fans to the likes of Mastodon, Melvins, Chat Pile, WHORES, BOTCH and Kowloon Walled City with the mood continuously moving onto the next aggressive slab of Post-Metallic energy throughout the whole album.

The vocals from Matt are purely out of control for the most part with harsh screams and blistering Hardcore growls that sees some brief moments of clean vocals emerging from the carnage. The instrumental sounds are quite varied that allows Old Deer to pick up the best musical elements they have at their disposal whilst developing their own original blend of PISSED OFF surroundings with perhaps the MATHCORE and SLUDGE METAL aspects being the most dominant.

The first half of the album moves at a breakneck pace before Old Deer start adding Psychedelic and Progressive soundscapes which results into a heavier and dynamic powerful sound on tracks such as Astrid, Someone In The House, Maelstrom and 4507 which makes the whole of the second half of the album which becomes my favourite part of the album. However, the first half is still exciting stuff as Old Deer deliver the unexpected with intense Post-Hardcore movements that is amplified by a Doom/Sludge Metal platform on the great tracks such as The Hatch, Still To Still and Take It All. 

There’s a socially aware identity to Someone In The House which touches upon some hard-hitting subjects within the lyrical content and with Matt’s superbly pitched vocals I could easily understand what was being said even in my advancing years.

Someone In The House is quite a diverse record with Old Deer exploring multiple different HEAVY SONIC based avenues to impress you with. The record doesn’t offer any easy answers but it’s an exhilarating and exciting ride that will easily find a dedicated and loyal following within the underground metal scene.

Words by Steve Howe

Thanks to Good Boy PR for the promo.

Someone In The House is available to buy now on CD/DD.

Links

Facebook | BandCamp | Instagram

Mathcore/Sludge Metallers OLD DEER Premiere New Song/Video For MAELSTROM From Upcoming New Album.

Following their crushing 2024 debut EP of sludge, noise, and mathcore “Something in the Water”, Colorado quartet Old Deer return with a vengeance, pushing their sound to new extremities with first full-length “Someone in the House”.As the title suggests, there is danger within Old Deer’s latest work. An unpredictability of what new sonic violence lurks around the corner, be it the piercing saxophone hidden with “The Hatch”, or the pit-inducing madness and crush of “Take it All”.

Drawing from a wide swath of heavy sounds, the corners of “Someone in the House” hold notes of sludge, doom, and post-metal, woven into foundations of blistering mathcore, noise rock, and post-hardcore.

Chameleon vocalist Matt Conlee delivers harrowing, ear-shredding screams, weaponizing his vocal cords for visceral impact one moment before laying down deep, melodic cleans the next.

In similarly shape-shifting fashion, the guitars and drums reel between brutal hardcore pummel and dizzying, spidery progressions owing as much to jazz as to math and noise.

Old Deer have concocted a heady, frightening brew of dangerous sonics and ill intent on “Someone in the House”, and dare listeners to take refuge within. The LP drops November 7th, and first single “Maelstrom” will storm the gates on September 19th.

To get you in the mood we have the exclusive premiere of their brutal new track MAELSTROM which you can listen to below thanks to the great folks over at Good Boy PR.

Old Deer - Someone in the House

Album out November 7th, 2025 Self-released (Digital, CD)
Denver, Colorado
FFO: Botch, Chat Pile, Kowloon Walled City, Zao

Tracklist:

1. 2eizure 2alad (0:19)
2. The Hatch (5:00)
3. Still so Still (2:35)
4. Take it All (2:40)
5. Astrid (0:49)
6. Someone in the House (8:10)
7. Maelstrom (3:36)
8. 4507 (12:40)

Old Deer is:

Matt - Guitar, Vocals
Josh - Bass
Tyler - Guitar

Adam - Drums

Links

Facebook | BandCamp | Instagram

Thanks to Good Boy PR for the details.

Old Deer deliver scathing mathcore, sludge & more on new album "Someone in the House", out November 7th

Following their crushing 2024 debut EP of sludge, noise, and mathcore “Something in the Water”, Colorado quartet Old Deer return with a vengeance, pushing their sound to new extremities with first full-length “Someone in the House”.

As the title suggests, there is danger within Old Deer’s latest work. An unpredictability of what new sonic violence lurks around the corner, be it the piercing saxophone hidden with “The Hatch”, or the pit-inducing madness and crush of “Take it All”.

Drawing from a wide swath of heavy sounds, the corners of “Someone in the House” hold notes of sludge, doom, and post-metal, woven into foundations of blistering mathcore, noise rock, and post-hardcore.

Chameleon vocalist Matt Conlee delivers harrowing, ear-shredding screams, weaponizing his vocal cords for visceral impact one moment before laying down deep, melodic cleans the next.

In similarly shape-shifting fashion, the guitars and drums reel between brutal hardcore pummel and dizzying, spidery progressions owing as much to jazz as to math and noise.

Old Deer have concocted a heady, frightening brew of dangerous sonics and ill intent on “Someone in the House”, and dare listeners to take refuge within. The LP drops November 7th, and first single “Maelstrom” will storm the gates on September 19th.

Old Deer - Someone in the House

Album out November 7th, 2025 Self-released (Digital, CD)
Denver, Colorado
FFO: Botch, Chat Pile, Kowloon Walled City, Zao

Tracklist:

1. 2eizure 2alad (0:19)
2. The Hatch (5:00)
3. Still so Still (2:35)
4. Take it All (2:40)
5. Astrid (0:49)
6. Someone in the House (8:10)
7. Maelstrom (3:36)
8. 4507 (12:40)

Old Deer is:

Matt - Guitar, Vocals
Josh - Bass
Tyler - Guitar

Adam - Drums

Links

Facebook | BandCamp | Instagram

Thanks to Good Boy PR for the details.

SISTERS - Wings Of Deliverance (Album Review)

Release Date: August 29th 2025. Record Label: Spartan Records. Formats: DD/Vinyl

Wings Of Deliverance - Tracklisting

1.Wings of Deliverance 01:55 

2.Home Is Where The Heart Is 02:58

3.Peoples Temple 02:22

4.The Angels of Violence 05:02

5.Golden Sunbeams 03:28

6.The Planning Commission 04:29

7.White Night 05:58

8.Death Is A Friend 08:56

Members

Jason Blackmore (Molly McGuire)

Mario Quintero (Spotlights)

Review

Wings Of Deliverance is the second album from Noise/Grunge/Sludge/Post-Punk/Stoner Rock outfit SISTERS who return after a two year absence with a more abrasive, aggressive and sludge based offering. This feels like a different band compared to their 2023 acclaimed debut album Leecheater. SISTERS features Jason Blackmore from Molly McGuire and Mario Quintero from Spotlights with this band featuring many similarities to those great bands but also carving up their own heavy riff driven sound. SISTERS still offer a deep sense of Melodic Rock though you wouldn’t expect this after you experience the delightfully violent and pissed off title track of Wings Of Deliverance. 

This is the nastiest and heaviest track that SISTERS have delivered yet with a highly ambitious take on Industrial Metal with flashes of Post-Punk, Noise Rock and deeply rooted Electronica Beats. The vocals are harsh with a mid nineties/early noughties influence lingering in the background. The instrumental beats move from glitches to full on Electronica beats with a sudden shift into Heavy Power Mechanical Doom that feels like NIN crossing swords with Author & Punisher.

Second track Home Is Where The Heart is continues with the warped Industrial/Sludge grooves but added a melodic Sludge/Stoner Rock flavour that has similarities to TORCHE and RED FANG in places but with SISTERS adding their own distorted level of streetwise attitude and full-on catchy melodies. The vocals from both Jason and Mario are both clean based and in a stark contrast to the opening track. This is the type of music they brilliantly excel at but you’ll still be treated to outbursts of violent  Sludge Metal when the time calls for this.

Third track People’s Temple is another sonic odyssey with SISTERS employing a cool sounding melodic vibe that doesn’t necessarily play it safe with the COMMERCIAL ASPECTS that appear within the whole creative flow of the album. There is an epic nineties Alt Rock attitude with the swirling grunge based guitars and stunning rhythm sections that Mario and Jason equally contribute to. This is where SISTERS start to really hit their creative stride with subtle Psychedelic and Fuzzed mid-tempo changes which lasts the course for the rest of the album.

Songs such as The Angels Of Violence, Golden Sunbeams and The Planning Commission offer a classic Post-Punk attitude with flashes of Post-Rock and Doomed Out passages with SISTERS demonstrating their own great style of music. The lyrics are quite deceptive and observant which adds a mysterious edge to the whole album. I forgot to mention this album is about the following: 

“Wings Of Deliverance tells a chilling narrative about the cult of personality and the horrors of Jim Jones and the Jonestown tragedy”

Despite the harsh subject matter that SISTERS deal with on the record there’s still some uplifting moments told through the groovy melodies that once again remind me of TORCHE in places. However, SISTERS are never too far away to bring the mood to a slightly depressing Post-Punk and Sludge Rock vibe especially on the final two tracks of the record White Night and Death Is A Friend.which brings some moments of Progressive Metal attitude into the mix. 

These two tracks offer the heaviest, hard-hitting and bleakest parts of the album with challenging lyrics and vocal harmonies being added to complicate matters. Though, SISTERS once again play outside of the rules of HEAVY MUSIC to craft something brilliantly original and in their own aggressive image. This allows Wings Of Deliverance to be one of the most thought-provoking and sonically original records within the Alternative Rock/Metal scene (next to MOON DESTROYS and MUSEUM OF LIGHT) you’ll hear this year.

Simply unmissable!!!

Words by Steve Howe

 

Links

Facebook | BandCamp | Instagram