Monday, 22 July 2019

An Interview With CULT OF SORROW


US Doom/Stoner Metallers CULT OF SORROW return with their new album Invocation Of The Lucifer later this week and it's an exciting blend of Occult Doom Metal and elements of Heavy Psych Rock and Stoner Metal grooves.

This is the band's 2nd full length album and is a major step forward since their 2017 debut album Ascension.

This album sees CULT OF SORROW in more confident and heavier form and this makes for a HEAVIER and DOOMED OUT EXPERIENCE.

I've managed to catch up with the band ahead of the release of their new album. 

Hi guys. Thanks for doing this interview. How are things with you today?

Hey there! Thank you for having us! Things are great today! We are getting ready to start pre-sale on our new album, Invocation Of the Lucifer, along with a video premiere for one of our new songs. All of this leading up to our release date of September 20th.

Can you give a brief history of how the band came together and what the current line-up is today?

I discovered the doom/stoner genre in 2011 and fell in love with it. It was a throwback to the music I had grown up with and learned to play guitar to. Around fall of 2012 I began to write 4 songs with the sole intent of just recording them with some friends. I got these friends together in the summer of 2013 and we hit the studio that fall. In the process we learned that we had a pretty good band together and was really enjoying it, so we made it into a full time project. 


Now here we are signed to Black Doomba Records and ready to release our second full length album. Our current line up is me, Jerry Lovett (vocals and guitar), Pete Contreras (guitar), Joe Owen (Bass) and Nate Bid (drums). All members are original except for Nate who joined us in March of 2019

How would you describe your own music in your own words?

Our music is vintage styled hard rock/heavy metal with a dark flair to it. While there are many to compare us to, I'd like to think we do have a sound of our own though. It's heavy, but is based around melody. It's doom.


You will be releasing your new album – Invocation Of The Lucifer. What can people expect from the album?

It is a natural progression of our last album, Ascension. It is more refined and focused with a wide variety of hard rock/metal styles. There is definitely a darkness to it, but nothing in an evil way...or at least evil to us.

Was recording the new album a hard or easy experience for the band?

Pretty easy. I had about half the songs written in early 2018 when the band started working on them, and I finished the rest through the summer. By the time we recorded in November, we were well rehearsed and ready to go. We ended up spending about 2 weeks recording and mixing, so the process went fairly quick.

The album cover is excellent. Who designed the cover and how much input did you have into the final design?

Waclaw Traier designed the cover. There is a story behind the cover and how it came to be. I had purchased a picture from a guy named Mike Norman to use for our cover. After we were signed, our label gave to Dewar PR to review. Because there was some nudity in the picture, Dewar thought we might have some issues using it in ads. Our label stepped in and hired Waclaw who was given the picture to use as a basis for his design. We loved the drawing Waclaw did, so it worked out great! Also, the original picture is used on the inside cover of both the vinyl and CD release, so you get to see them both. It creates a work of art in itself once you see it.


What is the song writing dynamic in the band? Is it a group collective or down to certain individuals?

I've written pretty much everything the band has done so far, but our bass player, Joe Owen, did write the music for the song 'The Mirror' on the new album with me writing lyrics.

What comes first when writing and recording new music? Music or lyrics?

Music first always! I normally rehearse the songs for several months just singing babel along to them until I get the flow and feel of the song down before I start writing the lyrics. That process is where my ideas come as to what the song will be about.

What inspires you when writing music?

The occult is where a good deal comes from with the lyrics. I've been a student of the occult since I was about 15 years old, which if you knew how old I was you'd know how long that has been! LOL Doom metal is one place where the occult is not only accepted, but almost encouraged at times, so I definitely found a home for my musings. The music part comes from the work of my elders, Zeppelin, Sabbath, Maiden, Priest and so many others. It's been there for me during times of joy, sorrow and the in-betweens. I take the bits and pieces of what they taught me to create my own music that will hopefully have the same effect on others.

Do you have the opportunity to perform live on a regular basis in your home town or do you have to travel further afield to perform regularly?

We perform locally around 4-5 times a year with the rest being out of town shows. We played about 10 shows last year, but took off the last 3 months to record. We hope to expand our range with this new album and add more shows regionally.


How would you describe the Cult Of Sorrow LIVE experience?

Our music is all mid tempo for the most part and like most, we play it a little faster live, so there is definitely energy there. Not necessarily an all out head banging sort of energy, like with thrash metal, but a powerful energy.

What equipment do you use when recording in the studio or performing live?

I use a Marshall amp with a Gibson SG guitar. Pete uses a Peavey 6505 amp and a ESP guitar and Joe uses an Ampeg amp with a Fender Bass. We all have our assortment of pedals too, but they change from time to time. Our live setup is pretty much the same as in the studio although we did use some of the studio's gear for this last album.

Thanks for doing this interview. Before you go do you have any words of wisdom to say to your fans?

Yes, stay true to yourself and follow your own path. At the end of your days, no matter the wins or losses in life, you will always be the better by following your true will in all you do. 

Words by Steve Howe and CULT OF SORROW

Thanks to Curtis at Dewar PR for arranging this interview. Thanks to CULT OF SORROW for doing this interview. 

Invocation Of The Lucifer is available to buy now on CD/DD/Vinyl via Black Doomba Records.

Links:

Facebook | BandCamp

Low Fen - S/T (Album Review)


Release date: June 20th 2019. Label: Self Released. Format: DD

Low Fen – S/T – Tracklisting

1. 23
2. Grinder
3. Blue Job
4. Mountain Man
5. 7End
6.RedNeckSwell
7. New Hill
8. Grasping Cloud

Members

Piotr Sinica - drums
Krzysztof Mól - guitar
Wojciech Kuczwalski - guitar
Marek Sutowski - bass

Review

I love surprises like Low Fen. They were completely unknown to me but the moment I pressed played and the sweet sounds of their self-titled debut album hit my unsuspecting ears, that was it. To say they floored me is an understatement because what they play, and how they play it is what I love. Hailing from the small town of Lądek-Zdrój in the mountains of south western Poland, this quartet play instrumental stoner rock with trippy and suggestive elements. I've said it before but it's worth saying again, when done right, the way Low Fen does it, instrumental music is fantastic. They have structure to follow but they jam out mixed with brilliant solos in between and best of all, the guys allow the listener to create their own little world where you can cleanse, recharge and come back so much stronger.

Don't know if the band has a red thread going through their songs, regardless the flow between each composition moves seamlessly urging on all kinds of emotions to swell up within. Most of all happiness and elation because I feel great every time I listen to 'Low Fen'. Whether it's the sweet embracing tones of 'RedNeckSwell(which turns into a stomper)' or the rollercoaster ride of '7End' to the super nova surfing feeling of 'New Hill' I come out of it a new better person. And personally, I couldn't ask for more in music.

Did I mention album closer 'Grasping Cloud'?I didn't? Well shame on me because it's the catharsis needed. It moves between soft, transcendent passage only to switch to atom and molecule smashing parts only to revert mellow sections. Brilliant, indeed! I've only mentioned half the songs but don't take that as the opening four are bad, on the contrary. '23', 'Grinder', 'Blue Job' and 'Mountain Man' ignites the album and sets it off on it's journey to knock the breath out of people. This is definitely a recording to be enjoyed from beginning to end. 

To tie in with the beginning, this is the kind of surprise I like. Starting with a blank slate at the first listen only to end up with a whole new enjoyment in life once the album is over. I could not ask for more. Low Fen are a fantastic new band and I urge you all to give them a chance. You will benefit from it and your life will be better.

Dziękuję bardzo Low Fen!

Words by Håkan Nyman

Links:


Saturday, 20 July 2019

Horseburner - The Thief (Album Review)


Release date: August 2nd 2019. Label: Ripple Music. Format: CD/DD/Vinyl

Canyons – Tracklisting

1.The Thief
2.A Joyless King
3.Drowning Bird
4.The Fisherman's Vow
5.Seas Between
6.Hand of Gold, Man of Stone
7.The Oak
8.Fathoms
9.Thiefsong

Members

Adam Nohe - Drums/Vocals
Jack Thomas - Guitar/Vocals
Seth Bostick - Bass
Zach Kaufman - Guitar

Review

Horseburner new album The Thief is an album that will appeal to fans of Baroness, Mastodon and Thin Lizzy. As the band play a highly progressive sound that pays homage to those great bands on this album whilst still forging ahead creating their own wildly addictive sound.

Opening song – The Thief – is a two-minute plus Psychedelic Sludge Rock song that shows you Horseburner mean business with this album. The song starts really slow before moving onto heavier progressive Sludge/Stoner Metal riffs that sadly don’t stay around for long before the song ultimately end.

Second song – A Joyless King – opens with a classic Heavy Metal sound that has a slight NWOBHM feel but still sees the band playing a more modern sounding Doom/Sludge/Stoner Metal atmosphere. The song has quite an adventurous and rebellious spirit that can be heard in the background. The album starts to weave an intriguing story with the almost “fantasy” based lyrics though it’s the music and fantastic vocals that save the day.

Third track – Drowning Bird – is a faster and more aggressive style of music that pays homage to Thin Lizzy in many ways. Fast-paced riffs and the classic sounding “Twin Guitars” working almost against each other than with each other. The vocals from insert name later are quite gloomy in places and matches the sombre mood the band create and play with their music. The second half of the song brings a frantic and almost Thrash delivery from the band.

Fourth song – The Fisherman’s View – opens with an eerie folk style guitar before the heavy sludgy grooves appear that bring a more destructive energy to play. The song benefits from top-notch vocals and OTT lyrics that prove Horseburner mean business with this album. Perhaps the heaviest song on the album with the band playing a wide range of different style of music that leaves you wanting more.

Fifth song – Seas Between – is another superbly played instrumental song that follows the same structure as the opening song The Thief. This song has a more personal and reflective feel compared to the other songs on the album.
The band don’t shy away in playing some of the heaviest moments on the second half of the album with Horseburner carry on playing their own hypnotic blend of Progressive Sludge/Stoner on great songs such as Insert Name Later, The Oak and Fathoms.

My only disappointment with the album is the choice of song the album ends with. Thiefsong is the final song and it’s not a bad song by any means. The album should have ended with something more substantial and heavier than Thiefsong. Though, that’s my only complaint with an otherwise outstanding album that’s brilliantly produced as well.

Horseburner have delivered the goods with The Thief and I can see why Ripple Music signed the band to their already impressive roster. Believe the hype with these guys. They’re the real deal and this album proves it time and time again.

Words by Steve Howe

Thanks to Richard at Sheltered Life PR for the promo. The Thief will be available to buy on CD/DD/Vinyl via Ripple Music from August 02nd 2019.

Links:


Keeping The Faith - An Interview With ENAMEL ANIMAL


UK Psych Stoner Rockers ENAMEL ANIMAL first came to my attention way back in 
March 2017 when I reviewed their spaced out new album UNFAITH.

The band have kept a low profile since then and I was intrigued what the band were currently upto. Did they split up. Were they on a break. Was there any new music on the horizon. 

So I decided to do this interview the band and see how everything was. If you haven't heard of these guys I would recommend you read this in-depth interview and discover a cool new band by the name of ENAMEL ANIMAL...

Hi guys. Thanks for doing this interview. How are things with you today.

All - Cheers for having us! Life is going pretty well thanks, just happy to be back writing, recording and gigging!

Can you give a brief history of how the band came together and where it is today.

Phil - me and Ryan used to play in bands together and decided to form a new band back in 2012, we knew Glen through a mutual friend so recruited him on bass, plus our mate Delki joined on lead guitar and Enamel Animal came to be! Delki left the band so we had a few different lead guitarists until Jon (the producer of UNFAITH and all of our music, he also played a lot of guitars on the album after Delki left) joined as a full time member earlier this year.

Musically, we have developed our sound from a raw grunge/alt rock style into a more mature sound, we think our lives have definitely affected our sound, and obviously the ageing process has changed us as people. I think that is reflected in how we sound today.

Can you tell what style of music the band actually plays. As you created quite a psychedelic and spaced out sound for your 2017 album UNFAITH.

Glen - We've always felt we were a raw, alt rock kind of band, due to our own personal influences, but elements of punk and even alternative metal are melded in there somewhere.

Phil - The psychedelic side of our sound comes from our love of stoner rock, so it's a mix of all that we collectively love, which is what all bands are I guess.

Where did the name Enamel Animal come from. How did you come up with the name.

Ryan - The name just came from conversations we used to have, trying to come up with funny tongue-twisters.

Phil - When we formed the band, me and Ryan remembered this example, enamel animal, and thought it would be funny for people to try and say it.

Glen - Usually people will ask us to repeat it to them, especially when drunk, it can be tough to say! Which is probably a really stupid thing to do when choosing a band name to be honest!!

Which musical artists inspired you to become musicians.

Ryan- I've always loved Dave Grohl's style, the way he makes the drums a central piece of the music, rather than a compliment to it. Nirvana is a big unifying influence on us all to be honest, along with a few other bands.

Glen - My main influence is Krist Novoselic, believing he is a very underrated bassist, but then I love Justin Chancellor and his style. Jon is a huge fan of Omar Rodriguez-Lopez, and is his major influence guitar-wise.

Phil - I grew up listening to Pink Floyd and Led Zeppelin, all kinds of stuff really, before being drawn into grunge as a teenager. But the moment I realised I wanted to play guitars was upon hearing the guitar solo parts in the Thundercats cartoon theme tune, that was probably my revelation moment. 


You released your last album UNFAITH back in 2017. It received some praise from the Stoner/Hard Rock Reviewing Press. Did it surprise you how well the album was received.

Phil - When we recorded UNFAITH, we did it with the sole aim to record a record that we could ourselves be proud of, that we could look back on and say, "we have done an album!" So we didn't really expect it to be noticed much at all, maybe a few kind words here and there. So when we got those reviews we were very surprised!

Glen - Not that we didn't think we hadn't made something good, just that there is so much amazing music being released all the time by underground artists, we didn't think ours would get noticed along with them! But yeah, we were fucking made up when people told us they liked it!

Was recording the album or hard or easy experience.

Ryan - The album was a tough project to complete, we financed it all ourselves so it was a slow process, getting the money together to do more.

Glen - The gaps between recording were frustrating, Delki left half way through recording, life stuff was going on, it took not far off 3 years to get in finished. We definitely don't want to take that long to do the next one, I mean we all love Tool but we don't want to go down that road!

Looking back, if you could change anything about the album. What would it be and why.

Ryan - I wouldn't change anything to be honest; the process was slow but it all happened as it was supposed to.

Phil - Maybe I would have thought a few things through a bit more before starting a song, we re-recorded a few tracks as maybe the tempo wasn't quite right, things like that.

What inspired you when righting the album. As it contains some deep progressive themes.

Phil - In terms of the lyrics, there is a definite theme there, a kind of concept that we hope people can get onto, but isn't blatant.

Ryan – Yeah, here's a narrative that exists, that takes you from track one to eleven.

Phil - lets just say there is a voice speaking, and it's not necessarily our voice, but a voice talking about what they are witnessing in the world around them. I hope that kind of explains it for you?!!

Has the band been touring since then. Locally or on a National Level.

Phil - After the album came out we signed to Holier Than Thou Records who released a couple of singles, but myself and Glen both had babies (not together, with other people, we're not THAT kind of band!) so we took a time out after playing our last gig in summer 2017.

Since getting back together this year, we have played 2 small gigs to get back into the saddle, but we will be looking to get out and play wherever will have us! So if you are a promoter, get in contact, we would love to play for you!!!


What has the reception been like to the live ENAMEL ANIMAL experience.

Phil - Reception to our live shows is always positive, but maybe it's all in our heads?! Seriously though, I think we can cross over from heavy rock audiences to sort of more indie-rock audiences, so we like to think anyway. We put all of our emotion into our live shows, we feel every part of the music inside us and try to transmit that to our audiences on a sort of subconscious emotive wave. We hope that they feel it like we do!

It seems you guys have been away for the past 18 months or so. What have you all been upto.

Glen - having babies and being grown ups!

Ryan – Yeah, we started a 3 piece called Pet Virus but it didn't work out, Glen left and we realised what we wanted was to play Enamel Animal songs. When Jon said he would be up for playing we couldn't resist getting Enamel Animal back together, so here we are!

I’ve heard a rumour of a new album is in the works. Can you expand on this and provide more info.

Phil - the rumour is true! We have recorded a new single which will hopefully be out later this summer, but we have an album worth of songs we want to record, plus we are writing new stuff all the time.

Ryan - Jon has brought a lot more ideas to the band and it's great to have an actual musician leading us in writing processes!

Glen - we have a lot of stuff we want to do, so hopefully we won't take 3 years to release this one

When writing for a new album or EP. What comes first. Lyrics or Music.

Phil - music usually comes first, lyrics seem to develop from the sounds of melodies I come up with when jamming. Although sometimes I will have a fully formed song read to go, but yeah usually it is the music

Will you be touring to test out the new material on an unsuspecting audience.

Ryan - we have some gigs booked for this year but we really want to fill up our calendar.

Glen - yeah once the new single is released we will be looking to get out there and push it as much as possible.

Thanks for doing this interview. Before you go. Do you have anything to say to your fans who maybe reading.

Glen - We want to make up for lost time!

Ryan - To any fans out there, we appreciate your patience and we promise we are better now than we have ever been, the best Enamel Animal is here and we hope you will enjoy the new stuff.

Phil - yes thanks for supporting us, we remember each and every one of you and will give you all kisses when we see you. And the new stuff is going to be amazing, we promise you that too.

Words by Steve Howe and ENAMEL ANIMAL

Links:

Facebook | BandCamp | Twitter

Thursday, 18 July 2019

Forrest - Final Frontier (EP Review)


Release date: July 17th 2019. Label: Self Released. Format: CD/DD

Final Frontier – Tracklisting

Bubba
To Lose A Whale
The Final Frontier (Dan II)
The Intensity Of Frenchness
Specialman
Vacation (... Don't Ever Come Back)

Members

Riley Logan - Lead Guitar
Josh Summerville - Drums
Charlie Overman - Rhythm Guitar/Synthesizer
Jared McIntyre - Bass


Review

Instrumental Doom/Post-Sludge Rockers Forrest new EP – Final Frontier – is a mixture of different sounds within the Doom, Sludge and Post-Rock fields. The band add a casual Psychedelic Rock swagger to their music and it makes for an intriguing and heavy rock experience. The band aren’t exactly Doom, Sludge or Post-Metal but somewhere in between those styles of music.

Opening song – Bubba – is a fast-paced sounding affair with Forrest playing a loud mix of Psych Rock, Space Rock and Sludge driven Post-Rock. The song is quite delicate at the start before the band start playing a heavier and direct sound that allows the band to slowly start playing a more threatening groove. Bubba can be very progressive places and it shows you how Forrest like to add an air of mystery to their overall sound.

Second song – To Lose A Whale – opens with a heavy Post-Doom sound with the band adding elements of Drone Metal for a more experimental and almost “Jazz” style delivery. It’s quite a clever sound but it may test some people’s patience when the heavy riffs disappear for a subtle Post-Rock atmosphere. I did enjoy the creativity of this song more than the actual journey. However, that’s a good thing as Forrest take you out of your comfort zone on this EP.

Third song – The Final Frontier (Dan II) – carries on the experimental “Jazz” inspired sound with slow-paced elements of Psych Rock making their way into the groove. This is the longest song on the EP running past the seven-minute mark and Forrest have more time to play with. The best part of the song is when the “standard” Doom/Sludge Metal riffs appear.

The second half of the EP sees Forrest go even crazier with the experimental sounds but at least they settle down to play a heavier style of Doom/Sludge/Post-Metal and some of the heaviest and finest moments on the EP are most definitely on the second half of the EP. Songs such as The Intensity Of Frenchness and Specialman are perhaps the standout songs on the EP and deserve a special mention.

Final Frontier is a very good EP though the overall production can be too low and raw at times. However, if you’re in the mood for a different style of Instrumental Rock/Metal then you should give Final Frontier a listen as Forrest offer their style of music that you don’t really hear nowadays.

Words by Steve Howe

Links

Facebook - Bandcamp

Tuesday, 16 July 2019

Firebreather share first track from forthcoming Riding Easy Records Debut.


Swedish trio Firebreather share the first track from their forthcoming debut on Riding Easy Records, Under a Blood Moon today via Brooklyn Vegan. Hear and share "Dancing Flames" 

HERE: http://www.brooklynvegan.com/firebreather-releasing-under-a-blood-moon-on-ridingeasy-stream-a-track/

Fire is what happens when a carbon based object is consumed by oxygen. That chemical reaction is fitting to the sound of Firebreather: The riffs are suffocating, the rhythms fast moving and all-consuming. It's so blindingly and deafeningly monolithic, don't be surprised to find yourself gasping for air while listening.

The Gothenburg, Sweden trio has a streamlined focus on driving, symphonic riffs in the vein of High on Fire, Inter Arma and their tour- and label-mates Monolord. The guitar and bass tones are, quite simply, entrancing. Like watching flames engulf a forest, the billowing guitar tones are simultaneously beautiful and destructive, while the rhythms sway and lunge with vicious precision.

"It's riff based, heavy as fuck, but with a groove to it," explains vocalist/guitarist Mattias Nööjd, formerly of popular Swedish doom merchants Galvano. "We had gotten off a tour with Monolord in February of 2018 and by that time we had the song 'Firebreather' done," but soon thereafter new drummer Axel Wittbeck joined the fold.

"Once Axel had joined, it was like the flood gates opened," says bassist Kyle Pitcher. "The rest of the album just came together." Under a Blood Moon was recorded at Elementstudion in Gothenburg with engineer Oskar Karlsson, who also recorded the band's lauded 2017 self-titled debut on Suicide Records.

Album opener "Dancing Flames" sets the stage for the onslaught to come with a slinking, serpentine riff over slow churning rhythms. Nööjd's hushed, gravelly vocals sink into the mix, more like a baritone guitar than a human voice. "Our Souls, They Burn" nicely exemplifies the band's furious grind that makes even faster tempo songs sound impossibly heavy, like a slow motion stampede. 


Elsewhere, "We Bleed" perfectly sums up the band's focus on the riff and groove, honing in on the power of hypnotic attrition. Closing epic, "The Siren" opens with lugubrious, slightly swinging drums and rumbling bass building tension over delay- and phaser-soaked guitar harmonics, until a massive, sliding riff crashes headlong into the proceedings. The song seems to cleverly shape shift across several harmonic and rhythmic parts, without losing the core groove underneath. A short pause for breath, then it's off to the races with a galloping crescendo for succinct closure.

Under a Blood Moon will be available on LP, CD and download September 27th, 2019 via RidingEasy Records.

FIREBREATHER LIVE 2019:


Sep 20 Gothenburg, SE @ Musikens Hus w/ Halshug
Oct 01 Utrecht, NL @ De Helling *
Oct 02 Brussels, BE @ Magasin 4 *
Oct 03 Pratteln, CH @ Up In Smoke Festival *
Oct 04 Reims, FR @ La Cartonnerie *
Oct 05 Paris, FR @ Saturday Mud Fever Festival *
Oct 07 Dortmund, DE @ Junkyard *
Oct 08 Nuremberg, DE @ Z-Bau *
Oct 09 Cologne, DE @ Helios 37 *
Oct 10 Mainz, DE @ Schon Schon *
Oct 11 Hamburg, DE @ Molotow *
Oct 16 Oslo, NO @ John Dee *
Oct 17 Gothenburg, SE @ Sticky Fingers *
Oct 18 Malmo, SE @ Babel *
Oct 23 Linkoping, SE @ The Crypt *
Oct 24 Stockholm, SE @ Close Up Baten *
Oct 25 Tampere, FI @ Olympia *
Oct 26 Helsinki, FI @ Nosturi *


Under a Blood Moon Release Details and Tracklisting


Label: RidingEasy Records
Release date: September 27th, 2019

01. Dancing Flames
02. Our Souls, They Burn
03. Closed Gate
04. Firebreather
05. We Bleed
06. The Siren


Links:


www.firebreather.bandcamp.com
www.facebook.com/Firebreathergbg
www.ridingeasyrecs.com

Sleeping Giant - S/T (Album Review)


Release date: July 26th 2019. Label: Self Released. Format: CD/DD

Sleeping Giant – S/T – Tracklisting

1.Sleep 05:17
2.Temptress
3.Empire
4.Serpent 04:17
5.Gypsy
6.Visions I
7.Visions II
8.Visions III

Members

Steven Hammer: Guitar/Vocals
James Wright: Bass
Pali Emond-Glenn: Drums

Review

Aussie Psych Stoner Rockers Sleeping Giant self-titled debut album is the first exposure that I’ve had to the band and I must say I was pleasantly surprised from the very first riff. As the band play a mixture of Desert Rock, Fuzz Rock, Psych and Stoner Metal all wrapped up lovingly in a Heavy Spaced Out Environment.

Opening song – Sleep – is a classic sounding Desert Rock/Stoner Rock song with Sleeping Giant adding a nineties Alternative Rock/Metal approach to their music. The song is packed with Truckfighters style FUZZ which allows their music to be both modern sounding and have a vintage feel all of its own. The vocals from Steven are not what I expected. As I was expecting a heavier style of vocals but Steven does a great job with his own fresh style.

Second song – Temptress – is a more upbeat number with Sleeping Giant adding a soulful Blues Rock vibe to their music. The band play their heavy Fuzz/Stoner Rock riffs with absolute confidence. The song flows superbly well and despite a few rough sounding moments, Sleeping Giant should have you hooked with their appetite for playing heavy spaced out music.

Third song – Empire – carries on the hard rocking vibe the album has for the majority of the songs. This song pays homage to Desert Rock/Stoner Rock icons – KYUSS – in places though Sleeping Giant keep the mood going with their own style of Progressive/Psychedelic/Stoner Rock sounding grooves. The vocals yet again are excellent and hold your attention throughout.

Fourth song – Serpent – sees Sleeping Giant playing a faster and angrier style of music and the hazy Fuzz Rock sounds work surprisingly well with the almost “Doom” based lyrics. The atmosphere can be quite gloomy compared to other songs on the album but it’s an excellent change of pace for the album and works in the band’s favour. As you start to feel part of the action now.

Fifth song – Gypsy – opens with a blazing guitar solo and the music becomes way heavier before the vocals slow things right down and Sleeping Giant play a more soulful blend of Fuzz/Stoner Rock but with hints of Classic Hard Rock starting to appear. There are certain parts of this song where I wanted the band to speed things up. As the song can be tiresome when the slower parts appear. That’s my only complaint on an otherwise superb album.

The final part of the album is the Visions. Visions is a three-part song which sees Sleeping Giant play a more emotional style of music especially on the first part (Visions I) which has more sombre Post-Rock feel. The song only lasts a few moments but Sleeping Giant manage to convey a wide range of different emotions on this song especially when the Progressive Rock vibes appear.

Visions II carries on the Blues Rock inspired Psychedelic Stoner Rock sounds but with a heavier and direct approach. The harsh vocals surprised me as I didn’t expect that at all. The album becomes more sinister as a result.

Visions III is the best song on the album. As Sleeping Giant add strands of heavy Sludge Rock/Metal grooves to the mix. The song is quite serious and this album ends very different than I originally expected. I was expecting the album to end on a more upbeat note. However, the band leave things on a more sombre and downbeat ending.

There is a lot more going on with this album than you initially realize when listening for the first time. It’s best to give this album a few listens to fully understand what’s going on with the album itself.

Overall, Sleeping Giant have released a thrilling and highly progressive sounding album that will surprise you in many different ways.

Excellent and Highly Recommended.

Words by Steve Howe

Thanks to Sleeping Giant for the promo. Their S/T debut album will be available to buy on CD/DD from July 26th 2019.

Links:

Facebook | BandCamp