Showing posts with label KADAVAR. Show all posts
Showing posts with label KADAVAR. Show all posts

Thursday, 10 October 2019

Kadavar - For The Dead Travel Fast (Album Review)


Release date: October 11th 2019. Label: Nuclear Blast. Format: CD/DD/Vinyl

For The Dead Travel Fast – Tracklisting

The End
The Devil’s Master
Evil Forces
Children of the Night
Dancing With the Dead
Poison
Demons In My Mind
Saturnales
Long Forgotten Songs

Members

Christoph ‘Lupus’ Lindemann / Vocals, Guitars
Christoph ‘Tiger’ Bartelt / Drums
Simon ‘Dragon’ Bouteloup / Bass

Review

Greetings All,

This October we have bestowed upon us the fifth full length from Berlin’s masters of retro fuzz doom Kadavar. The immensely impressive For The Dead Travel Fast unleashes 9 smoking tracks of fuzzed out bliss. At this point, most should be familiar with Kadavar’s sound, the trio sound as though they stepped right out of an early 70’s recording studio. Equal parts Sabbath, ELO, early Maiden and ZZ Top the bands retro sound is second to none. But what sets this record apart from, or perhaps ahead of, their prior records is the top notch song writing. The 9 tracks are a dark, cohesive story that takes the listener down a doomed path of misery, longing, and death. The imagery is rich and superb. 

The End opens the record. It starts off in a rather unsettling manner with damn near a minute of silence that has you checking to see if the song is actually playing before closing with a guitar driven lament that leads directly into the powerful imagery and stomp of The Devil’s Master. A killer track that showcases all aspects of the bands sound and their knack for an amazing chorus that hooks the listener and refuses to let go. Evil Forces follows with an intense riff right out of late era Sabbath or early Maiden or Priest that carries the strongest track on the record. I found myself singing “Evil Forces are close behind” to myself for days on end.

The track closes with one of the most righteous solos the trio have ever unleashed upon the world. The tempo slows a bit as the Children of the Night comes crawling out of your speakers. However, it doesn’t take long for the band to pick things up in this ode to the legion of the undying. The song flexes the bands musical might with some more heavy solos and a couple of tempo changes that drive the song home. Dancing With the Dead continues the vampiric theme with a driving drum beat and some sweet vibrato throughout this mid-tempo jewel. A heavy dose of fuzz and drums sends Poison flying towards your jugular with a righteous dose of anti establishment angst and a late 60s rock chorus.

A fuzzed out wah brings the Demons In My Mind next. A driving lament to insanity that never relents until giving way to the ethereal sounds of Saturnales. A dark but, dare I say, Beach Boys-esque sounding guitar and dissonance filled track that is devoid of percussion. The record closes with Long Forgotten Song, an ultra heavy closer with a true classic rock feel. At over 7 minutes the band blends big riffs, big drums and some beautiful harmonies on this bluesy masterpiece.

For The Dead Travel Fast is full on big beards, bell bottoms, fuzz filled Sabbath worship at its absolute finest. Kadavar have hit every chord perfectly in blending the warm fuzz filled tones with the darkest images of the soul and mind. If for some reason you aren’t familiar with the band, this record is a great jumping on point and for those that are long time fans (like myself) this is another feather in the cap in the band’s already impressive resume. It is quite possibly their finest hour. I can’t recommend this one enough! Dig super heavy on this one!

- Todd S - Instagram @alltheghoststhathauntyou

Words by Todd Stealey

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Thursday, 1 November 2018

KADAVAR - Live In Copenhagen (Album Review)


Release date: October 12th 2018. Label: Nuclear Blast Records. Format: CD/DD/Vinyl

Live In Copenhagen – Tracklisting

1. Skeleton Blues
2. Doomsday Machine
3. Pale Blue Eyes
4. Into The Wormhole
5. The Old Man
6. Die Baby Die
7. Black Sun
8. Living In Your Head
9. Into The Night
10. Forgotten Past
11. Tibulation Nation
12. Purple Sage

Review

A lot of live albums I’ve listened to recently have really disappointed me. As the overall sound of the album has been too flat or the live album doesn’t match up to the classic live albums that were released years ago. Kadavar have just released their 2nd live album with Live In Copenhagen and it’s an album I wanted to change my overall conception of modern live albums.

Kadavar’s last live album “Live In Antwerp” was released in 2014 before the band released their “breakthrough” album, Berlin back in 2015. Berlin was an album that made people finally take notice of Kadavar and their excellent blend of Classic Rock, Blues Rock, Psych and Stoner Rock riffs.

Live In Antwerp was a very good and highly entertaining album that showed the full power of Kadavar’s classic rock sound. However it left me wanting more. As I’ve seen Kadavar live in action and the album failed to show the bands majestic live performance. So I was a little bit worried when the band announced a new live album with Live In Copenhagen.

I shouldn’t have worried. As this album is one of the best live albums I’ve heard in some time. The album is bang on point by presenting Kadavar as a true force of nature. This is Kadavar at their majestic best. They’ve picked the best songs to perform from their superb back catalogue.

Kadavar blast their way through songs such as: Skeleton Blues, Doomsday Machine, Pale Blue Eyes, Into The Wormhole, Die Baby Die, Black Sun and many more. The whole atmosphere is very raw but that works to the albums favour.

Live In Copenhagen is ALL KILLER AND NO FILLER. Kadavar are one of the hardest touring bands currently working in the Stoner Rock scene today. The band never seem to stop touring at the moment and Live In Copenhagen proves why their fans will see the band as many times they possibly can.

I will admit I was slightly underwhelmed by Kadavar’s last album – Rough Times. However, listening to some of the songs from the album played live, has allowed me to revisit that album and I rate it more highly. It took some time for me to finally come round and I’m contributing that change of heart to this live album.

Live In Copenhagen is light-years ahead of Live In Antwerp. As Kadavar have matured as musicians and have a more magnetic stage presence. If you’re a long-time fan of Kadavar then Live In Copenhagen is an essential record to add to your existing Kadavar record collection.

Live In Copenhagen ranks as one of the best live albums I’ve heard in a long time….

Excellent and Highly Recommended.

Words by Steve Howe

Thanks to Mona at All Noir PR. Live In Copenhagen is available to buy on CD/DD/Vinyl now via Nuclear Blast Records.

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Saturday, 22 August 2015

KADAVAR - Berlin (Album Review)


Release date: August 21st 2015. Label: Nuclear Blast Records. Formats: DD/CD/Vinyl

Berlin: Tracklisting

Lord Of The Sky 4:28
Last Living Dinosaur 4:05
Thousand Miles Away From Home 4:53
Filthy Illusion 3:45
Pale Blue Eyes 3:28
Stolen Dreams 3:57
The Old Man 4:05
Spanish Wildrose 4:30
See The World With Your Own Eyes 4:07
Circles In My Mind 3:47
Into The Night 4:30

Band Members:

Lupus Lindemann - Gesang & Gitarre
Simon „Dragon” Bouteloup - Bass
Tiger - Drums

Review:

Kadavar is a band that needs no further introduction. Over the cause of the last 3 years they have released two highly praised and critically acclaimed studio albums and a live album plus a split with Aqua Nebula Oscillator from where their current bassist originates.

Kadavar got renowned from their unique take on that über cool late 60s/early 70s style psych retro rock, with soaring riffs, thick as lave bass-lines and intense Ginger-Baker like drumming. Another thing that had helped catapult the band into famousness is their over-the-top live performances, and one could argue that you have not truly listened to Kadavar, if you haven’t experienced them live. Luckily I have done that once, and I'm looking to do so again this autumn. It is this true ‘vintage’ sound, great musicianship coupled with strong live performances with a now-a-days seldom seen thing a jamming on stage that justifies labelling as the Cream of our time: A trio super-group in a confined space limited by genre labelling and archetypes.

From the get go ‘Lord Of The Sky’ opens the ballet with a bang bursting with high energetic riffing, driving drums, thumbing bass-lines and Lupus Lindemann’s signature vocals. This is Kadavar like we know ‘em, and love ‘em, so faith in genuine rock is restored. But something has changed, this is not just another retro-rock album by the Germans, this is a different kind of monster.

So what does a band that, taken its fairly young age in consideration, has done and seen almost everything and have made two albums that any self-proclaimed rocker would sell his own mother to have written and played? Well, either you rehash old material and rewrite all the killer riffs from earlier outings, OR you could just try to expand your sound and the musical landscape covered…

And that is exactly what Kadavar has done on Berlin. Gone are the true ‘vintage’ sound in favour of a slightly more polished and clean sound, still without losing vitality, playfulness or that sense of “hey we just recorded it all live in the studio” kind of vibe. Berlin gives way to a more mature and streamlined string of songs, that although more varied in their individual expression together presents a well-structured album.

For Berlin Kadavar brought in mixer Pele Gunnerfeld and that may explain the change in sound, but I for one don’t mind a change in wind direction, because Berlin is damn well near perfection, and this genre needs a gush of fresh air from time to time.

An example of the new tricks at play here is clear from ‘See The World With Your Own Eyes’ that has a cool hint at some Rolling Stones when they were rocking out the most and with a distinct Charlie Watts kind of drumming. Well played. 

Despite a more varied musical array there is still plenty for the puritans to enjoy, and tracks ‘like Last Living Dinosaur’, ‘Pale Blue Eyes’ and ‘Into The Night’ offer in abundance the trademark Kadavar vibe and groove. 

So to sum it up, Kadavar more than succeed in branching out and broadening their sound and musical aesthetics to cover more than “just” a narrow strip of proto/retro hard rocking 70s worshipping psych rock and with Berlin they have delivered not just the highlight of this year so far, but maybe the best musical testament to rock in general for years to come.

Words by Niels Fuzz Bartholdy

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