Release
date: August 21st 2015. Label: Nuclear Blast Records. Formats:
DD/CD/Vinyl
Berlin:
Tracklisting
Lord
Of The Sky 4:28
Last
Living Dinosaur 4:05
Thousand
Miles Away From Home 4:53
Filthy
Illusion 3:45
Pale
Blue Eyes 3:28
Stolen
Dreams 3:57
The
Old Man 4:05
Spanish
Wildrose 4:30
See
The World With Your Own Eyes 4:07
Circles
In My Mind 3:47
Into
The Night 4:30
Band
Members:
Lupus
Lindemann - Gesang & Gitarre
Simon
„Dragon” Bouteloup - Bass
Tiger
- Drums
Review:
Kadavar
is a band that needs no further introduction. Over the cause of the
last 3 years they have released two highly praised and critically
acclaimed studio albums and a live album plus a split with Aqua
Nebula Oscillator from where their current bassist originates.
Kadavar
got renowned from their unique take on that über cool late 60s/early
70s style psych retro rock, with soaring riffs, thick as lave
bass-lines and intense Ginger-Baker like drumming. Another thing that
had helped catapult the band into famousness is their over-the-top
live performances, and one could argue that you have not truly
listened to Kadavar, if you haven’t experienced them live. Luckily
I have done that once, and I'm looking to do so again this autumn. It
is this true ‘vintage’ sound, great musicianship coupled with
strong live performances with a now-a-days seldom seen thing a
jamming on stage that justifies labelling as the Cream of our time: A
trio super-group in a confined space limited by genre labelling and
archetypes.
From
the get go ‘Lord Of The Sky’ opens the ballet with a bang
bursting with high energetic riffing, driving drums, thumbing
bass-lines and Lupus Lindemann’s signature vocals. This is Kadavar
like we know ‘em, and love ‘em, so faith in genuine rock is
restored. But something has changed, this is not just another
retro-rock album by the Germans, this is a different kind of monster.
So
what does a band that, taken its fairly young age in consideration,
has done and seen almost everything and have made two albums that any
self-proclaimed rocker would sell his own mother to have written and
played? Well, either you rehash old material and rewrite all the
killer riffs from earlier outings, OR you could just try to expand
your sound and the musical landscape covered…
And
that is exactly what Kadavar has done on Berlin. Gone are the true
‘vintage’ sound in favour of a slightly more polished and clean
sound, still without losing vitality, playfulness or that sense of
“hey we just recorded it all live in the studio” kind of vibe.
Berlin gives way to a more mature and streamlined string of songs,
that although more varied in their individual expression together
presents a well-structured album.
For
Berlin Kadavar brought in mixer Pele Gunnerfeld and that may explain
the change in sound, but I for one don’t mind a change in wind
direction, because Berlin is damn well near perfection, and this
genre needs a gush of fresh air from time to time.
An
example of the new tricks at play here is clear from ‘See The World
With Your Own Eyes’ that has a cool hint at some Rolling Stones
when they were rocking out the most and with a distinct Charlie Watts
kind of drumming. Well played.
Despite a more varied musical array there is still plenty for the puritans to enjoy, and tracks ‘like Last Living Dinosaur’, ‘Pale Blue Eyes’ and ‘Into The Night’ offer in abundance the trademark Kadavar vibe and groove.
Despite a more varied musical array there is still plenty for the puritans to enjoy, and tracks ‘like Last Living Dinosaur’, ‘Pale Blue Eyes’ and ‘Into The Night’ offer in abundance the trademark Kadavar vibe and groove.
So to sum it up, Kadavar more than succeed in branching out and broadening their sound and musical aesthetics to cover more than “just” a narrow strip of proto/retro hard rocking 70s worshipping psych rock and with Berlin they have delivered not just the highlight of this year so far, but maybe the best musical testament to rock in general for years to come.
Words
by Niels Fuzz Bartholdy