Monday, 30 December 2024

Black Afterglow - Black Afterglow (Album Review)

Release Date: December 18th 2024. Record Label: Powerwax Records. Formats: CD/DD

​Black Afterglow - Track Listing:


1.Drifting in Slow Motion 06:34

2.A Legacy of Eternal Night 05:23

3.Floating Forever High 07:33

4.Walls Closing in 05:16

5.Black Afterglow 13:56

6.Distortions of A Heartless Dream 07:03

7.A Blue Sky & A Raging Sea 03:32

8.The Needle Never Lied 05:35


Members


Shane Beck (The Last American Poet)

Tjeerd de Jong (The Instrumentalist)


Review



Black Afterglow’s debut album operates outside the normal creative strategy of Psychedelic Stoner Rock albums with this being told through a Spoken Word narrative provided by Shane Beck. The instrumental surroundings are provided by Tjeerd de Jong which makes up for an interesting partnership though these two highly talented individuals teamed up earlier this year for the excellent project Burial Beyond The Sea. Black Afterglow is quite similar to that sublime project but with this record being more similar, cinematic and experimental with the warped noises, glitched sounds and distorted Electronic effects. 


Shane Beck feels inspired by a Spaced Out version of Jim Morrison at times with his lyrics and psychedelic insights sounding they’re being transmitted from a totally different dimension or higher level plane of existence. Tjeerd de Jong’s music is beautifully heavy and quite peaceful within the quieter reflective surroundings of the album. Though, there’s a wicked sounding Doom, Drone and Stoner Metal structure being developed and played for the majority of the album. With a subdued style of Jazz, Prog and Americana appearing out of nowhere, Black Afterglow reigns supreme on the heavier instrumental passages on the album.


The opening batch of tracks Drifting In Slow Motion, A Legacy Of Eternal Night and Floating Forever High showcase a wealth of different styles of music that maybe quite “ALIEN” to some, especially with the lyrical insight that Shane Beck writes for the album. Heavy, trippy and overlapping instrumental sounds are quite freakishly LOUD, CONSTANT and AGGRESSIVE which gives this record an unsettling feeling.


Black Afterglow could be considered an outright Post-Metal, Post-Doom or Ambient Metal project with the band reminding me of The Doors, OM, BONG and Eagle Twin all vying for musical supremacy. The production values are quite LO-FI which allows the music to be played at distance whilst still being FORCEFUL and HEAVY on the later stages of the album.


The record perhaps loses focus at times with the multitude of different styles of music that Black Afterglow experimented with but it’s never BORING. The whole journey is one of self discovery and can be beautifully therapeutic in places especially on tracks such as: Walls Closing In, Black Afterglow and A Blue Sky & A Raging Sea though the album never shies away from developing a bleak sensibility even in the moments of calmness.


With an eerie PINK FLOYD lyrical influence starting to develop, Black Afterglow’s debut album is a daring, cerebral and experimental record that can easily be considered a masterclass of the modern day Psych Rock scene. Just be prepared for a band that pulls no punches in creating a mind-expanding style of music that will live long in the memory.


Excellent and Highly Recommended.


Words by Steve Howe


Links


BandCamp


Jon McGough's Top 55 Albums Of The Year For 2024

What a year in music! The heavy underground continues to provide us with the soundtrack to life, a mood-altering substance that helps us through our busy days and sleepless nights. Giving us fuel, breathing life into our otherwise repetitious routines. It’s been said that every year is better than the previous, and I’m a firm believer of that notion, especially in the case of 2024.

With tons of amazing albums being released this year it’s quite a monumental task to whittle the list down to fifty-five. The diversity within the scene is astounding and the creations are special. We all have different tastes, yet there is something for everyone. We’re all in this together, we’re all a cog within the wheel, and there’s no place I’d rather be.

This year we had titans of the underground release new material, we had amazing splits, we had bands that hadn’t released an album in many years making a return, we had inspiring and fresh new debuts, and at least in my case a few ‘mainstream’ bands even made their way onto my list with impressive outings.

I would just like to thank all the bands that released music this year for sharing their passion and art, for their hard work behind the scenes as well as the sometimes gruelling tours they take part in. We know you do this music thing because you love it, because you wouldn’t have it any other way, and we appreciate you!

Here’s my top 55 of 2024..

1. Gjenferd - s/t

Gjenferd | Gjenferd

2. Sacri Monti – Retrieval

Retrieval | Sacri Monti

3. Old Horn Tooth – Mourning Light

Mourning Light | Old Horn Tooth

4. Emu – s/t

Emu | EMU

5. Tarot – Glimpse of the Dawn

Glimpse Of The Dawn | Tarot

6. Anciients – Beyond the Reach of the Sun

Beyond the Reach of the Sun | ANCIIENTS

7. High On Fire – Cometh the Storm

Cometh The Storm | High On Fire

8. Magick Potion – s/t

Magick Potion | Magick Potion

9. DeWolff – Muscle Shoals

Muscle Shoals | DeWolff

10. Opeth – The Last Will and Testament

https://open.spotify.com/album/1f2Q8urIhVZiuPSiNLcQG6?si=5xZojFEHSxCTAlxpHw52WA

11. Greenleaf – The Head & The Habit

The Head & The Habit | Greenleaf

12. Magmakammer – Before I Burn

Before I Burn | Magmakammer  

13. The Shadow Lizzards – Paradise

Paradise | The Shadow Lizzards

14. Hashtronaut – No Return

No Return | Hashtronaut

15. Freeways – Dark Sky Sanctuary

Dark Sky Sanctuary | Freeways

16. Spirit Mother – Trails

SPIRIT MOTHER - Trails | HEAVY PSYCH SOUNDS Records

17. Khirki - Κυκεώνας 

Κυκεώνας | Khirki

18. The Quill – Wheel of Illusion

https://open.spotify.com/track/7cuQpDoH3dMGhpdDUlteGn?si=c310c2a99ad04059

19. Gnome – Vestiges of Verumex Visidrome

Vestiges of Verumex Visidrome | Gnome

20. Phantom Hound – From Boom Town to Ghost Town

From Boom Town To Ghost Town | Phantom Hound

21. Young Acid – Murder at Maple Mountain

Murder At Maple Mountain | Young Acid

22. Starmonger – Occultation

Occultation | Starmonger

23. Kant – Paranoia Pilgrimage

Paranoia Pilgrimage | KANT

24. Ian Blurton’s Future Now – Crimes of the City   

Crimes Of The City | Ian Blurton's Future Now | Ian Blurton

25. Psychlona – Warped Vision

Warped Vision | Psychlona

26. High Reeper – Renewed by Death

Renewed By Death | High Reeper

27. 10,000 Years – All Quiet on the Final Frontier

All Quiet On The Final Frontier | 10,000 Years

28. Valley of the Sun - Quintessence 

Quintessence | Valley of the Sun

29. Acid Mammoth – Supersonic Megafauna Collision

Supersonic Megafauna Collision | Acid Mammoth

30. Robot God – Subconscious Awakening/Portal Within

Subconscious Awakening | Robot God

Portal Within | Robot God

31. Luna Sol – Vita Mors  

Vita Mors | Luna Sol | Ripple Music 

32. REZN – Burden

Burden | REZN

33. Elephant Tree/Lowrider – The Long Forever

The Long Forever | Elephant Tree / Lowrider | Lowrider

34. Wormsand - You, The King 

You, The King | Wormsand       

35. Season of the Witch – Vol 2 

Vol. 2 | Season Of The Witch

36. Heavy Temple – Garden of Heathens

Garden of Heathens | Heavy Temple

37. Horseburner – Voice of Storms

Voice of Storms | Horseburner

38. Shotgun Sawyer – s/t

Shotgun Sawyer | Shotgun Sawyer | Ripple Music

39. Worshipper – One Way Trip

One Way Trip | Worshipper

40. Freeride – Acido y Puto

Acido y Puto | Free Ride | Small Stone Records Co

41. Sergeant Thunderhoof – The Ghost on Badon Hill

The Ghost of Badon Hill | Sergeant Thunderhoof

42. Mount Hush – II

II | Mount Hush

43. The Fertility Cult – A Song of Anger

A Song of Anger | The Fërtility Cült

44. High Desert Queen – Palm Reader  

Palm Reader | High Desert Queen

45. Lie Heavy – Burn to the Moon

Burn to the Moon | Lie Heavy

46. Hekate – House of Solomon 

House of Solomon | Hekate

47. Shadow Witch – Eschaton (The End of All Things)     

ESCHATON (The End Of All Things) | Shadow Witch

48. Your Highness – Under the Weight

Under The Weight | Your Highness

49. BUS – We Are the Night

We Are The Night | Bus the unknown secretary

50. Duel - Breakfast with Death

Breakfast with Death | DUEL

51. Huanastone – Son of Juno

Son of Juno | Huanastone

52. Desert Suns – Edge of the Sky

Edge Of The Sky | Desert Suns

53. Desert Mantra – The Desert I

The Desert I | Desert Mantra | Smolder Brains Records

54. Erronaut – The Space Inbetween

The Space Inbetween | Erronaut

55. Sundrifter – An Earlier Time

An Earlier Time | Sundrifter

Saturday, 28 December 2024

Sergeant Thunderhoof - A Momentary Lapse Of Badon (Album Review)

Release Date: December 25th 2024. Record Label: Self Released. Formats: DD

​A Momentary Lapse Of Badon - Track Listing:

1.Badon (Josh Gallop Remix) 04:22

2.Blood Moon (Josh Gallop Remix) 06:52

3.The Orb of Octavia (Josh Gallop Remix) 08:32

4.Salvation for the Soul (Josh Gallop Remix) 04:54

5.Sentinel (Josh Gallop Remix) 06:04

6.Beyond the Hill (Josh Gallop Remix) 09:06


Members


Mark Sayer – Guitars

Josh Gallop – Guitars and Backing Vocals

Darren Ashman – Drums

Dan Flitcroft – Vocals

Jim Camp – Bass


Review


A Momentary Lapse Of Badon is the Ambient/Electronic version of the new critically acclaimed album The Ghost Of Badon Hill by Sergeant Thunderhoof and it’s a highly original take of that brilliant album. I never expect to hear a remix album from Sergeant Thunderhoof but here we are and everything has been remixed by Josh Gallop who mixed and engineered the original version. The record is quite different with the Ambient/Electronic techniques that Josh has applied here which gives the album a more subdued and emotional style. 


I am not the biggest fan of remix albums but when done right such as this then I can listen to this album all day long. Though, I do love the remix albums for records such as Genghis Tron’s BOARD UP THE HOUSE and ISIS’s Oceanic. You can fit A Momentary Lapse Of Badon next to those classic remix albums with Josh doing wonders for an already classic sounding record


If you want a more chilled out and dare I say “DANCE” based version of a Sergeant Thunderhoof album then this is the answer to your prayers. The heavy instrumental parts have been fully replaced by a calmer and abstract style of Ambient Doom and Psychedelic Electronica which could be classed more as Post-Rock or even Shoegaze at times especially on tracks such as Badon, Blood Moon and Beyond The Hill. 


A Momentary Lapse Of Badon is a deeply emotional journey compared to the brilliant original and I’m beginning to wonder if the band would allow Josh Gallop to work his magic on other Sergeant Thunderhoof records in the future. As I would love to hear his take on albums such as The Sceptred Veil and Terra Solus. Anyway, I digress. If you want another exciting and visceral take of “THE HOOF” then A Momentary Lapse Of Badon is that record that proves once again why they’re one of the best bands the UK Stoner Metal scene has to offer right now.


Words by Steve Howe


Links


Website: https://sergeantthunderhoof.bandcamp.com
Facebook: https://www.facebook.com/sergeantthunderhoof
Instagram: https://www.instagram.com/sergeantthunderhoof/

LowMad - LOST (Album Review)

Release Date: December 06th 2024. Record Label: Self Released. Formats: DD/Vinyl

​LOST - Track Listing:

1.Knette's Garden 05:23

2.Kaleidoscope Dreams 05:05

3.V et XII 06:41

4.Victims Of Catatrophe 07:19

5.KNAL 04:22

6.Seems Better Than Nothing 04:29

7.Fake Identity 05:37

8.Satori 06:46


Members


Tom, Christof, Knette & Philip


Review


LOST is the new album Sludge/Stoner/Punk upstarts LowMad and this is their second full length album with the band developing a cool sounding style of Grunge based attitude along the way. This is my first exposure to LowMad’s music and I was mightily impressed with the different areas of music the band fuse together with a classic 1990’s Heavy Rock attitude whilst keeping with it’s Punk Rock credentials. 


LOST is quite a bass heavy record with LowMad expertly delivering their down and dirty sound with a ferocious Grunge appetite which is added very early on the album on tracks such as Knette’s Garden, Kaleidoscope Dreams and V et XII. There is a solid CRUST PUNK and METALLIC groove being played with flashes of fractured Psychedelic Rock with LowMad playing fast and loose with the rules of underground Sludge/Stoner Metal.


 You can hear influences from bands such as MOTORHEAD, High On Fire and Alice In Chains but with a downbeat Punk Rock momentum. The LOW & SLOW and AMPLIFIER DISTORTED methodology of music is applied superbly well which gives the album quite an experimental sound where you don’t know which direction the music ultimately takes. LowMad can be quite frantic and extremely erratic at times with the scattered stop/start approach and delivery of their music but this makes the record quite unforgiving and challenging to hear at times. 


The vocals are solid throughout and matches the DIY PUNK ethos the the band play on LOST. Production values are bold and wholly aggressive with a seedy atmosphere that superbly fits into the PUNK ROCK movement ov LowMad’s creative identity. LOST can be quite THRASH, INDUSTRIAL and SPEED METAL orientated at times so expect a lot of different musical movements where you least expect this especially on the later stages of the record. 


Other standout tracks include: Victims Of Catatrophe, Seems Better Than Nothing, Fake Identity and Satori. These tracks contain the heaviest and most interesting sounds on the album with LowMad perhaps being more confident on these tracks alone.


LOST is an excellent record packed full of different and wonderfully observed styles of Sludge and Stoner Metal with a menacing style of Punk Rock and Grunge being added to the mix.


Excellent and Highly Recommended.


Words by Steve Howe


Links


https://www.facebook.com/LowMadPunks
https://www.instagram.com/lowmadpunks
https://vi.be/platform/lowmad

Monday, 23 December 2024

Doom/Prog/Punk project Caprahed (Phil Howlett of Lucifer's Fall, etc) to unleash new album Empire, a 30 min. single-track behemoth

Caprahed was formed in 2022 in Adelaide, Australia as an entirely solo project by Phil Howlett (Lucifer’s Fall, Solemn Ceremony, Zlórtcht, Rote Mare & Devils Victim (coming soon!)) as a vehicle for recording anything and everything a little bit different or strange that doesn’t fit in with the other more traditional projects mentioned.


The first self-released self-titled Caprahed came out in 2023 and was a mix of Doom, Punk and more alternative influences.

The second album and current release (January 2025) titled Empire is a single 30 minute track which could be described as a mix of Doom, Punk, Alternative and a kind of primitive Prog. The usual more traditional doom influences plus something like Sonic Youth, Voivod and maybe even King Gizzard.


The artwork for Empire is by long term collaborator Sean Wiskin. Caprahed the band is based entirely upon the coming of goatmen from a parallel universe who use a machine of six pillars and a crystal humanoid skull to generate a portal through to our world, the power being generated through the draining and enslavement of the collective mind of humanity. The debut album began the story and the second album focuses on humanity’s fight back against the EMPIRE.

Caprahed is a purely studio project with the only current long term intention being to release further material.


Caprahed - Empire

Album out January 20th, 2025
Self-released (CD, Digital)
Adelaide, Australia
FFO: Cathedral, Sonic Youth, Voivod, King Gizzard & The Lizard Wizard
Recorded by Phil Howlett
Artwork by Sean Wiskin

Caprahed is Phill Howlett

Tracklist:

Empire (30:26)

Four Song Version (Parts I-IV):
I. Phase IV (6:28)
II. Masters And Slaves (10:12)
III. The Rebellion (8:50)
IV. Until The End (5:11)

Links:

Bandcamp | Facebook


Thanks to Good Boy PR for all of the details.

Jon McGough Reviews His Favourite Album Of 2024 - GJENFERD: GJENFERD (Album Review)


Release Date: May 07th 2024. Record Label: Apollon Records. Formats: CD/DD/Vinyl


​Gjenferd - Track Listing:

1.High Octane 03:51

2.Starless 07:17

3.Burning Soil 04:43

4.Restless Nights 05:07

5.Beneath The Wave 04:03

6.All That Remain Is Haze 07:57


Review


​How does one go about choosing their album of the year? Do you whittle your list down at the last minute? Do you stress over the thought of picking between album number one vs album number two? Well not me, I usually know when I hear the album that it is something special. Last year it was DeWolff’s ‘Love, Death and In Between’, an album I found quite refreshing and original with its take on 70’s rock and soul. In 2022 my mind was blown away with the progressive rock classic from Birth, easily album of the year for me. In 2020 I heard the debut album from Kryptograf, without a doubt, top slot. Which leads me to my pick for this year.


I did the time jump and mentioned Kryptograf because there’s a connection to my pick for 2024. This year for me it is Gjenferd with their self-titled release. Upon first hearing this album I was very much suspicious of the singer sounding quite familiarly like the singer from Kryptograf. I even posted a blurb on Gjenferd’s Bandcamp that states “Imagine fellow Norwegians Kryptograf but with heavy keys.” Turns out my suspicions were valid; it is in fact Vegard Bachmann Strand on guitar and vocals. Joined by Jakob Saervoll on keys/vocals, Samuel Robson Gardner on bass, and Hans Uhre on drums, and what a glorious ‘noise’ they create! 


Gjenferd weave their magic through six rockin’ tracks of Hammond organ wizardry, thick guitars, endless groove, and vocal harmonies, all the while showing their outstanding musicianship and skill in songwriting. Blending prog, 70’s rock, and proto-metal with modern heavy psych and stoner-doom it’s a combination of sounds that Gjenferd has nailed, accomplishing something truly special. It’s a fresh take on what can be done, a step up from some of the ordinary sometimes staleness within the scene. Though the album may take inspiration from various outlets, it’s never recycled or uninspired, but rather a glowing beacon of originality. 


Gjenferd kicks things off with the rock anthem ‘High Octane’ which puts audio to the visual of the album cover, a careless free spirit riding the open road with unavoidable death breathing down your neck. It really has that feeling to it, and when the Hammond organ kicks in from the count off you are completely held hostage by it through the entirety of the song. Not that new music can’t have an organ in it, but with Gjenferd it brings a certain vintage aspect to the ensemble.


The Stoner-Doom infused ‘Starless’ introduces the infatuating dual vocal harmonies that are flawlessly executed on this slower tempo track. In fact, the vocals are one of the stars of the album. Their weight is heavy, the gravity of them pulls you in and soon you’ll be singing ‘The city’s crumbling, oh can’t you see? The sky is starless, to me...’


Gjenferd blends proto-metal guitar riffs with classic rock styled melodies with ease. Just as ‘Starless’ did before, ‘Burning Soil’ is another track where the vocals take center stage. Feelings of despair and longing are delivered through a wistful chorus of emotions. Great songs create great albums, a simple concept in theory, though this group of Norwegians take such knowledge pushing it even further with their song-smithing and artistry. 


‘Restless Nights’ starts off in an Uncle Acid manner before shifting into a Moody Blues styled 70’s rock progression. Take note of the exceptionally fluid bass guitar, it’s constantly in motion and as the volume lowers on the verses, it becomes a real highlight and point of focus.


The track ‘Beneath the Wave’ sounds as such, with a heavy underwater effect on the vocals. Like a storm coming to fruition the song eerily builds adding layer by layer, instrument by instrument. The pinnacle point being a flurry of keys followed by a tempest of notes in the form of a raging guitar solo.


 The funkiest song on the album without a doubt is ‘All That Remain is Haze’, with the locked in groove between the bass and drums in a rhythmic union driving the course. Even as the song goes into a long winding bridge filled with keys and guitar, the rhythm section holds it all together. It all comes crashing back down to the captivating chorus, that, as you should know by now, Gjenferd are experts at.


Gjenferd fulfills what any album of the year should, a major re-playability factor, gratification to the listener, and ticking all the boxes of this guy’s personal tastes. 


Words by Jon McGough


Links


Facebook | BandCamp | Instagram