Thursday, 2 August 2018

An Interview With Mike Cummings From BACKWOODS PAYBACK


Backwoods Payback have been going as a band since 2003. 15 years later the band are about to release their best album to date with Future Slum.

You can read Todd’s recent review here.

Future Slum sees Backwoods Payback adapt a more seedy and heavier sound whilst still retaining their original classic sound.

I caught up with Mike Cummings (Vox/Guitar) from the band where we discussed the evolution of the band and the making of their new album.

Hi Mike. Thanks for doing this interview. How are things with you today.

I’m feelin good man, ready to hit it!

Before we discuss your new album. Can you give a brief overview of how the band formed and where it is today. 


The band started 15 years ago. I made a demo of some songs I had kicking around that didn’t really work for the band I was in at the time and gave it to some friends to see if they wanted to jam sometime. They dug what I was thinking and we went from there. 6 albums and countless tours later and here we are. Been kind of nuts 

How would you describe your overall sound. As you have included quite a few different elements for a seedy and heavy sound. Especially on your excellent new album.

Thanks man, we are really excited for this new one. I don’t really know how to describe the overall sound. I always felt like we don’t really fit into any one scene, which is good at times but makes it a little harder at others. HEAVY is probably the one word I could describe is with.


You’re about to release your superb album – Future Slum. What can people expect from the album.

I think this record is the next evolution of our band. It’s streamlined in some ways, it’s massive and expansive in others. It’s honestly the best thing I have ever been a part of.

What is the main theme of the album and why did you call the album Future Slum.

The album revolves loosely around the concept of feeling lost, disenfranchised, and not fitting in. So you go searching, find some people, join up and....it’s up to the listener to decide where they end up.

Future Slum is a the place any of us are standing, living, breathing at any moment. No matter where you may think you are, it’s just a future slum.

Who is releasing the album and what formats is the album being released upon.

We reaches out to a number of labels and folks but couldn’t really find a home for this one. We are doing everything ourselves. I grew up in the punk/hardcore scene (as did Erik) so this is really all I know. When no one will help you, you do it yourself.

The album will be released on August 3rd on vinyl, CD, and all digital outlets.


What influenced you when writing and recording the album.

I was writing a lot of it around the 2016 elections, so that feeling of waking up and not really understanding how this could happen came into play for sure. I’ve also always read heavily about cultural movements, sects, cults etc. Those themes have never made their way into the band however so this was a first. It just kind of all started to come together.

Was recording the album an easy or hard experience.

It was painless. We went into the studio the week we got off the road with Royal Thunder and I feel like we were at the top of our game playing wise. Our ideas were flowing and we blinked and were done.

You’ve been together as a band for 15 years now. Did you ever think back then that the journey would last this long.

HA HA, man I didn’t think this would last through a few shows. I was so burned out doing the band I had before this. It was feeling like a chore, so with Backwoods Payback I said “let’s not try, let’s just play and vibe and see what happens”.
And here we are...had a lot of highs and a ton of lows but we are still here.

Would you change anything at all that you’ve been through with the band.

Not a thing. 


What is the song-writing method in the band. Is it a group collective or down to one individual.

I usually end up bringing song ideas to practice and showing everyone what I’m thinking. Everyone kind of vibes on their own thing so we tend to work well with each other. It’s funny though, 9 out of 10 times the rough riff type demos that I give Erik and Jessica end up being just about how I imagined the finished song to sound. I think we are just in that phase of writing to each other’s strengths.

You have a US Tour coming up within the next few weeks. What can people expect from these shows and will you be performing other dates later in the year. Or will you just be focusing on gigs closer to home.

We just did a run of shows in the North-east and will be heading south for a few after the record is out. Our plan as of now is to do a few more regional runs in the early fall and then a US tour in November. 

Are there any plans for you to come over to Europe in the near future. 

YES! Since playing last year at Roadburn and Desertfest we have been planning our return. Hoping for early 2019 if all goes as planned!

Thanks for doing this interview. Before you go do you have anything to say to your fans. Best of luck with the new album.

Thanks for vibing on it and spreading the word man. It’s been a long time of wandering out here, it feels good to know that folks are getting it. See you all on the road....no sense makes sense.

Words by Steve Howe and Mike Cummings

Thanks to Mike for doing this interview. Thanks to Curtis at Dewar PR for arranging the interview. Backwoods Payback is now available to buy on CD/DD/Vinyl now.

Links:

Monday, 30 July 2018

Raum Kingdom - Everything & Nothing (Album Review)


Release date: June 01st 2018. Label: Self Released. Format: CD/DD/Vinyl

Everything & Nothing – Tracklisting

1.Summon 05:36
2.Dig 06:44
3.Winter (feat. Mia Govoni) 14:16
4.Walk With Reality 08:00
5.Rebuilding The Bridge 09:24
6.Hidden Pain 04:42
7.Struggle 10:53

Members

Drums - Mark Gilchrist
Bass - Ronan Connor
Guitar - Andrew Colohan
Vocals - Dave Lee

Review

Raum Kingdom new album – Everything & Nothing – is not your standard Post-Metal album. Sure the band have included the usual trademarked sounds that makes for a good Post-Metal album Throw in elements of Doom, Post-Rock, Sludge and a small dose of Screamo tendencies. What makes this such a riveting and highly intelligent album is Raum Kingdom’s level of darkness that they include on the album. The lyrics and vocals are quite bleak throughout and sometimes it can be quite easy to get lost along the way.

The heavy post-rock/post-metal guitars instantly draw you in before Raum Kingdom unleash an epic wave of post-gloom metal darkness on the excellent opening song – Summon. You can hear influences from bands such as Neurosis, AmenRa and Cult Of Luna but Raum Kingdom stand on their own merits. As their music has a sombre Ambient Post-Rock feel.

The album runs for an hour and the band never let up in creating heavy sludgy post-metal rhythms on nearly all of the songs held on the album. The production is masterfully handled and when the album changes to a darker progressive sound on songs such as Dig and Winter, you can feel influences from bands such as TOOL and Deftones. The dual male/female vocals (Mia Govoni makes a stunning guest appearance on this track) on Winter is perhaps the standout song on the album with the crushing bleak doom post-metal vibes allowing both Mia and the band create a psychedelic blend of alternative rock/metal sounds that you wouldn’t expect from an album such as this.

Raum Kingdom continue creating highly impressive Post-Metal sounds on songs such as: Walk With Reality, Rebuilding The Bridge and Struggle. The bleak and experimental nature of the album maybe too jarring for some people to fully appreciate. As Raum Kingdom cover a lot of different musical ground within the epic 60 minute plus runtime.

If you’re in the mood for a challenging and highly complex Post-Metal album then I recommend you check this album out. Everything & Nothing isn’t the most easiest album to listen to and it’s perhaps more suited for more experienced Post-Metal connoisseur.

Overall, Everything & Nothing is a stunning and well made album that could see Raum Kingdom make a name for themselves within the next few years. It may take another album for the band to truly reach their potential. Until then I recommend you listen to this album and embrace the dark bleak journey that lies within Everything & Nothing.

Excellent and Highly Recommended.

Words by Steve Howe

Links:

Facebook | BandCamp

Saturday, 28 July 2018

Mountain Of Smoke - Gods Of Biomechanics (Album Review)


Release date: July 14th 2018. Label: Self Released. Format: DD

Gods Of Biomechanics – Tracklisting

1.Incept 02:21
2.Tannhauser Gate 03:40
3.Orion's Shoulder 02:52
4.Caesium Beams 03:46
5.Zhora 04:20
6.Morphology 02:55
7.Retirement 03:03
8.Leon 04:25
9.Tyrell 03:19
10.. Gods of Biomechanics 02:53

Members

PJ Costigan- drums
Alex Johnson- pedal steel and synth
Brooks Willhoite- bass and vocals

Review

Making an album on seminal classic science fiction film Blade Runner is mighty bold and impressive by anyone’s standards. However doing another album based on the same film is downright insane. Who could pull such a task off. Well, Mountains Of Smoke for a start. The hard edged Sludge/Stoner Metallers are back with their new album – Gods OF Biomechanics.

An intriguing and thrilling progressive album that takes many themes from the landmark movie and adds a nightmarish surreal industrial Doom/Sludge/Stoner Metal sound with hints of warped electronica. The opening two tracks Incept and TannhÀuser Gate is what you expect from the band with fast-paced drone like riffs weaving psychedelic sounds into the realm of Blade Runner.

The vocals from Brooks are heavily digitised which is natural for an album such as this. Mountain Of Smoke have devilish fun blending the ideas of the movie against a backdrop of heavy Doom/Sludge based themes. Mountain Of Smoke already tried this idea on their self-titled debut album back in 2014. I remember listening to the album back then. I remember not being fully sold on the whole concept and sound of the album.

However I have no such problems with Gods Of Biomechanics as Mountain Of Smoke have created an album that captures the dystopian tone of the classic movie. The heavy industrial sounds and bleak lyrics may leave you feel slightly down but the frantic punk based energy of Orion’s Shoulder and Caesium Beams show a band not afraid to experiment with their sound.

Maybe the album is partially influenced by Nine Inch Nails and Author & Punisher as the heavy industrial sounds start to overpower the Doom/Sludge/Stoner Metal vibes that appear on the early stages of the album.

Mountain Of Smoke have included a high amount of samples from the movie and they appear throughout the album, including the legendary “Tears in Rain” monologue. Mountain Of Smoke deserve credit for trying something different with this album. it’s not the most easiest album to listen to as there is a lot going on. The songwriting is good but there are a few songs that don’t quite work as they possibly should. However the heavy industrial music and mechanical stylised vocals save the day.

The real question that needs to be asked is: Who short first – Han or Greedo. Damn, Sorry, wrong Harrison Ford Movie.

No, the real question(s) I want to know is what version of Blade Runner inspired Mountain Of Smoke to write this album to. We do have about 6 or 7 versions to choose from. My second question is -Will they release an album based on the classic sequel Blade Runner 2049.

Anyway, I digress. Gods Of Biomechanics is a thrilling and spectacular heavy album.

Excellent and Highly Recommended.

Words by Steve Howe

Links:

LáGoon - L’affaire des Poisons (EP Review)


Release date: July 13th 2018. Label: Norwegian Blue Records. Format: DD/Vinyl (Oct 2018)

L’affaire des Poisons – Tracklisting

1.Street Freaks 04:18
2.Head Tripper 03:24
3.The Affair of Poisons 02:33
4.Kill the Messenger 03:20
5.Draculove 02:34
6.Distant Enemy 03:04

Members

Guitar/Vocals - Anthony Gaglia
Drums - Brady Maurer

Review

I never managed to find the time to review Doom/Fuzz Rockers LáGoon debut album, Grim Ripper, which they released earlier this year. Grim Ripper is hugely enjoyable album with plenty of menacing Doom/Fuzz and Heavy Metal sounds that brought LáGoon some minor acclaim within the Doom/Stoner Metal community.

LáGoon seems they’re a band who never rest on their laurels as they’ve just released their 2nd record of the year with the stunning L’affaire des Poisons. All the familiar elements that made Grim Ripper such a cool album are here for you to enjoy. High amounts of Punk Rock, Fuzz, Doom, Stoner and vintage Heavy Metal sounds. L’affaire des Poisons may not have the same high level of excitement of Grim Ripper, the EP does have a more thrilling and street based sound.

The opening 3 songs – Street Freaks, Head Tripper and The Affair Of Poisons – has a cool Punk/Sludge vibe with the band adapting a more alternative rock flavour to their overall sound. LáGoon have captured the essence of an early lo-fi Fu Manchu and this is where the EP excels the most. As LáGoon are very hard to categorize and that’s mainly down to the many different elements of music they play on the entire record.

The sound is very raw and lo-fi but that what makes LáGoon standout from the crowd. They maybe not be the best produced band currently out there but this gives LáGoon a sense of real authenticity within the realm of Stoner Rock/Metal.

The standout songs on the EP are Kill The Messenger and Draculove. As LáGoon show their appreciation for classic and vintage punk rock bands. Though they add a more threatening Fuzz/Doom aspect to their music. Anthony’s vocals are very OTT and he feels inspired by the 70s Glam Rock/Garage Rock scene at times. Very operatic and in your face but this allows Anthony to deliver a very commanding vocal performance.

LáGoon aren’t going to be for everyone. However if you want a band that takes no bullshit and creates their own sound. Well LáGoon are the band for you. Overall, L’affaire des Poisons is another fantastic release from LáGoon and proves they are one of the best upcoming bands around that you all should know about.

Enough said….

Words by Steve Howe

Links:


Thursday, 26 July 2018

New Video From Progressive Doom Rockers ANCESTORS


Release date: August 24th 2018. Label: Pelagic Records. Format: CD/DD/Vinyl

Suspended In Reflections – Tracklisting

1.Gone
2.Through a Window
3.Lying in the Grass
4.Into the Fall
5.Release
6.The Warm Glow

Members

Justin Maranga
Jason Watkins
Daniel Pouliot

The Lowdown

On August 24th 2018, Progressive Doom/Post-Rockers ANCESTORS will be releasing their epic new album SUSPENDED IN REFLECTIONS via Pelagic Records.

This is their first album in 6 years and sees the band adapt a more Progressive Doom and Psychedelic Post-Rock sound. This is still unmistakably ANCESTORS but with a more progressive groove.

You can read my review here:

To get you into the mood for the upcoming album, ANCESTORS have just released this new video for one of the standout tracks from the album - GONE



Thanks to Daniel from CZ Promotions. Suspended In Reflections will be available to buy on CD/DD/Vinyl via Pelagic Records from August 24th 2018.

Links:

Video Premiere Of BLACK HELIUM New Video - Summer Spells


Release date: July 27th 2018. Label: Riot Season Records. Format: CD/DD/Vinyl

Primitive Fuck – Tracklisting

1.Drowsey Shores 05:25
2.Love The Drugs You Make Me Feel Like I'm On 05:39
3.Wicked Witch 05:48
4.Summer Spells 05:37
5.Videodrone 02:18
6.Curtains At The Mausoleum 09:11
7.Do You Wanna Come Out Tonight? 03:24
8.Primitive Fuck 06:33

Members

Stuart Gray (vocals/guitar)
Beck Harvey (vocals/bass)
Davey Mulka (guitar)
Ben Davies (drums)

The Lowdown

Not only have UK Psychedelic Doom/Drone/Stoner Rockers Black Helium released their epic new album Primitive Fuck today. They have also let us premiere the blistering new video for Sunny Spells. One of my favourite songs off the new album which is being released today via the excellent record label Riot Season Records.


You can read my review here:

You can buy Black Helium on CD/DD/Vinyl from Riot Season BigCartel Page and Black Helium BandCamp Page now.

Links:


Tuesday, 24 July 2018

LURK - Fringe (Album Review)


Release date: August 05th 2018. Label: Transcending Obscurity Records. Format: CD/DD/Vinyl

FRINGE – Tracklisting

Ostrakismos
Tale Blade
Reclaim
Elan
Offshoot
Furrow
Nether
Proteus Syndrome

Members

Kimmo Koskinen - Vocals
Kalle Nurmi - Drums
Arttu Pulkkinen - Guitar
Eetu Nurmi - Bass

Review

I didn't know what to expect from Finnish Heavy Metallers - LURK - new album, Fringe. I've only heard bits and pieces from this band and I have never listened to a full record of theirs. Shame on me as Fringe is epic as they come. I've listened to their previous albums now when writing this review. Fringe is perhaps their most diverse and most experimental offering to date. The album is a mixture of Sludge, Doom and Post-Metal though LURK do add elements of pitch-black doom/death sounds on certain songs on the album.

Opening song - Ostrakisomos - starts off with a Mastodon/Neurosis style progressive sound. Then elements of psych sounds and a twinge of Jazz gives way to a bleaker atmosphere with the pitch-black vocal delivery of lead vocalist Kimmo. The riffs remain in the Doom/Post-Metal world however everything else is pure progressive bleakness. LURK have a talent for creating highly atmospheric sounds that will make your skin crawl. The music and lyrics have a brooding feel and LURK approach their music with a truly cool sounding apocalyptic feel.

Second track - Tale Blade - has a more Blackened Rock and Roll approach with the pitch-black vocals feeling they've came from a different band. However the riffs are eerie familiar from past LURK albums. The slow progressive guitar riffs slowly adds a more down-tempo doom and gloom effect. However it's the intricate psychedelic post-rock/post-metal interludes that offer a different side to LURK. The song can be very cold but also offers brief moments of uplifting sludge grooves. Only for a few seconds though. 

The rest of the album carries on the Sludge/Doom/Post-Metal hybrid sound with elements of bleak vibes holding everything together. Songs such as Reclaim, Elan, Furrow, Nether and Proteus Syndrome sees LURK do a great job of keeping the mood loud, violent and fresh. Maybe Fringe does take many cues from the legendary sound of Neurosis and Mastodon but which band doesn't within the realm of Doom/Sludge Metal. At least LURK add a more organic groove to their music and the lyrics are simply sublime.

Fringe is an album that has something to say and LURK accomplish this by weaving highly intelligent progressive riffs and bleak lyrics to match. My favourite song has to the final epic song Proteus Syndrome as LURK crank up the tension with an endless stream of heavy Doom/Death riffs and bleak growls to match. Fringe is a well-produced and excellent sounding album from the start.

LURK take a no holds barred approach to this album and it pays off brilliantly well. LURK have delivered the goods with Fringe.

Words by Steve Howe

Thanks to Transcending Obscurity Records for the promo. Fringe will be available to buy on CD/DD/Vinyl via Transcending Obscurity Recordds from August 05th 2018.

Links: