Saturday, 3 December 2016

An Interview with Jay Fortin from SCISSORFIGHT

Scissorfight made a name for themselves for their legendary shows and acclaimed albums such as “American Cloven Hoof Blues”, “Mantrapping for Sport and Profit” and Juggernaut. Then in 2006 the band suddenly split up.

Over the years the band have become almost legendary within the underground Stoner/Sludge Metal scene. Fans have been waiting patiently for the band to reform and Scissorfight's reputation has only become stronger since they originally broke up a decade ago.

Fast forward 10 years later and Scissorfight have returned though with two new members – Rick Orcutt and Doug Aubin on Drums and Vocals respectively. Doug had perhaps the biggest challenge in taking over their former vocalist – Ironlung's role. Doug brings his style of expert delivery on their comeback EP – Chaos County (Out now on Salt Of The Earth Records).

Chaos County matches the familiar intensity of Scissorfight's legendary sound and gives it a more modern sounding groove. It's a kick-ass EP that should hopefully see the band create more heavier sounds in the years to come.

I was given the chance to speak to Jay Fortin (Guitars) and this is what we discussed.

Hi Jay. Thanks for doing this interview. Really appreciate this. How are things with you today.

Hey, things are good!

Before we start discussing your excellent new EP. Can you advise what happened when you guys broke-up. You were riding a crest of the wave. Great albums and a fearsome live reputation. What happened.

Yeah things were going pretty good it seemed. The singer quit the band without really letting us know. He just stopped responding to requests about when we would play again and it took a while to figure out that he indeed had no intention of being in the band anymore. 

Did the break-up happen suddenly or was it a build-up of different events.

 It was sudden in a way for us but for him it probably was a build up of things.

Are you still in contact with Ironlung. What are his thoughts on the reunion.

There has been little contact with him over the last 10 years... I'm guessing he doesn't really give a shit about it!

It seems the legend of Scissorfight and calls for a reunion has grown vastly stronger over the last five years or so. Did you notice this yourselves.

Yes we definitely noticed! It seemed that interest in the band never really let up, maybe it got stronger. We noticed from activity on the internet and in our lives... Running into fans all time, old and new, people always asking for merch... Etc etc

When did you decide to reform the band and how did it come about.

We've thought about reforming the band a few times thru the years... With a new singer.. But it didn't happen. Jarvis(bass player) and I have been in other bands in the last 10 years and the last band we were in did a show to support the release of a Scissorfight beer.

We did a few Scissorfight songs and it then that we started thinking about starting up the Scissorfight machine again... We thought "why the fuck not?!

It's our band, we started it, the other guys quit 10 years ago and people want SCISSORFIGHT! " so that's when started plotting and planning...

You have two new members in the line-up now. How did you meet new members Doug and Rick.

We first met Doug at shows that both of our other bands played together... Jarvis was the first to make note of the fact that he would be perfect for the front man of Scissorfight... So we had our eyes on him for a bit! Rick is a local drummer we both knew from shows.. He played in a lot of punk bands including The Queers and The Connection and The Guts. He had contacted us a few times about just jamming and shit... So when it came time to get serious he got the call.

What do Doug and Rick bring to the Scissorfight sound.

 They bring awesomeness! Doug brings a disquieting presence and a strong, more aggressive tone to the vocal sound, which we're very excited about... A harder edge... Rick brings solid, hard hitting big ass drum noises that fit perfect for this shit! Simple, loud as fuck, rock drumming as it should be. And both of these guys are cool as hell, chill, ready to destroy eardrums at anytime! 

How have the live audience taken to the new line-up. Has it all been positive vibes from your fans.

It's been amazing! Audiences have been blown away I think... Every show has people that were a little sceptical about it but were turned around into believers after! Yeah it's been very well received. All positive.

We have to talk about your excellent new EP – Chaos County. Great EP and one that matches your classic earlier sound with a more modern feel. What can people expect from the EP.

Thanks! I think you put it well, they can expect the same classic Scissorfight sound just updated a bit... And we have so many new songs waiting be recorded, heavier, groovier, faster... Expect more heavy ass rock to flip out to!

Was it an easy or hard EP to write and record for.

It was easy as fuck! I've never stopped writing Scissorfight riffs so all the music is coming out very easily. Doug probably had the hardest job and he's proved up to the task.

With this being your first release with the new line-up. Did you feel any extra pressure recording the EP. Were you worried what long-time fans would think of this EP.

There was definitely some pressure and some wondering what fans would think... It's hard to change members in such a established band but it just felt like it could be done... It had to be the right people.. Maybe that's why it took so long... But it was worth the risk... The recording part was easy because it just was sounding bad ass... It was the first few shows that were worrisome.. But it ended up we had nothing to worry about!

Did you try out any of the new songs live in concert before you started recording it. If yes, how was the reception to the new songs being played live.

We did and people were  head banging and rockin out before even knowing what the songs were! People started picking up lyrics from live videos that were posted online and singing choruses before the EP came out!!

The EP is being released by Salt Of The Earth Records. How did you hook up with them.

Salt Of The Earth contacted us right away about putting the return of Scissorfight out and we were stoked! It was really that simple. 

Did you have any offers from other labels.

We did not. Maybe we will, maybe not, we don't care that much cuz we're gonna do what we do regardless.

Scissorfight has such a vast and almost classic back catalogue. What has been your favourite record you’ve released.

Well, the new one of course! But as far as the old stuff probably mantrapping for sport and profit is my favorite. It's hard to say... I like everything except some of those later EP's. 

Are there plans for a full length record or perhaps even a European Tour.

Yes! We have enough times for a full length already so just just gotta record them... And we recently got added to Roadburn in April 2017 so we'll be doing some European touring around that! And we are fuckin stoked to get over there!

Did you ever think when you started the band over twenty years ago that you would still be doing it to this very day. Do you have any personal highlights during that period.

 I never really thought too much about how long is be doing this! I also always had hope that Scissorfight would happen again. It's all highlights! We love this shit. We're excited to create more highlights! For me personally, the highlights are when old fans come up after a show and thank us profusely for coming back and how they love the new line up... And when new fans who never saw the band live the first time... Those are truly awesome moments. Means a lot.

Thanks for doing the interview. All the best with your new EP.

Thank you! And hope to see you at a show!

Words by Steve Howe and Jay Fortin

Thanks to Scott at Salt Of The Earth Records for arranging this interview. Thanks to Jay for taking the time out in doing this interview.

Chaos County is available to buy now via Salt Of The Earth Records.

Scissorfight Links:

Salt Of The Earth Records Links:

News: Chubby Thunderous Bad Kush Masters sign to Riff Rock Records and New Video

Chubby Thunderous Bad Kush Masters sign to Riff Rock Records and release new video.

The London band (including former Dopefight frontman Owen Carty) have been turning heads on the UK’s burgeoning underground scene not least because of their combination of tie-dye and corpsepaint, but with a staggeringly heavy live show that has everyone who sees them agreeing that they’re about to become huge. In the video for ​Mother Chub.

CTBKM channels the Wu Tang Clan and their other 90s hip hop heroes for the type of music video you only ever saw when you woke up on the couch at 4am after a bad batch of brownies.  The band’s tongue-in-cheek approach belies their dedication to all things heavy and riff-shaped. A jaw-droppingly powerful live band, 

Bad Kush have already completed two European tours and repeated circuits of the UK’s underground scene since their inception in late 2014. Having supported the likes of Slabdragger, Dopethrone and Honky, audience members have picked up on the band’s vibe and now blow bubbles in appreciation of the band’s heaviest riffs. 

Check out the video below:

Chubby Thunderous Bad Kush Masters will be recording and releasing their debut album in 2017 through Riff Rock Records. 

Chubby Thunderous Bad Kush Masters will be recording and releasing their debut album in 2017 through Riff Rock Records. Catch the band live before they go into hiding to finish recording: 

3rd December 2016 - The Unicorn, London 
22nd April 2017 - Rebellion, Manchester

Chubby Thunderous Bad Kush Masters are: 

Owen Carty (Vocals, Guitar)

Will Hart (Bass)
Mark Buckwell (Drums).

Kylver - The Island (Album Review)

Release date: October 06th 2016. Label: Self Released. Format: CD/DD

The Island – Tracklisting

1.The Great Storm of 1703 13:41
2.Hy-Brasil 05:11
3.Monolith 09:28
4.The Abyss 06:37
5.The Great Race 06:54

Band Members:

James Bowmaker (Bass)
Barry Mitcheson (Drums)
Neil Elliott (Hammond Organ, Keys)
Jonny Scott (Guitar).


Firstly I must apologise to Kylver for the delay in writing this review. I've had this album for a few months now but I got sidetracked with many things in my life. My 40th birthday where I took a self imposed exile from writing reviews and this is one the albums that I sadly forgotten about during that time.

f you're not familiar with Kylver's sound then be prepared for a lesson in instrumental progressive metal masterclass as The Island is truly a majestic album that merges Psych, Post-metal, Post-Rock, Doom and Prog Rock that sounds fresh, exciting and original.

Kylver's second album – The Island sees the band in more psychedelic and progressive territory compared to their debut album. Opening track – The Great Storm – merges Mastodon style progressive sludge style riffs with a subtle 70s folk-rock sound. It's a very daring track to open the album with as you cannot determine or identify the main theme of Kylver's sound. It can be described as a progressive lucid and surreal dream with moments of doom and gloom giving the song a more sinister edge.

Second track – Hy-Brasil – carries on the 70s influenced psychedelic riffs though with a more modern post-metal delivery. The use of organs from Neil is what elevates this album into the realm of greatness. I'm not the biggest fan of organ music but Neil is making me a firm believer with his expert playing. The other guys concentrate on creating more heavy surreal sounds that have Pelican fans sit up and take notice.

Third track – Monolith - is perhaps closest to a true progressive DOOM metal song you will ever likely to hear from Kylver. Though the song takes it's time in bringing the heavy riffs to the party. As Kylver expertly weave another magical 70s psychedelic sounding and almost occult style song.

The final two tracks – The Abyss and The Great Race are perhaps the two standout tracks on the album as Kylver demonstrate their ability to create haunting and exciting stories without the need for words. Their music veers once again into so many different directions that you will easily lose yourself into the heavy psychedelic madness of it all. The Abyss is more slower paced but it offers a more far-out experience than The Great Race.

The Island is a very hard album to describe but one that will have universal appeal to the Rock/Metal community. If you're a fan of Pelican, Russian Circles, Tool and Mastodon then you need this album now. The production is first rate as Kylver sound immense from the start.

Two albums in and Kylver have the potential to become one of the leading Instrumental Rock/Metal bands the UK has to offer. With a couple of more releases I can see Kylver making a lasting impression on the international stage. The Island could the the first step to greater things from Kylver. I can't wait to see where they go from here.

Words by Steve Howe


Wednesday, 30 November 2016

KAYROS - Hombre De Piedra (Album Review)

Release date: November 30th 2016. Label: Self Released. Format: DD

Hombre De Piedra – Tracklisting

Hombre Piedra
Crisis RH2
Cuidad Fantasma
Circo Infierno
Hacia El Avismo
Camino Marginales


This is my first exposure to Kayros. A Psychedelic Doom/Stoner Rock band from Chile. They’ve been going for ten years now and they have just released their third album – Hombre De Piedra. Signs didn’t look too good with the opening track – Hombre Piedra – as it opens with a saxophone merged with distorted psychedelic beats. Then the song opened up with heavy fuzzy riffs that caught my attention.

As the band move into heavier sonic territory with doomy grunge sounds and cool as ice vocals. The vocals are sung in the bands main language. I can’t comment what the lead singer is singing about but he puts in a commanding performance with the fuzz based sounds playing around him.

Kayros have quite a progressive spaced out fuzz rock vibe on the early stages of the album and it’s a constant theme through out the entire album. Kayros deserve credit for creating some original sounds on this album. Tracks such as Crisis RH2, Gaza, Circo Infierno and Caminos Marginales are where the band impresses the most. As the band play heavy sounds that merge Doom, Stoner, Fuzz and Psychedelic riffs for a crazy wild ride.

Kayros show a wealth of creativity on the album as they blend sixties sounding psychedelic with the heavier seventies space rock sounds that are all held together by modern sounding doomy atmospherics. Kayros leave you wanting more on some of the songs especially Cuidad Fantasma. As they create a surreal Pink Floyd-esque trippy sonic odyssey that suddenly ends. This is a shame as I feel the song should have been longer. Though not to worry as the band have other great songs to impress you with.

The production is superb as the album has a lot of depth especially in the volume department. This is a very loud album so be prepared to turn the volume down a touch or so.

I wasn’t expecting much from Hombre De Piedra but Kayros impressed me a great deal. Hombre De Piedra is a fantastic album from start to finish. The album is another great reason why you should check out more bands from the South American Doom/Stoner Rock scene. There are some excellent bands to discover and I recommend you start with Kayros as this album is simply unmissable.

Words by Steve Howe


Tumbleweed Dealer - TDIII - Tokes, Hatred & Caffeine (Album Review)

Release date: November 21st 2016. Label: Self Released. Format: DD

TDIII - Tokes, Hatred & Caffeine – Tracklisting

1.The Carnage Cosmic 01:33
2.Blue Crystalline Method (Minus Line O.D.) 02:16
3.Days Gone High 03:39
4.Widow's Weeds (From Spring To Mid-Autumn) 03:54
5.A Slowly Moving Cloud Of Vaporized Flesh 02:25
6.Bongwater Creek 03:45
7.Redneck Car Chase 03:29
8.Saloon Fight 04:08
9.Stung Into A Blissful Coma By A Swarm Of Heroin Filled Bees 03:32
10.Never Sober Again 02:58
11.First A Staredown, Then A Shootout 04:07
12.Voodoo Haze 03:36

Band Members:

Seb Painchaud - Guitars, Bass
Jean-Francois Richard - Drums
Jean-Baptiste Joubaud - Recording, Mix
Tom Waltz - Mastering
Alexandre Goulet - Visual Director


Tumbleweed Dealer’s third album – TDIII - Tokes, Hatred & Caffeine, sees the band opt for a more progressive and jazz rock feel compared to their previous albums. The band still exposes you to their familiar style of Doom/Psych/Stoner riffs with a Western soundtrack sensibility. It’s not their most assessable record but it can be classed as their most creative.

Opening track – The Cosmic Carnage – opens with a jazzy space rock interlude with some intelligent instrumental work leading the way. It only lasts ninety seconds or so but the band make clever use of that time with different layers of prog stoner based noise. It’s not as heavy as I would have liked but it’s a very compelling piece of instrumental rock.

Second track – Blue Crystalline Method (Minus Line O.D.) – is a heavier affair and one that long-time fans will enjoy the most. As Tumbleweed Dealer weave an intriguing concept with the proggish rhythms taking a backseat to the heavier spaced out sounds. The album starts offering brief glimpses into the bands earlier doomier sound.

Third track – Days Gone High – has a more direct approach with the riffs being played at a subtle pace. The instrumental work is once again restrained with brief moments of heavy psych rock bursting to become part of the action. There is a beautifully played acoustic guitar solo that sees the album starting to add a more western feel to the album.

Fourth track – Widow’s Weeds (From Spring To Mid-Autumn) carries on the western sounding vibes for one of the albums finest tracks. Tumbleweed Dealer plays a few different styles of music on this album. The album won’t appeal to everyone as Tumbleweed Dealer experiment with their sound throughout the album. It’s a very different album to their other albums and it’s not quite as heavy that you would expect. Though the more I listen to this album, the more I begin to fully understand and appreciate it that little bit more.

Songs such as Redneck Car Chase, Saloon Fight and Voodoo Haze do show the band’s sense of humour with the song titles. TDIII - Tokes, Hatred & Caffeine is a genuinely exciting album that proves why Tumbleweed Dealer are perhaps the one of the more creative Instrumental Stoner Rock bands currently out there today. It may not offer the same thrills and heavier riffs to their previous albums but this is still a great album to fully experience.

Words by Steve Howe


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Saturday, 26 November 2016

An Interview with Nicolas and Julien from LOS DISIDENTES DEL SUCIO MOTEL And A Special Guest

Los Disidentes Del Sucio Motel (LDDSM) are one of the more interesting and creative bands from the French Doom/Stoner Metal Scene. To date they have released 3 well received albums with the latest being Human Collapse.

LDDSM are a band who aren't afraid of trying different sounds with their music and albums they've released over the years. Each album they've released all sound different to each other. Human Collapse sees the band venture into more Sludge/Post-Metal territory. Compare that album to their debut – Original Soundtrack From The Motion Picture – and you begin to feel they were recorded by two very different bands.

Newly signed to Ripple Music, LDDSM merge hard-hitting social commentary with razor sharp riffs. Human Collapse is one of the most strikingly original Doom/Sludge/Stoner Metal albums you'll hear this year.

I recently caught up with Nicolas (Guitars/Vocals) and Julien (Bass/Vocals). Though the guys had a very special guest with them for this interview. None other than Todd Severin. Co-Owner of Ripple Music who I manage to press for a few answers as well.

So let's get started.

Hi everyone. Thanks for doing the interview. How are things with you today.

All: Very good.

So we are here to discuss the new album – Human Collapse. What can people expect from the new album if they haven't heard it.

Nicolas – Intensity. I hope so. Emotion. A journey. It's the main world is a journey. We wanted to make people travel in their minds. We wanted to make you change your opinion, your religion, your beliefs and what can make you change your situation.

Was it an easy or hard album to write and record for.

Julien – The process to write this album was very different. Usually when you write an album with your friends, you plan and you play the good songs. Sometimes not, you sometimes write some more stuff for the album. For Human Collapse, we wrote the story and then we wrote the music. You have to be put your music into the story. The process is a little bit different.

Nicolas – This is the first time that we do this. For me this was another source of inspiration as it was a new process to compose and to write the lyrics.

It has a very different feel to Arcane. Then again all your records sound different to each other. Do you go in with that purpose when recording new material to release something different.

Julien – Yeah, for the two previous albums we were in a funny state of mind. For ourselves the music is just entertainment. Then you grow up and your situation changes. Some of the guys are now Dad's. You are more mature and you want to talk about something else than something else that is fun.. You want to talk more about the world problems. So for Human Collapse it was the way we want to follow.

Nicolas – For the lyrics it's the case. Though for the music it came naturally with the story.

It's perhaps your heaviest album to date. Were you worried what your fans reaction would be.

Nicolas – Yeah. For now the reactions have been very good. Maybe much better for Arcane. The main difference is that LLDSM now make their own music. That's the main difference for the previous 3 records. For the creation process we thought let's make it a little bit darker and I think we found our very own identity.

You're signed to Ripple Music and with the lovely chap currently in your house. (Todd Severin – Co-Owner of Ripple). How did you sign to Ripple Music.

Nicolas – With the band ZED who are signed to Ripple. Few years ago the song – Brotherhood – from our first album was released on a compilation. Mark from ZED loved the song though I don't know how he got this song but he loved it. One day he sent an email - “I'm Mark from San Francisco and I love your song”.

We became friends. Romain, the other guitar player he went on holiday to San Francisco a couple of years ago. He met Mark, Todd and his wife. After that I remembered chatting with Mark and that he would be on Ripple and that it's a good label. I asked Mark should we send them the new record to Todd. Mark replied - “Sure, I think he will like it”. That's it and they liked it.

Here's a question for Todd if he's still there. When you first heard Human Collapse, were you shocked at how heavy and bleak it was compared to your normal releases.

Todd – I'm still here. Yeah. Absolutely. When I first heard it my initial reaction was AMAZING. It's an amazing piece of work. I never was worried not fitting into the rest of our releases. Ripple has it's own sound but the sound doesn't have to be expansive. To me it was just an amazing piece of music. To me I did wonder how our core audience would respond to it. As it's definitely more Neurosis/Post-Metal/Post-Rock than they are used to.

The first time I heard it I was blown away. My partner Pope freaked out when he heard it as well. We were on board right away.

As you know I called it “The Heaviest Album Ripple has released so far”. Has the success of the album inspired you to sign heavier bands than your currently used to.

Todd – You've seen some of our more recent signings with Vokonis and Poseidon. I don't know LDDSM led to me signing those two more doomier bands. Though I like the expansiveness of our core sound. I will give them full credit for kicking me out of my doldrums.

I have one final question for Todd. Ripple had another phenomenal year. Perhaps one of your most successful years yet. What have been your highlights and what can people expect from Ripple in 2017.

Todd – In simple terms the highlight of the year is the fan response and the reception to our releases. We've had so many releases that I was afraid that we might have hit a saturation point. That wasn't the case. The Ripple name has become more known for a heavy style of rock. The fan response has been so gratifying and it keeps us motivated.

Every once in a while you get a Facebook post – “You made my day for putting this album out or whatever.” That just fires us up.

Next year I don't think it will quite as expansive. You can't sign every band in the world. The number of signings will be slightly less next year. Maybe tone down the number of releases next year and make them bigger releases. We have a lot of great stuff next year with Mothership, Wo-Fat, Roadsaw and Freedom Hawk. Some pretty cool established bands. Plus the new doom stuff from Vokonis and Poseidon. It's going to be an exciting year for Ripple.

Will you guys be touring the album more heavily in Europe in the future. Visiting places you haven't visited before.

Julien – We are trying

Nicolas – We are trying to get over to the USA of courser.

Julien – With ZED.

Nicolas – That would be amazing. We did a European Tour a few months ago. For now we are working on the next step of evolution for Human Collapse. As it's a concept album. You have the story. You have the lyrics and you have the music. Now we are working on a video. There will be a movie playing in the background and we will experience it for the first time tomorrow night. We hope to make a new European Tour in April 2017. We are currently booking now.

The video for Departure is quite an eye-opening video. Who came up with that video.

Nicolas – A friend of ours came up with the video. He was working on picture techniques. What you see on the video is made up of pictures. Nothing is filmed. We were talking together all night and we wanted to make something original. He proposed an idea and we said - “Yeah. Cool can you show me some examples”. He then made it for his own work. We've thought it was really cool and original for a metal band. He made it within 3 weeks. I arranged a meeting with him once a week and we made it all together. Every week he showed me the video.

Julien – It's the guy who made the album cover for Human Collapse. We've got some friends in photo and video. We work with them all the time.

It seems aspects of multi-media will be playing a big part with LDDSM in the future. Is that a fair statement to make.

Julien – Yeah. It's funny because since we started working on the project for the next video for Borders. It's going to be 360 degrees type of video. Some new stuff. We are going to shoot some video as we wanted to try some new things. We've got some great framework to build upon.

So when will that be released.

Julien – We plan to start shooting in January. So don't expect anything until March/April 17.

Nicolas – Just before the start of the tour.

Well guys that's all the questions answered. Thanks for doing this interview.

Nicolas – Thanks for all the nice reviews you written for us in the past. They've been really important for us.

Words by Steve Howe, Juilen, Nicolas and Todd Severin.

I want to thank Claire at Purple Sage PR for arranging this interview. Thanks to Nicolas, Julien and Todd for taking the time out to talking to me.

LDDSM Links:

Ripple Music Links:

Official | Facebook | BandCamp | Twitter

Sithter - Chaotic Fiend (Album Review)

Release date: December 09th 2016. Label: Bonten Records. Format: CD/DD

Chaotic Fiend – Tracklisting

1.Chaotic Fiend
2.I Drink Your Blood
3.Smoke Demon
4.Masque of The Black Death
5.Lost Flowers
7.Punisher #13
8.Engrave The Misery
9.Jerusalem Axe Massacre

Band Members:

Hyƶ Kagawa – Guitar
Wahei Gotoh – Bass
Takefumi Matsuda – Drums
Hiroyuki Takano – Vocals, Guitar


Sithter's second album - Chaotic Fiend - offers another round of Death, Doom, Drone and Psychedelic Madness. Chaotic Fiend is quite a dark, progressive and complex album with the band touching on a variety of dark themes throughout the album. Though the band creates a huge amount of different noises and riffs that keep you entertained throughout the album. The vocals consist mainly of death based growls and a few clean chants towards the end of the album. Imagine a creepier and sadistic version of Church Of Misery and that's the best way to describe Sithter's music.

The lyrical content is handled superbly well as the band conveys a dark sense of fear on the album. Songs such as Chaotic Fiend, Smoke Demon, Empire and Engrave The Misery show that the band aren't afraid to explore dark grisly themes but the band offer some serious Black Sabbath/Electric Wizard riff-loving worship with a touch of psychedelic drone based noise. It's a winning combination though some fans maybe put off by some of the lengthy epic tracks on the album.

It's not an easy album to listen to as the Drone aspect of the bands music can be very hard to listen to at times. The instrumental work is good for most parts of the album. However there are moments where the volume is too low for the band to make much of an impact.

Other than that Sithter have created a deeply unforgiving album especially on the final epic seventeen minute track - Jerusalem Axe Massacre. Sithter embark on a Drone/Doom/Sludge schizophrenic nightmare with distorted psych based noises. The band leave you wanting more as the song suddenly ends after a heavy guitar solo that repeats itself over and over again. Though it still sounds original and fiendishly clever at the same time.

Chaotic Fiend is one of the more interesting Doom Metal albums I've heard from the Japanese Doom Metal scene recently. If you're looking for a more extreme and far out psychedelic take on conventional Doom/Sludge Metal then you will find this album very hard to beat. Sure it has a few flaws but you can't deny the overall quality of this album.

Words by Steve Howe

Thanks to Richard at Sheltered Life PR for the promo. Chaotic Fiend will be out to buy on CD/DD via Bonten Records from December 9th 2016.