Thursday, 15 May 2025

Tokyo Samurai Doom Unit HEBI KATANA share first track off upcoming new album "Imperfection"; out July 25th on Ripple Music!


Japanese doom and heavy rock powerhouse HEBI KATANA announces the release of their fourth studio album "Imperfection" this July 25th on Ripple Music and presents the haunting debut single "Dead Horse Requiem" today.

Watch Hebi Katana's new video Dead Horse Requiem - 走馬灯 + listen to the single on all streaming services


HEBI KATANA are purveyors of a one-of-a-kind fusion of wabi-sabi (Japanese traditional acceptance of transience and imperfection) and heavy doom sounds! Their 2023 album “III” was widely acclaimed in Japan and overseas and ranked #7 on the influential Doom Charts for December 2023, while influential US magazine New Noise Magazine deemed the trio as "a deadly new force within the Japanese scene".

Their upcoming fourth full-length "Imperfection" — written and recorded in parallel of a tour with the same lineup as "III" — features lyrics inspired by Matsuo Basho and Tanizaki Junichiro's “wabi sabi” “beauty of imperfection” and “enso" based on the unique Japanese spiritual world. This new album refines their signature doom and proto-hard rock sound, merging loud roaring riffs with beaming melodies. Pulsing with sheer intensity and channeling the spirit of the 70s, their dynamics interweave doom metal weight and psychedelic expansiveness while staying true to their dark, shadowy and introspective worldview.

The trio’s chemistry shines as they balance brute force with intricate subtleties, creating a sound that feels both primal and meticulously crafted. "Imperfection" marks a bold evolution for HEBI KATANA. Every riff, groove, and vocal line reinforces their identity — a band unafraid to explore darkness while delivering pure, riff-driven power in their own right. Don't wait to join the cult.

HEBI KATANA "Imperfection" - Out July 25th on Ripple Music (LP/CD/digital)


Formed in Tokyo in 2020, HEBI KATANA released their self-titled debut album at the end of the same year. With their authentic doom/stoner sound and dark and mellow heavy rock sound, they quickly became a cornerstone of the Japanese scene amongst enthusiasts in overseas media, establishing their sound as “Tokyo Samurai Doom”. In 2022, they released their second album “Impermanence”, welcoming Yukito Okazaki of Eternal Elysium/Studio Zen fame as the producer. A year later, they issued their third album “III”, which was distributed in Japan, as well as in Germany, Poland and the UK. The band performed relentlessly in Tokyo and major cities in Japan, appeared at the Tokyo Doom Fest, and toured in Italy, France and South America.

HEBI KATANA is

Laven - Bass, Vocals
Nobu - Guitars, Vocals
T.T. Goblin - Drums

HEBI KATANA links


RIPPLE MUSIC links


Thanks to Purple Sage PR for all of the details.

King Potenaz - Italian Power Trio Sign to Majestic Mountain Records & Drop New Video For "Rivers of Death"


Southern Italy’s riff-wielding power trio King Potenaz have officially signed to Majestic Mountain Records for the release of their highly anticipated sophomore album Arcane Desert Rituals Vol. 1, due out June 27th, 2025 on both vinyl and digital formats.

To mark the occasion, the band has just unleashed their blistering new single and video for “Rivers of Death”, a 10-minute descent into fuzzy doom, psychedelic dread, and scorched-earth riff worship.


“We’re back with a vengeance, unleashing our long-awaited second album, Arcane Desert Rituals Vol. 1! Says the band. "This is our heaviest, most intense work yet — a sonic onslaught that’ll blow your mind. We can’t wait for you to crank it up and dive into the chaos!”

With a sound steeped in the grimy tradition of Electric Wizard, Sleep, and Monster Magnet, King Potenaz blend occult doom, stoner fuzz, and eerie psychedelia into a swirling ritual of sound. “Rivers of Death” is the perfect first taste of what’s to come: hypnotic, devastating, and weird in all the right ways.

Pre-order the album: Majestic Mountain Records | Bandcamp

Follow King Potenaz:



Thanks to Viral Propaganda PR for the details.

CLAMFIGHT - CLAMFIGHT (Album Review)

Release Date: May 16th 2025. Record Label: Self Released. Formats: CD/DD

CLAMFIGHT  - Tracklisting

1.The Oar

2.Brodgar 

3.Dragonhead

4.FRH

5.Drinking Tooth

6.Clamfight 

7.Redtail


Members


Joel Harris: guitar

Louis Koble: bass

Andy Martin: drums/vocals

Sean McKee: guitar


Review



Doom/Sludge/Stoner Metal veterans CLAMFIGHT return with their self-titled album which sees the band deliver a heavier, muscular and progressive sounding record. The band started making the album before the COVID-19 pandemic and lockdowns started to take hold which altered the course of the album completely with CLAMFIGHT focusing upon the challenging times they went through. However, the record allowed the band to focus upon the personal relationships they’ve established within their own lives and musical surroundings. 


CLAMFIGHT recorded this album with longtime producer, friend and mentor Steve Poponi who sadly passed away in 2023. Despite the dark times and personal setbacks CLAMFIGHT went through making this album, there is a sense of hope and belonging that comes shining through the sublime vocals and emotionally charged lyrics. The sound itself is quite downbeat when the mood calls for this style of music with intense Sludge, Doom and Stoner Metal rhythms with a sense of Psychedelic urgency appearing within the flashier and progressive instrumental passages that CLAMFIGHT show right away on the excellent opening track of The Oar.


The Oar feels inspired by the likes of Mastodon, Neurosis, Goatsnake and Orange Goblin with CLAMFIGHT still being themselves with flashes of sheer brute force Sludge/Stoner Metal aggression. The sounds have the right balance of Classic Heavy Metal and free-flowing fast-paced technical ability which is perhaps some of the best sounds we’ve ever encountered from the guys. A great start to an epic album.


With CLAMFIGHT demonstrating a new found melodic approach with rich creative storytelling then I’m happy to say this is their best record to date with a high amount of trippy based grooves that sees the atmosphere transcend into areas of Blues Rock, Swamp Rock and Southern Metal without a care in the world. There’s some wicked Folk, Roots and Earth inspired lyrics appearing especially on Brodgar which also features wonderful guest vocals from Sam Marandola (Oldest Sea) which feels like Fleetwood Mac joining the NOLA METAL revolution.


CLAMFIGHT delves right back into THRASH METAL / PUNK ROCK territory on tracks such as Dragonhead and Drinking Tooth whilst keeping their WEEDIAN vision intact. The Fuzz and Psychedelic instrumental solos that transpires from these tracks are constantly evolving and allowing the record to have a hopeful and GRUNGE based attitude.


Most people will perhaps be drawn to the title track the most with CLAMFIGHT calling upon the vocals talents of Steve Murphy (Kings Destroy) and JJ Koczan (The Obelisk) who the band have known for years. There’s a wide mixture of different styles musically speaking with the vocals being quite different as well. The SPEED METAL grooves are quite refreshing to hear along this part of the album being the most HEAVY METAL obsessive track on the album with plenty of bone-crunching melodies being delivered throughout.


The final track Redtail allows CLAMFIGHT to end the record on a triumphant HIGH with a mixture of Classic Rock, Psych Rock and uplifting soundscapes which could easily be considered as a perfect and fitting tribute to Steve Poponi and the great work that he delivered with the band over the years.


CLAMFIGHT may have been gone a long time but it’s great to have them back and deliver an absolute masterful and MONSTER of a record that demands your undivided attention.


Words by Steve Howe

Thanks to Earsplit PR and CLAMFIGHT for the promo. 


CLAMFIGHT is available to buy now on CD/DD from all good stockists.


Links


Facebook | BandCamp | Instagram


CLAMFIGHT Return With A Vengeance. An Interview With Andy Martin From Doom/Sludge Metallers CLAMFIGHT

Doom/Sludge Metal veterans CLAMFIGHT make a welcome return after a seven year absence with their new self-titled album. The album is more primal, aggressive and technically impressive compared to previous CLAMFIGHT records. However, the record has a lot of emotional depth, heart and melody which allows the “GRUNGE” aspect of the band’s music to fully shine through.

The album took a different creative turn thanks to the COVID-19 Pandemic which I discussed with Andy Martin (Guitar/Vocals) from the band in this interview. 


So let’s get straight down to business with this great interview.


Hi Andy. Thanks for doing the interview. How are things with you today. 


Pretty good, thanks! The new record comes out this week and I just got married so despite the state of the world I’m pretty stoked.


Can you give a brief history of how the band came about and where it is today.


The four of us have been bands together since we were teenagers and Clamfight has existed since 2002 with our first show in 2025. Currently we’re a lot older and grayer than when we started, have a lot of family and work commitments but are incredibly excited to get out there and play some shows.


We last spoke back in 2018. What have you guys been upto since then. As it’s been over seven years since Clamfight’s last album with III released back in 2018.


There’s been a lot of big life changes since, three kids between Joel and Sean, new jobs, but somehow, we keep on keeping on. Show wise, since the release of III we have yet again covered the East from Maine to Florida.


Obviously the COVID-19 Pandemic had a big effect for you when making this album. Can you describe how this impacted the band itself and changed the musical dynamic for the original plans for the new album.


Speaking for myself, it made me realize how much Joel, Louis, and Sean mean to me. That changed the entire lyrical direction of the album. Logistically speaking it made recording a much slower process. We finished the drums the weekend the East Coast shut down and then I think it was 5 or 6 months before we were able to get back to the studio.


With that in mind, are you happy with the way the new album has turned out. Has it changed dramatically to Clamfight’s original plans for the record.


We are. The extra time allowed us to really flesh this record out and expand it sonically. It’s absolutely the best record we’ve ever made and I’m not sure it would have been if we’d knocked it out as planned in 2020. 


What can people expect with this new album. As it’s your most aggressive, heaviest and bleakest release to date.


It’s certainly got some of the heaviest stuff we’ve ever done on it, but also, I sing more than on any prior record. Sean’s guitar work is beautiful. It’s blistering when it needs to be but there are a lot of quiet moments and also hooks ha ha ha. I think when you hear it, I’d hope you think, “wow, these guys love Soundgarden and Converge in equal measure.”


Are you prepared to surprise your fanbase with quite a challenging and complex album to your previous records whilst still maintaining that core “CLAMFIGHT” sound.


Ha, I hope! The reviews so far have been super kind, and since it’s been done for so long a lot of our friends have heard it already. I’d like to think that since we’ve been quiet for so long people will be happier to get something different from us as opposed to a rehash of the same old thing. 


You have some fantastic guest vocals on the new album with Sam Marandola (Oldest Sea) appearing on “Brodgar” and Stephen Murphy (Kings Destroy) and the legend that is JJ Koczan (The Obelisk) both appearing on “Clamfight”. How did these collaborations come together. 


Friendship. We met Sam after shows started again and immediately hit it off. She is stunningly talented and super fun to be around. Having her not hesitant when we asked her to be on this record was an honor. JJ and Steve are hugely important to us. No one would know who we are without JJ.


My memory is a little fuzzy but I’m pretty sure we met JJ within a year of us starting to play live, so we’ve known him for 20 years? Steve and the Kings Destroy guys are like our big brothers. So yeah, when we had this 7-minute autobiographical song, we knew these were the guys to sing on it and were over the moon that they said yes.



You’re releasing this album yourselves. Was that an easy or hard decision to make. 


It wasn’t an easy call, but it was the right one. It was a lot of work for us, and between families and our jobs, it’s not like we have a lot of free time, but we didn’t want to be beholden to anyone else’s schedule. Also, we didn’t want to let anyone down if we got too busy to properly push this album.


Did you have any label interest in releasing the new album. I’m surprised that you’re releasing this yourselves. As you’ve worked with some cool labels in the past.


We talked to some great people about it and appreciate the opportunities we were offered but they just weren’t right for us. 


What formats is the album being released upon.


For right now just digital and CD, but I think vinyl is inevitable.



The artwork is stunning for the new album cover. Very primal and showcases your heavier organic sound. Who designed the artwork and how much influence did you have with the final design.


Thank you! The art was by Morgan Russell, an old buddy of mine from my Scottish archaeology days. She’s done some T-shirts for us and has done some killer beer labels in the UK. There is a lot of forest and ocean imagery on the record, and I made a hilariously bad sketch of what I thought it should look like, sent Morgan that and the lyrics and she went off and crushed it. Morgan sent us stuff throughout the process but basically all we ever said was, “that’s incredible, keep going.” She did an amazing job.


What inspired CLAMFIGHT when writing, recording and making the album.


There weren’t a lot of conscious decisions about how we wanted this to sound beyond wanting some shorter songs than the ones on ‘III.’ We didn’t set out to make a prettier record, but it happened, and I think that was due to the extra recording time and our main dude Steve Poponi pushing us to be better musicians.


Lyrically, I was influenced by the Pandemic and where we all our in lives. We’re in our mid-forties, and you just start to lose people at this age, so instead of being about Vikings or something, the theme of the record became, “life can change in an instant, love the people around you as hard as you can.”


CLAMFIGHT have been a band for over twenty three years now. What have been your high points and low points performing with the band within that time.


The high points are that we keep enjoying each others’ company and still love jamming and playing shows. We lost Steve Poponi in 2023, who was a very good friend and recorded all four of our records. That was brutal. 


Looking back would you change anything about your time or things experienced with CLAMFIGHT.


Haha, same answer as always, probably just our name? Although I think I’m coming around on that.


Will you be touring this record at all. Will you be touring locally or further afield to promote the album.


Certainly, the whole East Coast, but we’re eyeing the Mid-West now too. Honestly, if people want to see us somewhere we haven’t been before, reach out and we will try our damndest to be shirtless in your town. 


If you are, how would you describe the live CLAMFIGHT experience?


Chaotic. Furious but also fun? We’re not super serious people and I think that comes through when we play live. Honestly, as much as we can’t get out there and tour for three weeks straight, I consider us a live band and really believe that’s where we’re at our best.


Thanks for your time Andy, Before you go, do you have any words of wisdom for your fans at all. Or anything else you would like to add.


Thank you Steve for all your hard work on this site. We’re always grateful to anyone that’s supporting heavy music.


Things are obviously tough all over these days, so be good to each other. Lean on your friends, and be someone your friends can lean on. 


Clamfight loves you.


Words by Steve Howe and Andy Martin


CLAMFIGHT is available to buy now on CD/DD from all good stockists.


Links


Facebook | BandCamp | Instagram


Wednesday, 14 May 2025

Otu - Apocalypse / Apocalypse Aftermath (Double EP Review)

Release Date: April 07th 2025. Record Label: Self Released. Formats: DD

Apocalypse  - Tracklisting

1.Hell Breaks Loose 02:38

2.Promise 04:17

3.Satanica 02:17

4.Ain't Got No Frowns On Me 02:26

5.Apocalypse 07:41



Apocalypse Aftermath - Tracklisting

1.Aftermath 01:09

2.Everything You Say To Me 03:00

3.Cemetery Pt. I 03:17

4.Sick 03:40

5.Cemetery Pt. II 05:45


Members


Otu - Everything


Review


Singer/Songwriter Otu contacted me recently to review his new double EP collection called Apocalypse and Apocalypse Rising. These new EP’s are the new and revised versions of Otu’s 2012 full length album APOCALYPSE which have been split into individual releases. I forgot to mention that Otu is lead vocalist/guitarist for Doom/Stoner Metallers KAISER who released a brilliant album 2nd Sound earlier this year.


Otu explains:


Apocalypse originally dropped in 2012 as a raw, heavy-hitting stoner and sludge metal album by Otu. Defined by its grimy textures and dark atmosphere, the record stood out thanks to the wild tones of the zVex Fuzz Factory pedal and a gritty, software-driven bass. At the time, the release flew under the radar—but in 2025, with a broader listener base and a fresh perspective, Otu has revisited the project. The result is a reimagined double EP, refined but still drenched in the original chaos and heaviness that made Apocalypse so distinct.


I remember listening to the original version of Apocalypse back in the day and it was quite a surreal release with Otu hitting upon twisted levels of distorted Sludge, Doom, Drone and Stoner based paranoia. The vocals are a twisted delight to hear again especially within the superbly demonic and hugely entertaining release APOCALYPSE with Otu creating a subtle style of nightmarish grooves and experimental guitar reverb and amplifier riff delivery especially on tracks such as Hell Breaks Loose, Promise and Apocalypse. The EP does have a subtle METALLIC and NOISE ROCK energy that was all the range back in the day.


There’s a heavy reliance on twisted Psychedelic sounds and Drone themes which adds a whole level of PARANOIA to the mix. Each EP lasts for around twenty minutes and both releases follow different creative paths to each other whilst containing similar distorted missions of intent especially when the mood becomes SLUDGE METAL, THRASH and HARDCORE obsessive. 


Standout tracks from the Apocalypse Aftermath side of the project include Everything You Say To Me, Sick and Cemetery Pt II. 


Otu plays fast and loose with the rules of HEAVY METAL with the sound being highly dis-organized, aggressive and not making much sense in places. However, the riffs are plentiful and Otu plays like a MADMAN within the heaviest and violent grooves on the EP which should appeal to fans of Motorhead, The Melvins, Mutoid Man and dare I say bands directly influenced from the grind scene in places. I leave that upto the listener to form their own opinion with that statement.


Just be prepared to hear something completely different to KAISER as this is Otu at his most fearless self with a primal creative attitude that has served him well with his wealth of solo material (ten full length albums and counting) that he's created over the years. 


Apocalypse and Apocalypse Aftermath is the perfect gateway for listeners to fully explore Otu’s dangerous creative mind where the music is quite original with a truly violent personality to match.


Words by Steve Howe


Links


Official | Facebook | BandCamp


Grave Speaker - Rays Of The Emerald Sun (Album Review)

Release Date: May 16th 2025. Record Label: Electric Valley Records. Formats: DD/Vinyl

Rays Of The Emerald Sun  - Tracklisting

1.Chosen One

2.End of Time

3.Sword of Life

4.Rays of the Emerald Sun

5.Bones and Steel

6.Tower


Members


John Steele - Everything


Review


Rays Of The Emerald Sun is the second full length album from Doom/Fuzz/Psych/Stoner Metal collective Grave Speaker where the creative mastermind (John Steele) behind the project focuses on a more highly polished style of Psychedelic and Proto-Metal energy that allows the record to have a more uplifting momentum compared to their debut album. There is still a despairing sense of Doom and Gloom inspired by the likes of Electric Wizard, Uncle Acid and Black Sabbath with Grave Speaker persevering with a heavy down-tuned style of AMPLIFIER DISTORTION and wicked sounding FUZZ grooves.


The record has a vintage melodic angle with a violent element of Proto-Doom surroundings allowing the album to weave abstract Psychedelic instrumental passages that harks back to the classic sounds of Uncle Acid matched against on the seedy heaviness of Electric Wizard.


There’s a flamboyant vocal style being sung by John Steele which oozes 1970’s Heavy Metal showmanship. The vocals are sometimes muffled within the overlapping layers of heavy guitar reverb and amplifier feedback but they’re easy to understand that adds to the vintage flow that Grave Speaker ultimately aims high for and truly delivers throughout.


The songs themselves are rooted in 1970’s Doom Rock and Proto-Metal folklore with the sound having a subtle aggressive Stoner Metal attitude that allows a certain Sludge Metal angle to appear on the heaviest and seediest moments of the record especially on tracks such as Chosen One, End Of Time, Rays Of The Emerald Sun and Tower. These are the longest tracks on the album with Grave Speaker having more time to develop his classic Doomedelic sound which has become vital and threatening when that PSYCHEDELIC FUZZ attitude takes centre stage and delivers a dominant sound. The vocals are at their most impressive when John blends a crazed Blues Rock attitude into the mix which is quite subversive at the same time.


Rays Of The Emerald Sun is a mighty sounding and classic throwback to the good old days Of Proto-Metal and Doom Metal that can only be described as essential listening for the hordes of underground masses to fully get behind.


Excellent and Highly Recommended.


Words by Steve Howe

Thanks to Qabar PR for the promo. 


Rays Of The Emerald Sun is available to buy now on DD/Vinyl via Electric Valley Records.


Links


BandCamp | Instagram