Saturday, 22 August 2015

Bone Man - Shapeshifters (EP Review)


Release date: Sept 03rd 2015. Label: Pink Tank Records Formats: CD/DD

Shapeshifters: Tracklisting

1 Shapeshifter
2 Bad Fashion
3 The Wicker Man
4 Desert
5 Interlude
6 Supernova
7 Heliopolis
8 Into the Green

Band Members:

Marian: Guitars,Voc,Synth
Ötzi: Drums
Arne: Bass

Review:

Bone Man are possibly the breakout stars currently on ace record label – Pink Tank Records. They released a stunning album in 2014 with Plastic Wasteland struck a chord with fans and reviewers alike. Bone Man's blend of Psychedelic Stoner/Grunge/Fuzz has seen there stock rise considerably over the last couple of years or so.

Now Pink Tank Records are going back to the Bone Man archives and releasing their debut EP – Shapeshifter – from 2011. So what do you get with 2015's version of Shapeshifter. It sees Bone Man starting to create their distinctive sound. Opening track – Shapeshifter – is a Stoner/Grunge/Fuzz hybrid with trippy vocals to match. 90's style grunge is spliced with heavy psychedelic stoner riffs with Bone Man impressing from the start.

Second track – Bad Fashion – is a more noise rock kind of affair with the grungier aspects starting to create a loud and violent atmosphere. The fuzz based nature of the album becomes almost violent with Bone Man showing people of their huge potential all those years ago. The vocals can be described as bombastic at times though it fits with the tone and structure of the song. The guitars have enough power and precision to keep all serious Stoners happy all day long.

Third track – Wicker Man – has a slight folk rock feel. I don't know why but this song reminds me of Jethro Tull. The stoner riffs have been replaced by a more laid-back vibe. It's a song I don't have much time for I'm afraid. It doesn't really go anywhere but Bone Man have always been about experimentation.

Thank Christ, the band return to their heavier musical roots on the 4th song – Desert. A thumping number with an undeniable Punk Rock driven energy. The vocals may take some getting used to but they manage to get Shapeshifter back to hard-rocking territory.

Fifth track – Interlude – is just that. A 90 second Stoner/Acoustic/Synth odyssey which gives the band time to venture into almost post-rock theatrics. It's a nice soothing piece with a few doom and gloom moments before it suddenly ends.

Sixth track – Supernova – sees Bone Man unleash the EP's strongest track. A stunning mix of slow-paced grunge riffs and the faster style Psych Stoner Rock we've grown accustomed to over the last few years. It's an exciting ride from start to finish.

The EP's final two track – Heliopolis and Into The Green – which I think is from their 2009 demo album. It's good to hear some older material from Bone Man as these two songs are the heaviest songs on the EP. Expect more Psych Rock driven Stoner Rock madness played with a burning passion.

My final thoughts on Shapeshifter is that's a great record for Pink Tank Records and Bone Man to release. For newer fans of Bone Man this is an essential release to add to their Bone Man record collection. For established fans, it maybe best waiting for the next album to be released as there's no new material as such. Unless you want the awesome shiny vinyl record courtesy of my good pal Jan at Pink Tank Records. So go and buy it when it's released.

Words by Steve Howe

Thanks to Jan at Pink Tank Records for the promo. Shapeshifters will be available to buy on CD/DD/Vinyl from Pink Tank Records from September 3rd 2015.

Links:

Limb - Terminal (Album Review)


Release date: September 11th 2015. Label: New Heavy Sounds. Formats: CD/DD/Vinyl

Terminal: Tracklisting

Three Snake Leaves
Ghost Dance
Micromegas
Dawn Raiders
Spoils of a Portrait King
Down By The Banks
Sleepwalkers
Mortuary Teeth
Cocytus

Band Members:

Rob Hoey - Vocals,
Sam Cooper - Bass,
Tom Mowforth - Drums,
Pat Pask - Guitar

Review:

I've been a big fan of Limb since I heard them properly on the Witch Hunter Records split they put out with Gurt "Split Roast" a year or so back (go grab one here https://witchhunterrecords.bandcamp.com/) and picked up a copy of their debut album when I had the chance to a gig with them down in Sunny Bournemouth last year. Now they're back with "Terminal" their second full length and let me tell you now, they've delivered a beast.

Kicking off with the brief opener "Three Snake Leaves" Limb are wasting no time at all in setting out their stall for what's to come. Vocalist Rob Hoey bellowing "We leave this world with nothing" over a deliciously repetitive riff that grabs your attention and gets you ready for the rest of the album.

You may have heard 2nd track "Ghost Dance" as it was streamed by Terrorizer a couple of months ago and it was a treat to hear it again. Giant riffs from Pat Pask and Sam Cooper bounce all over this track like Tigger after a six pack of Red Bull (other energy drinks are available) and manage to not only be seriously heavy but to have a real groove to them, something a lot of sludge bands (or bands who get labelled as sludge) often don't do. Some of this will no doubt be in part to new drummer Tom Mowforth who stamps his authority all over this record.

"Micromegas" shows another side to Limb as half way through the track they take their feet of the gas as some lovely clean hypnotic guitar and dense drum fills take over just before ushering in the riff heavy conclusion which features some ace vocals from all the boys, who sound like they're having a lot of fun with this record!

The three tracks that follow the excellent "Dawn Raiders","Spoils Of A Portrait King" and "Down By The Banks" all race by too quickly for my liking and all featuring the same heavy but heartfelt riffs, thunderous drumming and what for my money's worth Rob's best vocals on a Limb record as yet.

But it's the last three tracks that I find push the album from the realms of good into great. "Sleepwalkers" is three minutes of head nodding toe tapping brilliance all held together with a chorus that's catchier than syphilis that will get stuck in your head for days (which is better than where actual syphilis would get stuck.)

The penultimate track "Mortuary Teeth" is without a doubt the heaviest track on the record and it's and absolute fucking rager. A very different higher pitched harsh vocal and some almost discordant hardcore inspired riffs take the lead on this. This track is going to be responsible for a lot of sore necks all over the UK!

Album closer "Cocytus" is again something a little different and shows how far Limb have come since their last release. It's an absolute monster of a song which twists and turns and evolves over it's nearly nine minute running time. It also features the amazing lyric "and then you go and do something stupid/like sharpen your teeth on an axe".

Starting off on quite an aggressive tangent the song leaps around around, until just after two minutes when the pace slows and the almost mantra like vocals take hold. "Hope. Hope without fear". At four minutes another change, a solid chugging riff and simple drum beat propel the track along to it's natural conclusion with samples and effects over the dying seconds as the track fades to nothing and the album is over.

Apparently second albums are difficult. Seemingly not the case here. A bold, confident and mature record, and one that ticks all the right boxes for me. If this is anything to go on then Limb are certainly far from terminal.

Recorded by Russ Russell and Mixed by Jim Mortimer "Terminal" is due for release though New Heavy Sounds on the 11th of September.

Get yourself to the album launch here https://www.facebook.com/events/1905093309715843/

Words by Simon Ross Williams

Thanks to Claire at Purple Sage PR for the promo. Terminal will be available to buy from New Heavy Sounds from Sept 11th 2015.

Links:

Wednesday, 19 August 2015

Fuzziebär - Lach- und Krachgeschichten (Album Review)


Release date: August 07th 2015. Label: Self Released. Formats: DD

Lach- und Krachgeschichten: Tracklisting

1.Funny Ass Joke 06:01
2.Oszillation 04:29
3.Furry Love 05:16
4.Links Baby 03:48
5.Medizin 09:07
6.Party 03:55
7.Katapult 03:10
8.Stevia 06:24
9.Kosmopolit 05:02
10.Vomit 02:40
11.Rennrad 06:05
12.Automat 03:10
13.Little Love 08:59

Band Members:

Ingo, (gt, voc)
Lennart (bs, voc)
Animal (dr)

Review:

Fuzz/Stoner/Psych-Rockers – Fuzziebär – play a fuzzed blend of Space/Stoner Rock with the focus being on Fuzz Rock as it’s very loud at times. Their debut album – Lach- und Krachgeschichten – runs for an epic 70 minutes. That may test some people’s patience and maybe the band could have cut a few songs from the album. Though it would have been a hard job to decide which ones as this album is packed full of great songs.

The vocals are mainly in German but that doesn’t stop you enjoying the highly atmospheric vibe the band has created here. The first few opening tracks – Funny Ass Joke, Oszillation and Furry Love sees Fuzziebär live up to the “Fuzz” part of their name as it’s loud, raucous and undeniably fun. The band creates sonic noises and riffs that see a Truckfighters influence for everyone to admire and enjoy.

Fuzziebär have a slight chaotic garage rock feel to their music as the sound can be quite jarring at times. Especially on 4th track – Link’s Baby – as Fuzziebär combine Garage Rock dynamics with trippy psychedelic fuzz riffs. Sometimes it works and sometimes it feels a bit flat. I will give the guys credit for using a clip from classic movie – Bill & Ted’s Excellent Adventure as I recognise the music being played in the background. And I think the actual clip is when Sigmund Freud is analysing Ted. Anyway, I digress. Link’s Baby is a very cool song indeed as it shows how experimental Fuzziebär can be.

The album is more of a sonic/space rock odyssey. It’s epic as heck. Fuzziebär sound is very diverse at times especially on the later tracks. It even ventures into 70s Progressive Rock territory with hints of Doom playing in the background. Other fantastic tracks to check out are: Medizin, Party, Stevia and Little Love. If you want to hear and experience something different within the world of Fuzz/Space Rock then Fuzziebär is the band for you.

The production can be hit and miss at times as the sound becomes too quiet and distant. It only happens a few times but it’s definitely noticeable. That’s my only complaints for the album as Fuzziebär have more than enough great music to impress you with. All in all this album is a trippy and weird as hell out of body experience. Check it out and experience the FUZZ for yourself!!!

Awesome Stuff. It’s available to buy on BandCamp Buy Now.

Words by Steve Howe

Links:

Tuesday, 18 August 2015

The Last Words Of A Dying Planet by Tides of Sulfur / The Air Turned To Acid (Split EP Review)


Release date: July 03rd 2015. Label: F H E D/HIbernacula Records. Formats: CD/DD/Cassette Tape

The last words of a dying planet: Tracklisting

1.Tides of Sulfur - Lord of flies 02:55
2.Tides of Sulfur - Crawling through a pit of ash and bone 07:20
3.The Air turned to Acid - Sisyphus 03:40
4.The Air turned to Acid - Glandroid 06:32

Tides Of Sulfur - Band Members:

Anthony 'Snake' O'Shea-Shredding/Apparitions
Chris Bull-Throat/Low-End Assault/Noise
Tom Lee-Battery

The Air Turned To Acid – Band Members

Leonid: Guitars
William: Guitars:
Andrew: Bass Guitars
Trevor: Percussion
Richard: Vocals

Review:

Tides Of Sulfur and the brilliantly named The Air Turned To Acid are easily two of my favourite bands in action at the moment so the news that after their first billing together at last years Doomfest event in the doom capital of England (You guessed it, High Wycombe) pleased me greatly.

With two tracks from each band and one collaboration, you certainly get your money's worth from this brilliantly brutal split.

Tides Of Sulfur kick things off with "Lord Of The Flies" which tears out of the speakers and forces itself violently into your face and doesn't let up until the minute the track slams on the brakes to a sudden stop.

Track two "Crawling Through A Pit Of Ash And Bone" is an altogether different beast. The title of the track should give away to you that this song is just a touch slower.
Riffs as thick as tar bury the listener beneath their weight as the vocals alternate between the harsh higher pitched screams and lower deathly growls with ease, while the ever present drum Apocalypse controls the track until around the five minute mark when the tempo picks up literally for a minute before dropping back into a perfectly judged riff, which fades in and out as it concludes.

Disinherited is the collaboration (credited as Sulfur Gimp and Acid Gimp) and works well to split the ep nicely between the two bands alternating styles. It's a kind of weird instrumental, industrial sound effect with spoken word over the top that frankly makes me feel a little bit unsettled when I listen to it. But I think that was the point.......

Over to TATTA to see what they can deliver. They deliver filth. By the bucket.

First (or fourth however you want to look at it) track Sisyphus doesn't waste any time in continuing the demolition job that TOS started. Angular, heavy discordant riffs crashing about while vocalist Richard Repper basically loses his shit over the top. You can practically hear the disgust in his voice as he spits the vocals at you.

Final track "Glandroid" delivers much more of the same but for longer. Just in case you hadn't got the fucking message yet. I'm a big fan of the vocals in this track and the way they are layered together, which when added to the huge wall of sound the rest of TATTA provides just leaves you feeling ruined by the end of it.

A great addition to the scene and anyone who caught them at this years Red Sun Festival in Cardiff will testify to why there is a fair bit of buzz about both these bands right now. A vicious split ep that captures two very different bands in fine form.

Pick up a copy of the ep on CD from HIbernacula Records or a very limited cassette from FHED while you still can. You won't regret it.

Words by Simon Ross Williams

Tides Of Sulfur Links:


The Air Turns To Acid Links:

Interview with Red Mountains


Today's guests are about to release their stunning debut album – Down With The Sun – on Sept 1st 2015. It's a stunning hybrid of Sludge, Doom, Stoner, Grunge, Desert Rock and Psychedelic Rock. Not many bands can pull that off for their debut album but Red Mountains do this with ease.

Red Mountains first grabbed my attention with possibly the finest song from the album – Sun. A song packed with groove, emotion and the right amount of Desert Rock/Stoner Metal riffs. The album will be released on DD/Vinyl through Nasoni Records on Sept 1st 2015. This is a band I'm tipping for huge things in the next couple of years. That's how good they are.

I described the album as: “Down With The Sun is an exceptional debut album from a band that has created something special here. Red Mountains are going to make a lasting impression within the Stoner Metal community with this album. Down With The Sun is going to end up on a few Album Of The Year lists. That’s how good it is. Ignore this album and miss out. Simple as that!!”

I've was given the chance recently to catch up with the band and here's what they had to say.

Hi guys, thanks for doing this interview. How are things with you today.

Hi Steve, and again, thanks for the great review! We're just happy to do this interview.

Can you give our readers a brief history of how the band came together and where it is today.

We all met while studying for a bachelor's degree in music in a town close to Trondheim. We all listened to a lot of different music, but we also had a lot of common favourite bands. Simen (The Drummer) initiated the whole thing, with a vision that we could create something new to add to the stoner scene. Sleepy Desert Blues was the first song we did, and that's Simen's song all together. We started writing songs together and we thought it turned out pretty cool, so we decided to make an album out of it. That leads us up to today, we've spent the last year finishing up the record.

You're about to release your debut album - Down With The Sun. So are you all excited about the forthcoming album release.

It's those kind of things you dream of as a little kid going through your parents' vinyl collection. We can't wait to see it off into the world. There's a lot of hard competition out there, so we're wishing it all the best on its journey, hoping it will reach far and wide.


What can people expect from the album.

Expect the unexpected! That was cheesy, but it might just be true.

Was it an easy or hard album to write and record for.

We didn't really get stuck in the writing of any of the songs, they all felt like they came pretty naturally. The recording also went pretty smooth, with the help of brilliant Eirik Øien behind the levers. The second album might be another story, as we'd like to try out some other ideas and think new. While at the same time keeping our sound.

Your sound is very refreshing and different at the same time. As you guys blend - Stoner, Doom, Noise, Psychedelic, Grunge and Sludge. It's quite a progressive album in many ways. Would you go with that description or do you call it good old fashioned Rock and Roll.

It's definitely progressive to some extent. Rodents being the best example probably. We thought it'd be cool to lead people into thinking they were listening to a proper rock&roll act, and suddenly they're in Sludge Valley, doomed for eternity. And they kind of forgot how they got there. In the end, it's all about the atmosphere though. It's loud sleepiness that sometimes wakes you up.


You released "Sun" as the first single from the album. Has is it surprised you the responses/praise it's received from fans and critics alike.

Yes. We got this one review that was pretty ambivalent about the single, but we still appreciated it. Anyone who sits down, gives it a go and give their honest opinion really. But of course, all the good reviews put a big smile on our otherwise doomed faces.

The other thing that I love about your album, is your ability to change the mood of the song. One minute it can be a delicate Desert Rock vibe and the next it moves onto heavier sludge rock territory. I mean your songs all finish differently from where they began. How hard was it to do that when recording the album.

Well, the whole thing was recorded live song by song. It's the only way for us to capture the live feel of it, recreating what we do on stage. So all the dynamics and different sounds are pretty much what we do when rehearsing and playing gigs. That makes it a lot easier to go into the studio, you just kind of do your thing and hope the guy in the control room knows whatever he's doing. And he did. The sound he pulled out is astonishing..!

You're album is being released on Vinyl through Nasoni Records. How did you hook up with those guys. And I bet you're excited to release your debut album on Vinyl.

As we had finished up the recording, mixing and mastering of the album, we started spamming people. We sent enough emails to impress Edward Snowden himself; you have to take into consideration that half of those email addresses you find on the grand internet outdates WWII. But seriously, a lot of emails. We got a couple of rejections at first. All of the sudden Nasoni gets back to us, with a very uplifting message. So basically, they're pressing 300 coloured vinyls in limited edition. If that sells out, another 200 are on their way. The fact that indie labels such as Nasoni exist, makes it possible for bands like us to actually reach out beyond our crammed up rehearsal spaces and local gigs.

Did you have much involvement with the design of the Vinyl. Or did you leave it for the record label to decide.

We started looking for the artwork before we got the deal with Nasoni. We were looking at other cover designs and had a small collection of great ones. The one that stood out though was that of Earth's album "Primitive and Deadly". Our first thoughts were something like "well, that's gonna be too many zeros at the bottom of the bill.". But figuring the worst thing that could happen was to get the suspicion confirmed, we sent Samantha Muljat (you guessed it) an email. And it all worked out, we got a good deal and started pitching ideas. She also did the design for the single (Sun), which was a piece of art on its own.


We have to talk about the fantastic album cover. Really captures the mood of the album and the Desert Rock/Stoner Rock scene in general. Who designed the cover.

The design was done by magnificent Samantha Muljat at Bloodbank Design (bldbnkdsgn.com). The cover is actually the first draft we got (well, we got no draft really, we just got that), we barely changed it. And it does indeed capture the mood of the album, she had "Sun" on repeat to catch the vibes. Looks great. And she's great to work with, a person that just loves what she's doing. There's a great signature in her work.

Will you be touring much to promote the album.

We are playing a couple of festivals this summer before kicking off a little tour throughout various cities in Norway when we release the album in September. For now we've only booked concerts here in the Land of Ice and Snow, but we sure hope to go on tour in Europe sometime very soon. It's warmer and the beer is a lot cheaper. But we've also got plans for a second album, whichever opportunity reveals itself first will be our next move.

Words by Steve Howe and Red Mountains.

I want to thank Red Mountains for taking the time out to talking to me. Down With The Sun will be available to buy on DD/Vinyl from Nasoni Records on Sept 1st 2015.

Links:

Friday, 14 August 2015

Just What The Doctor Ordered: An Interview with DoctoR DooM


After releasing a string of well received releases over the last couple of years, Retro/Doom/Stoner Rockers have finally released their stunning debut album - The Seed We Have Sown out now on Ripple Music (CD/DD). It's an album that's starting to turn some heads amongst the Retro Rock/Doom/Stoner Rock crowd. I've been asked to interview these guys a while but things have kept getting in the way.

Not this time, Richard at Sheltered Life PR finally convinced/told me to do this and I'm more than happy to as Doctor Doom are a great bunch of guys. If you're a follower of the various Stoner/Doom Blogs out there then you know how highly rated DoctoR DooM is. Their blend of Blues Rock driven Occult/Stoner Rock manic energy creates stunning riffs for you to enjoy and rock out to.

So let's see what the Doctor ordered. Possibly a healthy slice of DOOM!!!

Hi guys. How are things with you today. Thanks for doing this interview.

Things are great thanks! It is a pleasure for us, thank YOU.

Can you give a brief history of how the band got together and where it is today.

It started off with Jérémie and Jean-Laurent (guitars, guitars/vocals) playing some cool 70s inspired riffs together, and they found a drummer and bassist to join them. We started out covering a mixture of 70s bands and newer artists such as Graveyard and Witchcraft before working on some of our own songs. We made a demo recording, DoomO, which had a lot more success than we had anticipated.

It managed to catch the attention of Steve from STB records who released it as a limited edition vinyl. Around this time we changed drummers, Michel, our current drummer is such a great fit for the band, he really completes our sound, as well as being a great guy. A lot of our success is thanks to Steve, who believed in us from the start. When he heard we were planning an album, he put us in touch with Todd from Ripple, which brings us to where we are now.


You're about to release your debut album - The Seed We Have Sown. Quite a downbeat title for what the album is. Why did you choose that title for the album.

Is it so downbeat? Sowing a seed, watching it grow and flourish seems like quite a positive thought to us. It is a lyric from our song Stuck in the Past, but it reflects our creative process too. Starting with a few riffs, and growing them into a full blown album.

What can people expect from the album.

Different people will find different things in it, but there is plenty of 70s vibe, bluesy groove mixed with heavier riffs and even some progressive elements. Most of all though, we just make music that we enjoy, and hopefully this comes through in our recordings.

Was it a hard or easy album to write and record for.

It was pretty straightforward, as we say above, we just make the kind of music that we would like to listen to, and when we had enough songs we decided it was time to record them.


Has the early responses to the album surprised you in anyway. We're you expecting the kind of reactions you're receiving now.

Well, we were hoping to get some positive responses, as we are very proud of our work, but the feedback has been overwhelmingly positive beyond our expectations.

You've produced the album yourselves which is quite good as I know you're very much part of the DIY ethic. What challenges did you face when producing the album.

One of the biggest challenges is getting recordings finished, when we are doing everything on our own time, and we could spend as much time as we like tracking, overdubbing, mixing etc. without the pressure of having booked studio time. Sebastian, our bassist and recording engineer, has a pretty good setup for a home studio, so the process wasn't too challenging technically.

Would you ever let someone else produce your music.

We aren't sure yet what direction we will choose for our next album. We would certainly consider getting someone else involved, but we also enjoy being able to work in our own time, and spend the time needed to obtain the result we want.


You managed to get Tony Reed to master the album. How did you guys hook up with Tony. Great guy and he's a legend within our little community.

When we were approaching the mastering stage we reached out to STB and Ripple to see if they had any recommendations, and they put us in touch with Tony. Indeed, he is a great guy, and it was a pleasure to work with him, he did a great job and took into account our requests very capably.

You're worked with two of the best independent record labels for your last couple of releases - RIpple Music and STB Records. How much of a help have they been in promoting your music.

They have been an enormous help. Without their hard work it simply would not have been possible. We are music guys, not marketing guys, and it is really great for us to be able to focus on the music, and let the record labels do what they do. They have a load of great contacts and reputation that allows us to reach a much greater audience than if we were trying to do this by ourselves. A big thank you to both labels!

Did you have any other label interest to release your debut album.

When we were preparing our album, we got in touch with Steve first, because of the great experience we had had working with him before, and as he was so enthusiastic to work with us again, as well as sort out a collaboration with Ripple, we didn't see the need to approach other labels.

Is - This Seed We Have Sown - going to be released on Vinyl. If so, who will be releasing it. STB or Ripple.

Yes, there will be an initial limited edition release in true STB style (although less limited than his usual ultra-limited runs). It was planned to come out before the CD, but unfortunately due to problems with vinyl manufacturers the release has been delayed until September.


The French Stoner Rock/Metal scene has exploded over the last few years or so with bands getting more exposure overseas. Has that success resonated with people back in France. Or is still very much in the underground.

It is hard to tell for sure, but it would seem that the genre is more popular abroad than in our home country. It certainly seems that way judging by the number of gigs we play in other countries. In France we do have the Hellfest though, that is one of the biggest European Metal festivals, and we would love to be part of that one day!

·Are you guys still touring/performing on a regular basis and is it hard to perform gigs in today's climate.

We don't have many dates lined up in the near future, but we are starting to arrange some gigs for next year. It is hard for us to comment on the current gigging climate, as it isn't something we do for a living, although who knows, maybe we will one day?

Are there plans for Doctor Doom to perform a major European Tour. Or Festival Dates in other countries.

Not much set in stone yet, but we hope that the album, with all its great reviews, will help us land some quality dates in 2016 and beyond.

·Apart from your album, 2015 has seen some fantastic albums released. Which albums have stood out for you. Anything that taken you by surprise.

Here are some great albums we've come across this year: Demon Head – Ride the Wilderness, Valkyrie – Shadows, Black Capricorn – Cult of the Black Friars, and Truls Mörck's solo album. We are also really looking forward to the return of Lee Dorrian in With the Dead.

Last question, Can you tell us your 5 favourite songs or albums.

Well, we each have our differing tastes in music, but here are some of our favourites: 

Demian – Demian
Black Sabbath – Black Sabbath
Graveyard – Graveyard
Jerusalem – Jerusalem

as you can see, we like a lot of debut albums, as well as Rory Gallagher's Irish Tour '74

Well guys thanks for your time. Much appreciated. All the best with the new album as it's an absolute blast.

Thank you! It's been a pleasure.

Words by Steve Howe and DoctoR DooM

Thanks to Richard at Sheltered Life PR for arranging this interview. The Seed We Sown is available to buy on CD/DD now. Vinyl Release will be coming later this year.

Links:

We Hunt Buffalo - Living Ghosts (Album Review)


Release date: 25th September 2015. Label: Fuzzorama Records. Formats: CD/DD

Living Ghosts- Tracklisting

Ragnarok
Back To The River
Prairie Oyster
Hold On
Comatose
Fear
The Barrens
Looking Glass
Walk Again

Band Members:

Ryan Forsythe - Guitar & Vox
Brendan Simpson - Bass & Vox
Brandon Carter - Drums

Review:

The album starts off like a heard coming at you from a distance and then this clean melodic riff enters; drenched in reverb. A haunting lead drifts by. The build up hits you hard and heavy. It’s so catchy that the 2:09 minute opener Ragnarok isn’t long enough.

Back To The River has a southern rock tinge and that’s not a bad thing at all. The vocals are layered and thought out. Harmonies are tight and sit just right in the mix. We Hunt Buffalo understand the groove, the vocal hook and how to use their power.

The angst of Prairie Oyster is in your face and you feel the despair. Gritty verses and hooky choruses! Badass!!

Hold On is almost space rock. The pulsing bass line keeps the forward progress and then the chorus hits. Simple, effective and drenched again in glorious reverb.

Comatose has such broad production and again almost space-rock in its arrangement. I can’t stress enough about how the vocals make this band!

Fear has a huge 1 minute intro and then drops into moody vocals. Delivered from the heart and deep!

The Barrens is almost spaghetti western in it’s 60’s feel. The vocals are a bit less out front on this and that might be the only fault on this album. We Hunt Buffalo have that classic rock tone and sensibility, but they don’t abuse it.

Looking Glass spends the first minute luring you in and then drops the B3 in your face. Pulls back and allows the vocals to take hold... then sends you on a familiar journey. I am a sucker for a B3 and a spinning leslie. This song doesn’t disappoint in the least!

Walk Again closes out the album and we get a taste of that gritty bass. This might be the weakest track on the album, but seriously any band in this genre would love to have written this song. We Hunt Buffalo are in command of who they are as a band and the consistency of this album shows that.

Fans of their early work will find this outing less fuzzy, but not lacking any of their signature riffs or vocal power. This Vancouver power trio delivers the goods and isn’t afraid to grow. The production on this album really lets the band showcase their song writing. Drums are deep, bass is a feeling, guitars are spaced nicely and the vocals are stellar. If they come to a club near you, go! Buy their merch, have them sign your body parts and maybe even buy them a round of drinks!

Words by Bill Bensen

Thanks to Richard at Sheltered Life PR for the promo. Living Ghosts will be out to buy on CD/DD via Fuzzorama Records from September 25th 2015

Links: