Bong Wizard - Transilvanian Munchies (Album Review)

Release Date: June 25th 2026. Record Label: Self Released. Formats: DD/Vinyl

Transilvanian Munchies - Tracklisting

1. Bongblåst (6:29)

2. Spellbound By The Devils Lettuce (2:23)

3. With Strength I Burn One (3:57)

4. Transylvanian Munchies (6:57)

5. Inno A Sativa (6:45)

6. Bluntlust (4:24)

7. Procession Of Bowls (4:20)

8. I Am The Bong Wizards (4:21)

Members

Justin Liles - Guitar/Vocals

Ronny Spera - Bass/Vocals

Thomas Meeks - Drums

Review

Transilvanian Munchies is the third full length album from Doom/Sludge/Stoner Metallers Bong Wizard and it continues the great work the band achieved on their excellent second album Vulgar Display Of Flower. Bong Wizard is known to include a great mix of black comedic humour into their music which they do throughout this album which is inspired by the likes of Church Of Misery, BONGZILLA and WEEDEATER. The music itself is a mix of down-tuned and aggressive strains of WEEDIAN METAL that’s laced with some elements of Black Metal along the way though not too much as the band are still playing those “POT” heavy melodies.

There is a more aggressive level of music coming from Bong Wizard compared to their previous albums with the band drawing influence from the likes of CONAN, Electric Wizard and even The Melvins at times. The music can be quite frantic with Bong Wizard changing to a Punk Metal style especially on the shorter tracks such as Spellbound By The Devil’s Lettuce for one.

Sometimes Bong Wizard can even be quite progressive with their music by playing longer instrumental passages which gives their music a heavier, distorted and gloomy sound but still packing those classic levels of evil FUZZ building up from the speakers. The album really shines when Bong Wizard includes some classic Proto-Doom along the way which just amps up the creepy atmosphere with that “LOW & SLOW” musical delivery offering violent thrills and spills along the way. 

Some folks may complain that there’s nothing really groundbreaking to this album and we’ve heard this all before. That may be true to a point but that hasn't stopped thousands of other bands releasing similar themed albums over the years and still achieving critical and commercial success along the way. Bong Wizard are fucking excellent at what they do and they deliver that time and time again on tracks such as: Bongblåst, Spellbound By The Devils Lettuce, Transylvanian Munchies, Inno A Sativa and I Am The Bong Wizards.

You have to give the band credit for taking the titles of some well known BLACK METAL tracks and giving the whole thing a STONER METAL makeover with great lyrics to match. The lyrics are superbly funny throughout with Bong Wizard exploring the folklore of the BLACK METAL and WEEDIAN METAL scenes with genuine love and affection. The music maybe brutal at times but the razor sharp wit comes straight from the heart.

Transilvanian Munchies is a record that also has a deeply unflinching side and that’s thanks to the amazing vocals that’s contained throughout. These vocals are violent with guttural screams being provided by Justin Liles and Ronny Spera as they deliver with a nightmarish intensity that would make this a great album to be released closer to the HALLOWEEN season. 

Bong Wizard also makes great use of different sound effects, trippy soundscapes and vivid distorted themes which taps into the HORROR and OCCULT aspect of the DOOM METAL scene. There’s a seedy Seventies “GRINDHOUSE” attitude appearing which elevates the levels of volumes into dangerous territory that will sure give your HEARING and SPEAKERS a brutal workout from start to finish.

Transilvanian Munchies is a superbly produced album where you know it could only arrive from the Doom, Sludge and Stoner Metal underground scene. With a never-ending supply of DANK based grooves, Bong Wizard provides a masterclass of WEEDIAN and DOPE METAL grooves which will have you coming back for more. This album has easily claimed a place on my “BEST ALBUMS OF THE YEAR” and it’s not hard to see why. 

Words by Steve Howe

Thanks to Good Boy PR for the promo.

Transilvanian Munchies is available to buy now on Digital Download and Vinyl.

inks

LinkTree | Facebook | BandCamp | Instagram

Druidess - Trip Meadow (Album Review)

Release Date: June 26th 2026. Record Label: Self Released. Formats: CD/DD/Vinyl

The Meadow - Tracklisting

1.The Hermit of Druid's Temple

2.Trip Meadow

3.Knightingales 

4.Mandragora

5.Descended from Giants

6.A Witches' Sabbath

7.The Forest Witch's Daughter

Members

Daniel Downing - Guitars, Saxophone

Shonagh Brown - Vocals / Bass

James Hill - Keyboards

Sam Armstrong - Drums

Review

Druidess have already built a fearsome and well deserved reputation supporting the likes of Castle Rat, Slomatics, Dopethrone, Margarita Witch Cult, Josiah and Saint Karloff over the years. They released their debut EP Hermits and Mandrakes back in 2024 which I rated quite highly. Fast forward to 2026 and Druidess have completely reworked their debut EP which makes up the crux of their album. However, this is no mere cash grab with Druidess re-working almost every aspect into a completely different sound with a clearer creative vision and heavier grooves being applied for the album.

Trip Meadow which only expands their heavy blend of Psychedelic, Doom and Stoner Metal. Druidess play areas of Blues Rock, Occult Rock, Proto-Metal and Prog Rock into their music with a slight Sludge Rock undercurrent coming from the excellent guitars supplied by Daniel Downing.

Front and centre of all the action is the highly talented and extremely versatile lead vocalist Shonagh Brown who brings a classic style of Doom Rock merged with a soulful Blues Rock attitude. The vocals are at the forefront of the record for the majority of the record with the rest of Druidess building an epic Doomed Out platform for Shonagh to perform on. The band play closely to the likes of Black Sabbath, Windhand, Hippie Death Cult, The Doors, Green Lung and Monolord. 

Druidess aren’t afraid to go for an OVER THE TOP sound that allows other great instrumental sounds to appear such as Organs, Keyboards and Saxophone. I’ve said before but I’m not the biggest fan of Saxophones being included within Doom and Stoner Metal music. but Daniel Downing puts in a great performance which even I admired leaving me wanting to hear more.

Trip Meadow can be quite TRIPPY and SPACE ROCK heavy where Druidess leave their “Retro Rock” surroundings for a heavier modern day sound with that gloomy Post-Doom sound holding everything together. Though, the sounds of Seventies Proto-Doom and Hard Rock is never too far behind which allows the record to be so damn original throughout. 

Shonagh also provides Bass which she puts in a commanding and aggressive performance with Sam Armstrong helping out on drumming duties where they combine for a massive rhythm section for Druidess to fully operate from. James Hill on keyboards feels like he’s been fed a steady diet of Seventies Prog Rock and Proto Doom albums with the amount of different directions his keyboards actually move into. 

The lyrics have a great classic theme which fully sells the DOOMED OUT aspect of the record especially on tracks such as The Hermit Of Druid’s Temple, Trip Meadow, Knightingales and Witches Sabbath being the main highlights. With a neverending supply of gloomy sound effects and superbly played organs, Druidess have delivered a record that should easily allow them to receive widespread attention that the mighty Green Lung achieved with their first couple of albums.

Trip Meadow is a quality sounding album that is not afraid to move into the darker depths of Classic Doom and modern day Stoner Metal that will leave you completely satisfied when everything is said and done.

Words by Steve Howe

Thanks to Palmer Turner Overdrive  PR for the promo.

Trip Meadow is available to buy now on CD/DD/Vinyl.

Links 

Facebook | BandCamp | Instagram

US Psychedelic Rock Trio DEAD MEADOW to release "Foundlings" rarities album on July 31st via Heavy Psych Sounds Records

Washington D.C. psychedelic rock luminaries Dead Meadow have teamed up with Heavy Psych Sounds Records for the exclusive release of "Foundlings" — a 7-track collection that digs deep into the band's archives, spanning over two decades of sessions, tributes and unreleased gems — on July 31st, 2026.

Known for their hypnotic blend of heavy riffage, dreamy atmospherics, and mesmerising grooves, Dead Meadow have been delivering their organic, masterful and utterly transportive sonic recipe for nearly thirty years now. The Foundlings rarities collection promises to illuminate the band's evolution, featuring previously unheard material that showcases their unique ability to channel classic influences — from Sabbath-inspired heaviness to shimmering The Cure-like textures — through their own hazy lens, while also serving as a tribute to bassist and founding member Steve Kille, who passed away two years ago after a long battle against cancer.

Featuring the core lineup of guitarist and vocalist Jason Simon and late bassist Steve Kille, with drum duties split between Mark Laughlin and Stephen McCarty, Foundlings compiles material recorded between 2002 and 2024. Highlights include a rendition of Powell St. John's "Kingdom of Heaven" (from the Sonic Cathedral sessions), a take on The Beatles' "Tomorrow Never Knows" (from The Nothing They Need sessions), and a version of Led Zeppelin's "No Quarter" originally cut for a Cleopatra Records tribute, alongside originals drawn from the Voyager to Voyager album recording sessions, a EarthQuaker Devices session, and a Committee to Keep Music Evil session recorded with Anton Newcombe and Rob Campanella (The Brian Jonestown Massacre).

Foundlings is poised to be essential listening for both long-time devotees and new converts. It arrives as the band continues to cement a legacy defined by fearless exploration.

DEAD MEADOW "Foundlings" - Out July 31st on Heavy Psych Sounds (LP/CD/digital)

TRACKLIST:

1. Lost To Light
2. Nobody Home
3. Kingdom Of Heaven (Powell St. John cover)
4. Tomorrow Never Knows (The Beatles cover)
5. Everything's Goin' On
6. No Quarter (Led Zeppelin cover)
7. From The Children Of Planet Earth

Bio

Formed in the fall of 1998, DEAD MEADOW emerged from the Washington, D.C. indie/punk scene to fuse their love of early ’70s hard rock and ’60s psychedelics into a unique marriage of dreamy guitar-fuzz bliss and stoney riffs. Over the course of seven studio albums, three live records and a Peel Session, they incorporated darker eastern influences and increasingly dense and hypnotic layering as they toured such far-reaching places as Russia and Australia and performed at renowned festivals including Roadburn and Levitation fest. They’ve become an inarguable pillar of the modern heavy psych movement alongside contemporaries like Black Mountain, King Gizzard & the Lizard Wizard and the Black Angels.

DEAD MEADOW on "Foundlings"

Jason Simon - guitar, vocals, organ
Steve Kille - bass
Mark Laughlin - drums (tracks 1, 2, 4, 5, 7)
Stephen McCarty - drums (tracks 3, 5) and organ (track 5)

DEAD MEADOW links

Website | Facebook | Instagram

HEAVY PSYCH SOUNDS links

Website | Facebook | Bandcamp | Instagram | Youtube

Thanks to Purple Sage PR for the details.

Argentinian Doom/Stoner Rock Legends NATAS Announce One Off Performance on November 13th 2026 at C Art Media in Buenos Aires (Argentina)

More than a decade after their split in 2012, legendary Argentine band NATAS announces its long awaited return to the stage with a renewed lineup for a must-see performance on November 13th, at C Art Media in Buenos Aires (Argentina)

NATAS - Broide - Villagra - Bereciartúa

November 13th - C Art Media (Buenos Aires, Argentina) - Tickets available now at Passline

NATAS, one of the defining bands of Latin American stoner rock, returns with a renewed lineup that blends history, power, and sonic evolution.

The project is led by Walter Broide, original member and founder of the band, joined by Gonzalo Villagra, bassist and key songwriter from the group’s most prolific era. This new chapter also features Nico Bereciartúa on guitars and vocals (The Black Crowes / RIFF), bringing a fresh perspective while preserving the essence that defined NATAS’ signature sound.

This return not only marks a reunion with longtime fans and those who never had the opportunity to experience NATAS live, but also introduces a powerful new chapter through the addition of Nico Bereciartúa. As a member of RIFF, one of Argentina's most influential hard rock bands founded by legendary guitarist and singer PAPPO, Bereciartúa carries forward a musical lineage deeply embedded in the history of South American rock. Pappo is widely regarded as one of the most important figures in Latin American rock and blues, and Nico's connection to that legacy brings a unique dimension to NATAS' renewed sound.

This return not only marks a reunion with longtime fans and those who never had the opportunity to experience NATAS live, but also presents a new interpretation of the band's musical legacy. The show promises an intense journey through their catalog, alongside fresh live renditions of their classic material.

ABOUT NATAS

Throughout its career, NATAS forged a unique path within the independent stoner rock movement, creating a discography that became a benchmark for the international stoner and psychedelic rock scene. Albums such as Delmar, Ciudad de Brahman, and Toba Trance marked different creative eras of the band, establishing a distinctive sound characterized by heavy riffs, hypnotic atmospheres, and a strong instrumental identity.

Their growth extended far beyond Argentina. NATAS brought its music to stages across Europe and the United States, undertaking international tours that established them as one of South America's most respected underground bands. They performed at major festivals and shared bills with leading artists of the genre, expanding their audience and strengthening their connection with fans worldwide.

This international journey, combined with a constant artistic evolution, transformed NATAS into a cult band whose influence continues to resonate with new generations of musicians and listeners.

Walter Broide

Founder and creative driving force behind NATAS, widely considered the most influential stoner rock band in Latin America. A drummer, songwriter, and producer, Broide developed a powerful and expansive style that took NATAS on tours throughout Europe, the United States, and Latin America. Beyond NATAS, he has also been involved with Poseidótica and Audión, further exploring instrumental and psychedelic rock.

Gonzalo “El Crudo” Villagra

Bassist and a fundamental architect of the NATAS sound. An Argentine recording engineer and producer, Villagra has worked on numerous national and international albums, including projects by Hermética, Almafuerte, Boom Boom Kid, Poseidótica, and Minoría Activa, among many others. In addition to NATAS, he has performed with several bands within the rock and stoner scene, including Santoro and Carne Gaucha, building a versatile career as both musician and producer.

Nico Bereciartúa

Argentine guitarist with a distinguished international career in rock and blues. A member of RIFF, and currently guitarist for The Black Crowes, he has shared stages with world-renowned artists such as Ronnie Wood (The Rolling Stones), Steven Tyler (Aerosmith), and John Fogerty (Creedence Clearwater Revival). His style combines technical excellence, musical sensitivity, and raw power, establishing him as one of the most respected guitarists of his generation.

Discography

Delmar (1998)

Delmar marked a turning point in NATAS' evolution, expanding the band's heavy rock foundations into more atmospheric and psychedelic territory. The album quickly attracted attention beyond Argentina, helping establish connections with the emerging international stoner rock scene and introducing NATAS to audiences that would later support the band's extensive touring throughout Europe and the United States.

Ciudad de Brahman (1999)

Recorded in San Francisco and produced by Dale Crover of the Melvins, Ciudad de Brahman became one of the defining releases of Latin American stoner rock. Released through the legendary Man's Ruin Records, the album connected NATAS directly with the influential Californian underground scene that also included artists such as Kyuss, Fu Manchu, and the Melvins. The collaboration with Crover helped introduce the band to a global audience and established NATAS as an international presence within the genre.

Corsario Negro (2002)

Produced by acclaimed engineer and producer Billy Anderson, known for his work with Sleep, Neurosis, Melvins, High on Fire, and Mr. Bungle, Corsario Negro further strengthened NATAS' ties to the international heavy music community. Anderson's production emphasized the band’s expansive sound and experimental approach, resulting in one of the most ambitious records in their catalog and reinforcing their reputation among fans of underground heavy and psychedelic rock worldwide.

Toba Trance (2004)

Released through Finnish label Ektro Records, Toba Trance marked one of the boldest artistic departures in NATAS' career. Moving beyond the boundaries of stoner rock, the album embraced long-form improvisation inspired by German krautrock pioneers while incorporating indigenous rhythms, folk percussion, charango, and sonic elements drawn from Argentine cultural traditions. The project strengthened NATAS' connection with the European psychedelic underground, particularly through its relationship with Finland's experimental rock scene and later collaborations with Stefan Koglek of Germany's Colour Haze, one of the most influential bands in European psychedelic rock. These exchanges culminated in the München Sessions recordings and helped establish NATAS as a bridge between South American musical identity and the exploratory spirit of the international psychedelic movement.

El Hombre Montaña (2006)

With El Hombre Montaña, NATAS continued to push beyond genre conventions, delivering a record that blended heavy rock, psychedelia, and progressive experimentation. By this period the band had become a regular presence on international tours and festivals, sharing stages with many of the leading names in stoner and psychedelic rock. The album reflected the confidence of a band operating within a global underground network while maintaining a distinctly South American identity.

Nuevo Orden de la Libertad (2009)

Released after years of international touring and artistic development, Nuevo Orden de la Libertad showcased NATAS at its most mature and expansive. The album synthesized the lessons learned from collaborations with figures such as Dale Crover and Billy Anderson while embracing influences gathered through years of interaction with the European and North American psychedelic underground. The result was a record that transcended the boundaries of stoner rock and reaffirmed NATAS' position as one of the most innovative heavy rock bands to emerge from Latin America.

NATAS Links

Linktree | Instagram 

Produced by: TRVE Inc.

www.trve.com.ar | Instagram Trve

Thanks to TRVE Inc for all of the details.

TORT - Dimonis de la Sauva Negra (Album Review)

Release Date: June 15th 2026. Record Label: Discos Macarras Records. Formats: CD/DD/Vinyl

Dimonis de la Sauva Negra - Tracklisting

1.Necrophagus Paranoid 07:26

2.Servants of the Antichrist 06:26

3.Dimonis de la Sauva Negra 07:59

4.Sláine 08:51

5.Ningú Fugirà del Coneixedor 08:07

6.Bonus Track 04:59

Members

Xavier Álvarez (vocals)

Sergio Sancho (guitar)

Jordi Boluda (guitar)

Michel Serrano (drums)

Ricard García (bass)

Review

Dimonis de la Sauva Negra is the fourth full length album TORT where they embrace a more brutal and filth-ridden style of Death Metal, Sludge, Doom and Stoner Metal. The record is constantly bleak and full of violent surroundings with TORT where the expands into intense and extreme blasts of SWAMP infused WEEDIAN metal. This is the most violent strain of WEEDIAN METAL you’ll experience with the punishing LOW & SLOW musical methodology that TORT apply to the album.

There’s a great sense of melody being projected from within the album with its more extreme and darker style of music becoming quite progressive throughout the whole album. If you ever wondered what WEEDEATER and BONGZILLA ever sounded like if they crossed paths with the likes of PRIMITIVE MAN and THOU then TORT are the closest you’re likely ever going to get. The nihilistic lyrics are quite uncompromising at the best of times with TORT staying close to their Spanish roots on the majority of the tracks.

 

The vocals from Xavier Álvarez are just gut-wrenching with a demonic presence appearing on every track. Xavier just chews and destroys the musical landscape with his dominating presence where you feel utterly compelled to listen to what he says especially on tracks such as: Necrophagus Paranoid, Servants Of The Antichrist, Sláine and Ningú Fugirà del Coneixedor. The rest of the band provide first rate musical passages that fills the atmosphere with a sense of violent dread that does manifest into sublime Psychedelic instrumental solos which have some NOLA and Southern Metal themes appearing along the way.

Dimonis de la Sauva Negra works best when TORT apply a slower style of Extreme Metal into their music as it builds up a sense of modern day DOOM & GLOOM to the record which is where the most interesting, heaviest and powerful grooves appear. The excellent production values allows TORT to have a commanding presence even when they’re creating and playing new musical themes they haven’t played before which gives Dimonis de la Sauva Negra such an epic cinematic scope compared to their previous albums. 

For a record that’s built on filthy compounds, TORT have pulled out all the stops of building a record that dominates the riff-centric musical landscape that will leave you breathless from start to finish.

Excellent and Highly Recommended.

Words by Steve Howe

Dimonis de la Sauva Negra is available to buy now on CD/DD/Vinyl via Discos Macarras Records.

Links 

Facebook | BandCamp

Cannabus - Ride The Bus (Album Review)

Release Date: July 03rd 2026. Record Label: Black Throne Productions / Kozmik Artifactz. Formats: DD/Vinyl

Ride The Bus - Tracklisting

Intro

Heavy Joint

4Runner 

Volcano

The Green

Space Bussin’

In The Pocket

Far Gone Blues

Vagabond

Members

James Matheson - Guitar/Vocals

Brandon Doucet - Drums

Ethan Scott - Bass

Review

Doom/Stoner Metallers Cannabus finally release their debut album Ride The Bus and the only thing this album is taking the listener is to the mighty WEEDIAN promised land. As the band fully live out their STONER ROCK/METAL fantasies with this great album. Cannabus are supremely confident on this record whilst exploring areas of Blues Rock, Psych, Sludge and Punk in equal measure. The sound is murky and with an aggressive smoke fuelled sound that allows Cannabus to play music inspired by the likes of KYUSS, FU MANCHU, DOZER and NEBULA. 

However, there are a few hidden delightful surprises along the way with Cannabus moving away from the WEEDIAN influence and playing more Spaced Out sounds The vocals have a rough exterior to them with James Matheson tapping into a Punk Rock way of life. It’s a delivery that shouldn’t really work but James feels like he’s having the time of his life here though his vocals don’t appear until the excellent third track of 4Runner. Half of the album is instrumentally driven with the vocals appearing when they’re fully needed. 

The opening tracks of Intro and Heavy Joint sets the scene with Cannabus setting the building blocks and rules to play their music against. There is a Classic Hard Rock and Blues Rock sound coming from the speakers which gives extra weight and riff fuelled heaviness to the band’s wicked use of seedy amplifier distortion. The Psychedelic sounds also have that classic Seventies Doom melody which is laid on mightily thick on tracks Volcano, The Green, Space Bussin’ and Vagabond. 

Cannabus also excel in developing long drawn out instrumental passages that showcase a distorted style of Desert Rock and Fuzzy melodies to haunt the sludgy amplifiers for extended periods of time. Some folks may think this is another straight forward STONER record but it’s not. As Cannabus really strive for something different for their debut album with that wicked Psychedelic and Space Rock delivery that manifests into wonderful LOW & SLOW sludgy environments on the later stages of the record.

The epic rhythm section of Brandon Doucet on Drums and Ethan Scott on Bass have a jam based creative methodology within their music. Sometimes the music does feel like it’s going off into a different tangent but James’s heavy guitars allow his band mates to play a warped style of intense sonic exploration whilst adding a grounded approach that really holds everything together.

Ride The Bus is an outstanding debut album that is not ashamed to be part of the WEEDIAN underground. This is the type of album that fully embraces that fact and just has complete fun whilst delivering a collection of great tracks that are filled with amazing grooves and instrumental solos you can SHAKE YOUR BONG at. 

Black Throne Productions and Kozmik Artifactz are both releasing the album and it’s the perfect fit. As both labels have steadily been releasing a wave of great albums in 2026 and this is no different. Ride The Bus is one of the most essential STONER ROCK debut albums you’ll experience this year!!!

Words by Steve Howe

Thanks to Black Throne Productions for the promo.

Ride The Bus is available to buy on DD/Vinyl now via Black Throne Productions and Kozmik Artifactz.

Links 

Instagram: https://www.instagram.com/cannabusband
Bandcamp: https://cannabus.bandcamp.com/music
Spotify: https://open.spotify.com/artist/1howstrmxl7hJRzWTkFlmP
Apple Music: https://music.apple.com/ca/artist/cannabus/1674032226
Facebook: https://www.facebook.com/CannabusBand

Death/Doom/Sludge Metallers DREAD WITCH release video for title track off upcoming album "Cult"

Danish sludge death doomsters DREAD WITCH have just released a video for the title track off their upcoming album CULT - the follow-up to the band's highly acclaimed debut Tower of the Severed Serpent from 2023.

A cornucopia of seriously heavy, low tuned riffs and mean vocals, the song "Cult" pushes the listener into the horror darkness of a terrible occult nightmare infested with serpents, witches and human sacrifices.

The video was directed, lighted and shot by DREAD WITCH and edited by the band's bassist Leifur Nielsen.

Watch video here: https://www.youtube.com/watch?v=5UPaMIQJxm4

About new album CULT

Produced, mixed and mastered by none other than Tue Madsen (Meshuggah, Belphegor etc.), CULT features 36 minutes of dynamic and deliciously messy doom metal spread across eight pummeling tracks that cater to fans of multilayered cinematic doom of the heaviest kind.

"CULT" will be out October 31st on LP via DHU Records, CD via Bottomless Pit and digital via Gateway Music.

About DREAD WITCH

DREAD WITCH was formed in Denmark in 2023 by ex-members of Scamp, Horned Almighty, Stone Cadaver and The World State for the sole purpose of creating heavy and dark doom metal under the influence of horror literature, cult movies and bands like Pink Floyd and Triptykon.

DREAD WITCH create Boschian landscapes of doom that, as RockHard Italy wrote, "captures the listener in a magnetic whirlpool that is difficult to escape".

Members

Mikael Rise - vocals and rhythm guitar
Dennis Larsen - drums
Jesper Kragh - lead and rhythm guitars
Leifur Nielsen - bass and backing vocals
Andreas Cadaver - rhythm and lead guitars

Links

Linktree: https://linktr.ee/dreadwitch