GOZD - Trees Are Silent (Album Review)

Release Date: February 18th 2026. Record Label: Self Released. Formats: CD/DD

Trees Are Silent - Tracklisting

1.Abiogenesis 02:00

2.The Oath Taken Beneath The Oak Tree 04:49

3.Birch 06:50

4.OM 04:41

5.Linden 05:16

6.Rusalka 04:29

7.Axis Mundi 07:56

8.Ekoton 03:32

Review

Trees Are Silent is the third album from Polish Doom/Post-Metal/Stoner Metal collective GOZD that continues a similar journey heard on their last two records of Unilateralis and This Is Not The End. GOZD lean heavily into their Post-Rock/Post-Metal aspect of their musical identity for this record as it contains a world weary GLOOMY sound with some similarities to the likes of SPACESLUG and MOUNTAIN OF MISERY. 

However, GOZD have a more frenzied and cinematic approach which comes across superbly well within the early stages of the record on tracks such as Abiogenesis, The Oath Taken Beneath The Oak Tree and Birch. It’s with these tracks that GOZD lay down the foundations for a slightly Doomed Out approach. They even find the time to add trombone to the album on the excellent fifth track Linden which is performed superbly well by Adam Kurek. 

The album is mostly instrumental  which allows GOZD to have a sense of mystery to them and letting their music do all the talking especially in the later stages of the record. When the vocals do appear, they’re provided by Paulinia Przychodzień-Witek and Damroca on the exquisite track Rusalka. This track feels inspired by the likes of RUSSIAN CIRCLES and PALLBEARER and is one of the standout tracks on the album with GOZD exploring a more emotionally charged style of Shoegaze, Doom and Post-Metal.

 

Trees Are Silent is a superbly produced album which allows GOZD to offer a more cautionary vision with areas of Ambient Rock and Post-Rock fully submitting to a more emotionally charged style of music which leaves you nodding or rocking out in full agreement. If you like you’re Post-Metal/Post-Rock records with a slightly EXPERIMENTAL quality then GOZD are the answer to your musical prayers.

This is a stunning and highly cinematic record that demands your full undivided attention!!!

Excellent and Highly Recommended.

Words by Steve Howe

Links 

Facebook | BandCamp | Instagram

An Interview With Doom/Stoner Metal Amphibian Overlords FROGLORD

Doom/Stoner Metallers FROGLORD has one of the most intriguing and interesting creative story lines within the whole scene. Their acclaimed and highly original "Tale Of The Froglord Saga" has seen them release acclaimed albums since their inception in 2020 and a legion of followers within the underground scene. Their 2025 album "Metamorphosis" was perhaps their most outlandish and acclaimed record to date with Froglord drawing a close to this aspect of the "Froglord" saga.

Now the band have taken a step back from that saga to release their sixth album LOWER & SLOWER on March 06th 2026. Recorded live in a single studio take, Lower & Slower re-imagines six fan favourites from across the band’s catalogue in crushing, funeral-paced form. Everything is tuned deeper, slower and heavier a raw, immersive descent into the swamp.

Froglord revisit tracks such as They Came From Saturn and Green Inferno, culminating in a colossal, sludge-soaked rendition of Black Sabbath’s Iron Man.

Importantly, this release carries a strong charitable focus.

• 100% of digital proceeds

• 50% of physical and merch profits

will be donated to the Waterfowl & Wetland Trust (WWT), supporting their mission to restore 100,000 hectares of wetlands by 2050. Environmental advocacy has always been woven into Froglord’s mythos, and this release channels that ethos into direct action.

I always wanted to interview FROGLORD for a long time and I've finally caught up with the Amphibian Overlords of Doom/Stoner Metal. 

Read on for a great interview.

Hi guys. How are things with you all today.

Smashing thank you, Spring is upon us and the swamp is coming alive once again, for another exciting year.

For people not in the know, can you give a brief history of how the band came together and where it is today.

The project began in 2020 in the early days of the lock-down era, birthing as a one-frog endeavour. It stayed like this for the first couple of years, then after migrating to the swamps of Bristol, I crossed paths with 3 swamp priests who all conveniently happened to play guitar, bass, and drums. At which point we began performing our swamp rituals live, touring across the UK, and on occasion across the swamps into Europe.

Why did you call yourselves Froglord.

The Froglord is an amphibious deity, that rises from the mystic swamps every 10,000 years to restore the earth to its natural balance. We pay homage and offer reverence to his name.

Where did you come up with the overall idea for your acclaimed "Tale Of The Froglord Saga"

The ancient text of The Book of Amphibian has been guarded closely by the swamp cult for timeless generations. We have interpreted its words and prophecies into the sonic format presented today.

How many records is the saga spread across and are there more parts of the Froglord Saga to be released in the future.

Currently the saga has seen 5 instalments. With the first 3 records – Amphibian Ascending, The Mystic Toad, & Army of Frogs – presenting the original tale, telling of the Froglord's return during the modern era and subsequent war against the humans upon seeing their tyranny of environmental destruction. The following records act as sort of prequel to this story, which will ultimately see the story come full circle as we bare witness to the birth of the amphibious diety.

We're here to discuss your new album "LOWER & SLOWER" What can people expect from that record.

In Lower & Slower we revisit several songs from our back catalogue, presenting alternate maximum doomier versions. As the title would suggest, these are all played lower & slower than the originals. The record was recorded as “live in the studio”, as a full band in single session, this was to try create something that would feel akin to the live Froglord experience.

How did you decide on what classic tracks to include on the record.

There wasn’t too much deliberation in it. I think we already knew which tracks would lend themselves better to be interpreted the sound and vibe we wanted to achieve with this record. Of course there are a several tracks which are definitely some of our more popular tracks such as They Came From Saturn and Green Inferno, but we also wanted to give a new light to some of our favourite ones to play live that perhaps don’t get quite as much love, such as Road Raisin or Die By The Slime.

Was this a hard choice for you to include these selection of tracks and do you wish you could now include somewhere.

There's a very good reason that the record's title as “Vol. 1”. There's many more that we would love to re-imagine as Lower & Slower tracks in the future!

Your epic cover of the classic Sabbath track - Iron Man is brilliant. Why did you choose that cover. Any particular meaning.

It was certainly daunting to cover one of metals biggest songs, present that through the eyes of the swamp, and then have that track as one of the albums singles, but being a doom band we would be nothing without Sabbath and we thought it only right to pay tribute in this way. There are also some parallels between the Iron Man's tale of wishing to protect the earth only to be shunned by humanity; and that of The Froglord’s plight.

It's brilliant how you're donating 100% of digital proceeds and 50% of physical and merch profits to the Waterfowl & Wetland Trust (WWT). Obviously with your name being FROGLORD, this is a very important cause to you all. Did you have any other charitable organisations in mind or is this one quite close to you personally.

We’ve also been an environmental band at our core, in order to appease the wrath of the mighty Froglord hen he reawakens from his slumber. We’ve done work for Save the Frogs! In the past, most notably in our 2022 EP Save The Frogs. However on this occasion we wanted to do something closer to home. Being Bristol-Based we are blessed to have WWT Slimbridge only 30 minutes up the road from us. It is an incredible site and one I have spent countless hours wandering around and bathing in the peace of the many bird hides.

What is the creative process or setup within the band? Do you write the music together or do certain people within the band do that.

I (Froglord) still do the bulk of the writing myself, our guitarist Caudata is increasingly contributing to that process. Oftentimes he will come to me with a riff, and I will work that into the full track. It would be a disservice to them all however, to say that they have not all contributed and shaped that writing process quite significantly. They are all incredible musicians, and I am very lucky to have them here in the swamp.

Did your daily struggles, challenges and uplifting moments in life shape up the creative outline for the whole Froglord saga.

I have fairly extensive background working and studying within some facet of an environmental framework. Froglord was another manifestation of that work so far.

You're from Bristol, UK. What is the local Hard Rock and Heavy Metal scene like there? Is there a thriving gig scene and community that allows you to perform regularly or do you have to travel further afield to perform on a regular basis.

I have been lucky to live all over the UK, and can safely say the Bristol has one of the best metal scenes the UK has to offer in my personal opinion. I wouldn’t suggest we play in Bristol overly regularly. As with any other city, over saturation is something best avoided. But we are very busy frogs and have been performing all over the UK and beyond, pretty tirelessly and extensively for a few years now.

What future gigs have you coming up and will you be promoting the album more this year

We have a big list of exciting shows this year coming. Firstly our headline tour around the UK with Space Pistol over April. July will see us on the road supporting Bat Sabbath (the alter egos of Cancer Bats) for two weeks. Plus we’ve got some amazing festivals coming, not least to mention Bloodstock Festivals. Then between all of that there’s also a bunch of shows planned! It’s a lot to keep up with, but folks can find the full list at any of socials and buy tickets from www.Froglord.org. As for the rest of the year, time will tell if there is more in store!

What are your favourite venues when you have toured in the past. Any particular venues or locations you always look forward to when touring.

Exchange in Bristol is in many ways our ground zero. It’s where we things really started happening for us after winning Bristol M2TM there in 2024. So it’s always a joy to play there, especially as it’s our home swamp. There's several great venues that we always try come back to, but some of our favourites are Signature Brew in London, Corporation in Sheffield, and Dead Wax in Birmingham.

How would you describe the live FROGLORD experience.

To see Froglord live is to wander through a murky endless swamp in the heart of dusk. In the distance you follow the sound of drums where you find a crazed cult of swamp dwellers deep in ritual. Guide by plumes of smoke, you stagger into their ceremony. Before you stands the might and terror of the great amphibious lord himself. By the time you come to round from the haze and delirium, the swamp is empty again and you are left wondering whether any of it was real

What bands or artists influenced you to pick up an instrument and to become a musician.

When I was a tadpole my first major influence to pick up and instrument was watching Angus Young play guitar for AC/DC. Shortly thereafter, the first band I saw live was Turisas, as they were opening on tour for Dragonforce. To this day Turisas’ Varangian Way album is still in my top 10 albums of all time, and I think has played a massive role in my gravitational towards concept albums.

Do you have any side projects that folks can check out.

I’ve released a number of one-man black metal projects over the years. Definitely my favourite of the bunch however was an EP called I Hate Stuart Little. As they tittle suggest, I hate him.

Before you go, do you have any words of wisdom for your fans currently out there

Stay hydrated and go visit your local wetlands.

Words by Steve Howe and FROGLORD

Thanks to Neon Leopard Promotions for arranging this interview.

Links

LinkTree | BandCamp | BigCartel

Cowboy & Aliens - Finis Temporum (Album Review)

Release Date: March 13th 2026. Record Label: POLDERRECORDS. Formats: CD/DD/Vinyl

Finis Temporum - Tracklisting

1.Life Tree

2.Rabbit Hole

3.Vengeance Of The Weird 

4.Ordinary Bliss

5.Icy Grip 

6.Asteroid Blast

Members

Tom Neirynck - Bass

Peter Gaelens - Drums

John Pollentier - Guitars

Henk Vanhee - Vocals

Review

Finis Temporum is the the seventh album from legendary Stoner Metallers Cowboys & Aliens which is perfectly timed to celebrate the band's thirtieth anniversary since forming in 1996. This is the band’s first album in over four years with Cowboys & Aliens delivering their heaviest and most confident record to date. They’ve leaned quite heavily into the arena of Post-Grunge, Doom and Sludge Rock for this album which still maintains the band’s trademark style of gritty sounding Desert Rock, Psych and Stoner Metal atmospherics. 

The whole record is full of classic Stoner Rock/Metal swagger which comes across superbly well within the opening track of Life Tree which reminds me of KYUSS, FU MANCHU and DOZER with the band now easily being compared next to those legendary bands. The music is very fast-paced and highly aggressive with the mood showcasing some mighty fine Nineties groove oriented Spaced Out elements with Henk’s undeniable vocals holding everything together. 

Finis Temporum is quite compact, clocking in around thirty three minutes across six great tracks with Cowboys & Aliens playing a turbo-charged style of music that’s packed full of great melodies and psychedelic landscapes.

The spiky lyrics are quite grounded, touching upon some highly emotional themes with the record still having that “SPACE ROCK” vibe which you can tell by the cover and the band’s previous albums especially on tracks such as Rabbit Hole,  Vengeance Of The Weird and Icy Grip. Cowboys & Aliens expand their delicious levels of FUZZ ROCK attitude with intense musical ferocity that’s provided by Tom Neirynck (Bass), Peter Gaelens (Drums) and John Pollentier (Guitars) throughout the whole album.

Another unexpected surprise is with the final song of Asteroid Blast which the band originally recorded on their landmark second album A Trip To The Stonehenge Colony. This time round the band have reimagined the track which has also been rerecorded, remixed and remastered compared to the original version. It’s a great modern version of one of their most well known tracks and the 2026 version stands on its own creative merits.

This ends the album in the best way possible with Cowboys & Aliens feeling refreshingly modern and still being one of the most essential acts the Stoner Metal community has right now. 

Finis Temporum should be considered a celebration of Cowboys & Aliens musical legacy whilst hopefully allowing them to endear themselves to a new generation of fans looking for their new favourite band. This is Cowboys & Aliens best record in years and proves once again why they’re Belgium’s premier Stoner Metal act in the world right now. 

Words by Steve Howe

Thanks to POLDERRECORDS for the promo.

Finis Temporum is available to buy now on CD/DD/Vinyl via POLDERRECORDS.

Links 

Facebook | BandCamp | Instagram

ELDER Announce New Studio Album “Through Zero”

[photo: Leon de Backer]

Elder have announced their new studio album, Through Zero, set for release on May 29, 2026 via Stickman Records in Europe and Blues Funeral Recordings in the United States. A first single and the album pre-order will go live at the end of March.

Two decades into their existence, Elder remain an anomaly in the heavy underground - a rare band with the ability to absorb and shed influences from a myriad of genres without falling into pastiche or losing their own identity. Through Zero stands as a strong reaffirmation of their commitment to pushing boundaries in the world of heavy rock and cements the group’s status as leaders of the pack in heavy psychedelic rock.

Over the past twenty years, Elder have mastered crushing riffs, melodic jaunts, progressive patterns, hypnotic grooves and ethereal atmosphere. On Through Zero, the band channel these years of experience into what may be their most immediate and engaging record to date, while allowing seeds from outside the sphere of rock music to take root and bloom within their progressive framework. Listeners will find familiar elements of new textures, sequences, and sounds alongside Elder’s iconic take on heavy rock. As always, every spin reveals new details.

Recorded at Big Snuff Studios in Berlin across several months between tours in 2025, Through Zero marks the first album the band not only produced themselves, but also co-mixed together with longtime collaborator Richard Behrens. Mastered by Carl Saff, the result is a record that feels more like a full extension of the band’s creative intentions than ever before.

[Artwork by Adam Hill]

Through Zero Track listing:

1. Sigil To Ruin
2. Capture/Release
3. Through Zero
4. Strata
5. Sight Unseen
6. Blighted Age

Guitarist and singer Nick DiSalvo reveals: “Through Zero” is a term borrowed from engineering and the world of music. It describes the property of a frequency being able to pass through the zero point and continue into the negative. While it isn’t a concept rooted in philosophy, it resonates with me on a conceptual level: the zero point is not an end, but a midpoint along a partially unseen path. Interpretation is open: the journey is the destination, beginnings and endings may be arbitrary, or perhaps reality is simply less linear than we tend to assume.

The songs on the album explore related themes that reflect my own observations and personal philosophy. Life and death, frustration and fear, helplessness and hope - all of these exist along the same “signal path.”

Elder was formed around 2006 in a small coastal town in Massachusetts by three longtime friends with a passion for downtuned heavy music. Over the years, the band has gained a guitarist, lost a drummer, relocated (mostly) from the States to Germany, played hundreds of shows from small clubs to arenas across the world and released six full-length albums, four EPs and two live records. Though this pedigree isn’t a requirement for anything, the twists and turns along the group’s winding road to today might explain the group’s refusal to stagnate.

Elder is:

Nick DiSalvo - Guitar/Vocals
Jack Donovan - Bass
Mike Risberg - Guitar/Keyboards
Georg Edert - Drums

Elder Live Dates 2026:

13.06. Derby, UK - Download Festival
14.06. Colchester, UK - Colchester Arts Centre w/ Blood Incantation
15.06. Southampton, UK - The 1865 w/ Blood Incantation
16.06. Brighton, UK - Concorde 2 w/ Blood Incantation
18.06. Clisson, FR - Hellfest
19.06. Dessel, BE - Graspop Metal Meeting
20.06. Dortmund, DE - Junkyard Open Air w/ Kadavar
21.06. Frankfurt, DE - Das Bett
23.06. Winterthur, CH - Gaswerk
24.06. Karlsruhe, DE - P8 w/ REZN
26.06. Oslo, NO - Tons of Rock
27.06. Thyrnau, DE - Blackdoor Festival
30.06. Sofia, BG - Mixtape 5
01.07. Thessaloniki, GR - Eightball Club
02.07. Athens, GR - Arch Club
07.07. Slunj, HR - Bearstone Festival
10.07. Pleszew, PL - Red Smoke Festival
23.07. Reutlingen, DE - Hafensounds Festival w/ Kadavar
25.07. Tolmin, SI - Tolminator Festival
26.07. Milan, IT - Circolo Magnolia Summer
28.07. Rockstadt, RO - Rockstadt Extreme Fest
30.07. Breitenbach am Herzberg, DE - Burg Herzberg Festival
31.07. Michelau, DE - Rock Im Wald
04.08. Rostock, DE - MAU Club
05.08. Josefov-Jaromer, CZ - Brutal Assault Festial
08.08. Âncora, PT - Sonic Blast Festival
14.08. Valais, CH - PALP Festival

More tour dates announced soon

For More Info Visit:

https://beholdtheelder.com
https://www.facebook.com/elderofficial
https://www.instagram.com/elderband
https://elder.bigcartel.com
https://www.stickman-records.com
https://www.bluesfuneral.com

Thanks to All Noir PR for the details.

Flamebearer - Bow Down To Me (Single Review)

Release Date: February 27th 2026. Record Label: Self Released. Formats: DD

Bow Down To Me - Tracklisting

Bow Down To Me

Members

Andy Valiant

Alastair Riddell

Dom Bailey

Thiago Pinho

Misha Hering

Review

Bow Down To Me is the latest single from Doom/Stoner Rockers Flamebearer and is from their forthcoming new album due out later this year. The song is quite a fast-paced affair with a HEAVY PUNK aesthetic fully coming at you from the very start which has shades of KVELERTAK in places. The sound is pure HEAVY METAL escapism in the best possible way with flashes of Doom Metal and Stoner Metal holding everything together.

The vocals are PUNK ROCK and NWOBHM obsessive which gives Flamebearer a gritty approach to their music with flashes of Old School Rock & Roll FURY adding to the overall charm of the song. You can hear traces of MOTORHEAD and TURBONEGRO in the band’s music which was a major part of their last record. The music is lean, mean, aggressive and also so damn catchy with the splendid rhythms, grooves and hooks that Flamebearer include within a concise four and a half minutes timeframe.

Bow Down To Me is a great track and shows great promise for their forthcoming new album. Check this out and you’ll be shouting out at the top of your lungs and rocking out like a bastard in no time at all.

Words by Steve Howe

Links 

https://www.facebook.com/flamebearerband
https://www.instagram.com/flamebearerband/?hl=en
https://flamebearer.bandcamp.com/

Hibernaut / Face Pulp Split (Album Review)

Release Date: February 27th 2026. Record Label: What’s Left Records. Formats: CD/DD/Vinyl/Tape

Hibernaut / Face Pulp - Tracklisting

Hibernaut - Mark of Shame 

Hibernaut - Intermundium

Hibernaut - Tongueless

Hibernaut - Bastardized Cultivation

Face Pulp - Ups and Downs and Crap

Face Pulp - Dicks, Pins, and Needles

Face Pulp - The One You Forgot 

Face Pulp - I'll Need Proof of Humanity

Face Pulp - Stereotypical Paths

Face Pulp Members

Steve - Vocals

MT - Guitar

Landyn - Bass

Randy - Drums

Hibernaut Members

Dave Jones - Guitar, Vocals

Zach Hatsis - Drums

Josh Dupree - Bass

Matt Miller - Lead Guitar

Review

This split album featuring Doom/Stoner/Sludge Metallers HIBERNAUT and Grindcore/Punk/Sludge Metallers FACE PULP is an interesting record with both bands coming from different musical backgrounds though they compliment each other very well. I consider myself a fan of Hibernaut but Face Pulp are an entirely new band for me as I’m not really into the whole Grindcore scene now.

Hibernaut offer the “SLUDGE METAL / STONER METAL” side of the record taking influence from the likes of SLEEP, HIGH ON FIRE, MASTODON and NEUROSIS. Their side of the album is spread across four tracks running around twenty three minutes of great music. The band play to their strengths with stripped back production values that gives a raw sludgy atmosphere developing from the opening track Mark Of Shame which does have an early “NEUROSIS” influence especially with the vocals and how the music is aggressively played.

This style of sound is the dominant style of music that Hibernaut superbly delivers throughout their entire set with mighty slabs of Prog Metal forming within the standout tracks of Interundium and Bastardized Civilization. The band have written some pretty hard-hitting lyrics for this record especially when compared to their previous albums. Hibernaut take creative cues from HIGH ON FIRE and MASTODON especially when the music changes into a heavier THRASH style with echoes of THUGGISH Stoner Metal grooves finally showing up. 

The band do experiment with their music by adding some cool sounding organs into the mix within Interunidum. The record changes into a Occult Doom Metal record for one of the best parts of Hibernaut’s set. Hibernaut once again prove what a great band they truly are with a highly unapologetic performance that leaves you wanting more. 

As I stated previously, I haven’t listened to Face Pulp before and this is my first experience with them but truth be told, these guys are FUCKING AWESOME. I loved their side of the record so much. Face Pulp provides five tracks and within true Grind/Death/Hardcore Punk fashion, their side only lasts thirteen minutes. 

Their style of Grind, Death. Sludge, and Hardcore Punk equals PURE FUCKING CARNAGE and VIOLENT BRUTALITY. There’s also some great rhythms and rocking melodies along the way especially on their tracks “Ups And Downs And Craps”, The One You Forgot and I’ll Need Proof Of Humanity.

Face Pulp live upto their “GRIND” and “DEATH METAL” influences in a huge way with big and brutal slamming riffs from the very start. Their music is the very definition of “MOSH PIT MUSIC”. As you can feel the intensity of their music being played at a very fast pace. It left me breathless at times. However, Face Pulp does slow the mood right down for a wicked Sludge Metal sound to fully emerge and take control in small doses.

Once Face Pulp’s set had finished, I needed a brief rest to collect my thoughts and question what I just listened to. I mean that as a huge complement. The production values are solid with Face Pulp having a raw aesthetic and violent energy that perfectly matches Hibernaut’s side of the split.

This is a great album featuring two amazing bands from different sides of the musical spectrum that should expand their fan base even more. And what’s most important for me is that I’ve become a fan of Face Pulp because of this outstanding album. 

Excellent and Highly Recommended.

Words by Steve Howe

Thanks to Good Boy PR for the promo.

Hibernaut / Face Pulp Split Album is available to buy now on CD/DD/Vinyl/Tape via What's Left Records via the links below:

Face Pulp BandCamp Page / Hibernaut BandCamp Page

Hibernaut Links:

Bandcamp | Instagram | Facebook | YouTube | Spotify | Linktree

Face Pulp Links:

Bandcamp | Instagram | Facebook | YouTube | Spotify

Psych/Grunge/Alt Rockers We Kill Cowboys Unveil “Cowboys of Doom” Featuring Doomtrigger’s Jay Smith

Cape Town outfit We Kill Cowboys are back with a fierce new single, “Cowboys of Doom”, featuring Jay Smith, vocalist of Cape Town metal band Doomtrigger. The track is the first taste of their upcoming album and showcases the band’s heavier, high-octane direction.

Known for their raw, high-energy fusion of punk rock, grunge, and post-hardcore, We Kill Cowboys have evolved into a powerful five-piece that thrives on storytelling and defiant themes. Frontwoman Alex Muller, formerly balancing vocals and guitar, now delivers her gritty, compelling voice unrestrained, while producer and long-time friend Floris Le Roux joins on second guitar, adding fresh intensity alongside Mornay’s aggressive riffs, Andrew’s thunderous drumming, and Miggs’ resonant basslines.

“Cowboys of Doom” dives headfirst into the tense friction between society’s marginalized and the ruling elite. The track’s narrative explores frantic survival, psychological strain, and the defiance of authority, creating a visceral anthem for those confronting systemic imbalance. Jay Smith’s guest vocals heighten the track’s intensity, bringing an extra layer of raw power to the band’s sonic assault.

Buy/ Stream Cowboys Of Doom

With their electrifying live shows and unrelenting sound, We Kill Cowboys continue to push boundaries in the Cape Town music scene, delivering music that’s as thought-provoking as it is adrenaline-fueled. “Cowboys of Doom” sets the stage for what promises to be a thrilling, uncompromising album.

Follow We Kill Cowboys

Instagram | Facebook | TikTok

Thanks to Plug Music Agency for the details.