Showing posts with label Band To Check Out. Show all posts
Showing posts with label Band To Check Out. Show all posts

Tuesday, 28 July 2026

Introduce Yourselves: ROTTERDAM


What Is the Name of Your Band?

Rotterdam

What Is the genre of music you play?

We play a mix of Doom, Stoner Metal, Grunge and alternative

Can you give a brief history of the band of how it came together and where it is today? 

Formed in 2020 by lifelong friends Brenden Massa (vocals, bass) and Wyatt Slanec (guitar). The lineup was later rounded out by drummer Ian Poole, formerly of the viral Deathcore band Defiler. 

After pouring the highs and lows of the past few years into their music, the band headed to Earthtone Studios in Sacramento, CA, to record with engineer Patrick Hill (King Woman, Oromet). 

The result — Falling In Vertigo — was released in March 2026.


What can people expect from your music?

People can expect a journey of light and heavy sound, melodies and emotions from beginning to end

What is the best release that folks should check out from your band?

Our debut album- Falling In Vertigo

Where can people find you on Social Media?


Wednesday, 22 July 2026

Monkey Ham - Hound With No Name (Single Review)

 

Release Date: July 24th 2026. Record Label: Self Released. Formats: DD

Hound With No Bone - Tracklist

Hound With No Bone


Review


Hound With No Bone is the latest single from Grunge/Stoner Rockers Monkey Ham. The band have been going for quite a while and released an excellent EP called Pulled The Trigger back in 2022. They’ve released a couple of songs over the last year or so which continues a similar style of music as Hound With No Bone. The song is quite grounded with Monkey Ham delivering a great blend of Doom, Grunge, Hard Rock, Psych and  Blues Rock that’s all lovingly wrapped in a fast-paced Stoner Rock package.


If you’re a fan of the likes of CLUTCH, Black Sabbath, QOTSA and Soundgarden then you’ll know what to expect with Monkey Ham conjuring a great riff-fest for you to fully explore. It’s not the most original but Monkey Ham has this where it counts and that’s the RIFFS. The sound is upbeat and never tries to explore areas of Progressive melodies. This is good old fashioned music which is packed full of Stoner Rock goodness whilst delivering a great style of Classic Hard Rock with some spicy Psych Rock and Blues Rock soundscapes along the way.


The vocals are superb as well which gives this an soulful attitude from start to finish. Monkey Ham knows how to have a real good time and I’m hoping there’s more great songs being released in the near future. As they have their own “winning formula” of writing great music that will stay with you for a long time. 


Excellent and Highly Recommended.


Words by Steve Howe


Links 

Instagram | Facebook | YouTube | share.amuse.io | open.spotify.com

Saturday, 18 July 2026

RISPERIDRONE Announce Debut Album Black Shuck and Deliver Their Most Ambitious Statement Yet

Cardiff heavy rock quartet RISPERIDRONE have announced their long awaited debut album, Black Shuck, due for release this Summer 2026.

Six years in the making, Black Shuck is the culmination of years of growth, experimentation and unwavering dedication from one of Wales' most exciting emerging heavy bands. Blending crushing groove metal, monolithic doom, sludge drenched riffs and soaring melodies, the album captures RISPERIDRONE at their most ambitious, delivering a collection of songs that is heavier, darker and more emotionally resonant than anything they have released before.

Formed in Cardiff during the summer of 2020 by former Junk DNA members Wigg Grant and Rob Edwards, RISPERIDRONE reunited with drummer Tom Kirkby before completing the line up in 2023 with vocalist Giac Fiderio. Emerging during the uncertainty of the global pandemic, the band channelled adversity into creativity, forging a sound that seamlessly blends groove metal, stoner rock, sludge and doom into a powerful and immersive listening experience.

Since their formation, RISPERIDRONE have steadily built a formidable reputation across the Welsh heavy music scene through the acclaimed Revenant EP and a string of increasingly ambitious singles including Lost to the Sea, Grimace, The Embalmed, Dirge, Wizard Weed and Anvil. Each release has showcased the band's evolution, laying the foundations for their defining statement.


Produced, recorded, mixed and mastered by guitarist Wigg Grant at WG Audio, Black Shuck is a testament to the band's fiercely independent ethos. Every towering riff, thunderous groove and haunting vocal has been meticulously crafted to balance crushing heaviness with genuine emotional depth, resulting in an album that is both sonically devastating and richly atmospheric.

Rather than following the path of a traditional concept album, Black Shuck embraces creative freedom. Inspired by the lyrical approaches of Kurt Cobain, Thom Yorke and Chino Moreno, the songs move effortlessly between deeply personal reflection and vivid storytelling. Themes of anxiety, resilience, hope and self discovery intertwine with folklore, mythology and horror, drawing listeners into a world inhabited by wandering spirits, cryptids, vampires and the darkness that exists within us all.

Musically, the album showcases every facet of RISPERIDRONE's identity. Colossal doom riffs collide with groove laden hooks, suffocating sludge gives way to soaring melodies, and moments of eerie restraint erupt into overwhelming walls of sound. The result is a record that feels cinematic in scope while remaining relentlessly heavy from beginning to end.


Musicpedia of Metal described the band as delivering "a haunting fusion of doom, groove and metal... long, slow distorted riffs, abridged by moments of clarity that create atmospheres before crashing down again." Black Shuck builds on that reputation with the band's most confident, expansive and accomplished work to date.

Momentum has continued to gather around RISPERIDRONE following performances alongside Froglord, Bokassa and The Wildhearts, while their selection for the Creative Wales funded Ascension Project further cemented their reputation as one of Wales' rising heavy acts. A powerful new live show, fresh merchandise and an expanding presence across the UK live circuit all signal a band entering an exciting new chapter.

With Black Shuck, RISPERIDRONE are not simply releasing their debut album. They are announcing themselves as one of the UK's most compelling new voices in modern heavy music. Combining the weight of doom, the groove of stoner metal and the aggression of contemporary heavy rock, Black Shuck is a bold, uncompromising debut that demands attention.

Links


Solothurn - High Priestess (EP Review)

Release Date: July 24th 2026. Record Label: Self Released. Formats: DD

High Priestess - Tracklist

High Priestess

Burning Decay

Hollow


Members


Ryan Adair - Vocals 

Dee Cleland - Rhythm Guitars 

Jamie Wright - Lead Guitars 

Ross Hunter - Bass 

Marty Elley - Drums 


Review


Grunge/Alt Metallers Solothurn latest EP - High Priestess  - continues the great work they achieved with their previous single Hollow that was released last year. This time round Solothurn brings a heavier Progressive attitude to their music with some great melodies inspired by the Nineties Grunge, Alt-Metal and Stoner Metal scenes. The music is quite melodic with a hard hitting attitude with some intricate Psychedelic passages coming out to play which you can instantly feel within the excellent opening title track.


If you’re a fan of Alice In Chains, Deftones, Soundgarden, TOOL and Mastodon then Solothurn conjures similar sounds of those amazing bands whilst putting their own creative ideas into the mix. THe EP lasts twenty minutes with Solothurn moving their music into the Alternative Metal arena with each passing moment. There are small echoes of Doom Rock and Stoner Metal grooves appearing along the way but it’s mostly of that classic Grunge and Alt Metal dynamic that has the most lasting impact. The lyrics are superb which adds real emotional weight to the whole record.


The vocals from lead vocalist Ryan Adair are spectacular which he taps right into the Post-Metal and Prog Metal dynamic which works superbly well within the Grunge aesthetic which goes for a gloom and doom outlook on the other two tracks of Burning Decay and Hollow. The final track of Hollow was released last year but this version has been slightly revised which gives it extra weight from beginning to end. 


High Priestess is an outstanding EP that allows Solothurn to make a real name for themselves with a record that delivers on all fronts with some great musical instrumental passages that leave you wanting more. I loved the transformation from Solothurn when they venture into more extreme levels of Heavy Metal. I hope they use that style of music greatly within their next release as they pull that off with great style and adds a more menacing presence to their music. 


Check this out when you can.


Words by Steve Howe


Links 


Official | Facebook | BandCamp | Instagram

Wednesday, 15 July 2026

Temple King - Temple King (Album Review)

Release Date: July 10th 2026. Record Label: Self Released. Released. Formats: DD

Temple King - Tracklist

1.Necromancer 05:54

2.When Darkness Comes 04:28

3.The Sleeper Awakens 05:10

4.Goeita 08:54

5.Morgwar 03:20

6.War Messiah 05:56

7.Temple King 04:23

8.Barsoom 14:56


Members


LWV: Vocals, Guitar, and Synth

Samhain: Vocals, Guitar, and Bass

Ozzy (Oscar Clitheroe): Drums and Backing Vocals


Review


Temple King are a fairly new band who only formed back in January 2026 and they’ve already decided to release their debut album. Temple King plays a sludgy mix of Doom, Psych, Stoner, Heavy Metal and a vicious Desert Rock sound. The album has a lo-fi and stripped back flow appearing within the production and recording process the record ultimately contains. There’s a frenzied and distorted attitude that appears very early on within the record with opening tracks Necromancer and When Darkness Comes. 


The songs are perhaps more Doom/Sludge Metal with small outbursts of Stoner Rock/Metal attitude appearing but Temple King becomes more part of the WEEDIAN culture when everything is finished. It’s not the best sounding record but this allows Temple King to rely on pure BRUTE FORCE to get their music across with influences such as CONAN, ELECTRIC WIZARD and HIGH ON FIRE being used to great effect.


The LOW & SLOW and DISTORTED musical surroundings can be quite long drawn out with a slow-paced delivery that only adds to the menacing attitude of Temple King especially with the gruff, grizzled and muscular vocals that are provided by LWV, Samhain and Ozzy along the way. The music is a different story with Temple King drawing a wide range of different musical styles that will satisfy the most jaded of underground metal fans. Things can be quite grimy, seedy and with the amplified heaviness being too much to listen to at times which proves how Temple King knows how to write, form, play and deliver a violent FUZZY groove when you least expect it.


It’s also great to hear Temple King playing classic Heavy Metal and Doomed Out themes which adds a gloomy sense of scorched earth heaviness on tracks such as: The Sleeper Awakens, Goeita, War Messiah and the epic standout track of Barsoom. These tracks allow Temple King to forge new sounds powered by a great style of Prog Metal with a MASTODON element fully taking charge. You can still expect to hear some classic Heavy Metal and Stoner Metal sounds which results in some epic instrumental solos being played from everyone involved.


The rough and ready approach from Temple King gives this a highly undeniable charm which could come from the underground Rock/Metal scene. Temple King even adds some cool sounding Post-Doom and Synth heavy soundscapes amongst the frenzied atmospherics that fully sells their own great story from start to finish. 


This is a deliriously warped and fuzzed up musical adventure with Temple King never being afraid of being absolutely outrageous on certain sections of the record whilst also conjuring up superb riffs that you can’t help but violently head-bang to in absolute full agreement.


Excellent and Highly Recommended.


Words by Steve Howe


Links 


Facebook | BandCamp | Instagram


Friday, 10 July 2026

The Headless - Another Cloth (Single Review)

Release Date: July 07th 2026. Record Label: Self Released. Formats: DD

Another Cloth - Tracklist

Another Cloth


Members


Andy Lenox - Lyrics, Guitar, Bass

Justin Ford - Lyrics

Gary Behling - Guitar, Backing Vocals

Jay Gauthier - Drums


Review


The Headless are a Grunge/Alt-Metal/Space Rock collective who provide some small areas of Sludge Rock and Shoegaze into their music. Their debut single Another Cloth has a brooding Nineties Alt-Rock attitude which allows the music to join up with heavier rock/metal forces. The song can be described with a classic commercial rock energy but The Headless inject some BARONESS Sludge Rock melodies into their music. 


The lyrics flirt between Grunge, Psych and Shoegaze dynamics with echoes of FAILURE, SOUNDGARDEN and HUM which is the main creative crux for The Headless to impress listeners with. The unexpected surprise appears at the end of the song with The Headless delving into FAITH NO MORE musical progression especially some of the vocals and musical surroundings whilst keeping that classic Alt-Rock dynamic that should keep you highly intrigued until the very end.


Another Cloth is aggressively melodic and sometimes upbeat but it’s that trippy style of dark based grooves that allows The Headless to fully stand out on their own creative merits. This is a great introduction from The Headless and I’m excited to hear the other songs they currently have planned to be released later this year. Production values are excellent for their debut single as there’s a rich and powerful sound emitting from everyone involved, especially those epic guitars that generate the most outstanding sounds on the single.


The Headless are most definitely worth your time. Check them out when you can.


Words by Steve Howe


Thanks to Good Boy PR for the promo.


Where The Wisest Fear To Tread is available to buy now on DD/Vinyl..


Links 


Official | BandCamp | Instagram


Monday, 6 July 2026

Doom/Stoner Metallers Burnt Witch Unleash Crushing Electric Wizard Cover "We Hate You" Exclusively on Bandcamp


WEST TENNESSEE - Fresh off the world premiere of the track on The Zach Moonshine Show on Metal Devastation Radio, West Tennessee doom outfit Burnt Witch have officially unleashed their crushing rendition of "We Hate You," originally performed by legendary British doom pioneers Electric Wizard.

The cover is available exclusively on Bandcamp , giving doom devotees an early opportunity to experience Burnt Witch's massive reinterpretation before it arrives on additional streaming platforms at a later date.

Rather than simply recreating a classic, Burnt Witch inject their signature blend of swamp-soaked heaviness, crushing low-end, and fuzz-drenched atmosphere into the iconic track while paying respect to one of doom metal's most revered influences.

The release follows the growing momentum surrounding the band after their acclaimed EP Dopelich , which earned recognition from Weedian's "Best Releases" spotlight. Burnt Witch have continued building a reputation throughout the underground with their uncompromising approach to doom and sludge, drawing attention from fans across the heavy music community.

The band also recently appeared on The Zach Moonshine Show for an in-depth interview discussing their evolution, gear, songwriting, and the growing Memphis doom scene, while also shining a spotlight on the upcoming Delta Doom Fest , scheduled for October 17, 2026, at Growlers in Memphis, Tennessee.

Fans of Electric Wizard, traditional doom, sludge, and riff-driven heavy music won't want to miss Burnt Witch's crushing take on this underground classic.

Listen now exclusively on Bandcamp:

https://burntwitch.bandcamp.com/track/we-hate-you



Thanks to Metal Devastation PR  for the details.

Saturday, 4 July 2026

Valluhn - Valluhn (Album Review)

Release Date: July 03rd 2026. Record Label: Self Released. Formats: DD

Valluhn - Tracklist

1.Cary the light 05:08

2.The Watchers 06:06

3.You are mine 05:28

4.Black dollar bill 05:35

5.Butterfly 05:15

6.Rinse and repeat 04:35

7.Roots 05:36


Members


Brandon Vaillancourt - vox, guitars, bass, synth

Mike Kaminiski - drums

Aria Vaillancourt - vox "carry the light"


Review


Valluhn's self-titled debut album is a highly atmospheric slice of Psychedelic Stoner Rock with a core Shoegaze melody developing very early on within the record. Valluhn has a similar creative sound to the likes of Howling Giant, King Buffalo, Weedpecker and Elder where the music drifts into that epic style of Post-Rock, Prog, Psych and Space Rock surroundings. The record has quite raw and abstract production values that gives the whole record quite a vivid sound especially when Valluhn moves into full-on Stoner Rock/Metal mode.


The album does feel a little incomplete at times but Valluhn have created some exquisite sounds that have a real air of intelligence to them which keeps everything grounded especially through the superb opening tracks of Cary The Light, The Watchers and You Are Mine. With the music moving between areas of Heavy Psych, Post-Rock and Alt Rock dynamics with Brandon Vaillancourt being the main creative force behind this musical project. It feels like Brandon grew up on a steady diet of Nineties Heavy Rock with solid explorations into modern day musical composition.


The raw sounding heavy grooves is what makes the music really stand out with the lush Ambient and Post-Rock structures firmly setting the scene early on within each individual track before the aggressive Post-Doom and Post-Stoner music takes centre stage. There’s some excellent use of synths spliced throughout the album which should appeal to fans of ELDER and KING BUFFALO a great deal. 


There are some parts of the record that feel influenced by video games soundtracks but delivered with a sense of real emotion. The sudden shift into Post-Doom surroundings remind me of SPACESLUG especially within the heaviest parts of the album. Sometimes the tracks suddenly stop when things are just about to get interesting which almost took me out of the whole psychedelic journey of the record. However, it’s a good thing that Valluhn has written a collection of great tracks where the next big riff, hook, melody and groove isn’t too far behind to take the listener on another cinematic journey.


As I stated previously, the production and recording techniques are quite stripped back but they’re superbly delivered with Valluhn never outstaying their welcome. They always play to their musical strengths which results in some trippy Sludge/Stoner Rock sounds leaving you wanting more on tracks such as The Watchers, You Are Mine, Black Dollar Bill and Roots.


For a debut album, Valluhn have pulled out all the stops in releasing a highly atmospheric record that fully delivers within the riffs department. I can’t wait to hear what the band fully delivers next as they’re a great band to fully get behind and show some love if you can.


Excellent and Highly Recommended.


Words by Steve Howe


Links 


BandCamp | Instagram


Thursday, 2 July 2026

Doom Metal/Post-Metal Collective THE SALT PALE COLLECTIVE Announce Upcoming Second Album


The Salt Pale Collective return with their crushing second album ‘...and God said nothing’.

A reflection and rejection of these truly fucked times, TSPC have created the only appropriate response: monster riffs, heavenly noise and their signature vocal duality.

Building on and eclipsing their debut album a body that could pass through stones and trees, Dave, Alex and Dan have refined that sound, taking it darker, deeper, heavier and….. stranger.

Six songs that pile unhinged samples onto massive riffs, vocals from the depths combined with layered loveliness and forlorn despair.

The follow up to their standalone single Northern Darkness and the 2023 debut album 'A Body That Could Pass Through Stones and Trees' is out on the 31st of July 2026 on white vinyl, CD and the less objectionable streaming sites. The first single 'Raised aloft upon the horns of the celestial bull' is released on 17th July 2026

General band Bio and Info -

The Salt Pale Collective bring you crushing guitars, forlorn vocals and synthesiser madness from the grim and frostbitten North (of England).

Coming together in 2021 when Alex and Dave from Cumbrian band The Sun Explodes wanted to make something much more raw and primal. Adding Dan from Yorkshire with his synths and modular gear to bring chaos and dissonance to the oceans of low riffs, choral vocals and guttural harshness.

The Self Titled 'The Salt Pale Collective EP' was the debut recording of the North of England based outfit.

The Salt Pale Collective have used the wildly contrasting vocals of Dave and Alex along with Dan's electronic interventions to create a project of seemingly disparate parts joining together to form something truly unique.

For fans of; Blood Incantation, Cult Of Luna, Amenra, Neurosis, The Ocean, Mur


Press Quotes;

"I have found myself spinning this album more than any other I’ve reviewed. For fans of post-metal, A Body That Could Pass Through Stones and Trees is essential listening." - The Progressive Subway

"The unfathomably oppressive atmosphere that haunts the entirety of this record feels like an entire nation crying in anguish at times." - EverythingIsNoise

"The band is obviously rooted in some fairly Progressive Doom/Sludge/Post-Metal, but their EP reveals much more than that, feeding an oppressive slowness with a surprising mix of voices. 90/100". - Acta infernalis - Deathliger's Reviews.

"The Salt Pale Collective are a very special creature; in fact, the English trio is the author of a remarkable cross between sludge doom and post-rock, with the two apparently dichotomous souls that follow each other along the four long tracks, creating an alienating and compelling atmosphere". - Mournful Sounds.

"An Impressive debut for the British trio. Wild and innovative vocal contrast, with dark groans and angelic vocals collide for a unique 30 minute journey". - Rotation11.

"UK doomers The Salt Pale Collective have assembled a cinematic masterpiece with this EP. Sometimes the melodies are floating and celestial; other times they writhe through grit and sludge. The band uses a wide range of noise, vocals, and instrumentation to sculpt monstrous landscapes that drip, shimmer, and evolve before your eyes. This EP is captivating and ghastly, and you won’t want to miss a second of it". - Doom and Dead.

"The Salt Pale Collective is a sweeping, heavy and yet almost cinematic prospect in the scene, and the band have found themselves a sound to call their own" - The Killchain.

"This twelve minute beast from the North of England combines jarring instrumentation, a chilling combination of melodic and harsh tones accompanied by a whole host of electronic/synth elements, taking you on a wild journey of experimentation." - Dan McHugh Distorted Sound Mag.​
Links

Wednesday, 1 July 2026

Teiger - Bloodwork (Single Review)

Release Date: June 26th 2026. Record Label: Self Released. Formats: DD

Bloodwork - Tracklist

Bloodwork


Members


Talie Rose Eigeland: vocals, guitar, piano, percussion

Phillip Eldridge-Smith: bass, acoustic guitar, percussion, backing vocals, Moog

Jon Steele: drums, percussion


Review


Bloodwork is the latest single from Atmospheric Heavy Rock collective Teiger who released their widely acclaimed debut album back in 2023. Teiger traverses within the heavier and darker side of Desert Rock with the band touching upon areas of Prog Rock, Psych, Post-Rock, Shoegaze, Grunge and Alt-Rock themes. The band have quite a dreamy melodic sound for the most part but don't let that side of their music fool you. As they know when to transform into a heavier creative unit where their heavy volumes know no bounds.


Bloodwork sees the band explore a more emotionally charged sound with a subtle sideline in Nineties Alt Rock influences shining through such as Portishead. However, there’s more to Teiger's sound which is brilliantly centered on Talie Rose England’s spellbinding vocals which have influences ranging from Beth Gibbons, Dorthia Cottrell and I even get where the Grace Slick comparisons come from. This lady has amazing vocal range and it allows Teiger to have a deeper aggressive sound when the need calls for it.


Teiger's members are excellent musicians with the members playing multiple different instruments on this track alone. The band have also called upon the amazing talents of Jo Quall on cello which adds a subtle Post-Doom and Shoegaze sound towards the later stages of the track. There is a hidden seductive energy that instantly draws the listener in with dreamy psychedelics that shows a darker style of Desert Rock that you don’t experience much these days. 


If you dig the likes of Portishead, Yawning Man, SOM, Slow Crush and Windhand then Teiger will blow you away with this stunning track that makes me quite excited to hear their upcoming second album.


Words by Steve Howe


Links 


Official | Facebook | BandCamp | Instagram


Saturday, 27 June 2026

Gutward - I (Album Review)

Release Date: June 06th 2026. Record Label: Self Released. Formats: DD

I - Tracklisting

1.Reign of the Wicked 04:28

2.What's with the Rush? 04:58

3.Dead Eyes 03:48

4.Mass Delusion 05:07

5.Rot Alone 05:03

6.The Messages 11:58


Members


Dafiq Achmad - Bass, Vocals

Paskahline Putra - Drums

Nabiel Habibie - Vocals, Guitar


Review


Indonesian Doom/Stoner Metallers Gutward debut album is a great mix of Doom, Stoner Metal, Psych and Space Rock that’s filled with fractured Amplified textures that brings a groovy sound influenced by the likes of Electric Wizard, Black Sabbath, Slomatics and Monolord. The record has a stripped back sound within the recording process and production values that allows Gutward to play a distorted Cosmic sound. Gutward has that dominant Power Trio energy which allows each member to play their part in demonstrating a down tuned melodic energy that’s packed with violent delivery coming from the speakers.


The album runs for around thirty six minutes across six tracks with Gutward showcasing a delicious LOW & SLOW theme throughout the whole record with great vocals coming from Nabiel Habibie and Dafiq Achmad providing excellent support. Though, it’s the music that’s the real “STAR” or “MAIN ATTRACTION” here with Gutward adding a sludgy sideline of Psychedelic Fuzz Rock sound that has a hidden Atmospheric depth that can be quite destructive the best of times on tracks such as Reign Of The Wicked, What’s With The Rush, Dead Eyes and The Messages.


There is some great riff-centric build up here with Gutward edging more closely to the likes of Black Sabbath and Monster Magnet on the heaviest parts of the record. The level of SONIC interplay contained on this record has a classic Nineties Grunge and Stoner Metal energy which is brought bang up-to-date with thrilling modern day psychedelic soundscapes but with Gutward keeping with that classic down-tuned delivery that can be quite long drawn out at times. 


Though, most of the grooviest and impressive instrumental beats come from when Gutward rely firmly on Seventies Hard Rock musical worship which shows prominently on the later stages of the record. There’s a hidden backline of Proto-Metal and Classic Doom appearing which is perhaps used as an afterthought at times but this gives the album an unpredictable energy which Gutward use to their full advantage. 


Gutward have delivered a debut album that shows how they’re a band with real potential to last the course and gain a cult following within the scene. If you like your Doom/Stoner Metal music with the classic LOW & SLOW approach the “I” is a record you need to play on the BIGGEST, LOUDEST and most AGGRESSIVE speakers you can lay your hands on and just let yourselves FLY!!!


Excellent and Highly Recommended.


Words by Steve Howe


Links


BandCamp | Instagram


Friday, 26 June 2026

Finnish Fuzz Rock Quartet HEEZER Unveils Darker Side of Upcoming Album “Stereolith” With New Single “Let It Burn”


Finnish fuzz rock quartet Heezer is preparing for the release of its sophomore full-length album Stereolith, due out on August 13. The self-released record has already been previewed with the gritty groove of “Horse” and the energetic “This Town”, which surprised listeners with melodic hooks borrowed from pop punk. Pre-orders for the album are now available through Levykauppa Äx, with both CD and vinyl editions on offer.

Today, the spotlight turns to the darker and heavier side of the album as Heezer releases “Let It Burn”, accompanied by a striking animated music video.


“We originally planned to make a simple lyric video, but somehow the song felt like it deserved a proper visual story,” recalls bassist Antti Vesikko. “I came up with the idea of telling the song’s dark narrative through a comic without speech bubbles. At one point, with other work stuff piling up and no free time, I started building the project with AI. Thankfully, I came to my senses, scrapped the whole thing and decided it still wasn’t time to let artificial intelligence take the wheel. We brought in Amet Komik Studio to illustrate the story, and I edited the video to follow the dynamics and structure of the song. The result turned out beautifully and fits ‘Let It Burn’ perfectly.”

“We’ve always included slow and heavy songs on our releases, and ‘Let It Burn’ showcases that side of the new album really well,” says drummer Ville Häsä. “The demo was recorded in my home studio. Sami played through the structure on guitar while shouting cues for section changes on the fly. We had the demo together after just a couple of takes, but I didn’t yet realize the full picture. Once the bass and vocals were added, I understood what a great and wonderfully dark song it was. It ended up sounding very close to what you hear on the album. Personally, I love the Soundgarden-inspired bridge section.”
Singer-guitarist Sami Kääriäinen adds:

“The verses, written by Antti, deal with mental struggles and the twists and turns of the mind, while the choruses offer a rather straightforward solution: let it all burn. The lyrics can be interpreted in many ways, though. Once again, Heikki Pöyhiä delivered some absolutely brilliant backing vocals.”


“Stereolith” tracklist:

1. Horse
2. This Town
3. Stone I Am
4. Let It Burn
5. Moonshine
6. Mountain
7. Crazy
8. The Van
9. Desert

Heezer stand firmly behind their professional DIY mindset and they’ve taken major steps forward in their evolution – from stronger songwriting to a higher production level. The band’s sharpened approach shines through in a powerful and distinctive result. Still, their main principle remains unchanged: making music has to stay fun, now and in the future.

Heezer have been steadily winning over audiences both on streaming platforms and on stage. See band live this summer:

3.7. Playhouse Bar, Helsinki w/ Monsternaut (FIN), I Am Low (SWE)
4.7. Bar Kotelo, Tampere w/ Atomic Annie (FIN), Le Mondays (SWE)
17.7. Stereolith-album pre-listening party, Kuluma Pub, Imatra (+ live-stream)
7.8. Patruuna Fest, Imatra
14.8. Nirvana, Turku

Heezer line-up:

Sami Kääriäinen – vocals, guitar
Ville Räsänen – guitar
Antti Vesikko – bass
Ville Häsä – drums

Links

WEBSITE | INSTAGRAM | FACEBOOK | SPOTIFY | YOUTUBE



Thanks to Ginger Vine Management & PR for the details.