Release
date: March 24th 2017. Label: Self Released. Format: CD/DD
Wounds
– Tracklisting
1.Impetus 04:21
2.Dog Days 04:16
3.Wounds 05:18
4.Undertow 05:09
5.Be Afraid 04:24
Members:
Martin X. Forster
Jürgen Baue
Christoph Schwaiger
Review
Noise/Sludge Rock
collective – Prototyper have just released their new EP – Wounds.
It's a collection of tracks that blend Noise Rock, Stoner Rock with a
heavy dose of Alternative Rock and Sludge grooves that allows Wounds
to become something of heavy beast at times.
Opening track –
Impetus – has some fine moments of Post-Rock riffage with
psychedelic noises allowing Prototyper to create heavy moments of
Tool-esque progressive sounds. The vocals are handled superbly well.
Second track – Dog
Days – opts for a more Alternative/Stoner Rock sound with the
Sludge Rock vibes appearing later on. It's quite fast paced and
sometimes it lacks focus compared to the opening track. Though
Prototyper soon pull things round for an exciting finish with some
nicely played heavy noise rock vibes being played at a fast pace.
Third track – Wounds
– is perhaps where Prototyper create the standout track on the EP
as they create a wide range of different sounds that is firmly in the
realm of Alternative/Stoner Rock with elements of Post-Rock making an
appearance again. The Tool influence is there lurking in the
background but Prototyper show they can create their own sound when
they play a more refined progressive and psychedelic sound.
The final two tracks –
Undertow and Be Afraid – offer a more dream-like and noise rock
driven sound especially with Undertow. It's a trippy affair with the
band taking their time in creating slowly played riffs. Though the
band soon return to the EP's earlier heavier sounds. Be Afraid is
pure Noise Rock territory as Prototyper change the mood of the EP yet
again. It's good to see that the band have written 5 songs that sound
vastly different to each other. As it makes their overall sound very
hard to categorize.
Overall, Wounds is a
very well produced and satisfying EP to listen to. Prototyper are a
band that are definitely worth your time as you will pleasantly be
surprised by what's on offer here.
Progressive
Sludge/NOLA/Stoner Metallers – Electric Age have just released
their fantastic new album – Sleep of The Silent King. Electric Age
bring something different to the scene as they blend progressive
sludge/stoner riffs against a backdrop of legendary NOLA based
sounds.
Newly
signed to Argonauta Records, I wanted to find out more about the band
and I'm happy to say that Shawn Tucker (Lead Vocals, Bass, Guitar)
and Jason Ogle (Guitar, Bass, Vocals) have agreed to do this
interview.
Hi
guys. How are things with you today.
Jason
- Great!
Can
you give a brief history of how the band came about and where it is
today.
Jason
- We started about 3 years ago with me and Kelly just jamming. We
tried out some singers and bass players but no one that stuck. On the
recommendation of a friend we called Shawn who I've been in several
bands with and known for 20+ years. He came and jammed and it
immediately worked out.
Shawn
- Yeah, I had been playing metal for years in other bands and was
getting away from it and getting into the whole acoustic
singer-songwriter thing when they called and asked me to come and
sing over some stuff they had been writing, my only request was that
I had to play guitar also, being that I had only been singing for a
couple of years and the whole idea of being the “singer” was
still foreign to me. Jason was playing guitar at the time, so we did
go through a couple of bass players, but even though creatively
things were happening, things didn’t really start cooking until
Jason took over the bass, that’s when it really clicked.
How
would you describe your overall sound.
Jason
- I like to say just Heavy Rock/Metal but we get lumped into other
genres. Some recent reviews compared us to COC and Thin Lizzy which
I’ll talk all day long!!
Shawn
- Heavy rock with elements of all the styles of music we love to
play and grew up listening to, it’s hard to get away from the
Sabbath thing because in a way it all evolved from there, but we all
have a wide range of influences that probably found it’s way onto
this album from blues to classic rock and all things stoner.
So
we are here to talk about your debut album – Sleep Of The Silent
King. What can people expect from the album.
Shawn
- We wanted to write an album that could be listened to all the way
through as almost one piece of music and also have each song stand on
its own, so I hope we succeeded in that, but really something you can
have playing in the background while you’re drinking a beer on one
listen, then completely dive into on the next.
What
influenced you all when recording the album.
Jason
- The usual Sabbath, The Sword, and I was listening to a lot of The
Winery Dogs/Richie Kotzen around that time
Shawn
– Beer
The
album has quite an epic and progressive feel to it. Even though you
include a wide range of different sounds. Was it a fulfilling or
frustrating experience recording the album.
Shawn
- This album was written mostly with a two guitar line-up, so the
overall sound, layering, and final production ended up being
something way more progressive and dynamic than we thought we would
end up with, and although we have a slightly different approach to
songwriting as a three-piece now, the epic feel just kind of happened
naturally and lent itself perfectly to the overall content. Much
appreciation to Zeuss, who mixed and mastered the album, he played a
huge role in creating a weight to the sound that we may not have
noticed before then.
Jason
- Both! it was fun to write and kinda tedious to record but the end
result is fulfilling because we accomplished what we set out to do.
What
is the overall theme of the album.
Shawn
- It’s about one person’s journey towards whatever it is that
that one aspires to find, in whatever lifetime they find themselves
in. This one person just happens to be a king and his particular
aspiration is the truth of existence, the meaning of life and death,
the reality of the divine or the lack of that reality, and whether
that ultimate enlightenment is attainable, played out in a kind of
mythological storyline. We decided to go with some light subject
matter for the first album and then go from there.
The
albums received some pretty good reviews so far. Has that surprised
you the way people are reacting to your album.
Jason
- Yes! I mean thought it was good and believed in it, We knew our
friends/people close to us said it was good but you never know until
you send “your baby” out how it's gonna be received.
Shawn
- Absolutely. I didn’t know if anyone beyond our friends would end
up hearing this album in the beginning, so everything’s a win at
this point.
Will
you be touring this record heavily in the United States.
Jason
- No we will just be doing regional stuff for now
The
album is being released on Argonauta Records How did that come about.
Jason
- We had talked to another label that was booked up for 2017 and they
recommended Argonauta. Gero and his staff have been great to us and
they are really on a roll at the moment.
Did
you have any offers from other labels.
Jason
- Nothing that went into serious negotiations
You're
from Louisiana and that city is synonymous with the legendary NOLA
Sludge/Doom/Stoner Scene. Is being from NOLA a blessing or a curse.
Jason
- We live outside of NOLA but we have a lot of friends there and play
there regularly. NOLA’s been great to us! We had Mike Holderbeast
(Down,Crowbar, etc.) do our first video with Kyle Thomas (Trouble,
Exhorder, Floodgate) acting in it. Those guy’s are synonymous with
the NOLA scene so that really helped put us on the map. Crowbar gave
us a couple of show in big venues to help get us kicked off so
everyone has been great to us.
Do
you get the chance to perform gigs in your home-town on a regular
basis
Jason
- Oh yea we play around the state regularly.
What
are you favourite bands from the NOLA scene.
Jason
- As far as NOLA of course all the bands everybody knows about
Crowbar, Soilent Green, Down etc. but what's cool is there are some
bands technically outside of NOLA that are doing really good like Big
Frank, Forming The Void, Sideburner, Paramaya, White Light Cemetery,
Ambassador etc.. I could on forever there is so many good bands down
here and someone's gonna be mad because I left them out haha,
Are
you all involved with different musical projects or is Electric Age
your main band.
Jason
- I'm always messing around with something me and Shawn were about to
start up an old project we had recently but Louisiana was hit with a
major flood and 3 of the members houses were destroyed.
Before
you go, do you have anything to say to your fans.
Jason
- Thanks to everyone that's enjoyed the record. We have a good bit of
new tunes written and should have a new one out late this year!
Cheers
Shawn
- Thanks to everyone!
Words
by Steve Howe, Jason Ogle and Shawn Tucker.
Sleep Of The Silent King is available on CD/DD from Argonauta Records now. Links:
Wounded
Giant first came to my attention back in 2013 when they released
their excellent debut album – Lightning Medicine. Fast forward 4
years later and the guys have returned with their stunning new album
– Vae Victus.
A
different sounding album to their debut album but one that will still
appeal to long-tme fans of the band. The sound maybe more
experimental, doomier and progressive but it's good to see that
Wounded Giant haven't lost the art of writing a PURE HEAVY FUCKING
EVIL RIFF!!!
Wounded
Giant have teamed up with STB Records to release the album and
managed to drag legendary producer Billy Anderson along for the ride.
It's time to find out more about Wounded Giant. Alex (Drums) and Mark
(Bass) from the band have kindly agreed to this interview.
Can
you give a brief history of how the band came about and where it is
today.
Alex:
Bobby James & I started Wounded Giant about 6 or so years ago.
We both worked at the same bar in Seattle and liked each others other
bands we had going on. When those bands started fizzing out we were
like, " shit man lets jam." We always called having a
safety meeting/ "shift drink" at work "Getting
Wounded" so I brought forward the name Wounded Giant, based off
the ol'groomer that came out of a tunnel cave in Colorado and spoke
of such groom. But that's a whole other story and night of drinking.
I
was jamming with Dylan in another band called O.S.S. (occult secret
service), he loved heavy rock n roll, so it worked out perfect
bringing him in on bass. We hit the road hard for 4 years or so, then
some devastation occurred after recording Vae Victis so Bobby & I
decided to go our separate ways from Dylan. Mark Haber had been a
long time homie and fit the part perfectly so it was an easy addition
bringing him into the band, and here we are today.
Mark: The band had been around for years before I joined. Alex and Bobby approached me in late 2016 about coming on board and playing bass with Wounded Giant, and I jumped at the chance. I've known these dudes for years, and it was a natural fit to play with them. They liked what I brought to the table, so when they offered me the job after the second practice I of course said yes. Easiest decision ever!
How
would you describe your overall sound?
Alex:
Heavy Rock n Roll, Groom from the womb to the tomb.
Mark: Heavy af.
So
we are here to talk about your new album – Vae Victus. What can
people expect from the album?
Mark: They can expect to learn it's the second album. Haha!
Alex:
Definitely a change from Lightning Medicine. A bands first album
your all about finding & exploring your groove and sound. With
Vae Victis we found it.
What
influenced you all when recording the album?
Alex:
Devastation & being pissed, losing a massive amount of friends
over the years, getting fired from jobs, being broke, and overcoming
drug addictions.
Was
it a fulfilling or frustrating experience recording the album?
Alex:
It was amazing
What
is the overall theme of the album?
Alex:
Pissed.
Vae
Victus has a different and progressive feel to your debut album –
Lightning Medicine. Was that the plan to release something different.
Alex:
Yes
I
loved that album as it was one of my faves in 2013. Looking back
would you change anything about that album or would you leave it the
way it is?
Alex:
The production could have been bigger, but honestly probably one of
the funniest recordings I've ever done. Wouldn't change a thing. We
camped out 4 days at our buddies recording studio, bbq'd it up,
smoked ridiculous amounts of weed and drank a stupid amount of
tequila.
You
recorded with Billy Anderson for your new album. How was that
experience like. What does Billy bring to the Wounded Giant sound.
Alex:
It was great working with Billy. We have been friends for years so
there was already that level of comfortable-ness. He really helps
find a bands best and bring it out, nailed the drum sound I was
looking for to a T!!
Did
Billy give you any important tips when making the album.
Alex:
He let us do our thing, but would chime in if something sounded off.
Will
you be touring this record heavily in the United States.
Alex:
Yes, and hopefully getting overseas as well.
Mark: We're currently setting up tours for mid and late summer, so expect to see us later this year.
The
album is being released on STB Records How did that come about. One
of the best DIY labels around.
Alex:
Nothing but love for Steve and STB
Did
you have any offers from other labels.
Alex:
STB rules, Steve approached us awhile back with a split offer.
That's when the Wounded/Goya split happened. We developed an awesome
relationship with his since then. We had many other options and
offers when Vae Victis came along but STB is just us!! our style
D.I.Y. punk hardcore metal roots and the overall love for the bands
and the quality of work put forth. Not these other labels that jump
on a cool hot sound for the moment.
It's
being released on the legendary vinyls that Steve STB produces. Did
you have any input into the overall design of the final package. Or
did you let Steve STB do his thing.
Alex:
We're all about Steve doing his thing.
What
is the song-writing dynamic in the band. Is it a group participation
or down to one individual.
Alex:
Bobby writes the words, and presents a good amount of the riffs,
then we as a whole structure and create the song.
Mark: As the new guy, I've only had the privilege of writing one song with WG, but I can tell you it's definitely a collaboration.
Are
you all involved with different musical projects or is Wounded Giant
your main band.
Alex:
At the moment Mark plays bass and fronts 'Blame the Wizards' and I
play drums in UN (Seattle's heaviest funeral doom)
Mark: My other project is called "Blame the Wizards". We're kinda stoner-rock GWAR. It's a newer project, but we have our self-titled EP out on Spotify.
Before
you go, do you have anything to say to your fans.
Alex:
Thank you for all your support and hope to see you out on the road
soon
Mark: The ride so far has been amazing. So happy to be a part of the Wounded Giant family. Can't wait to get out on the road and support "Vae Victus"!!!
Well
guys, thanks for doing this. All the best with the new album.
Stunning record. Loud and noisy as hell.
Words
by Steve Howe and Wounded Giant
Thanks to Jadd for
arranging this interview and for Wounded Giant for doing the
interview.
Vae Victis will be available to buy on CD/DD/Vinyl via STB Records from April 01st 2017.
Release
date: March 24th 2017. Label: Profound Lore Records. Format:
CD/DD/Vinyl
Heartless – Tracklisting
1.I Saw The End 06:21 2.Thorns 05:24 3.Lie Of Survival 08:25 4.Dancing In Madness 11:47 5.Cruel Road 07:13 6.Heartless 08:09 7.A Plea For Understanding 12:40
Members:
Brett Campbell - Vocals/Guitar Devin Holt - Guitar Joseph D. Rowland - Bass Mark Lierly - Drums
Review
Pallbearer is among the
best in providing the solitary musical role and that particular
ceremonial escort to accompany you through life’s difficult
journey. Their previous albums are among the best in doom related
milestones. ‘Heartless” is an expansion of that past, a virtual
montage of perplex sound and mystifying sight experience. This is a
fairly technical album that is layered with dissimilar sounds
overlapping, coming and going and mostly bursting with rich texture,
all culminating in an intertwined and interesting album expedition.
Pallbearer are bending
metal and bridging doom into a new perspective in progressive rock
energy. They ring out their collective hearts, bringing a somatic
sundown on the theory that the brain is just a bundle of electrical
impulses and asks us to witness the spiritual sunrise as it unravels
a bloom of hopeful impressions. The album cover is an image of
reflected togetherness through a timeless illustrated style that will
survive in your memory for quite some time.
The sheer magnitude of
this release can turn ground to liquid, yet does so without violence.
It takes time to absorb all the intricacies and delicacies of this
enormous work. I suggest multiple listens in order for your mind
sponge to achieve maximum swell. Seven tracks represent the numerous
ornamental facades in the mountainside that come to life and inspire
these gentlemen of doom.
I Saw the End is a
superb introduction, articulating that expertise is the collapse of
surplus junk. This is the ideal representation of the classic styled
progression initiated by the bending of metal and the bridging of
doom.
Thorns is a song of
heavy, boundless riffs accompanied by 6-string spearheads which takes
flight through vocal properties that give it a pair of hefty wings.
Lie Of Survival is a
remarkably designed piece of sound constructed with indulgent
inceptions, raptured guitars, a perfect rhythm section, some circling
synths and superiorly elevated vocals. You can actually feel your
soul move within you.
Dancing in Madness is
stacked as a lengthy, heavy and pervasive-progressive art rock
immersion. Cruel Road - the
notorious slump in all of us is prodded along into additional
dimensions with this densely distorted commanding mastication of old
and new doom.
Heartless is a
symphonic metal arrangement demonstrating causal sound in
contradiction with all its occupied vibrations and audible flares
analogous to our plotted nature and connived future.
A Plea for
Understanding - majestic choral harmonies of lyrical revelation
flourish amidst surreal soundscapes that set the stage in preparation
of the great discovery of perfect sonic chemistry released from the
depth of humanity. This is pure elemental imagination. This is why
music is considered art. Holy smokes.
I still don’t
understand the great and mysterious forces working within this band,
but they are definitely worth the heed if you make the time.
‘Heartless’ is a
royal symbol that could only be associated with the kings of ethereal
doom. This record is on a precipice and is unquestionably an
essential release for Pallbearer, as well as, all of us.
Release date: February 15th 2017. Label: Kultland Recordings. Format: CD/DD
Articles Of Separation – Tracklisting
1.Mars in the 7th House 06:11
2.Western Reserve 05:40
3.Book of Armaments 08:43
4.Sons of Neptune 06:53
5.Black Night Satellite 08:14
6.Wolf Egg 08:28
7.Hollow Moon 09:41
8.Erie Depths 07:44
9.Teeth of the Hound 04:58
Members:
Tomasz Scull (drums)
Erin Corcoran (bass & sounds)
Joe Fortunato (guitar & sounds)
Review
Sparrowmilk is comprised of members of Venomin James, Ancient Vvisdom and Doomstress. However these guys are purely an instrumental doom metal band with moments of psychedelic rock and sludge metal appearing on their epic debut album – Articles Of Separation
Sure the album maybe slightly overlong but if you're a fan of progressive instrumental doom metal then Sparrowmilk have a few surprises on this superb album. Most of the tracks follow the same pattern with the band performing progressive doom/sludge grooves with a few spaced out riffs appearing here and there.
The first few songs - Mars In The 7th House, Western Reserve, and Book Of Amendments – sees Sparrowmilk play their heavy thunderous riffs that have a grizzled feel to them. The instrumental work is brilliantly progressive at times as the band create some fantastic fuzzy psychedelic space rock moments.
Sparrowmilk have quite a talent for playing straight-forward heavy doom based rock to the more aggressive Sludge/Post-Metal style environments that appear on later parts of the album. Other great tracks to check out are: Sons Of Neptune, Wolf Egg, Hollow Moon and Erie Depths.
The production of the album is very good indeed as you can feel the doom and gloom atmospherics held on the album. It's cool that the band included Kent Stump (Wo Fat) to master the album. It gives the album an extra layer of Doom/Stoner Metal credibility.
Maybe the band could have left a couple songs off the album as it runs past the 65 minute mark. Though if you're in the mood for an exciting and action packed ride then this is the album for you. It's good to see Sparrowmilk have their own sound and are not copying from other instrumental bands within the Doom/Sludge/Stoner Metal scene.
Articles Of Separation is a must have album. No question. Check these guys out now.
MotherSloth!
What’s the name! Here in Russia we have a proverb about “mummy
sloth” who makes one postpone their cases and lay back doing
nothing. The Spanish power trio is pretty active indeed.
“Moon
Omen” is their second full-length release and it seen the light of
day on March 3rd
with the help of Argonauta Records. “Shadow Witch”, “Doomsday
Cyborg”, “Moon Omen” are nice names for nice doom songs, isn’t
it? Low and distorted riffs, melodic tunes and mammoth heaviness –
these are the features of new MotherSloth.
They’re
bulky, they’re psychedelic, they’re professionals who naturally
deliver really cogent stuff. I had few questions to the band, and
suddenly guys took a decision to answer as a whole band. Let me
introduce you Oscar (drums), Dani (guitars, vocals) and Moline
(bass)!
Salute MotherSloth!
How are you? What's going on in your camp?
Oscar:
Hello, we're fine, just started promoting our new album with a couple
gigs in Spain, doing alright.
Dani:
Yeah! Moon Omen is on the street fresh out of the oven!
Moline:
Hi, there!
The thing I must ask
you first is the origin of band's name, it sounds very Russian. We
have a kind of proverb here about “mommy sloth”; so how did you
figure out it?
Oscar:
Nothing to do with Russia or proverbs, we just tried to find words
related to the concepts of slow motion, laziness, and try to reflect
that with a sound. Sloths are fun animals to watch by the way!
Dani:
I’m going to look into that “mommy sloth” thing!
I remember how tight
and solid the band did sound on “Moribund Star” debut. How long
did that previous lineup members know each other?
Oscar:
We started in 2008, but I reckon the sound is more a thing related to
the fact that we did not want to add many spices to our recipe, we
wanted it to be raw and heavy.
MotherSloth – Hazy
Blur of Life
What did influence
on your vision of how the band must sound? What are your main
requirements to your own songs?
Oscar:
We basically start from different points every time, not necessarily
with an idea in mind, often we let the song take us somewhere, so
there are not many rules to follow, as long as the result pleases us.
Dani:
Lately, I imagine guitar riffs out of nowhere, and then months down
the road, I start figuring out the indirect influences from where
they might have come from. But I’m happy it’s not a thing about
sounding like a certain band already out there.
Moline:
Freedom. I guess it's better to just follow the song wherever it
takes you.
It seems that you
love distortion and different sound effects. What makes you pay so
much attention to it?
Oscar:
Actually, we started trying those sounds in the studio, our producer
Adrian Hidalgo suggested we use them and we ended up adding those.
The same for the bass guitar, we wanted it to literally blow your
speakers. If we could add distortion to the drums, it would be there!
Dani:
we want to add a gong to the live show, and already have a theremin
going on as well.
Oscar:
Haha, a gong!! That would be fun to play!
MotherSloth started
as an almost absolutely instrumental band, there's just one track
with vocals on “Moribund Star”. Now you have “Moon Omen”, and
there are a lot of vocals! What happened?
Oscar:
Not entirely true, our first studio work, was an EP called Hazy Blur
of Life, check it out.
What happened was, the
singer left us and we really wanted to continue, and not wait until
another singer appeared so we started working on many songs we had
that were instrumental. Luckily Dani joined in time to sing Dry Tears
on our first LP.
Dani: I was a
big fan before joining the band, I remember I went to see MotherSloth
live in Madrid when I came back from living in Berlin and I recalled
the band being so much better when it had a stable formation. I
thought I could help by joining in and giving a stable voice to the
project again, and it seems like it’s working so far!
You recorded this
album with new bass-player Adrian Moline, how did this record session
differ from the one you spent making “Moribund Star”?
Oscar:
It was very different, our previous bass player Alex, was really a
guitar player, so he did what he could. Before him, we had Ivan on
bass, who recorded the song Death Flower for that album, and soon
left the band. Adrian is an awesome bass player with a proper bassist
feel and dexterity so it was an entirely different situation.
Your way to “Moon
Omen” took almost 3 years, how did you spend this period? And do
you have some completed tracks that weren’t included in the album?
Oscar:
We started MotherSloth with the intention of recording one album per
year. Unfortunately, this has not been possible to do in the practice
although we had plenty of material to choose from. It has been
basically a time of personnel changes and plans that had not been
achieved. For this album, we had a couple of songs that were not
completed, written by the previous guitarist, we simply decided not
to use them and moved on from there.
Dani:
MotherSloth has a demo archive larger than the Kilimanjaro, the only
thing in the way of recording was the constant lineup change. But
that’s cleared out of the way for good now, there will soon be a
4th album!
MotherSloth – Wish
for Dawn
What did you want to
express through this material both lyrically and technically?
Oscar:
We wanted to go back to our musical roots. On Moribund Star we were
in the middle of a journey, one that took us to desert sounds, stoner
if you want to use a label. But in the past, we had more of a doom
vibe, and I wanted to recuperate it.
Some of the lyrics are
based on personal experiences, dreams, others are based on fantasy,
we would love to be able create our own mythology with names, places
and things like that. We had a concept for the album but we did not
want it to be a conceptual album with linked songs. But we feel happy
we have been able to express and suggest this concept musically, as
some people had told us.
I just read a couple of
reviews where it says our music has a Dario Argento vibe, you know,
Italian horror films, perhaps all those elements that are present in
your background as an artist start to slip in at a point and then you
have a mix of influences , in our case, sci-fi, horror flicks,
comics, literature. I guess those elements can also be felt in what
we do.
What's the band's
evolution on Moon Omen? How do you feel objective signs of your
growth?
Dani:
Well, a good sign of our growth is that we have Argonauta Records
(Italy), Stone Groove Records (USA) and Voodoo Chamber Records
(Germany) backing us up with our releases. And the album is selling
from the US all the way to Japan and Australia. We’ve gotta keep it
up!
Oscar:
Another thing can be the fact that we now feel very comfortable
working together and are able to take decisions quickly, in this year
and the last one the band has been very active and we are ready to
make a step forward into the next level.
How much of Spain is
in your music?
Dani:
Well, we love Spain, but it is hard to get your music out there over
here, there are a lot of classic heavy metal fans, but for other
metal styles the audience is a minority. In Moribund Star there was a
clear Spanish influence, but I think Moon Omen has gone back to our
American roots (USA, Perú).
Moline:
There’s a growing underground Stoner scene around here. Lots of
bands that make you trip and also shake your booty. That gives me
hope that Doom is next!
Let’s resume –
what are MotherSloth plans for 2017?
Oscar:
Touring, in the summer we will finish writing our next album, we are
already working on some ideas such as artwork and some songs are
ready. Some of them will definitely be played in our upcoming shows.
This year will also see
our first video clip, done also independently with the help of Cow
Army prod, for the song Shadow Witch. We are happy with the results ,
and are thinking of doing another one. Visuals are a great way to
express ideas and concepts too, something to add to our songs . It's
the perfect element to enhance our music and make your trip complete.
Dani:
Yeah! The 4th album in our minds and plans. We have gained a lot of
momentum!
Moline:
We want to play live and enjoy crafting new songs.
