Showing posts with label Heavy Psych Sounds Records. Show all posts
Showing posts with label Heavy Psych Sounds Records. Show all posts

Friday, 17 March 2023

ISAAK - HEY (Album Review)

Release Date: March 31st 2023. Record Label: Heavy Psych Sounds. Formats: CD/DD/Vinyl

HEY: Tracklisting


Miracle B

Hey

OBG

Except

Rotten

Over The Edge (Vipers Cover)

Dormouse

Fake It Until You Make It

Taste 2.0

Sleepwalker

Goodbyes Are Always Very Sad


Members


Giacoma Boeddu - Vocals

Francesco Raimondi - Guitars

Gabriele Carta - Bass

Davide Foccis - Drums


Review


Italian Stoner Rock/Metallers ISAAK return after a seven year absence when they released their underground classic album Sermonize. It's been a long wait for the guys to return and now they are back with HEY. A collection of eleven tracks where ISAAK fuse their Stoner Rock/Metal sounds with elements of Psychedelic Rock and Fuzz Rock against a darker style of Punk Rock themes throughout this album.


ISAAK also use Dark Comedic and Satirical themes within the lyrics and messages of their songs whilst remaining true to the Underground Stoner roots. However, the band are thinking outside of the box from the very start with the opening track Miracle B which takes pot-shots at modern day life whilst blending WEEDIAN grooves with a punchy and aggressive feeling to it all. The song is slightly DOOM based but the music is always  the "STAR" here with FUZZY extended jams allowing the soundbytes to tell their own story.


Second song Hey takes over where Sermonize left off. Fast-paced and slightly distorted sounds of the Californian Desert that do offer hints of the Punk/Garage Rock sound the band have adopted for this album. The vocals are superb from Giacoma having a more forward thinking style of delivery compared to the previous albums. The music is CATCHY, LOUD and wonderfully endearing to the Stoner way of life despite the Garage Rock influences being used. 


Third song OBG is another fast-paced slice of Punk driven grooves and trippy Psych jams. There's a lot to take in with this song and Giacoma's vocals are relentless but ISAAK makes everything work together. The FUZZ/Garage Rock sounds move firmly into the Psychedelic Stoner Metal world. The song works best when the band plays a more convincing style of Modern Day extended jams. OBG sees ISAAK making huge strides with their music and offering their own definitive blend of catchy Stoner Rock/Metal. 


The production values do allow ISAAK to have a more stripped back feeling to the whole sound of the album but it works to the band's favour especially on the next few songs of Except, Rotten, Over The Edge and Dormouse.


The band work best here on these tracks as they start to think and play outside of the box. The music becomes more FUZZ based with the excellent instrumental work from Francesco (Guitars), Gabriele (Bass) and Davide (Drums) allowing the album to venture into other areas of Psych, Stoner and Punk whilst retaining quite an adventurous side. The added use of Trippy F/X, Guitar Loops and Amplifier Distortion is always a welcome bonus for me personally and ISAAK become more adept at conjuring different styles of music to soothe the soul with.


Giacoma excels yet again within his "world-weary" storytelling role shining through on tracks such as Except, Rotten and Dormouse. The melodic guitars are another highlight with the intense rhythm section allowing  ISAAK to deliver a first rate "Power-Trio" style riff-centric charge for the rest of the album.


Other standout tracks include Fake It Until You Make It, Sleepwalker and Goodbyes Are Always Very Sad.


I would say the final stages of the album sees ISAAK offer the most interesting creative parts of the album with HEY becoming more daring (and even more FUZZIER) when the need calls for it. ISAAK are quite a different band compared to Sermonize but they're still playing music that will speak volumes to the entire Stoner Metal Community.


This album is a masterclass on how to deliver a classic sounding and first rate Desert/Fuzz/Psych/Stoner Rock album.


HEY is ISAAK's most exciting and impressive record to date. Full of outlandish ideas and sublime hard-rocking grooves, this album is the band's best album to date. Another Album Of The Year Contender has landed right here. Heavy Psych Sounds is releasing this album, so that allows this album to be described or considered as "The Complete Package". 


Words by Steve Howe.


Thanks to Purple Sage PR for the promo.


HEY is available to buy on CD/DD/Vinyl via Heavy Psych Sounds (Europe) and Heavy Psych Sounds (USA)


from March 31st 2023.


Links


Facebook | BandCamp


Friday, 23 September 2022

TONS - Hashension (Album Review)

Date Released: October 07th 2022. Record Label: Heavy Psych Sounds. Formats: CD/DD/Vinyl

Hashension: Tracklisting


1. Dope Dealer Scum 

2. A Hash Day's Night

3. Slowly We Pot

4. Hempathy For the Devil

5. Ummagummo

6. Hashended


Members


Slowninja -  Vocals, bass, synths

Little Stevie - Guitar

Glüten Freidrich - Guitar

Vito Power - Drums


Review


TONS are slowly becoming one of Italy’s premier underground Sludge/Stoner Metal bands with their latest and perhaps greatest release Hashesnion. Coming off their celebrated split release with WEEDIAN METAL icons Bongzilla, TONS have delivered a more far out there album with the band’s trademark jet black humour still intact.


The music is still of the LOW & SLOW variety with TONS dealing in their WEEDIAN blend of down-tuned Sludge/Stoner Metal grooves with harsh vocals to match. The atmosphere is perhaps more volatile PUNK based and there is still a bleak vibe being played around you.Seedy soundscapes and smoky WEEDIAN flavours that the band have picked up from touring and performing with other legendary bands such as Bongzilla, Unsane and Napalm Death over the last thirteen years of their career.


Opening song Dope Dealer Scum has that Church Of Misery unsettling vibe but with TONS opting for a more sludgier style of Stoner Metal with twisted elements of WEED based Psychedelic Rock/Metal. The song is purely instrumental and it’s one of the gloomiest tracks on the album. Quite unnerving in places especially towards the end of the song even despite the presence of melodic grooves appearing.


Second song A Hash Day’s Night is not anything remotely sounding like The Beatles. This is TONS play a turbo-charged style of Sludge/Stoner Metal with an extreme vocal presence with the harsh based growls that veer almost into Death Metal style but still falling into the side of WEEDIAN Metal. The music is fast and outbursts of frantic aggressive energy with the down-tuned guitars having a more violent presence that can be quite hard to listen to at first. However, the band’s spiky and fantastic self aware lyrics leave you wanting to hear more.


Third song Slowly We Pot showcases another wild down-tuned ride into TONS dark world. Psychedelic guitars and sounds collide superbly well against the harsh vocals yet again. The humour is pitch-black yet again with the band taking a more Doom Metal presence on these tracks. TONS do play a less threatening style of extended guitar riffs which I couldn’t help myself rock out to. The drumming is first rate that allows the music to grow and breathe naturally despite the harsh soundscapes being played everywhere. 


Fourth song Hempathy For The Devil opens with a cool WEEDIAN HEALTH WARNING which only adds to the band’s self aware and brilliant humour for this song. Perhaps the song that is most inspired by Church Of Misery and Bongzilla but still allowing TONS to deliver their own blend of devilish entertainment. The music is standard Stoner Metal fare but the down-tuned aggressive tempo allows the instrumental moments to fully shine. The vocals and lyrics are my favourite parts of the album. Yeah, the song is demonic but at least TONS are having fun with the WEEDIAN genre and perhaps turning the scene on its head. The instrumental work is first rate yet again.


The final two songs Ummagummo and Hashended allows TONS to end this album in highly convincing fashion with more down-tuned and REEFER based sadistic madness with gloomier Psychedelic elements on the closing stages of the album with TONS almost moving into the Post-Whatever genre when the heavy instrumental parts appear before returning to their normal style of music that closes the album superbly well.


Hashension is TONS finest album to date and no doubt this album will make a mighty impression with the WEEDIAN/Sludge/Stoner Metal underground scene for many years to come.


This is one of the most brilliantly entertaining albums of the year and that’s why this record is an Album Of The Year contender.


TONS and Heavy Psych Sounds have done it again….


Words by Steve Howe


Thanks to Claire at Purple Sage PR for the promo.


Hashension will be available to buy on CD/DD/Vinyl via Heavy Psych Sounds from September 30th 2022.


Links:


Facebook | BandCamp


Monday, 18 April 2022

Meeting Your Nemesis Lately: An Interview With SOMNUS THRONE


Doom/Stoner Metallers Somnus Throne first came to my attention back in 2020 when I reviewed their debut album which became one of my favourite albums of the year. With it's seedy and dirty style of Electric Wizard, SLEEP and Black Sabbath inspired sounds. However, there was more to the band if you listened to the cool and bleak lyrics the band had written for the album.

Fast forward 18 months and Somnus Throne are back with their even better second album "Nemesis Lately" due for release in June 2022 via Heavy Psych Sounds. This album is way more Psychedelic and contains a different sound. 

I finally caught up with the band to discussion the evolution of the band, their new sound and signing to different labels. These guys are very frank, honest and forthright with their answers.

Read on IF YOU DARE....

Hi guys. Thanks for doing the interview. How are things with you today.

The sun itself leaves the bituminous wretch that is our souls yet unkindled. 

For folks not in the know, can you give a brief history of how the band came together and where it is today.

So, we all used to be pretty damn crazy. We mostly still are, but we used to, too. Haley and I started the band with another drummer long ago around 2016. We basically spent all our time in either venues, house shows, under the bridge punk shows, woods shows, or the warehouse where Evan lived. 

In that warehouse we would often throw epic parties. Without going into specifics about what went on at those parties, one time Evan made a grown man curl up into a ball and start crying because he was typing aggressively on a type-writer which had no paper. Another time, all the girls at our party decided they didn’t need to wear shirts if they just sprayed glue on their chest and then poured glitter on themselves. That was really cool until the sun came up and we had to clean it. 

Also, one time Conan played our living room to like nine people. You want to talk about overkill? Think of your average living room and then put Conan’s rig in one half and us, going deaf, with nine other people in the other half. Twas’ fuckin’ awesome. Got to meet the entire band and pick their brains about the industry, gear, etc.

The stress of recording and releasing the last album split Haley and I up as a band. We’re cool, though. She’s doing a thing in Texas called Midnight Burial and they have their own thing going 
on. Luke got a real job. So, now we are Ansel Bretz on  bass and Matt Davis on drums with Evan still doing vox and guitar. Matt used to live in that warehouse with Evan. Not sure if he was there for living room Conan…

How would you describe your own sound. As it’s quite hard to describe and I admire how you guys show the seedier side of WEEDIAN based themes, ideas and grooves.

Man, that is the million dollar question. We’re definitely evolving and changing as a band constantly. To date, we haven’t really completely defined what Somnus Throne is. It’s possible that we might never fall into just one sound. When you look at bands we all know and love like Sleep, Electric Wizard, The Sword, etc, you definitely see a consistent sound. But, when you look back further, you see bands like Led Zeppelin or Pink Floyd and they changed from album to album, song to song even. We’re undecided where exactly we’ll land. Why can't a band do an OM album, then a Clutch album, then a Dead Meadow album?

If you want to push us for an answer, we’d say we definitely make loud-ass jams.


You first grabbed my attention with your incredible self titled debut album back in 2020 that was released on Burning World Records. How did you hook up with that great label. Quite surreal to release your debut album on that great label.

We did a lot of research before submitting the first LP to any labels. We got a few offers straight away. Both times we made a record, the first people we sent it to wanted to buy it. Burning World had prestige like we liked, the people were being forthcoming (a rarity in the dream industry), and they were willing to do a give and take process in negotiating what we wanted. Releasing our first recording with them was definitely a boost!

Were you surprised by the response the album received by fans and critics alike.

Yeah. we were surprised by the critics for sure. Like, what? I’m sorry. The album sounds too much like Sleep and Electric Wizard? This is doom. Saying that is like handing out speeding tickets at the Indy 500. Mephistofeles literally has long segments of the exact same riff as Electric Wizard in some of their most famous releases. There is a band named Dope Throne. I mean, the band, it’s named after an Electric Wizard album. Perhaps we’re just getting gate-kept, and we wouldn’t really have it any other way… but it doesn’t seem like we’re getting the a-team when someone says something like that.

Of course, not every critic said something like that. You and a whole lot of other people have been supportive since day one. It’s cool starting out to be able to connect with fans and critics all over the world. We had write ups in like 6-7 languages last time. It was nice to see that.

Was your debut album a hard experience to write and record for.

That process probably took several years off of our lives. Every single thing that could have gone wrong did go wrong. The guitar amp head broke. Three bass amps broke. The first studio really tried to rip us off and Evan almost ended up fighting the guy as he tried to escape. A plane broke during take off on the runway during the recording trip… stressful isn’t really a good word for it… it’s more like… labor. It was like giving birth. 

It gets easier, but the first time is a whole thing.


Looking back would you change anything about your debut album or your experiences with your album.

We would spend more time building hype before the release. We placed pretty low on the doom charts because honestly, nobody knew to look for us. Other than that, no. Not really.

You guys have come roaring back with your brilliant new album Nemesis Lately. What can people expect with that album.

This time, we pulled out all of the stops. You can expect a lot less drone and a lot more action. It still manages to be heavy in all the right places. It’s definitely an homage to all of our favorite bands.

Nemesis Lately is quite a different sounding album. I felt like I was listening to another band. Whilst your debut was on the seedier side of Doom/Stoner Metal. This one is cleaner and dare I say more upbeat whilst retaining that “Psychedelic Drug” based atmosphere. Was that your original plan to release something different.

Yeah, we decided to try for a different tack. We’d never want us to be pigeon-holed. We can play whatever we want. We went more for Motorhead in some ways this time, but this album probably has heavier parts than the first album ever did as well. 

What was the writing and recording process like for Nemesis Lately. Did you have challenges recording this album during the pandemic.

Writing basically was the same process it always is. Nah. Pandemic was mostly over.

Why did you call the album Nemesis Lately.

In a word, it’s about nihilism. People more or less project their hatred onto whatever their society tells them to, or, if they are contrarian, then they do the opposite. Very seldom, if at all, do you see people suddenly and apropos of nothing deciding their own nemesis. A person who does so would probably be seen as insane. 

These causes people seem to have, the enemies we create, it’s about as vacuous as the latest hair-cut. It’s a fad. “Here, this is the new thing to hate.” All of this enmity we breed into ourselves, it’s all just belief, none of it is factual. As a nihilist, this is immensely tedious. Tell you what, chalk up a couple points against free-will on that one. This, we could talk about all day… but it has little to do with the music.

You’ve signed to Heavy Psych Sounds Records for this release. How did this come about and did you have any offers from other labels. 

We only sent the album to them in our first round of emails and they got back to us, so we never got any other offers. We couldn't really believe it. We sent it more or less as a shot in the dark. It happened. We’re more than stoked. It’s like a level of legitimacy we couldn’t have anticipated. It’s definitely propelled us in a lot of ways which will carry into the future.


The artwork is freaking awesome. Who designed the artwork and how much input did you have into the overall design of this.

Sick!! We’re glad to hear that. Yet again, we found her on Instagram. It’s an English woman from the countryside with the Instagram @man_the_river. She did a piece for a band called Butcher in The Fog, we saw it and they pointed us to her. It’s rad. Buying art is one of the coolest parts of making an album.

Do you have any other musical projects outside of Somnus Throne that folks can check out.

Not as of yet. That will definitely change for all of us.

Before you go, do you have any words of wisdom for your fans (such as myself) out there.

Play life to the click. Keep your circle small. Drink beer. Smell bad. Hail Satan.

Words by Steve Howe and Somnus Throne

Thanks to Claire at Purple Sage PR for arranging this interview and Thanks to Somnus Throne for doing this interview.

Nemesis Lately will be available to buy on CD/DD/Vinyl from June 03rd 2022 via Heavy Psych Sounds Records.

Links