We're excited to premiere the brilliant and hard-hitting new album from PIECE thanks to the great folks over at CZ! Promotions.
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Release Date: August 29th 2025. Record Label: Spartan Records. Formats: DD/Vinyl
Wings Of Deliverance - Tracklisting
1.Wings of Deliverance 01:55
2.Home Is Where The Heart Is 02:58
3.Peoples Temple 02:22
4.The Angels of Violence 05:02
5.Golden Sunbeams 03:28
6.The Planning Commission 04:29
7.White Night 05:58
8.Death Is A Friend 08:56
Members
Jason Blackmore (Molly McGuire)
Mario Quintero (Spotlights)
Review
Wings Of Deliverance is the second album from Noise/Grunge/Sludge/Post-Punk/Stoner Rock outfit SISTERS who return after a two year absence with a more abrasive, aggressive and sludge based offering. This feels like a different band compared to their 2023 acclaimed debut album Leecheater. SISTERS features Jason Blackmore from Molly McGuire and Mario Quintero from Spotlights with this band featuring many similarities to those great bands but also carving up their own heavy riff driven sound. SISTERS still offer a deep sense of Melodic Rock though you wouldn’t expect this after you experience the delightfully violent and pissed off title track of Wings Of Deliverance.
This is the nastiest and heaviest track that SISTERS have delivered yet with a highly ambitious take on Industrial Metal with flashes of Post-Punk, Noise Rock and deeply rooted Electronica Beats. The vocals are harsh with a mid nineties/early noughties influence lingering in the background. The instrumental beats move from glitches to full on Electronica beats with a sudden shift into Heavy Power Mechanical Doom that feels like NIN crossing swords with Author & Punisher.
Second track Home Is Where The Heart is continues with the warped Industrial/Sludge grooves but added a melodic Sludge/Stoner Rock flavour that has similarities to TORCHE and RED FANG in places but with SISTERS adding their own distorted level of streetwise attitude and full-on catchy melodies. The vocals from both Jason and Mario are both clean based and in a stark contrast to the opening track. This is the type of music they brilliantly excel at but you’ll still be treated to outbursts of violent Sludge Metal when the time calls for this.
Third track People’s Temple is another sonic odyssey with SISTERS employing a cool sounding melodic vibe that doesn’t necessarily play it safe with the COMMERCIAL ASPECTS that appear within the whole creative flow of the album. There is an epic nineties Alt Rock attitude with the swirling grunge based guitars and stunning rhythm sections that Mario and Jason equally contribute to. This is where SISTERS start to really hit their creative stride with subtle Psychedelic and Fuzzed mid-tempo changes which lasts the course for the rest of the album.
Songs such as The Angels Of Violence, Golden Sunbeams and The Planning Commission offer a classic Post-Punk attitude with flashes of Post-Rock and Doomed Out passages with SISTERS demonstrating their own great style of music. The lyrics are quite deceptive and observant which adds a mysterious edge to the whole album. I forgot to mention this album is about the following:
“Wings Of Deliverance tells a chilling narrative about the cult of personality and the horrors of Jim Jones and the Jonestown tragedy”
Despite the harsh subject matter that SISTERS deal with on the record there’s still some uplifting moments told through the groovy melodies that once again remind me of TORCHE in places. However, SISTERS are never too far away to bring the mood to a slightly depressing Post-Punk and Sludge Rock vibe especially on the final two tracks of the record White Night and Death Is A Friend.which brings some moments of Progressive Metal attitude into the mix.
These two tracks offer the heaviest, hard-hitting and bleakest parts of the album with challenging lyrics and vocal harmonies being added to complicate matters. Though, SISTERS once again play outside of the rules of HEAVY MUSIC to craft something brilliantly original and in their own aggressive image. This allows Wings Of Deliverance to be one of the most thought-provoking and sonically original records within the Alternative Rock/Metal scene (next to MOON DESTROYS and MUSEUM OF LIGHT) you’ll hear this year.
Simply unmissable!!!
Words by Steve Howe
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Release Date: September 05th 2025. Record Label: Self Released. Formats: DD
Echoes From The Deep - Tracklisting
1.Cetus
2.Serpens
3.Hollow
4.Lacerta
5.Andromeda
Members
Guglielmo Allegro - Everything
Review
Echoes From The Deep is the fifth full length album from Instrumental/Sludge/Drone/Doom entity Void Sinker which takes the listener into another lengthy epic trip into a sense of gloomy despair. Guglielmo Allegro the creative mastermind behind Void Sinker once again demonstrates another exercise in minimal atmospherics with pounding Ambient movements.
The album lasts seventy minutes across five epic tracks with the shortest being on for under ten minutes in length. This record is for the serious Drone Metal connoisseur as nothing changes suddenly with Void Sinker keeping in the same creative line as bands such as BONG and SUNN 0))). There are echoes of gloomy vocals that add levels of mysterious movement behind the more abstract and abrasive parts of the record on each passing note.
Void Sinker does add moments of downbeat Cosmic surroundings where the tone has a creepier and highly volatile style of Ambient and Psychedelic sounds being played at a very slow pace. The overlapping instruments create a sombre tone with the distorted sludgy guitars allowing this to be one of the most distinctive and possibly “LESS IS MORE” based records that Guglielmo Allegro has released to date.
Opening tracks Cetus and Serpens convey a sense of personal freedom where there’s minimal upbeat movements with Void Sinker more than happily staying within the darkness of Drone Metal and the seedy Post-Black Metal flourishes that constantly take absolute control. It’s beautifully played but one that’s violently opaque and morbid at the same time. Though, the level of dedication that Guglielmo puts into his musical craft has to be commended.
Third track Hollow is aptly named as the song is very one note with a singular course of action for the most part with music switching from Ambient, Drone and Post-Rock but over a very long time frame. There are shades of psychedelic imagery trying to creep through but Void Sinker sticks firmly to his minimal and bleak sounding mission statement.
Void Sinker springs into life and snaps out of his Drone Metal solitude with the best tracks on the record with Lacerta and Andromeda embracing a heavier, simpler and riff-centric style of music whilst keeping within the overall Drone context the first half of the album settled for. There’s a lot more aggression and recognizable melodies here with Void Sinker showing a little more “LIGHT vs DARK” momentum which made me appreciate the album a whole lot more.
Echoes From The Deep is quite a hard album to fully admire and appreciate with this perhaps being Guglielmo Allegro’s most difficult record to date. And that’s a good thing as it shows Guglielmo’s not afraid to mess around with his music even if it means a mixed critical reception or defying his fan base expectations. He’s fully in control as VOID SINKER and this is perhaps the most dangerous side of his creative persona that I’ve heard to date.
This is an excellent record to experience if you’re in the mood for a challenging listen which even I struggled with at times but I’m glad I’ve listened to the album and I’m still looking for the next bleak, surreal and challenging musical odyssey that Guglielmo will release under the banner of VOID SINKER.
Excellent and Highly Recommended though only for dedicated followers of the DRONE METAL scene.
Words by Steve Howe
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Facebook | BandCamp | Instagram
Codex Pestilentia - Tracklisting
1. Terror From Above
2. Cultus Solis Aeterni
3. Two Sleeps
4. War of the Gargantuan (Aquadome) [Listen]
5. Eaten by the Castle of Flies (Pt. 1 Acid Chambers / Pt.2 Dark Dawn)
Members
Christopher De Haan: Bass/Vocals
Jose Rodriguez: Guitars
J.C. Zuñiga: Drums/Vocals
Review
Codex Pestilentia is the next chapter from Costa Rican Doom/Stoner Metallers Crypt Monarch who have a creative rebirth with their latest album as they blend Heavy Metal mysticism with dark elements of Grunge into their already classic sounding Doom/Stoner Metal sound. The album feels partially inspired by the likes of Alice In Chains, Electric Wizard, CONAN and Church Of Misery with the band also employing some mighty creative tricks of their own making.
The atmosphere is very down beat with the excellent dual vocals of Christopher De Haan and J.C. Zuñiga striking a fine balance between old school Doom Metal harsh growls and modern day grizzled Stoner based vocals. The music itself is composed with multiple instances of Amplifier Distortion, Heavy Reverb, Psychedelic landscapes and Grunge surroundings that is built into the mix from the excellent opening track Terror From Above. There’s a sense of classic Paranoia hidden within the lyrics as Crypt Monarch shows sudden shifts into Progressive Sludge melodies whilst keeping with their harsh and violent down-tuned FUZZED up attitude.
Crypt Monarch shows a great style of slow-to-mid played and fast-paced instrumental passages throughout with a slow brooding sense of tension building throughout the album which fully gets moving along on the stunning second track Cultus Solis Aetern. That track has a certain SLEEP vs ELECTRIC WIZARD sound dominating for the most part but with a classic Saint Vitus energy developing behind the scenes. The band still focuses on playing a rigid style of aggressive sounds with every perfectly pitched at the right destructive levels of distorted volumes.
Third track Two Sleeps is a stripped back instrumental Fuzzy and Psychedelic Blues Rock number which is more of a breather before Crypt Monarch return back to normal destructive duties but it’s nice to hear a sudden shift from their normal scheduled Stoner Metal programming.
The final two tracks of the album War of the Gargantuan (Aquadome) and Eaten by the Castle of Flies (Pt. 1 Acid Chambers / Pt.2 Dark Dawn fully lean into the Occult Doom Metal vibe that the excellent album cover demonstrates with Crypt Monarch giving that trippy Occult sound a slightly Grunge makeover. The vocals are quite eerie and full of Doom & Gloom passion. Though, it’s the music that makes you take notice with Crypt Monarch adding even more levels of distorted paranoia to the mix. The music can be drawn out too long at times but you’re treated to some of the heaviest and filthiest grooves contained on the album.
There’s even a sense of a cinematic story building up within War Of The Gargantuan (Aquadome) that explodes into a heavier and monolithic story line within the standout track of Eaten by the Castle of Flies (Pt. 1 Acid Chambers / Pt.2 Dark Dawn. This is perhaps the most Progressive and Original song that Crypt Monarch have written to date that shows you what great songwriters and storytellers the band actually are.
Codex Pestilentia is the type of album you’ll be listening to days on end and never be bored with. The record is a highly captivating slice of Doom/Stoner Metal that should firmly establish Crypt Monarch as a true force of nature with their own great style of music to entice listeners with.
Words by Steve Howe
Thanks to Qabar PR for the promo.
You can buy the album from the links below:
Links
Official | Facebook | BandCamp | Instagram