Tuesday, 16 September 2025

70s Hard Rock Specialists ELECTRIC CITIZEN share "Static Vision" video off new album on Heavy Psych Sounds; US fall tour announced!


Ohio-based 70s heavy and psych rock purveyors ELECTRIC CITIZEN have released a new video taken from their fourth studio album "EC4", released this summer on Heavy Psych Sounds. The band recently announced a full US tour in support of the album, including shows alongside High On Fire, Kadabra and Earth Tongue.

"A ‘70s-style hard rock hammer down on an acid-soaked heavy-psych anvil." Bandcamp Daily
"Their renaissance after a seven-year hiatus is huge." Rock Hard Magazine
"Immersive, thought-provoking, and undeniably electric.” Prog Rock Journal
“Entrancing, absorbing, and spellbinding.” Maximum Volume Music
“A triumphant return.” Doom Charts

Watch Electric Citizen's new video Static Vision


"Static Vision" is a descent into screen-fueled catatonia and bucolic escapism. Director Jane Elizabeth Slater channels the early '90s with plenty of VHS grit, postmodern decor, and visuals inspired by Neil Krug’s cover art for the band’s newest album. Edited and shot using a mix of vintage camcorder and DSLR by Slater herself, "Static Vision" is a wistful homage to an era before digital dependence.

Electric Citizen's prodigious fourth album will take you on a weird, fun and unwaveringly electrifying journey filled with head-bobbing, riff-driven magic and eerie rite-worthy daydreams. Fearlessly sailing between proto-doom stompers and searing 70s prog propelled by organ cascades, these goldsmiths of golden-era heavy led by the unique voice of Laura Dolan sit firmly in that time machine between Uriah Heep, Coven, Deep Purple and Blood Ceremony.

Electric Citizen US fall shows:

Oct 10: The Ship – Kansas City, MO
Oct 11: HQ – Denver, CO
Oct 12: The DLC – Salt Lake City, UT
Oct 13: Shrine Social Club – Boise, ID
Oct 14: Cafe Colonial – Sacramento, CA
Oct 15: The Ritz – San Jose, CA
Oct 16: Kilowatt Bar – San Fran, CA *
Oct 17: Permanent Records Roadhouse – Los Angeles, CA
Oct 18: Jacumba Breakdown, Jacumba Hot Springs, CA + *
Oct 19: Yucca Tap Room – Tempe, AZ
Oct 20: Sister – Albuquerque, NM
Oct 22: Resonant Head – Oklahoma City, OK
Oct 23: Reverb Lounge – Omaha, NE
Oct 24: Reggies – Chicago, IL
Oct 25: The Pyramid Scheme – Grand Rapids, MI
Dec 12: Rain City Doom Fest – Seattle, WA °
Dec 13: Kingsway – Vancouver, BC °
Dec 14: Mississippi Studios – Portland, OR °
+With High on Fire °With Kadabra *No Earth Tongue

New album "EC4" - Available now on Heavy Psych Sounds


Since forming in 2012, Cincinnati-based rockers Electric Citizen have carved out a distinct sound, blending vintage psychedelia with heavy rock 'n' roll. With three acclaimed albums under their belt, Electric Citizen has toured extensively, sharing stages with acts like The Crazy World of Arthur Brown, Pentagram and Fu Manchu. Now signed to Heavy Psych Sounds, Electric Citizen is ready to unleash their most potent work yet: a fusion of hypnotic grooves, searing guitars, and Laura Dolan's mesmerizing vocals. "EC4" is both a homecoming and a rebirth.

Seven years after their last album "Helltown", Electric Citizen returns with their fourth full-length "EC4" — a powerful statement of renewal and raw energy. Written by Ross Dolan with contributions from the full band, the album was meticulously crafted over several years and recorded with Mike Montgomery and John Hoffman at Candyland Studio in Dayton, KY. It was mixed by Collin Dupuis (Lana Del Rey, The Black Keys) in Detroit and mastered by JJ Golden (Ty Segall, Calexico) at Golden Mastering in California. The album art was created by Neil Krug (Lana Del Rey, Tame Impala, Weyes Blood), who worked on their debut album "Sateen".

ELECTRIC CITIZEN is

Ross Dolan - Guitar
Laura Dolan - Vocals
Nick Vogelpohl - Bass
Nate Wagner - Drums
Owen Lee - Keyboards

ELECTRIC CITIZEN links

Website | Facebook | Bandcamp | Instagram

HEAVY PSYCH SOUNDS links


Thanks to Purple Sage PR for the promo.

Monkeys On Mars - Monkeys On Mars (EP Review)

Release Date: October 17th 2025. Record Label: MRS Red Sound. Formats: CD/DD/Vinyl

Monkeys On Mars - Tracklisting


1. Seasonal Pyres

2. Hear The Call

3. Seasonal Pyres (Tiny Flames Edit)


Members


Julien Pras: vocals, guitar (Mars Red Sky)

Boris De Piante: guitar (Monkey3)

Jimmy Kinast: bass (Mars Red Sky)

Jalil Perrenoud: bass (Monkey3)

Mathieu Gazeau: drums (Mars Red Sky)

Walter Albrecht: drums (Monkey3)

Guillaume Desboeufs "dB":  keys & sounds (Monkey3)


Review.


When I first heard of this collaboration, I was immediately excited. I mean the super spacey and lead guitar frenzy of Monkey3 mixed with the down tuned stoner psych of Mars Red Sky sounded like a match made in the celestial heavens. I initially thought there were going to be a few members from both bands, but after doing some research it’s both bands combined. That’s right, two guitarists, two bassists, two drummers, plus keyboards, and vocals. A full-on partnership of both bands, a true supergroup of epic proportions within the heavy underground, the band known as Monkeys On Mars! 


Pulsating Sci-Fi sounds of a control panel fill the air, a subtle metallic ‘ting’ of cymbals build in the tiny tin cabin. Just before the two-minute mark the rest of the band(s) kick in on Seasonal Pyres, the first track of the Monkeys On Mars EP. If you’re a fan of the band then you already know that Mars Red Sky’s frontman Julien has one of the most recognizable and unique voices you may ever hear, his haunting pitch and falsetto cutting thoroughly through the mix. Crazy enough I wasn’t the biggest fan when I first heard them over ten years ago. It took some coaxing, but coaxed I was, resulting in MRS becoming one of my favorite bands. 


Another big factor on this track is the synth/key work of dB from Monkey3, while used as a backing instrument it may be more in the back but gives that extra layer and ‘fullness’ and ‘cosmic-ness’ to the song. Of course, those familiar with Monkey3 know of lead guitarist Boris and his sonic onslaught of the six-string. His guitar work helps elevate the spacey feel of Seasonal Pyres. Instead of a full-on assault, he uses the space between, weaving in soloistic highs that pierce reality while complementing the bass and other instruments. At five minutes in we reach a bridge of sorts which strips back down to the drums and bass with an almost tribal-like tom-fill. As the bass joins in you can feel the slow build up as the vocals join back in. It all comes crashing back into the addictive chorus with additional lead parts and an absolutely gripping escalation and conclusion. You can add this track to both bands’ repertoire as being one of their best and certainly one of the best collaborations of the year! 


Beating out Seasonal Pyres in time by a few minutes is the thirteen minute long Hear the Call. As the floating capsule is in autopilot, maintaining its fuel, the track itself is a slow burner at its inception, filled with heavy psych and the wonder of the expanse that surrounds. Being an instrumental there are highs and lows that Monkeys On Mars traverse that a traditional song might otherwise not take. It also plays into Monkey3’s expertise and the lead guitarist is finally let loose to destroy guitar solos in his typical fashion. With the absence of vocals, you can hyper-focus on any piece, any instrument and feel the energy being released. 


There’s a somber mood across the track, and it plays into the title. The calling of despair, the calling out into nothingness, the lost feeling of no one there to answer, longing for someone, anyone to Hear the Call. While there are only two tracks (there are also two edited versions of Seasonal Pyres) the EP contains just under twenty-five minutes of material combining the two worlds of two amazing long-lasting bands. 


Obviously, if you’re a fan of either or both, it’s a no-brainer to pick up. And if you love super spacey, heavy psych, and music that can elevate you to distant, other worldly places then this is likewise for you. Let us hope that more comes out of this transcendent collaboration, but in the meantime mark your calendars for Oct. 17th when Monkeys On Mars deliver a stellar strike to the heavy underground with their self-titled EP. 


Words by Jon McGough


Thanks to Shake Promotion for the promo.


Monkeys On Mars is out to buy on CD/DD/Vinyl from 'Out October 17th 2025 on Mrs Red Sound - PRE-ORDER

 

Links


Monday, 15 September 2025

Pink Fuzz - Resolution (Album Review)

Release Date: September 18th 2025. Record Label: Permanent Teeth. Formats: CD/DD/Vinyl

Resolution- Tracklisting


01. Trigger

02. Long Gone

03. Coming For Me

04. No Sympathy

05. Worst Enemy

06. So Sad

07. Resolution

08. Cycles

09. Am I Happy?

10. Animal


Members


LuLu Demitro - Vocals, Bass, Keys

John Demitro - Vocals, Baritone Guitar, Acoustic, Keys

Forrest Raup - Drums, Percussion

Nick Joswick - Keys

Hannie - Hammer


Review.



Resolution is the latest offering from Psych/Stoner Rockers Pink Fuzz which is their first album in over seven years though the band did release a superb EP (Vitals) back in 2019. If you’re new to Pink Fuzz’s fast-paced and highly melodic world then you’re in for a treat with the band focusing upon playing sounds inspired by early-era QOTSA, Slomosa, FU MANCHU and Truckfighters. However, Pink Fuzz stand out when they branch out into areas of Doom, Fuzz and classic Shoegaze which injects a world building energy into their music.

The music is catchy and captures the best moments of the Nineties Alt-Rock/Stoner Rock scene especially when the music draws upon the likes of Mazzy Star with a thrilling Doomgaze melody being added throughout the whole album. The sound is quite “FIESTY” and “HEARTFELT” thanks to the excellent vocals from brother/sister duo of LuLu Demitro and John Demitro that perfectly taps into the Shoegaze vibe and the poppy upbeat sounds which become quite aggressive when the subtle Punk Rock / Sludge Rock grooves appear on the early stages of the album.

Resolution works best when Pink Fuzz thinks outside of the box with classic Stoner Rock passages that have a certain highly confident swagger on tracks such as Trigger, Long Gone and Coming For Me perfectly set the scene. There’s a hint of “Post-Doom” developing that merges with that boisterous QOTSA based sound which manages to offer a playful and full on aggressive attitude. The “POPPIER” elements soon transform into a delicious blend of Fuzz Rock with a twinge of Doom Rock suddenly appearing for a more refined “METAL” sound. 

You’ll be surprised by the different HEAVY RAWK genres that Pink Fuzz manage to include out of thin air for the freshest, heaviest and hippest sounds on the whole album. Resolution allows Pink Fuzz to play recklessly but in the best possible way that manifests into sublime tracks full of great Psychedelic grooves on tracks such as: No Sympathy, Worst Enemy, Resolution, Am I Happy and Animal.

With excellent production values being applied thanks to great work by Kevin Mckeown on Production Duties and the legendary Alain Johannes who mixed the record. Resolution is one of the unexpected delights I’ve heard from the Stoner Rock scene I’ve heard this year. As Pink Fuzz are brilliantly inventive combining classic Stoner Rock against areas of Shoegaze, Alt Rock and Indie Rock for a record that’s bound to become a firm favourite within the underground scene.

Words by Steve Howe


Thanks to US / THEM Group for the promo.


Resolution is available to buy now on CD/DD/Vinyl via Relentless Teeth.

 

Links


LinkTree | BandCamp | Instagram


Exciting space rock collective MONKEYS ON MARS to unveil interstellar extract off forthcoming EP: "Seasonal Pyres".

Photo credit: Liss Eulenhertz.

Thrilling heavy psych/prog outfit MONKEYS ON MARS are made up of Swiss quartet Monkey3 and French trio Mars Red Sky. The band unleash a first track taken from their eponymous debut EP, out this October 17th 2025 on Mrs Red Sound. "Seasonal Pyres [Tiny Flames Edit]" comes with its vintage dreamy lyrics video.

MONKEYS ON MARS is more than a simple collaboration, it is a bold fusion of two heavy psych/prog forces. Self-titled EP delivers two expansive space-prog journeys, clocking in at 11 and 13 minutes. The music perfectly blends their dreamlike yet dark soundscapes. Monkey3 bring kraut-infused effects and convincing heavy riffs to Mars Red Sky's tortured melodies. All carried by a pachydermic rhythm section: two drums, two basses. “Seasonal Pyres” showcases the crystalline voice of Mars Red Sky's frontman Julien Pras while “Hear The Call” is entirely instrumental.

MONKEYS ON MARS release “Seasonal Pyres [Tiny Flames Edit]”, a distilled version of the original track. The video was directed by Sébastien Antoine.


MONKEYS ON MARS - "Seasonal Pyres [Tiny Flames Edit]" official music video

'Monkeys On Mars' was recorded by Guillaume Desboeufs (Monkey3) at The Missing Link Studio (Lausanne, Switzerland) and Benjamin Mandeau (recording and mix) at Cryogene Prod Studio (Bègles, France). Mastering by Alexis Bardinet at Globe Audio Studio in Bordeaux, France. The record is dropping on October 17th 2025 through Mrs Red Sound at the following formats: vinyl, CD, digital.

MONKEYS ON MARS debut EP 'Monkeys On Mars'
Out October 17th 2025 on Mrs Red Sound
Vinyl, CD, digital: PRE-ORDER

Artwork: Johrice

MONKEYS ON MARS will perform a series of special shows thanks to Doomstar Bookings and 3C Tour to present their forthcoming EP in full. A big 2026 tour announcement is planed by the end of September.

Info & tickets

17.10.2025 SELESTAT [FR] Rock Your Brain
18.10.2025 ANTWERP [BE] DesertFest Belgium
19.10.2025 DUISBURG [DE] Bora
31.10.2025 VALLET [FR] Westill Festival
16.08.2026 CARHAIX [FR] Motocultor Festival

MONKEYS ON MARS ARE:

Julien Pras: vocals, guitar (Mars Red Sky)
Boris De Piante: guitar (Monkey3)
Jimmy Kinast: bass, vocals (Mars Red Sky)
Jalil Perrenoud: bass (Monkey3)
Mathieu Gazeau: drums, vocals (Mars Red Sky)
Walter Albrecht: drums (Monkey3)
Guillaume Desboeufs "dB": keys & sounds (Monkey3)


Links



Thanks to Shake Promotion for the details.

An Interview With Daz Rowlands From Cosmic/Doom/Stoner Metallers SPACE WITCH


Psych/Doom/Stoner Metallers SPACE WITCH return with their first album in over eight years with MOUNTAINS OF NEPTUNE. The band opt for an Instrumental record compared to their previous albums. The record is also a singular track lasting for thirty eight minutes with the band focusing upon some of the heaviest and spaced out grooves of their career.

With the stunning artwork by COSMIC EVE, this record will be unleashed on HALLOWEEN and it's a mind blowing epic where my review will feature sometime next month.

I caught with Daz Rowlands (Guitars / FX) from the band to discuss the evolution of the band's music and the making of this gloriously heavy new album.

So strap in and read on for a very cool inteview.

Hi guys, Thanks for doing this interview. How are things with you today? It's been a long time since we last spoke. Over eight years in fact. What have you guys been up to since then as I originally thought you guys split up a long time ago.

Hi Steve, we are good thanks and just last night we played a show at the Wheatsheaf Banbury which we enjoyed immensely! Wow eight years?! Has it really been that long?! And in that time a lot has happened and changed in the Space Witch camp. Let’s start from the end of our last albums cycle Arcanum. we played some awesome shows together the last being HRH Doom Vs Stoner all dayer at the O2 Sheffield where we headlined the 2nd stage. Arcanum was well received and we were on a progressive path in terms of where the band was going and the shows we were doing as well as starting to write the next album.

Then COVID happened and that completely derailed us to be honest obviously there was a time we couldn’t even rehearse but we tried to meet online once week and progress demo recordings of new material. Around middle of 2021 we went on hiatus but there was always the view to picking things back up in the future. Unfortunately that didn’t happen for a number of reasons and ultimately we parted ways. A couple of years passed and Tom our bass player got in touch, we met, where we both expressed an interest in taking the band forward again. Having a couple of years off had re-ignited our passion for the band and Tom and I both had the same vision from a musical perspective. We’d had the time to recharge our batteries and had a clear direction for the band going forward.

Going back to basics was in order, Tom and I were clear we wanted to keep this iteration as a 3 piece, so I took on the electronics side of things as well as guitar, but we needed a new drummer, someone that shared our love for playing music and shared our vision for the band. It just so happened I’d recently met Matt Bowyer, as he’d tried out for another band of mine (Hand of Omega), so having discussed it with Tom we invited Matt down to work with us. That was February 2023 and we focused on resurrecting songs off our albums Space Witch and Arcanum as well as newer material that we worked on during COVID. We started gigging in the summer 2023 and we haven’t looked back since.

I was quite surprised and mega excited when you sent me your new album “Mountains Of Neptune” to review. Great album BTW. What can people expect from this album?

Mountains of Neptune is a continuation of where we left off from Arcanum, but going back to the basic formulae of an instrumental 3 piece playing over a pre recorded (analogue) electronic backdrop. In my opinion, people can expect a return to form with a single 37+ minute song of heavy stoner doom pysch, heavier than anything we have done previously and more down-tuned, various time signatures and tempos, pysch melodies and heavy riffs… I recorded, mixed and mastered the album so don’t expect a highly produced production, but we are happy with the result.

What are the underlying themes of the album?

The main theme of the album is a human female astronaut (the Space Witch!) travels to the distant planet of Neptune and starts to suffocate (due to the atmosphere), set to a backdrop of mountains and alien terrain. It is a direct correlation to what happened to the band during COVID and to the band ultimately surviving. As you can see the Space Witch is not dead, but suffocating struggling to breath.

What influenced you when writing and recording the album?

70s & 80s SCI-FI, gaming, heavy/spacey bands and soundscapes. One thing I was keen on this time round was to include some slower and heavier riffs, something we struggled with in previous lineups. But at the same time being progressive with groove infused riffs and scratchy melodic leads. I purchased 2 analogue synth pedals and pre recorded a 40 minute electronics soundscape. Utilising these pedals give us a backdrop to play to and one that was very HORROR SCI-FI influenced.

Why did you call the album “Mountains Of Neptune”?

Tom our bass player after we demoed the album came up with the name and we ran with it building the story and concept for the album and the artwork. It just so happened that the name and the concept perfectly fitted the music we had written. I must admit in recent years I’ve been listening a lot to Hawkwind and older stoner doom as well older demo tapes I had picked up along the way. But it was important to me and the guys that we went beyond this and I think result has achieved this both sonically and visually.

When did you decide to release a full instrumental album? As your previous albums had vocals. Was this an easy decision to make to not include vocals?

That was agreed early on when we started the process of rehearsing again. There were a few things that dictated this. Firstly, we wanted to keep it to the 3 of us. Secondly, I think we lost a few people along the way that enjoyed the instrumental nature of our music namely with the release of Arcanum, so it was a return to that, that formulae that seemed to work for people who wanted to drop out of life and got lost in the music. And finally, we’d lost Pete who performed vocal duties and it wasn’t something that any of us could have realistically picked up.

When we wrote Arcanum it was really an experiment to see what it would make us sound like and although it did work in my opinion it was something we didn’t want to continue with. I think vocals kind of makes things more accessible and that isn’t something we wanted with Mountains of Neptune. It was as I’ve already said an opportunity to go back to basics.

You’re releasing the album on Halloween. Any specific reason why you’re releasing the album on Halloween. As it’s a full on COSMIC DOOM/SPACE METAL album in my eyes and nothing to do with the OCCULT or HALLOWEEN in general. Or is this an homage to ALIEN that I completely missed.

Sometimes its easier to target dates that have other interlinked meanings and is an easy date to remember than October 10th for example. But we are named Space WITCH so I think there is an inherent link there. But everything you have mentioned e.g. cosmic doom/space metal and homage to alien also applies to its meaning. I’d say this album is more of a HORROR space metal album than anything else.

What formats is the album being released upon?

So this time round we are doing it a bit differently as we will be making it freely downloadable from our bandcamp and soundcloud websites, as well as it being available on all major streaming platforms. In addition, we are releasing the album DIY style on Digipak CD, Cassette and lathe cut clear vinyl limited to 50 copies each. We aren’t out to make money on this so the vinyls for example are what they actual cost us to produce. We’d sooner get this album into peoples hands (as many as possible).

Did any record labels offer to release the album?

No. After our experience with our last label we decided to do it ourselves as we never seemed to get what we signed up for. So we didn’t approach any labels, that’s not to say we won’t in future though, if we find the right label with the right ethics and practice then never say never...

Will you be touring this record heavily or will it just be individual, one-off shows such as festival appearances.

We hope to do a small tour definitely UK and possible some in the EU. We would be open to festival appearances assuming we could work round our day jobs.



We have to talk about the amazing artwork for Mountains Of Neptune which was designed by the hugely talented Cosmic Eve aka Stephaine V. Cantu. How did Stephaine get involved with designing the artwork?

I’ve known Steph for a while now and back in 2015 we collaborated on one of her solo songs “Electric Nightmare”. In the fall last year I’d seen she’d been advertising her design services and I thought why not give Steph a go… Needless to say it worked out absolutely amazing and we are really pleased with the way she interrupted our vision.

Did you give Stephanie a bunch of ideas or did you let her imagination run wild. I loved how she put herself into the design of the album cover. Who's idea was that. As it fully sells the creative tone and vision of the album.

Working with Steph was really easy, I sent her a brief i.e. the concept of a female astronaut (the Space Witch) suffocating on Neptune with mountains as a backdrop. She supplied a number of different concepts some of which we will be using as t shirt designs, but when I saw the artwork you see today I was like that’s it, that’s the one! I just knew it was perfect…

I think its a coincidence that the Space Witch looks like Steph it certainly wasn’t the brief I gave but I think the character brief did resemble her so I think its all worked out perfectly.

What have your high points and low points with Space Witch or your musical career in general.

High points were playing a number of shows in Manchester over years, HRH Doom vs Stoner at the O2 Sheffield and playing Oslo which was pretty awesome! Getting our albums on vinyl and them selling out. Reading the masses of positive reviews of our albums.

Low points the hiatus during COVID that led to the band parting ways but that’s pretty much it.

I believe you guys should be more well known within the scene as Space Witch are on the UK Doom/Stoner Metal scene’s best kept secrets and you’ve been going since 2007. Are you happy with your standing within the UK underground scene? Looking back on your musical career so far, is there anything that you would change.

We are happy with where the band currently is and its getting back to levels before the hiatus during COVID. In terms of would we change anything? The answer is yes, I think we will produce more music more often than we have done typically, especially now we have the means to self record. We’d also like to tour EU and think this line up could do that and push the band further a field.

Before you go, do you have anything to say to your fans?

Thanks to everyone that has either been to one of our gigs, or purchased our music and merch. We REALLY appreciate the continued support for what we do.

Words by Steve Howe and Daz Rowlands

Mountains Of Neptune will be available for free download from spacewitch.bandcamp.com and on all 
major streaming platforms.
 

Saturday, 13 September 2025

Doom/Stoner Metallers PALE HORSE RITUAL Release "Bloody Demon" From Upcoming New Album Diabolic Formation Out Nov 28 Via Black Throne Productions


Under the canopy of a darkening forest, the album, Diabolic Formation is preparing to manifest in its final material form on November 28, 2025, via Black Throne Productions. As it's arrival approaches, the Canadian stoner/doom/heavy psych outfit PALE HORSE RITUAL provide a further taste of what is to come with the new single, "Bloody Demon". 

PALE HORSE RITUAL evoke the occult sound of the '70s with a seductive yet deadly twist. An enticing rock 'n' roll spirit lies within "Bloody Demon". Groove rhythms are accompanied with the band's staple offering consisting of distortion, lashings of fuzz and a memorable hook. The electric opening riff soon settles into a fully immersive, rhythmic momentum that carries throughout the song's duration. It's guitar-driven shadowy appeal doesn't let up.


About PALE HORSE RITUAL

Steeped in mysticism, PALE HORSE RITUAL create an spellcasting blend of doom, occult rock and vintage metal. Based out of Hamilton, Ontario, Canada, the band formed in 2024 and their sound is driven by gritty vocals, sludgy riffs, and pounding rhythms that channel the spirit of 1970s heavy music with a modern, gothic edge. Following their alluring 2024 EP titled Enchantress, the quartet are preparing to unveil the full-length, Diabolic Formation on November 28, via Black Throne Productions.

Line Up:

Paco (Bass/Vocals)
James Matheson (Lead Guitar)
Will Adams (Rhythm Guitar/Backing Vocals)
Jonah Santa-Barbara (Drums)

Album Credits:

Producer: Will Adams
Recording Studio: Green Mountain Ranch
Engineer: Will Adams at Tell Me About It… Records
Mastering: Zack Hollow at Z Hollow Studios
Mixing: Will Adams

Guest Musicians:

Dom Valela- Keys, Vocals
Doom Valhalla- Italian Preacher

Links:

1. Deflowered (5:58)
2. Wickedness (5:03)
3. Holy Lies (5:46)
4. Save You (3:13)
5. Bloody Demon (5:02)
6. DED (6:50)
7. A Beautiful End (6:55)


Thanks to C Squared Music for the details.

Tumanduumband - Hail Satan, Triumph Awaits (Album Review)

Release Date: August 29th 2025. Record Label: Self Released. Formats: DD

Hail Satan, Triumph Awaits - Tracklisting


1.Consulting The Haruspex 11:02

2.Alive In Death 07:03

3.Hail Satan, Triumph Awaits 18:34


Members


Luke Duum - Drums

Scott Cooper - Bass


Review.


Doom/Sludge Metallers Tumanduumband return with their latest album Hail Satan, Triumph Awaits which is another lo-fi, miserable and minimalist sounding adventure full of DRONE textures, creepy soundbytes and a SHIT TON of down-tuned misery for the underground masses. This time round Tumanduumband taps into the bleak early sounds of ELECTRIC WIZARD and matches a lo-fi aesthetic where the whole journey is more SPACED OUT with fully formed storylines being told through their excellent use of sound clips and creepy sound effects.


Hail Satan, Triumph Awaits is a worthy follow up to their 2023 debut album with Tumanduumband playing longer strands of music across three epic tracks with two of those running over at eleven minutes and eighteen minutes. The minimal style of emotionally charged melodies remind me of FALL OF EFRAFA at times with Tumanduumband exploring multiple different areas of Drone and Post-Black Metal whilst continuing to develop their main Doom/Sludge Metal approach to the album.


The three tracks on offer here have different levels of heaviness warped in bleak mystery and misery with Tumanduumband creating challenging pieces of music to listen to. The album is wholly instrumental with the reliance of sound clips to tell an intriguing story full of classic OCCULT HORROR themes which come across brilliantly well on Consulting The Haruspex and Alive In Death perhaps being the most theatrical and dramatic of the whole album.


You can picture Tumanduumband playing the whole album in full within a small, compact and gloomy live venue with scenes of classic horror movies being projected against a small screen. Yeah, tons of bands have done that over the years but Tumanduumband have managed to capture that eerie vibe throughout this stunning album.


The harsh DRONE textures and groove orientated Doom/Sludge passages sets the stage for an exciting finale within the standout final track Hail Satan, Triumph Awaits where Tumanduumband demonstrates a more heavier and highly atmospheric style of down-tuned aggression that also has a sense of filth and decay building up behind the amps to fully consume your souls with.


Hail Satan, Triumph Awaits is another superb record from Tumanduumband that sees them deliver a much better record to their debut album which I’m a huge fan of. This feels more fully fleshed out with a much better creepier narrative that sells the whole dark and twisted vision that Tumanduumband have ultimately excelled themselves with.


Words by Steve Howe

 

Links


Facebook | BandCamp | Instagram