Sunday, 19 September 2021

Nordic Doom Giants JOINTHUGGER Announce Second Release of the Year with SURROUNDED BY VULTURES

Photo Credit: Pål Bellis Photography

Formed in 2012 amidst the Norwegian fjords, Jointhugger are an explosive trio that recall the cosmic doom of rock colossic like Shrinebuilder, Sleep and YOB.

Having first come to the attention of Majestic Mountain Records following the release of their debut, I Am No One in 2020, an unhallowed union was quickly established to herald the arrival of not one, but two new records in 2021. The first, a sublime one-track EP – Reaper Season – was released to high praise earlier in the year, foreshadowing the arrival of their latest and most lethal entry into the annals of Nordic Doom; Surrounded by Vultures.

“Surrounded by Vultures is the second instalment in a trilogy of albums connected by correlating titles, united by their opening tracks,” explains Nico. “It’s a chronicle of Jointhugger’s journey as a band over the last ten years and our lives as people.”

Now counting drummer, Adam Suleiman (Saint Karloff), among its ranks, the band recorded the album live before handing over mixing and mastering duties to Haldor Grunberg at Satanic Audio. Featuring a curated selection of old and new tracks that offer a candid glimpse into the inner world of Jointhugger, ‘Midnight’; the first sprawling and cinematic single from the record reflects deeply on the chaos of existence and creation. Drawing a crushing heaviness and doom rock assault that lays waste to the turbulence of dominion.

Pre-order Surrounded by Vultures, the brand-new album by Jointhugger with Majestic Mountain Records here, ahead of its official release on Sunday 31st October 2021.

FFO: Domkraft, Electric Wizard, Saint Karloff

Jointhugger on Facebook | Bandcamp | Instagram | YouTube

Riffs Of Your Life: An Interview With Marty Harvey From SLOMATICS

Doom/Sludge/Spaced Out Riffsters SLOMATICS have been doing their thing since 2004. I'm a huge fan or obsessive stalker of the band and featured them many times on the blog over the years.


SLOMATICS have just released a split record with Aussie Sludge Metallers YANAMAMO. I wanted to try something different with the interviews I normally do. I asked my good friend Marty Harvey (Drummer/Vocalist) from SLOMATICS if he would be up for the challenge of going down memory lane and discuss all of the bands that he's been involved with.


Marty kindly agreed and we had an awesome chat where we discussed just that and a few other topics.


So Sit Back and enjoy the RIFFS OF YOUR LIFE with Marty Harvey.



Hi Marty. Thanks for doing this interview. And perhaps the 1st type of interview I’ve done this way. Going through your musical history upto the present day.

 

Marty. Thanks for having me Steve and letting me go back down memory lane for this one.

 

No worries. Always happy to make dreams come true. So how old were you when you joined a band and when you played gigs.

 

Marty: The band was called Mike Robinsons 1/2 bottle of cider from 1987 to 1988.


I was 15 yrs old. Played a few gigs at peoples houses and 1st proper gig 30th August 1988 in Errigle Inn, Belfast 

 

Wait a minute. You were 15 when you played your first gig in a pub. WOW. The 80s were a crazy time.

 

Marty: You didn’t know half of it. We all have to start out somewhere. Well Mr Boc, abbreviated name of band above lasted till 1988 when I turned 16 yrs old 

 

Next came - The Godcops. (1988-1989) -  Punk band formed at school. Trio of like minded people. Began gigging properly at The Warzone, Belfast Music Collective. Backed up Carcass/Bolt Thrower and other touring punk/hardcore bands 

 


WOW. Supporting a band like Carcass and Bolt Thrower at such a young age. Must have blown your mind. 

 

Marty: It sure was. Bands I dig at the time were Faster Pussycat, Dogs D'Amour. Sleaze Rock stuff along with the big Thrash bands at the time. So Carcass and Bolt Thrower were an experience and education for me at a young age. 

 

Next came Dead by Xmas (1988-1989) when I was 16/17 yrs old. 60s inspired light rock/few covers, then changed name to: Wino Suicide (1989-1990) then changed name to: Sweet Mary Jane(1990-1991). 18/19 yrs old. We recorded a 3 track cassette.

 

That must have been cool being on your 1st physical release.

 

Marty: It was cool and exciting. Having music you played and performed on a physical product. Next biggest challenge of my musical journey was moving to London to play with bands and continue with my studies. Very exciting and bleak times playing with a wide different variety of bands across different takes of music.

 

Cake (Squat hippy punk band) 1991 19 yrs old. A few crusty gigs. 

 

Uglystick (1992) 20 yrs old. Recorded a 3 track cassette. 

 

Donkey Bazzer and The Woof Bark Pigeon Thrashers (1994). Student charity gig band. 2 gigs done, 1 at the historic Cart and Horses, Where Maiden played!!

 

There’s your “Blue Plaque” moment right there. Iron Maiden and Marty From Slomatics played here.

 

Marty: If only that were true Steve. Definitely for Iron Maiden but ME. No chance. 



Next up is where the foundations of Slomatics were beginning to form. 

 

Marty: Very true Steve with Cosmonaut (1999). Me, Dave, Joe (ex Slomatics drummer) recorded a 3 track CD. Gigs in Ireland/UK

 

The Naut became a 5 piece by adding Chris and Baggy (From War Iron) 

 

The Favourites. Same time as The Naut. Me, Dave, Chris, Gary from The Kabinboy and Steve. 

 

War Iron, when The Naut split, me and Baggy formed the band. Core members of Me, Baggy, Goatlord on bass. Rotating 4th member on 2nd bass (3 came and went) Ross then stayed. Started on bass then onto guitar. Released 2 albums, 2 EPs. I left after playing some great shows after maybe 10 yrs. EyeHateGod was a highlight then the final show was with Napalm Death. 

 

WOW. A great way to end your journey with War Iron.

 

Marty: That it was. Next came up was Beef Central, same time as me being in War Iron and Slomatics. Me, Ian and ex Slomatics Joe. A demo 6 track CD and a few gigs. 

 

Bucolic Spectre, same time as War Iron, Slomatics, Beef Central. 2 piece improvisational noise/trippy vibe with Ian. 

 


Four bands at the same time. Impressive stuff there. Perhaps your busiest time.

 

Marty: That it was. Now we’re upto Slomatics, from 2011 I think? Rest is history and the present. Initially standing in for a few months. After a few months I’d played 2 shows and was recording A Hocht.

 

As you know I’ve been a massive fan/stalker of Slomatics for the last decade or so but I didn’t know that all the guys knew each other for so long and have been involved in multiple projects. I should have really prepared better or completed more research for that.

 

Marty: We do have a rich history. I’ve known David (Slomatics Guitarist) for over 38 years and Chris for a long time as well. Chris joined The Naut and it came back from there. With War Iron and Slomatics practice rooms were close together. I got asked to cover Joe's position for a few weeks and 10 years later I'm still here. 

 

Did you ever think it would last this long? You being with Somatics.

 

Marty: No. I didn’t but I must be doing something right as I still hear across 11 years and multiple albums. When I was asked to do vocals I didn't really want to do the Phil Collins thing but it happened and I've sung ever since. People seem to like it.

 


I feel Canyons is your best vocal performance and my favourite Slomatics album. Did you do different things then for that record. 

 

Marty: Yes. I learnt new things for my vocals and I feel I have improved to the earlier albums. I'm still looking to always improve my musical skills and I'm looking to have professional vocal lessons. Just to learn new techniques and keep my voice in top shape. 

 

I improved and learned new things with my vocals especially compared to the other albums I did especially on A Hocht. 

 

How did you get into music. 

 

Marty: I started originally learning trumpet at school for a few months. 

 

You actually played the trumpet. We need to bring trumpet into Slomatics next release. Just kidding.

 

Marty. HA HA. I wasn't very good at that and then I was given the chance to play the drums. I found out I was very good. Took me a few weeks to find my way. I Learned the basics and started playing better after a few months. Learning different techniques and just getting better and even trying to get heavier in places. It’s all about practice and finding your own way. 

 

Favourite album you've listened to in lockdown.

 

Marty: Lowrider. Refractions. Awesome album. The different tones on the album especially on Ode To Gamameyde. 

 

Such a brilliant album. I listen to that album all the time. Such a great workout album. Anyway, Highs And Lows being with Slomatics.

 

Marty: Being with the band is the highest and just the best. Plus the bands we've played with, worked with and people we've met. 

 

You just did your first gig in a long time at Bradford, UK recently. How did that go.

 

Marty: It was grand. Great crowd and great bands were playing that night. Fantastic atmosphere.

 

Were you apprehensive about COVID-19 still being around and people being in close proximity to the whole band.

 

Marty: Sure it was daunting and I didn’t want people to get too close to me that night. We had a job to do that night but we’ve always been friendly and approachable with our fans before COVID-19 hit. It was a fine balancing act but we managed to pull off and we came back home Virus Free. I’m always looking forward to playing more gigs after such a long time of not playing, so we’ll see what comes up in the future.

 


You have a new split release with Yanomamo. What can people expect from that.

 

Marty: It's a track that was originally recorded by Joe. We've done a different version and I've sung that song back in the day. One my first guest performances with the band live on stage. 

 

We did a split release with Yanomamo because they bring something different and we wanted to release with different bands. And it's good they're from different parts of the world. 

 

We've sold out our batch of records in 4 days. We got some more from Yanomamo to sell.

 

Anymore future splits. 

 

Marty: Yeah. We have. But I can't say anymore. It's a secret for now but expect a 2022 release. But both bands are excited for this one. 

 

Plans for next album. 

 

Marty: We are planning to make one soon. We are at different stages. No vocals. As we record them last but hoping late 2022 or 2023 for release. All depends on when everything is back to normal. 


 

I can’t let you go without discussing Newcastle United. As we are both supporters of our favourite football team. Though I’m still confused how usually folks from Northern Ireland support Manchester United and you support our beloved TOON.

 

Marty: Well look at the past managers (and players with Kevin Keegan) in charge. I was a massive fan of Ossie Ardiles and Kevin Keegan growing up. So I instantly got drawn to Newcastle United. So here we are many years later.

 

We’ve got a fucking shit owner who doesn’t care and a manager nobody wants. Even our fans and team don’t want him. So what can we do. Last day of the transfer window and everyone is strengthening their team apart from us. One £20 million signing and that’s it.

 

Marty or Allan Saint-Maximin. Tough call for Newcastle United To Make.


You do not foresee another successful campaign for us.

 

Marty: If we don’t get relegated then it’s a successful campaign.

 

HA HA. Very true there mate. Well Marty I want to thank you for doing this interview. Been a blast and I’ve had such a great time doing this.

 

Marty: You’re more than welcome Steve. It’s been great for me too. Going over old memories and it’s always great talking about Newcastle United. Farewell and take care.


Words by Steve Howe and Marty Harvey


Thanks to Marty for doing this interview and for all of the promotion materials.


Yanomamo / Slomatics Split is available to buy now.

Links

Official | Facebook | BandCamp

Wednesday, 15 September 2021

Stonewall Noise Orchestra Debut album ‘Vol.1’ reissued on November 5th through Heavy Psych Sounds And Release New Video

 Debut album ‘Vol.1’ reissued on November 5th through Heavy Psych Sounds

'Vol. 1' is the legendary debut album from Swedish stoner rockers Stonewall Noise Orchestra, released via Daredevil Records in 2005 and featuring members of Demon Cleaner and Greenleaf. This is a Stoner Rock masterpiece picked with some Black Sabbath and Hawkwind fragments. If you like it heavy and straight in your face, you can't miss this one. 

After more than 15 years Heavy Psych Sounds decided to give a new life to this masterpiece and repress it in completely new coloured vinyl versions.

Here’s the song « Superfortress » (and yes, it just as stomping as it reads): 


S.N.O. (2005 line-up)

Lars-Inge – vocals
Snicken – guitar
Jansson – guitar
Jonas – bass
Mr. Pillow – drums

Thanks to Claire at Purple Sage PR for all of the details.

Mastiff - Leave Me The Ashes Of The Earth (Album Review)


Release Date: September 10th 2021. Record Label: eOne Music. Format: CD/DD/Cassette/Vinyl

Leave Me The Ashes Of The Earth - Tracklisting


1.The Hiss 04:08

2.Fail 01:15

3.Repulse 03:59

4.Midnight Creeper 01:49

5.Beige Sabbath 02:06

6.Futile 04:05

7.Endless 02:43

8.Scalped And Salted 03:48

9.Lung Rust 06:59


Members


Vocals - Jim Hodge

Guitar - James Andrew Lee

Guitar - Phil Johnson

Bass - Dan Dolby

Drums - Michael Shepherd


Review


UK Hardcore/Sludge Metal mob Mastiff return with their blistering and brutal new album Leave Me The Ashes Of The Earth which sees the band continue to evolve with their Pitch Black and almost Black Metal sound. After a well-received appearance on 2020’s Controversial Video Game Cyberpunk 2077 Soundtrack, the guys are now signed to American Label eOne Music after spending 4 years with APF Records. I was worried the guys may have toned down for their new label but it seems the guys have gone further and more extreme with this album.


This album is a brutal and bruising encounter where Mastiff challenges their own expectations on what it is to be heavy in today’s modern world. The end result is a short and concise record that moves to the more extreme sides of Hardcore and Sludge Metal with the bands earlier doomier elements now given an almost Black Metal makeover. Fast-paced slamming beats and brutal drumming only add to the effect with the pissed off growls from lead vocalist Jim Hodge.


With a running time of 30 minutes, this record does have a slight Napalm Death feel with the shorter tracks bringing a heavy amount of aggression and progressively bleak sounds. Though Mastiff still bring their own trademark style of Hardcore and Sludge Metal to an oppressively bleak message contained on the album. There are still a lot of cool “head-banging” moments for fans of Sludge Metal. Just be prepared for a “grindcore” feel and energy to this album.


The record still has a huge “likeability” factor and maybe I shouldn’t say that about this record as Mastiff may want a different experience and sound for people to listen to. However, there is an addictive quality to this record and the production is excellent with even more surprising that the album was recorded in 5 days. It doesn’t feel rushed at all with Mastiff bringing their “A” game to this album.


The majority of the songs run between 2 mins and 4 mins in length but there is still a lot of variety to Mastiff overall sound with the band impressing the most on: The Hiss, Fail, Beige Sabbath, Scalped And Salted and the stunning final song Lung Rust.


Leave Me The Ashes Of The Earth is a no holds barred experience into the more extreme side of Doom/Sludge Metal and Mastiff offer no apologies for this record and why should they?


This is is a stunning record with Mastiff reinventing themselves to be one of the heaviest Hardcore/Doom/Sludge Metal bands of recent years. Long may that continue.


Words by Steve Howe


Thanks to Lisa at Hold Tight PR for the promo.


Leave Me The Ashes Of The Earth is available to buy on CD/DD/Cassette/Vinyl now via eOne Music.


Facebook | BandCamp | Mastiff


Sunday, 12 September 2021

Noise & Sludge influenced Mathcore band KRZTA premiere new single!


Polish mathcore band KRZTA have announced an October 8th release date for their new album "ŻÓŁĆ.NISZCZENIE.ZGLISZCZE.". First track of the upcoming record called "Istota" is now streaming on YouTube. The album will be released by Polish independent label Piranha Music. 

LISTEN TO THE SINGLE: https://youtu.be/4o-5MtZb95w


KRZTA was formed in Olsztyn (Poland) in 2015. Their music is a heavy and loud mix of mathcore with sludge, noise or even post-metal influences full of anger, massive riffs, driven by a bone-crushing rhythm section. Their self-titled debut album was highly appreciated in the Polish underground metal scene, but what the band is famous for are their AMAZING and really intense live shows.

Caution Boy - Alligator (Album Review)


Release Date: September 10th 2021. Record Label: Mongrel Records. Format: DD


Alligator - Tracklisting


1.Alligator 03:42

2.Silence the Screams 04:35

3.Consolation 03:17

4.Ever the Optimist 03:34

5.Swallow Me Whole 03:14

6.Mutual 01:34

7.So Sick 02:35

8.Hue 04:50


Members


Andi Cappo - strings & screams

Treveshan Pather - the oh so low notes

Archie Kinnon - hides & twiggs


Review


Alligator is the debut full length album from South African Sludge/Punk/Stoner Rockers Caution Boy and it’s a cool hard rocking and upbeat affair with spiky lyrics and vocals being one of the main selling points of the record. We’ve heard this style of music a thousand times before but this doesn’t stop Caution Boy giving their best shot and making a highly energetic record with fast-paced grooves that have a sprinkling of early-QOTSA energy to them.


The opening title track is a dirty and seedy number with a minor Psychedelic rumble going on in the background with the Punk fuelled Sludge/Stoner Rock riffs being very much in your face. The song has a slight 90s Rock sound but it’s consistently heavy and even super-fresh towards the end of the song.


Second song Silence The Screams is pure Punk/Sludge Rock territory with ferocious vocals and lo-fi rebellious sound. The song also has a sweet nature in the middle when the mellow vocals appear before the vocals change to a more aggressive stance. There is even a grunge identity starting to appear for Caution Boy and they now have a lot more to say with their music.


The band continue their Sludge/Grunge/Punk/Stoner Rock odyssey on 6 other songs on the album with Consolation, Swallow Me Whole and Hue being the other standout tracks on the album.


Alligator only lasts for twenty six minutes and maybe could have done with a couple more songs to get to the magical half hour mark but this is still an highly accomplished debut record which showcases another “KICK-ASS” band to come out from the South African Sludge/Stoner Rock scene. With the added bonus of Ruff Majik Every Snyman in charge of recording, mix and mastering duties, this record sounds impressive and allows Caution Boy to create music on their own exciting terms.


Excellent and Highly Recommended.


Words by Steve Howe


Thanks to Warren at Plug Music Agency/Mongrel Records for the promo.


Facebook | BandCamp 


Friday, 10 September 2021

Spacelord To Release Soaring Sci-Fi Single "Enemy Lines" on October 1st 2021.


Spacelord To Release Soaring Sci-Fi Single "Enemy Lines" Oct. 1

Full Album to Drop in Early November

Inspired by Russian science-fiction novel "Roadside Picnic," Spacelord's latest single "Enemy Lines" space-cowboys up with soaring verses and an anthemic chorus. Paired with a b-side cover of Led Zeppelin's "Out on the Tiles," "Enemy Lines" presages the band's third album, scheduled for an early November release. 

"We're both insanely proud of this song," said singer Ed Grabianowski. "We hope our friends in the stoner, doom, and heavy psyche communities love it as much as we do. And we really hope this can reach a wider audience too. There are so many different elements coming together for this song, and for the full album, that I can't even tell you what genre it is. There's stuff here I think prog fans will like, stuff I think roots rock fans will like, classic rock fans, blues fans, even metal fans."

Spacelord made the Doom Charts with their first two albums, and played both the Descendants of Crom Festival and the Music is Art Festival in 2019. The core songwriting team of Root/Grabianowski embarked on a pandemic-induced remote recording project that evolved into what will be their third full-length album. "Enemy Lines is one of those tunes that forces itself into existence," said guitarist Richard Root. "It started as a simple acoustic track, but it was apparent to us right away that this song was begging to sprout much larger wings."

"A few years ago we played a Halloween show where we dressed up as Led Zeppelin and did a set of covers," said Grabianowski. "Even Stairway. But I was more intimidated by trying to do Bonham's drums for this Zeppelin cover than I was trying to do Plant's vocals. This song is so fun to play though. It's ridiculously happy."

Spacelord's third full-length album will be released in early November 2021. 

Critical praise for Spacelord's last album, "Indecipher"


"If you like Corrosion of Conformity, you like Bad Company on steroids, Sasquatch, Spacelord is the kind of band you're gonna be like, 'Oh shit, this is pretty cool.'" -John Gist, The Doomed & Stoned Show

"The band utilize everything from the blues through to desert rock to fill out their grooves and boast a vocalist in Grabianowski who could easily hold his own with...names like Plant, Rodgers and Dio!" - Frazer Jones, Desert Psychlist

"Like an unexpected transmission from outer space, this album stopped me in my tracks!" -Pat Harrington, Electric Beard of Doom

"Listen closely -- this is that dark and seductively dangerous sinner’s kind of musical sinistry." -Leanne Ridgeway, Riff Relevant

Tracklist:

A-side: Enemy Lines (Root/Grabianowski)
B-side: Out on the Tiles (Bonham, Page, Plant)

Spacelord is:

Ed Grabianowski: vocals, drums
Richard Root: guitars, bass, producer

Find Spacelord online:

Bandcamp
Instagram
Facebook
Spotify