Showing posts with label IKITAN. Show all posts
Showing posts with label IKITAN. Show all posts

Monday, 3 March 2025

IKITAN - Shaping The Chaos (Album Review)

Release Date: March 07th 2025. Record Label: Taxi Driver Records. Formats: CD/DD/Vinyl

Shaping The Chaos - Track Listing:

1.Chicxulub

2.Lahar

3.Darvaza

4.Sailing Stones

5.Natron

6.Bung Fai Phaya Nak

7.Brinicle

8.Blood Falls

9.52 Hz Whale


Members


Luca Nasciuti: guitars

Frik Et: bass

Enrico Meloni: drums and cowbell

Olmo Manzano: percussions on “Natron”

Roberto Izzo: violin on “Natron”


Review


Shaping The Chaos is the new album from Psych/Post-Stoner Rockers IKITAN and it’s a blend of Instrumental music is one built of many different levels of Prog Rock and Cosmic expeditions with the band drawing influences from Karma To Burn, Earthless, My Sleeping Karma and Russian Circles along the way. Sounds can be quite diverse, sparse and beautifully dynamic with an off-kilter Stop/Start melody developing when interlaced with overlapping areas of Space Rock and minimal Cosmic Doom.


With “Chaos” being part of the album title, IKITAN can be quite “CHAOTIC” on this record when developing the early building blocks of the record on tracks such as Chicxclub and Lahar. As the music develops more of Prog Rock and Post-Rock identity before the subtle Post-Stoner and Psychedelic passages appear. Everything is still buoyantly heavy with the band adding small amounts of Progressive Metal energy into the record especially on the later stages of second track Lahar.


IKITAN play fast and loose with the rules of Instrumental Stoner Rock once again employing an experimental attitude to the record. Sometimes quirky, rebellious and freakishly insane at times but never boring. This is a record built on improvisation and long drawn out instrumental sounds with a twinge of NEBULA and EARTHLESS behind these jamming sessions which almost becomes the central focus on tracks such as Darvaza, Sailing Stones and Natron. However, the Post-Rock element is a close second with IKITAN transitioning to a Post-Rock/Post-Metal outfit way before the album is finished. 


The record flourishes more when levels of Ambient Rock and Soundtrack style scores appear which adds another level of heaviness to the record. The sound can be quite claustrophobic at times with everything closing in especially on the ten minute plus epic track of Natron. With a healthy dose of apocalyptic surroundings, IKITAN settle for an Alternative Rock creative attitude before returning to their Post-Stoner/Post-Rock sound which allows the band to develop their music into a style of distorted melodic sessions which last until the very end.


Shaping The Chaos continues with the sonic and progressive journey that allows IKITAN to cross over to heavier metallic waters where they once dared to dream, especially on the later stages of the record where I can hear some TOOL-esque cinematic themes developing perhaps most on Natron, Bung Fai Phaya Nak and Blood Falls.


IKITAN maybe ready for the big time with Shaping The Chaos as it’s the type of album that can breakthrough into the higher levels of the Instrumental Psych/Stoner Rock scene. I say on this evidence that IKITAN have earned their reward for a longstanding and highly rewarding career and that’s down to this outstanding release.


Words by Steve Howe


Thanks to IKITAN for the promo.


Shaping The Chaos will be be available to buy on CD/DD/Vinyl via Taxi Driver Records from Friday 07th March 2025.


Links


LinkTree | BandCamp


Saturday, 15 February 2025

Post-Rock/Psych/Stoner Rockers IKITAN Announce New Album SHAPING THE CHAOS And Release New Song SAILING STONES

IKITAN, heavy post-rock trio from Genoa, Italy, proudly announce their comeback with their first full length titled "Shaping The Chaos”.

Recorded between 2021 and 2025, the album is inspired by inexplicable phenomena or weird places from planet earth.


“Shaping The Chaos” is self-produced and it will be distributed by Taxi Driver Records. The album will be published on digital, cd, and vinyl (hand-numbered limited edition of 100 copies with an obi) on Bandcamp Friday 7 March 2025. Both physical formats come with a poster representing the album cover, once again crafted by Luca Marcenaro.


Pre-orders for “Shaping The Chaos” start on Friday 14 February on IKITAN’s Bandcamp page, and the album will be premiered by The Obelisk on Wednesday 5 March.


IKITAN will also present the album at a release party held at Flamingo Records Store in Genoa, Italy, on Sunday 9 March.


“Shaping The Chaos” encapsulates the last four years of the band’s life and the conflicting emotions that led to its making. Even though it is very different from the debut EP “Twenty-Twenty”, it shares the same emotional and instrumental philosophy.


If “Twenty-Twenty” featured a single track or, better a musical journey, lasting 20 minutes and 20 seconds, “Shaping The Chaos” includes nine self-contained songs, each one inspired by our planet.


“Curiosity has driven us to cross unusual places and delve into the intricacies of the planet Earth's inexplicable natural phenomena. Each of these inspires the songs on the album.

We go from blood falls to the place where the meteorite that led to the dinosaurs’ extinction fell, from the door to hell to the sound of the world’s loneliest whale,” states the band.


And the music? 100% IKITAN—post-rock and metal with a touch of stoner, psych, and prog, featuring dreamy guitar lines that build over a deep, driving bass and thunderous drums.

This time, IKITAN decided to infuse the song "Natron" with something unique, thanks to the contribution of two incredible artists: Olmo Manzano on percussion and Roberto Izzo on violin.


“Shaping The Chaos” includes 9 tracks in the digital and cd version, and 7 on vinyl, as “Darvaza” and “Brinicle”, which will be available on cd and in digital, were already published as a limited-edition cassette in 2021.


The album will be published on Friday 7 March 2025, which is also Bandcamp Friday.

“Shaping The Chaos” is distributed by Taxi Driver Records and it will be available on digital, cd and vinyl (hand-numbered limited edition of 100 copies with an obi) from Friday 7 March 2025. Both physical formats come with a poster.


Pre-orders for “Shaping The Chaos” start on Friday 14 February on IKITAN’s Bandcamp page, and the album will be premiered by The Obelisk on Wednesday 5 March.


Find IKITAN on: Bandcamp - Facebook - YouTube - Instagram - Spotify

https://linktr.ee/ikitan


Recorded, mastered and produced by IKITAN between 2021 and 2025 at Marsala Studios, Genoa, Italy, World.


IKITAN is the alleged god of the sound of the stones, brought to life by:


Luca Nasciuti: guitars

Frik Et: bass

Enrico Meloni: drums and cowbell

Olmo Manzano: percussions on “Natron”

Roberto Izzo: violin on “Natron”


Graphics: Luca Marcenaro


Friday, 19 November 2021

IKITAN is proud to present "Darvaza y Brinicle", its first limited-edition cassette published by Taxi Driver Records.

IKITAN, a heavy post-rock trio, is proud to present "Darvaza y Brinicle", its first limited-edition cassette, published by Taxi Driver Records.


The cassette will be released on Friday 3rd December 2021 and the two new songs, titled “Darvaza” and “Brinicle”, will be available on Taxi Driver’s Bandcamp page as well as on all the band’s digital stores.

The tape contains the two singles on side A, and “Twenty-Twenty Live at Forte Geremia” on side B, which was released digitally and as a video in June 2021.

Only 30 copies of the cassette will be available, and each one comes with a digital download of the two singles… and a BIC pen.

The two songs will also be premiered on 666MRDoom’s YouTube channel on Thursday 2nd December 2021.

Listen to “Darvaza” and Pre-order the limited-edition cassette “Darvaza y Brinicle” (limited-edition: 30 copies).

“With a lot of new riffs under the belt since the release of “Twenty-Twenty”, and having had the opportunity to share “Live at Forte Geremia” with the world, it was the right time to publish some new music.

We’ve been rehearsing a lot as a consequence of the prolonged state of emergency in Italy, and “Darvaza” and “Brinicle” are the first products of this increased musical productivity in IKITAN’s headquarters”, says the band.

Unusual natural phenomena and weird facts have always been fascinating for IKITAN; the name of the band itself represents the alleged Aztec god of the sound of the stones, as depicted in the cover of “Twenty-Twenty”.

The Darvaza is in Turkmenistan whilst the Brinicle occurs in the Antarctic Ocean.

“Darvaza (“Door to Hell”, an artificially-created crater that’s been burning since the 70es) and Brinicle (a finger-of-death ice stalactite that kills everything it encounters in the water) represent two different yet complementary sides of our nature, devastating and powerful but ethereal and dream-like at the same time”, says IKITAN.

The idea of releasing the two singles as a cassette comes from Massimo Perasso, owner of Taxi Driver Records, an independent music label based in Genoa and born in 2009.

“We’re very happy to partner with Maso, a true legend in Genoa when it comes to heavy music, stoner and all types of interesting and cool projects, and his label Taxi Driver Records. We’ve always been fans of the label and its releases, and to be among some of Genoa’s (and beyond) best acts makes us very proud”, concludes IKITAN.

IKITAN was formed in Genoa, Italy, in 2019. The band’s self-released debut “Twenty-Twenty” is a one-track instrumental EP lasting 20 minutes and 20 seconds, and it was published on 20th November 2020. The EP was well-received globally by the press and fans alike.

As it was impossible to play live due to the pandemic, IKITAN recorded its first live video, “Twenty-Twenty Live at Forte Geremia”, in March 2021. It was recorded on top of an old military fort (819 m asl) and it captures the band playing “Twenty-Twenty” live for the first time, in a dramatic scenery between sea and mountains, and with no audience. The video of the concert, a tribute to generator parties, is available on YouTube.

The artwork for both “Twenty-Twenty” and “Darvaza y Brinicle” is crafted by Luca Marcenaro.

Save the date! "Darvaza y Brinicle" will be published on 3rd December 2021 in a limited-edition cassette by Taxi Driver Records and it will be available on the label’s Bandcamp.

Listen to “Darvaza” and Pre-order the limited-edition cassette “Darvaza y Brinicle” (limited-edition: 30 copies).

“Twenty-Twenty Live at Forte Geremia” is available on IKITAN’s Bandcamp as a name-your-price digital download as well as a live video on YouTube
.

IKITAN’s debut EP “Twenty-Twenty” is available as a limited-edition (200 copies) digipack with a free poster and sticker as well as a digital download on Bandcamp.

Find IKITAN on: Bandcamp - Facebook - YouTube - Instagram - Twitter - Spotify from https://linktr.ee/ikitan

They said about IKITAN:

"If Tool were a post-rock band, they might very well sound like IKITAN."
- The Progressive Aspect

“Twenty-Twenty is more about journey than destination, and IKITAN make the voyage enticing.”
- The Obelisk

"Together, the three-piece writes an earth-shattering blend of Hard Prog Rock, mixing equal parts of My Sleeping Karma, Karma to Burn, and Russian Circles into something that seems to transcend the world around us. "
- Monster Riff

"Twenty-Twenty is a superbly entertaining record that you should all check out now."
- Outlaws of the Sun

“IKITAN celebrate the mystical by delivering something that sounds like it’s capturing the enormousness of the universe. Simply stunning!”
- Stoner Hive

IKITAN:

Luca Nash Nasciuti: guitar
Frik Et: bass
Enrico Meloni: drums and cowbell

“Darvaza y Brinicle” was recorded at IKITAN’s Studios in October 2021.

“Twenty-Twenty Live at Forte Geremia” was recorded at Forte Geremia on 7th March 2021.

Friday, 27 August 2021

Twenty-Twenty Vision With IKITAN - An Interview With IKITAN

I'm going to keep this "intro" short and sweet. Mainly to get straight down to business with interviewing Italian Psychedelic Stoner Rockers IKITAN who have made a big impression with the Stoner Rock Community with their last two releases which we will discuss in this in-depth interview.

So read on for an epic read with IKITAN

Hi IKITAN! Thanks for doing this interview. How are things with you today. For people not in the know can you give a brief history of your band and where it's today?

IKITAN was born in September 2019 when Luca replied to an adv Enrico posted on a local musicians’ Facebook group, and the band started jamming one week after.


It must be noted that Luca and Frik Et have been friends for ages and have played together for over 10 years years and so they were looking for a new drummer for their new adventure.

Fun fact: the three of us played at a local gig back in 2010: Luca and Fri Et were already in the same band then, and Enrico, playing in another band, bought a demo from them (which he still proudly owns).


After almost two years together, we’ve released an EP titled “Twenty-Twenty”, a live video aka our first gig “Twenty-Twenty Live at Forte Geremia”, and we’re working on a lot of new exciting stuff.


What style of music do you play in your own words?


We describe ourselves as a heavy post-rock band with a pinch of stoner and progressive. We don’t have a singer, and IKITAN is really the result of our influences as they emerge during our jam sessions when we meet. An unplanned approach to music, where spontaneity has a huge role.


Why did you choose your name IKITAN for your band and what does it have any meaning to you all?


IKITAN was chosen by Luca, who was fascinated by its meaning, found on the Italian Wikipedia page of the “Aztec gods”. According to whoever wrote that page, IKITAN is the god of the sound of the stones. It fits perfectly the idea he and Frik Et had in mind for our music, and the moment we got together and started playing it made so much sense.


There’s also a nice little pun there: stones and stoner, of course, as we love stoner rock. And also stoned, although we don’t smoke! :D


So we’ve been playing for months with this whole IKITAN concept in mind, we prepared the album cover (thanks Luca Marcenaro!) and everything… Some days before the actual release date, we found out this was not true! Or at least not verified. We even wrote to a university professor who is the go-to expert in pre-Colombian cultures, only to find out that IKITAN is nowhere to be found! The power of unverified Wikipedia sources…


But who cares: we love the concept, it’s an inspiration for us, and we’ll stick to it!


You released your debut EP - Twenty Twenty - last year. So looking back, were you happy with the responses the EP received from both fans and critics?


When we released “Twenty-Twenty”, on 20th November 2020, we didn’t expect that it would have been supported by the people in such a positive way.


The response has been overwhelmingly good both from fans and critics from a lot of different countries, something we truly didn’t expect, and so we want to thank everyone who gave us a chance and has been checking us out in the last months. THANKS!


We’ve received over 50 reviews from blogs, webzines and the likes all over the world, dozens of interviews, about 1700 views of our new video, over 150 copies of the digipack sold in 15 countries. We’ve been doing all of this on our own, starting from scratch and building relationships from zero to hero… we’ve met new friends all over the world and this magic experience keeps surprising us every day!


Would you change anything about the EP? Or are you happy with the way it is?


The release and reception of “Twenty-Twenty” has been an incredible journey. All the things in the EP - from the music to artwork - are still very vivid in our minds, and we love it as much as if it was the first time.


The only thing that we would have loved to experience in a different way was the possibility to promote “Twenty-Twenty” with concerts… like all normal bands have been doing before COVID!


What influenced or inspired you when making the EP?


The EP is the result of bits and pieces that developed during our jam sessions (including some riffs from the very first time we met), and then developed into three songs, which we eventually merged together. 


It’d be difficult, with hindsight, to trace back what influenced us to create each and every emotion contained. It’s fair to say that we probably have influenced each other while playing and arranging the music, trying to make all the pieces fit together in a nice and interesting way for the listener.


We’re playing the music we’d like to listen to, so we’re inspired by our favourite bands, and we can include Deftones, Tool, Yawning Man, Russian Circles and Clutch in the lot. And there’s a lot more too!


For what concerns the album artwork, the idea of Orazio, the little sausage dog, has always been with us in some way, as well as the alleged god of the sound of the stones, IKITAN. We represented this visually, thanks to the impressive cover painted by Luca Marcenaro, taking inspiration from the Simpson episode where Homer hallucinates and sees the Spirit Guide… 


What is Twenty-Twenty actually about?


“Twenty-Twenty” is our debut EP, consisting of one instrumental song lasting exactly 20 minues and 20 seconds, and published on 20th November 2020. Too many 20s not to have a meaning, right?


Well, the meaning of “Twenty-Twenty” is… whatever meaning you’ll want to read in it.

Some folks who wrote a review detailed how each part of the long song corresponded to a phase of the pandemic arriving in Europe. That’s a view of the song we didn’t think about, but as long as people can find new meaning in our music, that’s fine with us.


We don’t have a specific message nor does “Twenty-Twenty” have any specific meaning.

Things have been clicking quite randomly one after the other: 


By the end of Spring of 2020 we had enough material to put together three different songs and, considering the overall situation caused by COVID, we said: “it’s our chance to put the word ‘end’ to this first part of the story of the band, nobody knows what’s gonna happen next, so we want to set this moment in stone” or, well… on a CD. 


These three songs were somehow linked among them and at one point we also started thinking about just releasing the album as one only song and debut with a one-track EP. It was all very random and things clicked one after the other quite surprisingly, including the whole “number 20” thing.



You then followed this up with a Live EP and Video Performance. Where did the idea come from to put on a Live Performance of?


It all started very low-profile: after releasing “Twenty-Twenty”, and being still unable to play live, we thought: let’s do something and show the band is active. So the initial plan was to do a live on Facebook or Instagram from our studio and just play chunks of the whole song. Just for the sake of doing something, really, getting ready for a concert, and showing another side of the band’s life. And most importantly - show the band playing live.

Then as it always happens one thing leads to the other, one of us has a crazy idea and the other two add fuel to the fire… It was the end of January when we started envisioning this project… So the first major change was that we decided to play the whole thing, and not just parts of it anymore, in an outdoor setting, and make it our first live concert.

We’re fans of the whole desert rock scene, so generator parties and the likes have had an impact, even visually, on us. The idea was, on one hand, to tribute that concept, and on the other hand, to play the whole song, as we never did before, showing the band in an amazing setting in the wild. Also, we saw the video Yawning Man did (Live at the Giant Rock) and it was an inspiration too, of course.

On top of that, Genoa, our city, is perfectly placed between sea and mountains. The city itself is kind of between two of the major mountain chains in Italy (Alps and Apennines), so when you talk about nature and the wild… it’s the mountain that you’re thinking about. And so we did: the video was shot on top of an old fort and we’re extremely pleased with the end result.

Forte Geremia is officially the first live concert of IKITAN, a live concert which speaks of its times: there’s no audience and it’s only available on the Internet.

Was it a hard thing to put together with the COVID Pandemic still around us all? Any technical issues or other issues that you didn't plan for that appeared?


The filming of the video itself was pretty straightforward as we just had to play the song and our amazing friends from Squeasy Film were doing the shots with 4-5 cameras (and drones), even though, as with all the projects with a set date and deadline, there were some challenging moments.


First of all, when we decided to go to Forte Geremia, Italy was still in what we refer to as the "red zone": you couldn't leave your municipality unless for health, work, etc. These restrictions were waived just days before we actually went up on the mountain, something which of course was decided weeks before, otherwise... we might have had to make something up to make it happen anyway, there was no plan B.


Secondly, weather played a big role too. The video was shot on March 7th, and the temperature went as low as 5°C… not ideal when you have to unload everything and prepare for a live set. Plus the wind!


Lastly, the folks working at the provided us with power supplies for the day (and ravioli at lunch!) but for the rest we had to cater for the whole thing ourselves. The hardest part was to load and unload all of our backline, as the cars were quite far from where the video was shot.


Luckily Luca is also a sound engineer, so he took care of all aspects of the outdoor gig from start to finish, making sure we could recreate the sound we had in mind in an outdoor setting where we could rely on ourselves only. Big thanks to Stefano Gualtieri who was behind the mixer when we recorded the song on the day.


Once we prepared everything, we started filming straight after lunch and we played the whole song a few times whilst being recorded from 4-5 different angles and cameras (including drones, of course).


The post-production of the video took a few weeks and we've left the music as natural as it was when we played it at Forte Geremia: we really wanted this to be our first live concert, and not a video clip.



Were you happy how the Live Performance turned out and what has the reception been to the Live EP?


“Live at Forte Geremia” is our first gig since we formed in 2019. We’ve always been playing in our rehearsal room only, and with no audience. So yes, we’re very satisfied with the video so far, but hopefully we can do some “real” concerts soon too!


The reception of the live EP was really good, with folks being impressed by the location and the idea, somehow original. We also want to thank our good friend George aka MrDoom666 who helped us with a gigantic premiere of the video on his YouTube channel.


Why did you choose Forte Geremia as that location to perform at? Have you played there before or was this your first time?


It was probably the first time anyone played over there at all… but we’ll need to check eheh!

As said, once we agreed on doing a “proper” live video of us playing in the wild, the inspiration came from “Live at the Giant Rock” by Yawning Man. There’s no desert around us, and a “similar” place, in our area, could be found at Forte Geremia, the 819 asl old military fort that’s just one hour from Genoa.

The location was already used for a shooting by our filmmaker friends Squeasy Film, who were responsible for filming the band playing, so this whole thing kind of matched with the idea we had in mind.

There are references with the cover of the EP too, in a way: it’s a rocky scenery and we’re on top of a mountain, and there’s a mountain on the cover too, and being IKITAN the alleged god of the sound of the stones for the Aztecs… it all kind of match.

COVID-19 has pretty much put a stop to all life as we know it for the time being. How big of an impact has it affected the band? And how are you surviving in this stressful time?


We managed to survive because we set ourselves the goal of releasing the EP during the pandemic (refining the song and recording it happened from May to September 2020), and considering we all live in Genoa, we never actually stopped playing or meeting (apart from the first two months of the pandemic, March and April 2020). Here’s how we’re still mentally ok!


After everything is back to some sort of normality, what does the future hold for the band?


As mentioned above, IKITAN has never been in a “normal” situation. We never played any live shows so… that part of our story is still to be written. :D


The first cycle of jam sessions as IKITAN gave birth to “Twenty-Twenty”, and we’ve kept playing (and recording every rehearsals) since its release back in November 2020. 

So the next album will be the result of a second cycle of playing together, the one which is taking place as we speak.


Will you be anxious, scared or excited when performing on the live stage again?


We honestly can’t wait! We’ve all been in bands before IKITAN but there’s so much going on with IKITAN right now that our gigs will be extra special for us.


Also this is the first time we’re doing something a bit more serious than “let’s meet and play every now and then and see what happens” (which, BTW, was our original plan LOL), so playing live is an essential part of this.


Any plans for new releases in the coming months?


Yes, the album will be instrumental but we don’t have a set date yet.

It’s very likely that the new songs won’t be as gigantic as 20-minute “suites” anymore, we’re working towards something more direct and riffalicious but in pure IKITAN style. We still like not to stick to a particular genre and not setting any boundaries, so there will be some surprises.

The album will include something like 8-10 songs and these are bits and pieces of all the rehearsals (even bits that were left out of Twenty-Twenty) we’ve been recording since day 1, when we met to jam for the first time together.

Right now we’re still jamming and also developing some parts of older jams into full songs. We’ve been recording every single note we’ve improvised and now we’re letting the songs and improvisations guide us towards the next IKITAN album. Stay tuned!

You're based in Genoa, Italy. Before COVID-19 hit, how was the local Hard Rock/Metal scene in Genoa? Is there a good local scene there for bands to perform on a regular basis?


Genoa boasts a huge variety of bands and genres, from hip hop to rock, jazz, metal, prog, reggae, songwriters, stoner rock and everything in between.


As Massimo Perasso of Taxi Driver Records says when reviewing our EP, “Genoa is the city with the highest percentage of stoner bands per capita in Europe, sadly none other than people from Genoa knows about them!”


And indeed, other than stoner rock bands, there’s a lot of cool, active and interesting bands in this city. We can’t avoid mentioning our good friends and amazing bands Isaak, Burn the Ocean, Il Segno del Comando, La Coscienza di Zeno, Varego, Kurt Russhell, NAAT, Banana Joe and Temple of Deimos.


The city, despite being one of the most populated in Italy, is quite small when it comes to the local scene (which city is not like this, after all?), and in one way or another, we all know each other either by name or personally.


A few music shops and music labels exist and resist, providing invaluable support to emergent bands and famous ones by organising festivals and concerts, and offering showcase opportunities. We shall mention at least two of them: Flamingo and Black Widow.


Music clubs have been suffering massively in Genoa even before the current pandemic, with just a handful of venues surviving (and no more than ten venues/clubs in total for local bands to start playing some gigs). Such a shame for a city that truly was and still is very vibrant in terms of ideas and bands.


Thankfully a lot of connections are made possible by the Internet and we’re working hard to be supportive towards other bands and create a meaningful network of relationships that will become more effective once we’ll be able to travel again.


We’re very happy to be in such good company in our city and we hope we’ll be able to visit other Italian and European cities too very soon.


Last but not least: we’ve put together a Spotify playlist which contains some great rock, stoner, post-rock and prog artists from Genoa and from other cool places all over the world. Let’s support the underground, these bands are smashing.


You can find the playlist here: https://linktr.ee/ikitan 


Who are IKITAN's main musical influences? Any artists that may surprise your fans at all?


We’ve listened to a whole bunch of very different music by now (we’re well in our 30es) and we’re very open when it comes to musical taste. Our main influences are surely post-rock, stoner and progressive, with a heavy soul.


As for the bands, Tool is the name we truly must mention here. The first time we met we started talking about them (we were all at their same concert in Florence - Summer 2019) and we knew from the get go that something cool would have happened.


Other IKITAN’s favourite are Russian Circles and Yawning Man.


For Luca as guitarist the first influences have been: AC/DC, Led Zeppelin, Deep Purple… surprised? LOL.


After becoming a fan of the desert rock and post-rock scenes, all the main bands of that musical universe, as well as each new discovery, are a source of inspiration, and they become part of a bigger background where you can also find pop, rock and grunge.


Frik Et is influenced by bands such as Black Sabbath, Nirvana and Mogwai. The idea for such a powerful and prominent bass sound comes from two-piece bands like Royal Blood and Death From Above.


Tower of Power and their super drummer David Garibaldi are surely a huge influence on Enrico’s drumming. There might not be a lot of funky in IKITAN’s music, but some ideas and grooves come from that universe.


Another big one is Anthrax and Charlie Benante, where drums are both powerful and perfectly fitting within the groove and feel of each song. No wonder Charlie is also the main riff maker!


Thanks for doing this interview. Before you go, do you have any words of wisdom that you want to say to your fans?


The music scene has been suffering even greater than before due to the pandemic. We need to go to gigs, support bands and venues by showing up, listening to music, and making sure the whole ecosystem can get back on track even stronger than before.


Thanks for checking us out and let’s stay in touch!


Words by Steve Howe and IKITAN


Links: https://linktr.ee/ikitan 


Thursday, 15 July 2021

IKITAN Release Live Video For Twenty-Twenty Live at Forte Geremia


IKITAN, a heavy post-rock trio, is proud to present "Twenty-Twenty Live at Forte Geremia", its first live video.

It was recorded on top of Forte Geremia, in the outskirts of Genoa, Italy, and shows the band playing its debut EP “Twenty-Twenty” (consisting of one 20-minute-20-second instrumental song and published on 20 November 2020) live for the first time.

The video was be published on the band’s YouTube channel and on Bandcamp on Friday 25th June 2021 (and premiered on 666MRDoom’s YouTube channel on Thursday 24th June 2021).


It all started when we wanted to do a live show from our new studio playing “Twenty-Twenty” back to back. Then it got more and more complex as we kept adding ideas and things we wanted to do for our first “concert”… the next thing you know, we’re loading our cars to film a live video on top of a mountain.

It’s always like this: one of us has a crazy idea, and the other two just add fuel to the fire!


Like any other bands, IKITAN has not been able to play any gigs and, on top of this, they never had the chance to debut on stage. The band formed just before the pandemic started… so if the concert does not go to IKITAN, then IKITAN must go to the concert, on top of a mountain!

Our debut “Twenty-Twenty” was generally very well received, and we’re very grateful for this. We didn’t expect such a good response. By recording a live version of “Twenty-Twenty”, we also wanted to celebrate this little big achievement.

“Twenty-Twenty Live at Forte Geremia” was recorded on a sunny and windy Sunday 7th March 2021 on top of an old fort (819m asl). The band is captured live for the first time in a vast landscape, between sea and mountains.

In this way, IKITAN gives justice to the original idea of the IKITAN divinity, the alleged God of the Sound of the Stones.

We’re pleased about this live video, which is meant to be a straightforward representation of the band playing live. It’s the generator-party version of us and on top of a mountain. It is our first gig, and although it’s quite a weird debut, we’re satisfied it’s happened this way.

IKITAN’s debut EP “Twenty-Twenty” is available as a limited-edition (200 copies) digipack with a free poster and sticker as well as a digital download on Bandcamp.

Find IKITAN on:
Bandcamp - Facebook - YouTube - Instagram - Twitter - Spotify via https://linktr.ee/ikitan

IKITAN:

Luca “Nash” Nasciuti: guitar
Frik Et: bass
Enrico Meloni: drums and cowbell

“Twenty-Twenty Live at Forte Geremia” Credits:
Video: Squeasy Film
Sound Engineer: Stefano Gualtieri
Mix and Master: IKITAN
Pictures: Gezabel and Sara
Forte Geremia’s staff: Manuela and Stefano
T-shirt: Ezio
IKITAN's patch: Superb Patch
IKITAN's socks: Napit.it
Drum bass skin: Redhouse Drums
IKITAN's artwork: Luca Marcenaro

Thanks to Comune di Masone and A.T.V. Forte Geremia for the hospitality and the ravioli.

Recorded on top of Forte Geremia (819 asl) at 5°C on a windy Sunday 7th March 2021.

Saturday, 9 January 2021

IKITAN - Twenty-Twenty (EP Review)


Release date: November 20th 2020. Label: Self Released. Format: CD/DD

Twenty-Twenty – Tracklisting

1."Twenty-Twenty" 20:20

Members

Luca Nash Nasciuti: guitar and effects
Frik Et: bass and effects
Enrico Meloni: drums and cowbell

Review

Twenty-Twenty is the debut release from Italian Psych Progressive Post-Stoners – IKITAN. The singular song runs exactly for 20:20 minutes and is boosted by the band playing an intelligent style of Stoner Rock that moves into other areas of heavy music such Prog Rock, Post-Rock, Psych Rock Grunge and even a dash of adventurous Cinematic based vibes as well.

The song is neatly structured into small chapters where IKITAN play different styles of music and remind myself of YAWNING MAN when the band switch to the heavier style of Desert/Post-Rock interludes before moving back into familiar Heavy Rock territory.

There are lot of different musical flavours held on this single track EP to hold even the most jaded of music fan’s attention and that’s down to the fantastic instrumental work going on between all 3 members. Any release that includes the mighty “COWBELL” amongst the instruments being used is always worth a listen.

I do hear shades of Pelican and Russian Circles on the later stages of the record and it would be cool to see where IKITAN go on future releases. This is an excellent sounding record despite being recorded during COVID-19 Lockdown. There are some exciting styles of Stoner Rock grooves that have allows IKITAN to become more confident with their musical surroundings.

Twenty-Twenty is a superbly entertaining record that you should all check out now.

Words by Steve Howe

Links:

Facebook | BandCamp