Showing posts with label Sons Of Alpha Centauri. Show all posts
Showing posts with label Sons Of Alpha Centauri. Show all posts

Monday, 18 January 2021

YAWNING SONS (w/ Yawning Man and Sons Of Alpha Centauri members) to release new album 'Sky Island' on March 26th via Ripple Music


YAWNING SONS, the transatlantic collaboration between instrumental desert legends Yawning Man and UK trance rock cultists Sons of Alpha Centauri, share the details and artwork for their upcoming sophomore album 'Sky Island', to be released on March 26th and available to preorder today through Ripple Music. Stream first single "Shadows and Echoes" exclusively on Brooklyn Vegan!

For 'Sky Island', the original YAWNING SONS line up that delivered the 'Ceremony to the Sunset' debut in 2009 returned, once again including exclusive performances from Mario Lalli, Scott Reeder and Wendy Rae Fowler. However, this desert rock heritage line up now includes highly respected desert rock stalwart Dandy Brown (Hermano, Orquesta del Desierto), also joining the band by performing on several tracks.

New single "Shadows and Echoes" is a golden ticket to the Yawning Sons sound, with Wendy Rae Fowler's compelling vocals softly gliding atop Gary Arce and Marlon King's reverb-laden riffs and the sky-gazing drive of Nick Hannon on bass and Kyle Hanson on drums.

Stream new single "Shadows and Echoes" on Brooklyn Vegan

Bassist Nick Hannon about "Shadows and Echoes": "The music of Shadows and Echoes and the mesmerising vocal performance from Wendy captures the pure essence of what we feel Yawning Sons is about. When we hit the studio together we wanted to ensure that our concepts remained true and the way Gary and Marlon play off each other is completely unique and organic. This track is open and direct!"

Mastered by John McBain (Desert Sessions, Monster Magnet), 'Sky Island' will see a March 26th release through Ripple Music and can be preordered now in the following formats:

- LTD edition vinyl (white and sea blue color with green splatter)
- Black vinyl
- Limited edition digipack CD
- Digital


YAWNING SONS New album 'Sky Island'. 

Out March 26th on Ripple Music: European preorder - US preorder

"Look at that moon: we're really in the desert now." — Gary Arce, Desert Sky Studios 2018.

And with those words, the recording session of the second YAWNING SONS album concluded. Recorded live in the deepest part of Joshua Tree, 'Sky Island' reinforces Yawning Sons as a collaborative phenomenon firmly adjoining desert rock heritage with progressive instrumentation.

Before they gathered in Joshua Tree, the YAWNING SONS story started in 2008 when, during the pre-production of their then second album, Sons of Alpha Centauri invited Gary Arce from Yawning Man over to the UK to work with them to develop and record some of the material. From the very first initial session, it was evident that something unique and special had been born. Drenched in reverb and swirling in ambience, the band YAWNING SONS had taken flight. The band, a portmanteau of the two respective collaborative bands, was joined by fellow Yawning Man founder Mario Lalli (Fatso Jetson, Desert Sessions), Scott Reeder (Kyuss, The Obsessed) and Wendy Rae Fowler (Queens of the Stone Age, earthlings?) on vocals. Their debut album 'Ceremony to the Sunset' was released in 2009 to near universal critical acclaim, and within five years was re-released on vinyl, heralded as a "desert classic" and Yawning Sons had progressed to cult status.

In 2020, the band joined the respected ranks of leading Californian independent powerhouse Ripple Music for the release of their sophomore studio album 'Sky Island', to be issued on March 26th, 2021.

YAWNING SONS is:

Gary Arce — guitars
Marlon King — guitars/vocals
Nick Hannon — bass
Stevie B — drums
Kyle Hanson — drums
Blake — effects

'Sky Island' vocalists: 

Marlon King on "Adrenaline Rush"
Dandy Brown on "Low in the Valley", "Gravity Underwater"
Mario Lalli on "Cigarette Footsteps"
Wendy Rae Fowler on "Shadows and Echoes"
Scott Reeder on "Digital Spirit"

RIPPLE MUSIC LINKS: Website ⎪ Facebook ⎪ Bandcamp ⎪ Instagram ⎪ Youtube

YAWNING SONS LINKS: Website ⎪ Facebook ⎪ Bandcamp

Saturday, 9 November 2019

Sons Of Alpha Centauri - Buried Memories (Album Review)


Release date: November 8th 2019. Label: H42RecordsRobustfellow Prods. Format: CD/DD/Vinyl

Buried Memories – Tracklisting

1.Hitmen [Justin K. Broadrick Mix] 08:32
2.Hitmen [Jesu Remix] 09:00
3.Hitmen [JK Flesh Remix] 09:34
4.Warhero [James Plotkin Mix] 09:13
5.Remembrance [James Plotkin mix] 02:43
6.SS Montgomery [James Plotkin - Remix] 06:38

Members

Marlon Aaron King - guitars
Nick Hannon - bass
Stevie. B - drums
Blake - textures

Review

UK Post-Rock/Stoner Rock collective Sons Of Alpha Centauri (SOAC) return with their new album Buried Memories. This album is a continuation of the journey they first started with 2018 album Continuum. Though this album is more of a Post-Rock/Post-Metal sounding odyssey compared to their previous efforts. The album is more of a collaborative effort as well with Drone/Doom/Sludge Metal legends Justin K. Broardrick and James Plotkin lending their talents to 3 songs each on this album.

The first 3 songs is different variations of the same song called Hitmen with Justin K. Broadrick bring his musical genius and know-how to the party with his own remix for the first song, Jesu for the second and JK Flesh for the third.

All versions of Hitmen sound similar but also vastly different with each song moving incorporating elements of Industrial Meal, Doom, Sludge, Post-Rock, Psych and Ambient based sounds. The JESU version has to be my favourite. As it’s more nuanced and has a lot more going for it. It’s really cool to hear and experience every version of Hitmen. Each version takes you on a different journey with dark ambient sounds leading the way.

James Plotkin takes over for the final 3 songs Warhero, Remembrance and SS Montgomery which featured on their classic debut album under the title of 23. These songs sound very different to what SOAC are known for as James manages to include his own Drone/Doom based identity into SOAC’s music and change it into a more nightmarish world.

Warhero has to be the standout track of the final 3 songs. As it’s more familiar to long-time fans of the band. The song moves at a cracking pace which allows elements of Psychedelic Spaced Out Rock to fully take over with strands of Ambient Rock, Post-Rock and Stoner Rock appearing at the very last moment.


Overall, Buried Memories is a deeply rich and very mysterious album which does take time to fully appreciate. This isn’t your typical Sons Of Alpha Centauri album and may disappoint some of their established fan-base with the many different styles of music that we haven’t heard from the band before. I say give this a chance as this is another winning record for the ever elusive band.

Words by Steve Howe

Links:


Saturday, 26 May 2018

Continuing Their Progressive Journey - An Interview With Nick and Marlon from SONS OF ALPHA CENTAURI

It’s hard to believe that Sons Of Alpha Centauri have been around since 2001 and they are about to release their second full length album with Continuum. It’s also their first full length album since 2007’s debut S/T album.
Though the band have not been quiet since then. As Sons Of Alpha Centauri have released split albums and singles with bands such as Yawning Man, Karma To Burn and Hotel Wrecking City Traders.
Sons Of Alpha Centauri are considered pioneers of the UK Desert/Psych/Stoner Rock scene and it’s good to see the band return with a full length album of their own. For this album, the band have teamed up with Aaron Harris from Post-Metal titans – ISIS. Aaron recorded and produced this album and Continuum has a more post-rock/post-metal feel compared to previous releases.
I managed to catch up with Nick (Bass) and Marlon (Guitars) from the band where we discuss their formation, evolution of their sound and the recording of the new album.
Hi Guys. Thanks for doing this interview. How are things with you today.
Nick – I’m all good thanks Steve. Thanks for doing the interview and good to speak with you again. Marlon is with this time for some variety!
For people not in the know can you give a brief history of how Sons Of Alpha Centauri came together and what the current line-up is today.
Nick – Me and Marlon (guitars) formed in 2001 and starting a whole host of different tracks just out of school. We wrote about 35 tracks and then asked some local musicians who we respected, but didn’t really know too well – if they’d be interested in playing drums and keys for the band. Those people were Stevie B and Blake respectively. They joined in 2004 and the band has had the same line up since then till now.

You’re about to release your new album – Continuum. What can people expect from this album.
Nick – the debut album split down two distinct but very different paths. One was the lighter, desert, stoner type instrumental vibes and that entwined with the darker, heavier contrasting ambient material. We worked the album into a hybrid of these two approaches and although it was quite long at nearly 70 minutes we felt that we have captured the band at the time. We were pretty broke too so had time to write and record. Continuum is a development of the darker material that we knew was always going to be the harsher cerebral side of the band. We extended the war and vessel concepts into the new album too so there is a natural extension of ideology so it still links through, even after 11 years!
It’s your first album in almost eleven years. Though SOAC haven’t been quiet. As you’ve released a high amount of split records with bands such as Yawning Man and Karma To Burn. Why have you decide to come back now with a full length album. Was it the time was just right to release something other than a split EP or record.
Marlon - We have been working on the second album now for several years. Originally it was going to be a lot more chilled however that went on to become the Yawning Sons project. 

We have enjoyed creating the singles along the way with Karma to Burn. But we also found ourselves writing in a darker direction and in the right place for creating Continuum in this heavier darker theme. 

The last couple of years we have been working towards the release of Continuum and once Aaron Harris said he would mix it that was just the icing on the cake.
Do you prefer releasing split records with other bands or your own albums.
Marlon - We definitely enjoy working with other bands and without giving anything away, we have a few more plans up our sleeves for the future. That said, time has been slipping through our fingers and recording our own album allows us to go 100% in the SOAC direction without compromise. Music can be self-indulgent at times and once we started writing Continuum we knew we were on to something.


SOAC seem to have taken on a Progressive Space Rock/Post-Metal sound on the new album. Compared to your other records. Was that the intention to return with something different.

Marlon - I don't think we intentionally picked a direction. Nick and I have two very different approaches to writing and who influenced us. Combined each track we write can vary significantly. Sometimes we find the darker side taking over - that's what happened here. It can also depend on what time of year we are writing, this album could be reflective of the bleak winters we have had recently.
Was this a hard or easy album to write and record for.
Nick - Hmmm… an easier album to write for but very difficult to perfect. Most of the tracks were hit out of the park straight by me and Marlon but Blake had a much bigger involvement in this album. ‘Io’ was written by me and him first and then Marlon came in and worked on it later. Blake has a much bigger role but it was another pair of ears that needed to be satisfied. The band has gone through so many personal changes over 10 years but overall the maturity and ambition of the album is what drove us to know that this would be our sophomore release.
Aaron Harris recorded and produced this new album and you can feel his influence all over this album. How did you get Aaron to produce your album and what does Aaron bring to the SOAC standard sound.
Nick – I met Aaron at an ISIS show when I was doing a lot of work with Seldon (Hunt) on the debut SOAC album back in 2006. Seldon was doing our t-shirts, logos and album covers and Aaron and the ISIS guys were taking a genuine interest. I think at the time as the band was taking a definitive form we thought we might end up as more of a Hydrahead band and there was a lot of talk of tours with Pelican. Anyway, Aaron was interested in the band, we traded details and we kept in contact.
When ISIS called it a day and Aaron went into production full time then I remember thinking that it could work out. After the release of the Palms album that he had produced and mixed I contacted him to see if he would be interested. He’s exceptionally busy and on average does like one or two albums a year but he said to send him through a couple of tracks, which we did. He was in. So, we recorded the whole album and sent it through to him for mixing and production. His production was adding stuff that although is the recorded instruments isn’t the original sound or interpretations.

What was recording with Aaron like. Did he provide any helpful advice when recording the album.
Nick – Aaron transformed some of the songs in terms of dynamics. He heard what we had recorded with fresh approach and different ears. Despite being instrumental we still do tend to have usually all four instruments performing at the same time. He used space and silence to build dynamics and even cut off or really reduce some performance. He invested a lot into the album, it wasn’t just ‘Here you go, cheers’ it was a whole other collaborative experience. Needless to say he has excelled the tracks to the next level and he was totally invested into the mood and concept.
H42 Records and Cobraside is releasing the album. Though H42 Records have released a few of your split records over the years. Was it an easy decision to continue with this relationship. Did you have any offers from other labels to release the album?
Nick – H42 Records have been great. I didn’t really look elsewhere as everything had gone so well with our previous releases. They really believe in the arthouse and unique version of each release. Jürgen invests in different colours, versions and each release in a way that is bespoke and tailored for that band. Despite the main pressing in five different colours which was one for each region, he did an Abyss Edition for this album that was different artwork, silkscreened with a 3” CD of a remix that we did of a track from the debut plus all copies come with a CD and an MP3 download the whole deal. It just really makes the extra effort for those people that do want a physical release to ensure that we cover not only all of the formats but it is a truly physical engagement and the best possible representation for the album, entwined with the artwork. H42 Records make that happen and we really didn’t think or look anywhere else.
Will you be touring and promoting this album heavily. Or will it be down to a few gigs and festival appearances.
Marlon - We already have some shows lined up, dates to be confirmed. Looking forward to playing the new tracks. That said, I have recently had my first born son "Logan", so whilst we will be promoting the album, we won't be going crazy.


The Stoner Rock/Instrumental Rock musical landscape has changed dramatically over the years since SOAC first formed and appeared on the scene. Have you noticed any dramatic changes over the years. Or is has it remained the same.
Nick – It has changed dramatically. I went for a drink with guys from what would become ‘Desert Scene’ after the release of Yawning Sons back in 2009 and there was very little in the UK in terms of shows and promotion but they had an ‘idea’. Desert Scene put on the their first few shows at the Underworld and we played pretty much the first 5 or 6 shows straight up. Then in 2012 we played DesertFest and then, well look at what DesertFest is now.
It’s a bit weird that we released a more stoner album back when post metal was in its hey day and now when stoner doom seems to be rocking it, then we’ve gone with a heavier more progressive output as opposed to I think, what was expected but then, SOAC are predictably unpredictable in that sense. We had to do what felt right for us, and with Aaron and John involved it is something which contrasts nicely with where the UK scene is right now.
Before you go do you have any words of wisdom to say to your fans. Best of luck with your new album as it’s a great sounding and progressive album.
Nick – Thanks Steve, that’s a great thing to say! Glad that you’re liking it and appreciate the progressive elements. I think the main thing to say is that we have spent a lot of time honing our craft but after 15 years we really feel that this is kind of the end of the beginning now. I quite like that we operate in the shadows a bit but it’s easy to be forgotten - this album is reinstating ourselves as being true to our commitment to the band and people who have followed us in our various guises that this feels like something special and we want people to be a part of it. Thanks again Steve and for your support as always. Hope to speak again soon!
Words by Steve Howe, Nick Hannon and Marlon King

Thanks to Nick and Marlon for doing this interview. Continuum will be available to buy from the following records labels and distributions sites listed below on June 1st 2018.


Links:

Sons Of Alpha Centauri - Continuum (Album Review)


Release date: June 01st 2018. Label: Various. Format: CD/DD/Vinyl

Continuum – Tracklisting

1.Into The Abyss
2.Jupiter
3.Solar Storm
4.Io
5.Surfacing for Air
6.Interstellar
7.Orbiting Jupiter
8.Return Voyage

Members

Nick Hannon (bass)
Marlon King (guitars)
Blake (electronics)
Stevie B (drums)

Review

Sons Of Alpha Centauri (SOAC) are a band that should rightly be bigger than they actually are. The band have been together for over sixteen years and have released one full length album and a ton of split records with legendary Desert/Stoner Rock bands such as Karma To Burn and Yawning Man. SOAC even formed a group with Yawning Man called Yawning Sons. One of the best collaborations within the Desert/Stoner Rock scene.

Now SOAC return with their eagerly awaited second full length album - Continuum. The album opens with - Into The Abyss - a stylish Post-Rock/Ambient/Stoner Rock song that feels partially inspired by John Carpenter theme music. As the electronic sounds could have easily fitted into one of his classic movies. The mood and atmosphere is very subtle with glimpses of heavy guitars threatening to break through.

Second track - Jupiter - has a gloomy sprawling post-rock atmosphere. The song turns into a heavy Psychedelic blend of Stoner Rock/Post-Metal. The mood is deliberately slow-paced but that allows the music to grow and breathe more naturally. The ambient post-rock parts of the song have quite a jazz based approach though it's the heavier sounds that make SOAC's music truly stand out.

SOAC carry on this style of Stoner Rock/Post-Metal hybrid sound on the remainder of the album with songs such as: Solar Storm, lo and Interstellar being some of the best songs on the album. Though the standout track has to be the epic final song - Return Voyage - which offers almost eleven minutes of finely tuned progressive Post-Rock/Post-Metal vibes though merged with SOAC's trademark Desert/Stoner Rock sound.

Some people are wondering why have SOAC ventured into the realm of Post-Rock/Post-Metal than their usual Stoner Rock sound. Well that could be down to the person who recorded and produced this album. Aaron Harris from legendary Sludge/Post-Metal collective - ISIS. Aaron has brought a true Post-Rock/Post-Metal sensibility for SOAC's new sound. I admire SOAC's creative choices on this album. As some of their fans maybe think the album is too heavy for SOAC. However bands need to progress and SOAC has made the perfect choice with releasing this album. Though SOAC don’t forget their Stoner Rock roots on this album As John McBain (ex-Monster Magnet) to master this album.

Continuum is a brave and bold album that's very atmospheric and even gloomy in parts. The album has its fair share of melodic parts but it's mostly a genuinely exciting and heavy audio experience. Everything about this album oozes class and it's perhaps my favourite SOAC record they've released so far.

With Yawning Man releasing a new album later this year. It's good to see the "old-guard" of Desert/Stoner Rock coming back and showing the younger generation of bands how to create a beautiful sounding album that has thought and intelligence to match. The instrumental work is wonderful throughout.

SOAC have put a lot of thought into the overall structure of the album. As everything flows beautifully together. Even there are no vocals; Continuum has a superb storyline that ventures into the vast reaches of Space. Continuum has the potential to be one of the best Instrumental Rock/Metal albums released this year.

Words by Steve Howe

Thanks to Tom at Polymath PR and Sons Of Alpha Centauri for the promo. Continuum will be available to buy from the following records labels listed below on June 1st 2018.


Links: