Saturday, 10 January 2026

Blanket - True Blue (Album Review)

Release Date: January 16th 2026. Record Label: Adventure Cat Records. Formats: DD

True Blue - Tracklisting


The Swallows reflecting In The Water

Hole In My Head

Levitate

Bind (feat. Wayside)

Leaning On You

Summer Skin (feat. Lynsey Ward)

Wallflower

True Blue


Members


Bobby Pook - Guitar / vox

Simon Morgan - Guitar

Ash Betton - Bass

Lucas Fletcher - Drums


Review


Post-Rock/Shoegaze collective Blanket offer their fourth full length album with True Blue and it sees the highly talented band with their most honest, raw and emotionally charged record yet. There are still moments of Post-Metal, Doomgaze, Grunge, Psych and Alt Rock melodies which have been used to superb effect on their previous excellent albums of Ceremonia and Modern Escapism. This time round, Blanket feel more retrospective and willing to let their Post-Rock and Shoegaze aspect of their music to be the deciding creative factor of how the album ultimately sounds.


With the heavy instrumental sounds being closer to the likes of HUM, NOTHING, SLOWDIVE, HUM and SLOW CRUSH this doesn’t stop the band creating their own highly original dreamlike soundscapes of their own within the excellent batch of opening tracks of The Swallows Reflecting In The Water, Hole In My Head and Levitate. The guitars from Bobby Pook and Simon Morgan consist of a Grunge / Shoegaze dynamic with Ash Betton On Bass and Lucas Fletcher on Drums providing a more cerebral and progressive rhythm section for the melodies to become quite heavy along the way.


The lyrics are beautifully poetic and simply magical that offer a sense of realism and uplifting melodies which comes from the classic era of the Shoegaze scene most notably the eighties and nineties scene. There’s a cool level of psychedelic distortion being used along the way which lets a more gloomy atmosphere slowly make itself known with Blanket still keeping close to their Post-Rock and Shoegaze roots. The music can be furiously fast-paced with a soulful Post-Metal energy emitting from those intense guitars throughout the album.


Blanket does experiment with ambient sounds, samples and trippy soundtrack effects within the more reflective parts of the album. This allows True Blue to feel highly inspired by the Post-Punk scene with its experimental approach whilst still remaining within the core creative themes on tracks such as Bind, Summer Skin and Wallflower. 


The album does feature contributions from Australian Alt Rock/Indie Rockers Wayside on Bind and Lynsey Ward (Exploring Birdsong) on Summer Skin. These two tracks feature the most interesting vocal arrangements and musical delivery on the whole record. As this allows Blanket to transform their musical perspective to allow these guest artists to fully thrive in a slightly different musical environment. 


The final two tracks of Wallflower and True Blue sees Blanket undergo a minor Progressive Rock transformation with longer time frames to work upon. The music evolves into a heavier and more emotionally engaging style of Post-Metal and Post-Doom landscapes which is perhaps my favourite part of the entire record. There’s more precise aggression within their music but the superb vocals from Bobby Pook keep things real and grounded.


True Blue is a refreshingly real, honest and beautifully played album that allows Blanket to offer their most grown up, mature and gritty record to date. Blanket are going from strength to strength which seems them vastly becoming one of the best Post-Rock/Shoegaze bands the UK scene currently has to offer right now.


Words by Steve Howe


Thanks to Since Always Press for the promo.


Links 


Facebook | BandCamp | Instagram

YAAK - YAAK (EP Review)

Release Date: January 01st 2026. Record Label: Self Released. Formats: DD

YAAK - Tracklisting


1.The Witch 06:12

2.Sing me to sleep 04:07

3.Parasites 05:07

4.WAR WAR WAR 03:34

5.Surrounded 05:39


Members


Arni Lundberg - vocals

Daniel Grzegorczyk - guitar

Przemysław Gomuła - guitar, backing vocals

Zuza Klauda - bass

Miłosz Czerwonka - drums


Review


Doom/Sludge/Stoner Metallers YAAK release their self-titled EP which features a sludgy aspect of Punk Rock into the mix. The record starts with an outlandish attitude with the music having a weird stop/start aspect and the vocals moving from clean vocals to harsh DEATH based growls. I will admit the whole sound does take a few moments to fully get used to especially within the opening track The Witch. I even expected a straightforward style of Doom/Stoner Metal with YAAK coming from the infamous Polish underground metal scene. 


So it’s to YAAK’s credit for delivering their own great blend of music to release as their debut EP. Their record does have a twisted DESERT METAL sound which allows the band to move between the more extreme aspects of the underground STONER scene. There’s some great levels of AMPLIFIER DISTORTION and FUZZY REVERB along the way with YAAK offering a demented audio experience along the way.


YAAK take influence from the likes of WEEDEATER, BONGZILLA, HIGH ON FIRE, KYUSS and FU MANCHU when the blackened Desert Rock themes fully start to arrive within the excellent second track of Sing Me To Sleep, though only if KYUSS or FU MANCHU sold their souls to LUCIFER themselves. It’s an intriguing concept and YAAK fully sells that premise superbly well and to the best of their ability.


The remaining three tracks of the EP allows YAAK to travel further along the Stoner Metal highway with deafening levels of deceptive BLACKENED FUZZ and DOOM METAL only amplifying their overall sound. The vocals become even more pissed off on tracks such as Parasites and WAR WAR WAR. The production values are great for the most part with a few raw sounding moments but I feel those aspects are intentional to allow YAAK to hammer home the heaviest and aggressive grooves for the listener to fully experience. 


YAAK’s debut EP  is a wicked interpretation of the modern Doom, Sludge and Stoner Metal scene that does want me to hear more as when the band focuses on a more riff-centric sound they play some truly great sounds of their own making.


Excellent and Highly Recommended.


Words by Steve Howe


Links 


Facebook | BandCamp | Instagram


Friday, 9 January 2026

Cypriot Heavy Rockers STONUS to release sophomore album "Space to Dive" on Ripple Music this March 20th; new video "Hope Dose" available now!


Straight from the depths of the Mediterranean Sea, Cyprus heavy rock torchbearers STONUS return with their sophomore full-length "Space to Dive" this March 20th on Ripple Music, and unleash their rip-roaring new single and video "Hope Dose" on all platforms today!

Firing on all cylinders and not looking in the rearview mirror, STONUS are ready to set the world on fire with their high-octane and anthemic new single "Hope Dose"! The band comments: "Hope Dose addresses our daily choice between self-destruction and self- improvement. It is about accepting and embracing the darker side of the self, acknowledging that growth requires confronting inner shadows rather than escaping them. Choices carry consequences, but at the end of the day, survival often comes down to holding onto hope, and sometimes, releasing tension through raw, unapologetic living."

 Watch new video "Hope Dose" at this location + listen to the track on all streaming platforms


Their forthcoming sophomore album "Space to Dive" is a transcendent journey into the space within, an esoteric exploration aimed at redefining identity through intuition, sound, and self-discovery. Inspired by the torus field — the visual representation of sound, energy, and atomic vibration — the record explores the continuous flow between the inner self and the universe. "To us, this space represents infinite potential: a meeting point between consciousness, creation, and what could be perceived as the face of God. "Space to Dive" challenged us to move beyond comfort, allowing instinct and vulnerability to guide the songwriting. The result is a more personal and intuitive expression, where each track reflects fragments of introspection, transformation, and awakening," says the band.

Recorded at Wreck It Sound Studios in Corinth, in collaboration with Johnny S.A. (former 1000mods), "Space to Dive" captures the fiery quintet at the peak of their creativity. The mastering, handled by legendary engineer Howie Weinberg (Nirvana, QOTSA, Deftones, Kyuss, Metallica), adds both sonic depth and a rare prestige to the final work. The visual world of the album was crafted by Kamil Czapiga of Cosmodernism, whose mastery of cymatics translates sound into geometry with alchemical precision.

Despite the challenges of being spread across three countries whilst touring and working simultaneously, the realisation of this concept proved essential to the band. "Space to Dive" stands as both a personal reckoning and a universal exploration - an invitation to dive inwards to better understand the whole.

STONUS "Space To Dive" - Out March 20th on Ripple Music - PRE-ORDER


Described by Metal Hammer as “Mediterranean fuzzed-up heavy rock", STONUS have been active since 2015, steadily building their presence across Europe through a raw, high-energy live show and a strong DIY ethic, positioning them as one of the most internationally active Cypriot rock bands. Their acclaimed debut album "Aphasia" was released in 2020 via Electric Valley Records, earning spots on multiple Album of the Year lists within the heavy and stoner rock scene and surpassing 100,000 streams on Spotify.

The momentum continued with the "Seance" EP in 2021 and a live studio session LP "Live in Zen" in 2024 via Ouga Booga & the Mighty Oug and Electric Valley Records. Throughout recent years, the band has shared stages with heavy rock powerhouses including 1000mods, Truckfighters, Planet of Zeus, and Mars Red Sky, while appearing at major European festivals such as Berlin Swamp Fest (DE), Westill Festival (FR), Riffolution Fest (UK), Electric Valley Festival (IT) and Truckfighters’ Fuzz Festival (SE).

STONUS is

Nikolas Frangoulis – Guitar
Kyriacos Frangoulis – Vocals
Kotsios Demetriades – Drums
Pavlos Demetriou – Guitar
Alaa Albaharna - Bass, Additional Vocals

STONUS links

Website | Facebook | Bandcamp | Instagram | Youtube

RIPPLE MUSIC links

Thanks to Purple Sage PR for the details.

US Heavy Rock Festival PLANET DESERT ROCK WEEKEND shares full lineup for winter 2026 edition in Las Vegas; tickets available now!


Vegas Rock Revolution's Planet Desert Rock Weekend has revealed the full lineup for its 2026 edition, with twenty-one heavy rock bands from across the globe converging in Sin City over the January 29th-February 1st weekend!

Curated by Vegas Rock Revolution founder John Gist, Planet Desert Rock Weekend has become a major event for all heavy rock fans nationwide and beyond. More than just a festival, it's an experience: its strong worldwide curation in an intimate indoor and evening-only setting drives the yearly increase in popularity for this Sin City event — a party atmosphere with top-notch sound provided by The Usual Place!

Planet Desert Rock VI will be presenting a wide range of hard rock and stoner rock acts featuring not only legacy bands such as The Atomic Bitchwax, Black Water Rising, Throttlerod and The Quill, but also scene stalwarts like Spaceslug (Poland), Freedom Hawk, The Devil & the Almighty Blues (Norway), The Heavy Eyes, The Well, Bask, Westing, Saturna (Spain), Paralyzed (Germany) and High Desert Queen. Once again, the festival has invited Californian label Ripple Music to host a special showcase night featuring some of their roster's finest live acts!

Ripple Music founder Todd Severin comments, "John Gist has created and nurtured one of the best festivals in the USA for heavy rock. Not limited by genre, but by quality, each day of the Planet Desert Rock Weekend delivers. Ripple is once again thrilled to support PDRW, and can't wait to show off to the world Ripple night, when Ripple bands storm the stage en masse!" Check out the festival's official Spotify playlist!

Planet Desert Rock Weekend VI - January 29th to February 1st @ The Usual Place (Las Vegas, NV)
Event information // Weekend and day tickets

Former Planet Desert Rock Weekend players include John Garcia, Red Fang, Radio Moscow, Brant Bjork, Nick Oliveri, Nebula, Scott "Wino" Weinrich, Sasquatch, Fireball Ministry, Unida, Mos Generator, Solace, Wo-Fat, Fatso Jetson, Steak and more. The purpose of Planet Desert Rock Weekend is to host high-level heavy rock performances that blend legacy bands with stellar up-and-coming acts for a unique listening adventure each night. The intimate venues are highlighted with amazing sound systems for a full experience that captures the pure essence of each band. "Organic bands with no tracks!"

Vegas Rock Revolution on Facebook | Instagram | Website

Thanks to Purple Sage PR for the details.

Sacri Suoni - Time To Harvest (Album Review)

Release Date: January 23rd 2026. Record Label: Electric Valley Records. Formats: DD/Vinyl

Time To Harvest- Tracklisting


1. Plow the Void 

2. Soothe

3. Dissolve to Reunite in Varanasi

4. It Will Crumble Before Us


Members


Mattia Carabelli: Bass
Gianmarco De Santis: Lead Guitar
Giacomo Tagni: Rhythm Guitar
Alessio Gavioli: Drums

Review



I wouldn’t blame you for being confused by the album cover for Sacri Suoni’s new album TIme To Harvest, as this gives the impression that this is a Seventies Prog Rock or Classic Rock album and it’s anything but that. Time To Harvest is a beautiful and stunningly heavy Cosmic Doom/Stoner Metal album that’s told thoroughly the power of Instrumental Rock. You can expect to hear fractured and fragmented Spaced Out passages with Sacri Suoni exploring the finer details of Psychedelic Doomed Out Stoner Metal. There is an extra heaviness of Sludge Rock/Metal developing within the Space Rock surroundings which comes to life on the excellent opening track Plow The Void.


Plow The Void continues the distorted and psychedelic vibe heard on their acclaimed debut album Sacred Is Not Divine though Sacri Suoni allows a thunderous progressive energy to develop that overlaps with the intense gloomy guitars from Gianmarco De Santis and Giacomo Tagni. The guitars have a similar sound to the likes of BELZEBONG and CLOUDS TASTE SATANIC but perhaps more Space Rock and Sludge Rock obsessive which becomes the main weapon of choice for the band to destroy the listener’s hearing with.


Second song Soothe is a richer, aggressive and progressive offering with Sacri Suoni adding small movements of Ambient and Drone appearing behind the scenes. The epic rhythm section of Mattia Carabelli on Bass and Alessio Gavioli on Drums keeps everything grounded especially when the music moves at a faster pace. There’s areas of swirling psychedelic sounds and sludgy dynamics that once again ventures into the far reaches of the Space Rock/Cosmic Rock vortex. The music can be quite stripped back with Sacri Suoni opting for STOP/START approach which allows the heavier COSMIC themes bring a gloomy sense of weariness into play. This allows Soothe to be one of the most cinematic and climatic tracks on the whole album. 


Third track Dissolve To Reunite In Varanasi was originally released as the second single from the album and it gained major acclaim for how the song actually plays out. This is a track with a beginning, middle and end but told through a breathtaking creative narrative which propels Sacri Suoni into greater levels of storytelling. Sacri Suoni experiments with tone, sounds, melodies and progressive moods for a song that once again becomes way more CINEMATIC and adventurous. There's an epic intro of Seventies based Prog Rock that’s pitched against a thrilling modern day Psychedelic Doom Soundtrack score. This song has become my favourite track I’ve heard this year with Sacri Suoni exploring different areas of the Instrumental Doom/Stoner Metal scene and conjuring pulsating melodies that will leave you on the edge of your seat.


Fourth track It WIll Crumble Before Us offers a sombre and moody Post-Rock delivery with Sacri Suoni eerily setting the scene for this mammoth thirteen minute track. Taking cues from the likes of PELICAN, RUSSIAN CIRCLES and VINNUM SABBATHI for the opening moments before exploring their own distinctive style of Cosmic Doom yet again. The sound is multi-layered with the band adding deceptive layers of Psychedelic Metal and Ambient surroundings. Sludge Metal landscapes take centre stage with Sacri Suoni still taking their music into completely new creative directions. The execution is swift and always highly rewarding with Time To Harvest ending in a brilliant and surprising way.


Time To Harvest is an album I’ve been listening to constantly on a daily basis for the past month or so and it becomes a much better experience every time you listen to the album. The record is wonderfully produced and when you have the legendary talents of Brad Boadright to master the record with mixing and engineering duties at Niton Lab by Enrico Mangione & Luca Martegani, then you have the perfect ingredients for a record that sounds incredible from start to finish. 


That’s why TIME TO HARVEST is going to be one of the standout and possibly most important Instrumental Doom/Stoner Metal records of the year.


Words by Steve Howe


Thanks to Qabar PR for the promo.


Time To Harvest is available to buy now on DD/Vinyl via Electric Valley Records.


Links 


Facebook | BandCamp | Instagram


Mother Crone - US Progressive Sludge-Metal Collective Reveal New Track “Unseen Way” Via Decibel Magazine


Puget Sound’s progressive sludge-metal collective Mother Crone have revealed a powerful new chapter with their brand-new single “Unseen Way,” which premiered via Decibel Magazine. The track offers another commanding glimpse into the band’s long-awaited sophomore album Embrace the Death, set to be released on March 4th.

Decibel praised the release as a bold step forward, and it’s easy to hear why: “Unseen Way” is eight minutes of progressive, twisty doom with thrashy underpinnings, the epic opener of the quartet’s upcoming second full-length, Embrace the Death."

Listen to “Unseen Way” now via Decibel Magazine.

If you missed it, the band previously unveiled the album’s title track “Embrace the Death,” check it out at this location.

Formed in the Puget Sound area of Washington in 2013, Mother Crone are a band forged from diverse musical backgrounds, converging to create a sound that is as heavy as it is dynamic. Drawing on influences that stretch from the psychedelic depths of Pink Floyd, the classic heaviness of Black Sabbath, and the groove-driven attack of Pantera, to the progressive and atmospheric worlds of Bison B.C., Alcest, and Shrinebuilder, the band weave a progressive/post-metal tapestry that shifts seamlessly between doom, thrash, and groove.


The band introduced themselves with their debut album Awakening in 2015, followed by two years of extensive touring across the region. Life’s demands eventually forced the group to slow down, but Mother Crone have now returned revitalized and refocused, ready to deliver their most ambitious material yet.

With their forthcoming sophomore record Embrace the Death, Mother Crone push their sound to new extremes, heavier, darker, and more expansive. Backed by a refreshed lineup featuring Preston Wilson (bass), Charlie Romano (drums), Edoardo Curatolo (guitar), and Joe Frothingham (guitar/vocals), the band aim to raise the standards of energy and execution in the Seattle scene and beyond.

Embrace Death will be available to buy from March 04th 2026.

Links:


Thanks to Viral Propaganda PR for all of the information.

Mothertomb - Mountain Hag (Single Review)

Release Date: January 06th 2025. Record Label: Self Released. Formats: DD

Mountain Hag - Tracklisting

Mountain Hag


Members


Alice Gawlinski: Vocals

Chance Gawlinski: Guitar

Alton Minor: Bass

Mike Benitez: Percussion


Review


Doom/Stoner Metallers Mothertomb return with their latest single Mountain Hag which takes a similar journey to their acclaimed debut single Beware. Though, this time there is more focus on a more Psychedelic and Progressive sound emitting from all corners. The grooves have a Blues Tinged atmosphere to them with flashes of good old fashioned Classic Rock appearing within the first few moments of the track. There’s also a bewitching “OCCULT” and “TRIBAL” energy allowing Mountain Hag to have a certain Folk or Appalachian aspect to the whole song.


Alice Gawlinski’s vocals impress yet again with a subversive and highly engaging style being delivered throughout the whole track. They can be quite outlandish at times but that’s the charm of the overall song with Mothertomb even stripping back their “HEAVY METAL” themes of the song for a stunning Post-Doom and Post-Stoner atmosphere within the quieter moments of the song.


The instrumental passages once again provided by Chance Gawlinski (Guitar), Alton Minor (Bass) and Mike Benitez (Percussion) have a more multi-faceted dimension to them with a heavier Progressive sound which allows Mothertomb to fully transform into spellbinding storytellers of their own making. This “minor” transformation compared to their debut song “Beware” has me even more excited to hear their upcoming debut album due for release later this year. 


Mountain Hag is nothing short of a revelation with Mothertomb continuing their progression in perhaps becoming one of the best upcoming acts the underground scene currently needs right now.


Words by Steve Howe


Links 


Facebook | BandCamp | Instagram | DistroKid