Showing posts with label Slomatics. Show all posts
Showing posts with label Slomatics. Show all posts

Tuesday, 2 September 2025

Slomatics - Atomicult (Album Review)

Release Date: September 12th 2025. Record Label: Majestic Mountain Records. Formats: CD/DD/Vinyl

Atomicult - Tracklisting

1.Obey Capricorn

2.Phantom Castle Warning

3.Auto-Skull

4.Relics

5.Night Grief

6.Physical Witching

7.Chrome Sisters

8.Biclops

9.Summer Skeletons

10.To Ultramegaphonium


Members


Marty Harvey (drums/vocals)

David Majury (guitar)

Chris Couzens (guitar)


Review



Cosmic Doom Heavyweights Slomatics return with another grand, bold and aggressive new musical adventure with the mightily named Atomicult. This is Slomatics eighth full length album for a career that’s spanned over twenty years. There’s been celebrated split releases with the likes of CONAN, Domkraft and Mammoth Weed Wizard Bastard to name but a few.


The record sees Slomatics developing a more refined sound with multi-layered guitars and progressive drumming with the band sometimes playing music more closely associated with the likes of Pink Floyd, Hawkwind and Genesis which was there on their last album Strontium Fields but only in small doses. Everything is played on a grander and tighter creative scale with Marty’s vocals being more refined, restrained, calmer and quieter that has a certain Classic Rock or Commercial aspect especially within the Ambient Post-Rock movements that Atomicult contains.


The instrumental surroundings allows Slomatics to reinvent the Cosmic Doom/Stoner Metal landscape once more in their own undeniable and brilliantly original heavy image within the first few tracks of the album Obey Capricorn, Phantom Castle Warning and Auto-Skull. Intense drumming from Marty has a destructive effect which sees Chris Couzens and David Majury’s epic guitars weave different levels of distorted heaviness and the sci-fi leaning synths sees the band venture into the theatre of Post-Rock especially on the emotionally satisfying fourth track Relics. This allows Marty to demonstrate a vocal style we haven’t heard from him before which delivers with pure Soft Rock perfection.


However, with this being Slomatics, they prove why they’re one of the most original and destructive forces within the modern day Doom Metal scene with expeditions into COSMIC and PSYCHEDELIC landscapes where soulful melodies can appear out of nowhere to change the dimension of the entire record. The album does feel like a natural progression from Strontium Fields but with tighter, richer and concise production values that truly comes into great effect on later tracks of the album such as Night Grief, Physical Witching, Summer Skeletons and To Ultramegaphonium.


The lyrics written for this album are quite fantastical but one that delves into areas of Artificial Intelligence which evolves into a cautionary tale if we leave that dreaded AI upto their own devices. Long time readers of the blog may know that I absolutely LOVE and ADORE this band. Slomatics have always delivered some of the best Cosmic/Doom/Stoner Metal records of the last fifteen years and that form continues with Atomicult.


Swirling Ambient sounds, Post-Rock rhythms and gloomy synths all play a big part for Slomatics to conjure an exciting style of COSMIC DOOM that adds an eerie CINEMATIC feel to their music which still allows the band to explore new creative ground and storytelling narrative we haven't experienced from the guys. So expect to hear some vastly different music within the record that can be quite jaw-dropping in places.


Even the amazing album cover which is inspired by the King Crimson record cover from In the Court of the Crimson King shows you what to expect with a record that merges reality and fantasy into one warped PSYCHEDELIC journey of distorted paranoia.


Atomicult is my favourite album of the year. I don’t know if anything will come close to this amazing record but Slomatics have delivered a modern day classic with Atomicult and teaming up with Majestic Mountain Records for the album makes this the perfect album to own especially if you want to be taken on a thrilling and brilliantly aggressive musical spectacle with classic grooves that leave you questioning your own reality.


Words by Steve Howe


Thanks to Viral Propaganda PR for the promo.


Atomicult is available to buy now on CD/DD/Vinyl via Majestic Mountain Records from the links below:


 

Slomatics Links:


Official | Facebook | BandCamp | Instagram


Sunday, 3 August 2025

Cosmic Doomsters SLOMATICS Announce New Album And Sign To Majestic Mountain Records


☄️Slomatics PRESALE : SPECIAL TRANSMISSION!
JOIN THE ATOMICULT! ☄️

People of the Majesticverse! We hope you have enjoyed all the stellar new music that's been blasting off from MMR HQ today. In thanks for your incredible support and to kick this weekend off with a massive bang, we now bring the week to the ultimate conclusion with a pre-sale and single release of truly epic proportions! We will not pontificate as there is no need with this utter juggernaut of a band but suffice it to say; we are incredibly honoured to bring you such a soul bending release from these magnificently talented humans. Or are they from another planet?

We may never know, because noise like this is definitely made of otherworldly magic.

Available now from the MMR shop and Slomatics website as well where they also have tee shirt bundles and such. We really don't need to tell you that this transcendentally powerful release will not last long. There are also test presses for those interested!

Slomatics Bandcamp Pre-Order

The band gives us the following insight about the album:

“ ‘Atomicult’ is the second installment in the sequence we began with Strontium Fields. The album is intended as either a meditation on the existential crises the human race is currently facing, or it’s the soundtrack to a train ride, a few beers with friends or a moment of quiet in the home. It’s entirely up to the listener to choose, but in order to aid that choice we employed every tool we have; from burnt out Matamps and frazzled fuzzboxes through to sweet string sections and cosmic Mellotrons. This record represents every aspect of what our band does, and pushes the limits in all departments. We hope you enjoy the ride!”

Here's all the sexy stats:


💥The Event Horizon Black Edition:
- Standard sleeve.
- 1xLP 180g heavyweight vinyl
- Tri-color with black and white splatter
- Vinyl ships outside the sleeve
- Strictly limited to 250 copies!


💥Emergent Universe Purple Edition:
- Standard sleeve
- 1xLP 180g heavyweight vinyl
- Color-in-color with burgundy and blue splatter
- Vinyl ships outside the sleeve
- Strictly limited to 250 copies!

'Atomicult' was produced by: Rocky O'Reilly at Start Together Studios, Belfast, mastered by James Plotkin with rad artwork by Ryan Lesser.

But wait.. there's more. If a much awaited Slomatics presale isn't enough, while you peruse the stats of the two stunning editions, you can also turn that dial all the way up and lose yourself to the pure intensity of the Slomatics experience with the first single "Phantom Castle" from this utterly massive full length filled with the gloriously ominous, bone shattering plod of the boys from Belfast at their beastly best.

“Heed the Phantom Castle Warning. A distant signal, a cosmic alarm, the sound of the great inevitable. We all have our own Phantom Castles. We all ARE our own Phantom Castles. Whether it’s waking up, switching on an amplifier or pressing ignition in your space craft, we all heed the warnings. Do not panic, this is Phantom Castle Warning.”

☄️Listen to "Phantom Castle" here:

https://song.link/i/1829847316

Big cheers to all you fine folks out there who continue to support the mountain and our incredible artists. Forward into the weekend we go with the utmost gratitude in our hearts for our beloved heavy underground community🍻!

Thursday, 7 September 2023

Atomic Times With SLOMATICS. An Interview With David From Doom Metal Titans Slomatics


Doom Metal Titans Slomatics return with their epic new album Strontium Fields on September 8th 2023. The album is a heavy and majestic blend of Slomatics classic trademark Spaced Out Fuzz based sounds. 

Slomatics cover new creative ground in places with a more richer and fuller sound especially the synths and Marty's first rate vocals. 

I caught up with David (Guitars) from the band which you can read below. 

Hi David. Thanks for doing the interview. How are things with you all today.

We’re good thanks, just home from the rehearsal space where we are working on new songs.

We're here to talk about your new album Strontium Fields. What can people expect from the album.

Hopefully more of everything - the aim was to try and push all the elements of our sound further than we have before, so more light and more shade. I mean, after 20 years we aren’t about to completely reinvent ourselves, but hopefully this record is our most diverse. We wanted to increase the melody in the songs too, so hopefully that comes through - I guess it’s up to the listener to decide!

The record is quite different to your previous records. As I felt this album is more low-key and maybe not as heavy as you might expect. Don't get me wrong. It's still beautifully heavy but also in many different ways. Was that you wanted to achieve with this album.

That’s interesting to hear, as I think it’s our heaviest record yet. To me, heaviness is all about perspective and individual taste. I know a lot of people will disagree, but for me a lot of downtuned, harsh vocal sludge records just lose impact straight away. It’s like after 2 minutes there’s nowhere to go. ‘Heavy’ for me is more about how you actually ‘feel’ a record - so the Stooges are heavy, Pink Floyd are heavy, Boards of Canada are heavy, to me at least. So I suppose we still consider it a heavy album, but maybe just in a different way this time round.

Marty's vocals are more restrained and peaceful in places. Was that a hard vocal style for you to deliver on this album though we have seen glimpses of this change on previous Slomatics releases.

One thing that people might not realise is that Marty was never a singer before joining the band, at least not in a band sense. I always knew he could sing so when he joined I’d always assumed he’d sing as well as play the drums, which I suppose is actually a pretty big ask! He’s been honing his voice more with every record, and we have been placing more emphasis on the vocals as an instrument, so this record really represents the next step forward in that journey. 

There’s no doubt Marty has really pushed himself, particularly over the past three or four years, so when we started writing for this record I was thinking about space for the vocal with everything I wrote. I write the riffs and Marty writes the melodies, that’s how we’ve always been, and usually it’s a great moment for me when I hear how he has fitted around the riffs - but this time it was like he completely transformed the songs. He puts so much time, thought and feeling into what he does, it’s great for us as a band to hear him do it! All our favourite bands have melodic vocals so this has always been what we have been driving towards. I think he did a great job!

Where did the name Strontium Fields come from. What inspired you to call the album that.

I’m aware this is a really unsatisfactory answer, but we never talk about what any of the titles or lyrics of our songs are about. I’ve always liked a bit of mystery in music, and I like the idea that songs can mean different things to different people. Strontium Fields can mean whatever you want it to mean.

Was this an easy or hard album to record and write for compared to your previous albums.

Honestly, I’d never describe recording as a chore, we love being in the studio and working with our producer Rocky O’Reilly. That said, this one was incredibly easy to record - maybe just as a result of having used the same studio, Start Together Studio here in Belfast, and Rocky for over a decade. We are always well prepared going into the studio, Chris in particular has notes for every second of what we do, so it’s always a fun experience that flies by. Rocky loves to experiment as much as we do so the energy in the room is always good, but it felt this time like he was an equal part of the creative process. We can’t wait to go back! I sometimes read about bands who hate recording and just can’t understand that at all!

This album has more sonic experimentation especially with the use of more synths and heavier FUZZ grooves. Was that hard for the band to adjust both musically and creativity speaking.

Not at all - it’s just an ongoing evolution of where we are at. We’re always writing new music - my iPhone is full of riffs and ideas - and when I take that stuff to the rehearsal space things tend to come together very quickly. Chris is really our synth guy, and he has a long history of being obsessed by electronic music like Autechre and Four Tet, so he just loves being let loose on all those Moogs. 

Nothing is ever a bad idea as far as we are concerned, so experimentation is always part of what we love about recording. As for fuzz, I’m never going to not be excited to plug into a new fuzzbox, and every time I do I feel very inspired. There’s just something about making your guitar sound broken that really resonates with me.

I read in the PR Blurb you consider this album as a post pandemic reflection. How did the pandemic shape up the narrative and recording of the album.


Yeah, I think it is. Although maybe everything in life now is a reflection, certainly there’s been a lot of change. The initial lockdown was the longest period in the time we’ve been a band that we didn’t play music in a room together, so when we did finally get back to it, it was such a joy. We all love playing music together, it’s such a positive experience, so I do think that probably came through in the new songs. 

The benefit of all the restrictions for us was we ended up with more time to write the album than previously, so we were able to be quite meticulous about things. We wrote quite a few songs that didn’t make it onto the record which was different for us. So time was a luxury for once!


When the pandemic hit Slomatics were quite busy releasing different splits with bands such as Ungraven, Yanomamo and DOMKRAFT. How did those splits come about and looking back are you happy with what you delivered on those splits.

We were as busy as we could be - we always like moving forward so while gigs weren’t happening we just wrote a lot. Those three records add up to an albums worth of material. They all came about because we are friends with the bands - we only ever do splits with people we like. The Domkraft one has its origins way back when we first met up at Psycho Las Vegas Fest about 6 years ago. 


We have a real kinship with those guys so that record was about three years in the pipeline. With Ungraven, obviously our connection with Jon Davis of Conan is a long and well known one, so when he asked did we want to do it it was a no brainer. Add in that Dave Ryley (ex-Fudge Tunnel) is on the record and it’s a really special release, we are all big Fudhe Tunnel fans. The Yanomamo 7 inch came about through me chatting to Jason online, he’s such a nice guy with a real passion and enthusiasm for what he does, and I’ve a bit of an obsession with Aussie bands like The Saints and The Scientists, so it felt like a great fit.

I’m happy with all those records, to me the Ungraven and Domkraft records were a bit of a turning point for us in terms of songwriting, being mainly shorter and more direct songs. The Yanomamo record was just total fun, revisiting an old song and doing it justice with Marty on board.

Your split with Swedish Doomsters DOMKRAFT was rightly critically acclaimed which is perhaps my favourite split release you've done to date. Were you surprised by the response that release received.

That’s very kind of you to say! We really enjoyed that whole process, from the recording to working with Majestic Mountain records, to the amazing artwork by Roland Scriver, and of course getting to both record a Domkraft cover and hear their version of our song. As for the response, it’s obviously great when people enjoy what we do, but honestly we don’t worry about that too much. I’m just glad that the lads in Domkraft liked our version of Dustrider! That’s what really counted!

You recently supported DOMKRAFT in London recently while I was there. Great to finally meet you guys. Brilliant gig. Audience seemed to enjoy the new songs. How has the new songs been received overall.


Well thank you, that was such a great night. The London Doom Collective guys really do run excellent shows, and there’s been a great atmosphere at their shows we have played. We played two new songs that night, both are up on Spotify, but it was amazing to see that people seemed to know those songs already. I’d happily play the whole new album live but we are aware that when we fly into shows there’s probably a lot of folk haven’t seen us before so we try to play stuff from across our back catalogue. The response online to the new songs has been great, it’s always nice when people seem to get what we are aiming for. We’ll be playing a couple more off the new record once it’s out too, hopefully they’ll fit the set well. We always think about the live set when we are writing.

What future gigs have you coming up and will you be promoting the album more next year.

We have three more this year - we don’t tour, and only play around 8-10 shows a year, but we are really lucky in that most of them are GB/European shows. We have a great show lined up in Copenhagen in October, it’s actually a 50th birthday show for a mate of ours from the band Bethmoora. The bill is us, Conan and Domkraft, so it’ll be great to play with old friends and such amazing bands. After that we have our first visit to Helsinki in Finland for Fall Fest, which is a three day fest with the likes of Ufomammut. 

We can’t wait to play there! Finally there’s an album launch show here in Belfast with two of our fellow Irish riff worshippers, 7.5 Tonnes Of Beard and Skypilot. That’s it for the year, but we already have more European shows in the pipeline for next year. New places too. We’ll try and play a few more shows maybe, and even put together a couple of short runs in Europe. There’s talk of doing a few dates with Domkraft which would be a lot of fun.


The artwork for the new album is sublime. Who designed the artwork and how much involvement did you have with the final design.

The art is by a friend of ours called Ryan Lesser, he’s well known for his artistic involvement in the Guitar Hero game and also playing in a band I absolutely love called Megasus. They’re sadly long gone, but he’s just put out a new project called Eyes of Argus which is really excellent. He did the art for our Ungraven split - to be honest I still find it hard to believe an artist of his stature is into doing stuff for us. With this album we were in a bit of a corner with art and I reached out to see if he could help - he was unbelievably cool and really went the extra mile to sort us out. 

I do really love his work and we will use him for the next record too. In terms of our involvement, that varies from record to record. With Strontium Fields we had zero input, with the Ungraven sleeve we discussed some very general ideas but Ryan really ran with it himself. He’s got a very clear vision which is great. We have been really lucky to have worked with some amazing artists over the years, such as Glynn Smyth, Roland Scriver and Tony Roberts. I do really love this new one though!

It will be your 20th Anniversary in 2024. Did you expect to last this long and even to release your 8th album with Strontium Fields.

Absolutely not, and I can’t imagine anyone who starts a band ever expects more than a year or so. Our initial aim was simply to write a few songs that we liked, and maybe even release a 7 inch. We have just been incredibly lucky in that all three of us get on really well, and are equally invested in what really is just making a horrible racket. 

We all have families, jobs and real life responsibilities, but we also all really value doing this - it’s totally different to our day to day lives and we all get a lot from playing loud music together. It sounds a bit trite, but we’d be doing this whether anyone came to see us and released our records or not. If you’d told the teenage me that I’d be releasing my 8th album and playing shows all around europe I just wouldn’t have believed it. We definitely appreciate what we have, and how fortunate we have been.

How does it feel to be considered innovators of the Doom/Stoner Metal scene and inspiring so many great bands to follow the Spaced Out way of Doom/Stoner Metal
.

Ha!! That’s very kind of you, but I’m not sure I’d agree! There were loads of bands doing what we do long before us, I really don’t think we are innovators. But it’s nice to be considered part of something, that’s for sure. I’m sure that a lot of bands who share our sense of Space also share our love of Hawkwind and Pink Floyd - they’re the real innovators!!

Before you go, do you have any words of wisdom for your fans currently out there
.

I’m not sure anyone should look to us for words of wisdom to be honest! I fear we’d be woefully under qualified to advise anyone on major life decisions. However, if you are wondering whether or not you need that new fuzz pedal, the answer is yes you do. If you have a nagging fear that your amp isn’t loud enough, you’re probably right. Finally, if you think your record collection is lacking releases by Irish 3 pieces, our new record ‘Strontium Fields’ is our September 8th!

Words by Steve Howe and David from Slomatics

Thanks to C Squared Music for arranging for the interview and to David for doing this interview.

Strontium Fields will be available to buy on CD/DD/Vinyl via Black Bow Records from September 08th 2023

Links:

Official | Facebook | BandCamp | Instagram

Wednesday, 30 August 2023

Slomatics - Strontium Fields (Album Review)

Release Date: September 08th 2023. Record Label: Black Bow Records. Formats: CD/DD/Vinyl

Strontium Fields: Tracklisting


Wooden Satellites

I, Neanderthal

Time Capture

Like A Kind Of Minotaur

Voidians

Zodiac Arts Lab

ARCS

With Dark Futures


Members


Marty - Drums/Vocals/Synths

Chris - Guitars

David - Guitars


Review:


Doom Metal Titans Slomatics return with their eighth album Strontium Fields. Following the celebrated split release with DOMKRAFT last year, this album sees Slomatics in full COSMIC/SPACED OUT creative flow with an album that honours their classic legacy whilst forging new creative ground for the band. As this album sees Slomatics offer a more subdued style of Doom/Stoner Metal that we're used to hearing. Using more Post-Doom and Post-Roc theatrics which you would associate with bands such as ELDER and King Buffalo but still having that classic SLOMATICS sound.


Opening song Wooden Satellites is a stunning mix of Old School Slomatics based Cosmic Doom/Stoner grooves but with their new found Progressive maturity which appeared mostly on their last full length album. The swirling Psychedelics and down-tuned FUZZY guitars are instantly recognisable but it's the Post-Rock inspired melodic tones of the song that really make this song and show you a brief glimpse where the album is heading on the later stages of the record. Marty's vocals are confident as ever with perhaps a Classic Rock persona dominating the way he delivers his vocals.


Second song I, Neanderthal continues the album with a more world-weary and seen it all attitude but still remaining constantly fresh with those heavy Progressive Space Rock sounds moving into Slomatics "WORLD BUILDING" levels of pure storytelling. Marty's vocals have a sense of bleak nihilism to them especially within the more vocal/storytelling aspects of his vocal delivery. Added with the intense cosmic fuzz based guitars and 1980's inspired synths which become more aligned to the classic Slomatics sound we know the band for. However, there are elements of this track that sound remarkably fresh and that we haven't heard from the band before with the later stages of the song impressing the most.


Third song Time Capture is where Slomatics venture into the Psychedelic Rock or Post-Stoner sound that bands such as ELDER and King Buffalo are known for. However, don't despair. As Slomatics play a more gloomier and destructive offering whilst surrounding themselves with a more Apocalyptic style of melodic based psychedelic Cosmic flavoured Doom/Stoner Rock style. The Synths and Ambient beats allows Slomatics to play a more reflective style with Marty's vocals matching the solemn mood of the track. The music is beautifully slow paced and allows the listener to soak up every spellbinding moment of this track. The lyrics are top-tier songwriting and perhaps one of their best efforts lyrically speaking yet.


Fourth song Like A Kind Of Minotaur is another classic sounding Slomatics track with the band laying down the COSMIC FUZZ that moves along with mighty WEEDIAN aggression with those fantastic Ambient/Psychedelic driven instrumental scores working superbly well with the sludgy guitars from David and Chris who lead the creative heavy charge with destructive grooves being some of the best instrumental sounds of the album. With that new found Post-Stoner sound being left behind, this song is for perhaps the more longtime fan of the band but still offers a great insight for new listeners to get into the overall creative Psyche of Slomatics. Another one of the standout tracks on the album. There's more a free-flowing and cavalier style of music which Slomatics haven't played since their early days but still shows a new sense of maturity from the band.


The second half of the album allows Slomatics to experiment more with Prog Rock theatrics with Marty showcasing his admiration for 1970's Hard Rock vocalists. As Marty delivers a more experimental style within Voidians for example. As there are eerie traces of Freddie Mercury, well that's what I've taken away from the album. The music is always constantly fresh and brilliantly heavy with Slomatics merging that apocalyptic FUZZ and COSMIC style that is slowed right down on tracks such as Voidians and ARCS.


The song Zodiac Arts Lab deserves a special mention. As it's a beautifully sung track that is the most Post-Rock based track that shows Slomatics in a new light. The song is quite low-key and emotionally charged and more in-line with being a "MOBILE/LIGHTER IN THE AIR" style of song. I don't know how the band will take to that comment but I mean this with deepest respect and admiration for the band. Slomatics continue with that style of music for the last couple songs. So be prepared for a wonderfully exciting and different style of music from Slomatics.


These tracks are my favourite parts and aspects of the whole album. This offers the best of both worlds that Slomatics achieve within this record. A record that honours their legacy and reputation but also forging an exciting new future where the Psychedelic/Post-Whatever attitude of the music is the most outstanding creative aspect of the album. With first rate production values yet again, Strontium Fields delivers the most exciting forty minutes of music you'll experience this year and deliver one of the Top 3 albums of 2023 without question.


Words by Steve Howe


Thanks to C Squared Music for the promo.


Strontium Fields will be available to buy on CD/DD/Vinyl via Black Bow Records from September 08th 2023


Links:


Official | Facebook | BandCamp | Instagram


Monday, 14 August 2023

Doom Overlords SLOMATICS Release New Single "Voidians"

Irish doom band SLOMATICS have revealed their new single "Vodians". The song is from their upcoming album Strontium Fields which will be released on September 8th via Black Bow Records.

The band comments:

"Voidians was one of the first songs written for Strontium Fields, so in many ways it sets out our stall for the album. We’ve been loud and we’ve been quiet, but on this song we wanted to be everything at once. This song also laid out the emphasis on vocals on the record and gave Marty the opportunity to really stretch himself as a singer. If we had to choose one song that represents the band, this one is as close as it gets" - David

Listen to Voidians below:


Pre-order vinyl: https://blackbowrecords.bigcartel.com/product/slomatics-new-album-strontium-fields-12-vinyl

Pre-order CD: https://blackbowrecords.bigcartel.com/product/new-slomatics-album-strontium-fields-cd

A science-fiction backdrop casts a duly futuristic theme around which their material is based, and as they offer lumbering tones and massive, willful slogs of doomed riffs, they complement that grooving clarion with a sense of space that is all their own. From 2012-2016, drummer/vocalist/lyricist Marty Harvey and founding guitarists David Majury and Chris Couzens grew ever more expansive across a trilogy of albums telling a single story, and while 2019’s Canyons and their sundry joint outings moved past that narrative, they did not forget the lessons learned in creating a sense of the epic to match the hugeness of their sound.

As they move toward their eighth album after a widely-lauded (and loud) split LP with DOMKRAFT, Ascend/Descend, in 2022, they arrive as respected veterans of a global scene, consistent most of all in their evolution on a winding but sure path, building new worlds even as they destroy old ones. Unrepentantly, gloriously heavy, their live sound – the festivals read like a wishlist: Roadburn, Desertfest, Freak Valley, Psycho Las Vegas, etc. – is a physical presence in the room, genuinely consuming. And as they look ever forward in songwriting and performance, with an increasing scope and breadth bordering on the psychedelic, they are all the more unto themselves. The slow march to oblivion, put to tape.

SLOMATICS are:

Marty - Drums / Vocals
David - Guitar
Chris - Guitar

Credits:

Album produced by Rocky O'Reilly at Start Together Studio, Belfast.
Mastered by James Plotkin.


Track Listing: Wooden Satellites

Wooden Satellites
I, Neanderthal
Time Capture
Like A Kind of Minotaur
Voidians
Zodiac Arts Lab
ARCS
With Dark Futures

Slomatics Links


Official | Facebook | BandCamp

Thanks to C Squared Music for the details.

Tuesday, 11 July 2023

SLOMATICS Announce New Album Strontium Fields And Release New Song I, Neanderthal


Irish doom band SLOMATICS will release their new album Strontium Fields on September 8th 2023 via Black Bow Records.

The band comments:

“Strontium Fields is, for us, a post pandemic reflection - full of the joy of life, filtered through a wall of amps, fuzz boxes and ancient synthesisers. We’ve kept busy releasing music through the lockdowns but are especially excited to release a full length album again, one on which we hope we have captured and developed every area of our sound. This album feels like both a consolidation and a leap forward, with more melody, experimentation and riffs than ever before.“

Listen to the first single "I, Neanderthal" Here: https://slomatics.bandcamp.com/track/i-neanderthal

Pre-order vinyl: https://blackbowrecords.bigcartel.com/product/slomatics-new-album-strontium-fields-12-vinyl

Pre-order CD: https://blackbowrecords.bigcartel.com/product/new-slomatics-album-strontium-fields-cd

A science-fiction backdrop casts a duly futuristic theme around which their material is based, and as they offer lumbering tones and massive, willful slogs of doomed riffs, they complement that grooving clarion with a sense of space that is all their own. From 2012-2016, drummer/vocalist/lyricist Marty Harvey and founding guitarists David Majury and Chris Couzens grew ever more expansive across a trilogy of albums telling a single story, and while 2019’s Canyons and their sundry joint outings moved past that narrative, they did not forget the lessons learned in creating a sense of the epic to match the hugeness of their sound.

As they move toward their eighth album after a widely-lauded (and loud) split LP with DOMKRAFT, Ascend/Descend, in 2022, they arrive as respected veterans of a global scene, consistent most of all in their evolution on a winding but sure path, building new worlds even as they destroy old ones. Unrepentantly, gloriously heavy, their live sound – the festivals read like a wishlist: Roadburn, Desertfest, Freak Valley, Psycho Las Vegas, etc. – is a physical presence in the room, genuinely consuming. And as they look ever forward in songwriting and performance, with an increasing scope and breadth bordering on the psychedelic, they are all the more unto themselves. The slow march to oblivion, put to tape.

SLOMATICS are:

Marty - Drums / Vocals
David - Guitar
Chris - Guitar

Credits:

Album produced by Rocky O'Reilly at Start Together Studio, Belfast.
Mastered by James Plotkin.


Track Listing:

Wooden Satellites
I, Neanderthal
Time Capture
Like A Kind of Minotaur
Voidians
Zodiac Arts Lab
ARCS
With Dark Futures

Slomatics Links


Official | Facebook | BandCamp



Thanks to C Squared Music for all of the details

Saturday, 23 April 2022

Domkraft/Slomatics - Ascend/Descend (Album Review)

Release Date: April 22nd 2022. Record Label: Majestic Mountain Records. Format: CD/DD/Vinyl

Ascend/Descend - Tracklisting

1.Domkraft - The Core Will Pull You Home 07:56

2.Domkraft - The Brush Descends the Length 03:39

3.Domkraft - And Yet it Moves 08:03

4.Slomatics - Positive Runes 08:02

5.Slomatics - Buried Axes on Regulus Minor 03:54

6.Slomatics - Dustrider 04:52


Review


Ascend/Descend is the new split album from underground Doom/Stoner Metal heroes Domkraft and Slomatics. Throw in the added bonus of both bands covering each other's music with Domkraft performing Slomatics classic And Yet It Moves with Slomatics performing Domkraft classic Dustrider.


Both bands are in splendid gloomy form with heavy spaced out grooves that everyone is known for. These guys do feel like different sides of the same coin and this release proves that point superbly well with Domkraft playing a more multi-layered Psychedelic Doom/Stoner Metal sound. The standout song from their side of the album is The Core Will Pull You Home. 


With that song being a heavy monolithic spell of Doom fused Psych Stoner Metal with lashes of ambient noises and great vocals to match. Their cover of And Yet It Moves is a stunning rendition which manages to be quite different to Slomatics original but still highly recognisable as well. Perhaps a bit more “out there” than the original but a fantastic cover in its own right.


Slomatics bring their usual “A” game to the split with an inspired vocal performance from Marty who has been trying different vocal styles over the last couple releases. If you’re a fan of Slomatics then the two new songs Positive Runes and Buried Axes On Regulus Minor carry a similar vibe heard on their last acclaimed album Canyons. Their trademark FUZZ heavy SPACED OUT sound remains intact with thunderous drive and energy but with perhaps a less is more approach when the heavier moments appear. 


Their cover of Domkraft’s Dustrider is excellent and feels like a Slomatics track through and through with the band giving it a Spaced Out Doom makeover. This version is on twice the length of the original with Slomatics slowing things right down for a more droned out effort compared to the original.


Ascend/Descend has the potential to be the standout releases of the year. It's seriously that good. With this being released via Majestic Mountain Records then you seriously need to add this album to your record collection.


This is simply a masterclass of Psychedelic Doom/Stoner Metal by two of the finest bands the Doom/Stoner Metal scene has to offer.


Words by Steve Howe


Thanks to Sheltered LIfe PR and Majestic Mountain Records for the promo


Ascend/Descend is available to buy now on CD/DD/Vinyl via Majestic Mountain Records and the bands respective merch pages.


Domkraft Links


Slomatics Links


Official | Facebook | BandCamp

Sunday, 19 September 2021

Riffs Of Your Life: An Interview With Marty Harvey From SLOMATICS

Doom/Sludge/Spaced Out Riffsters SLOMATICS have been doing their thing since 2004. I'm a huge fan or obsessive stalker of the band and featured them many times on the blog over the years.


SLOMATICS have just released a split record with Aussie Sludge Metallers YANAMAMO. I wanted to try something different with the interviews I normally do. I asked my good friend Marty Harvey (Drummer/Vocalist) from SLOMATICS if he would be up for the challenge of going down memory lane and discuss all of the bands that he's been involved with.


Marty kindly agreed and we had an awesome chat where we discussed just that and a few other topics.


So Sit Back and enjoy the RIFFS OF YOUR LIFE with Marty Harvey.



Hi Marty. Thanks for doing this interview. And perhaps the 1st type of interview I’ve done this way. Going through your musical history upto the present day.

 

Marty. Thanks for having me Steve and letting me go back down memory lane for this one.

 

No worries. Always happy to make dreams come true. So how old were you when you joined a band and when you played gigs.

 

Marty: The band was called Mike Robinsons 1/2 bottle of cider from 1987 to 1988.


I was 15 yrs old. Played a few gigs at peoples houses and 1st proper gig 30th August 1988 in Errigle Inn, Belfast 

 

Wait a minute. You were 15 when you played your first gig in a pub. WOW. The 80s were a crazy time.

 

Marty: You didn’t know half of it. We all have to start out somewhere. Well Mr Boc, abbreviated name of band above lasted till 1988 when I turned 16 yrs old 

 

Next came - The Godcops. (1988-1989) -  Punk band formed at school. Trio of like minded people. Began gigging properly at The Warzone, Belfast Music Collective. Backed up Carcass/Bolt Thrower and other touring punk/hardcore bands 

 


WOW. Supporting a band like Carcass and Bolt Thrower at such a young age. Must have blown your mind. 

 

Marty: It sure was. Bands I dig at the time were Faster Pussycat, Dogs D'Amour. Sleaze Rock stuff along with the big Thrash bands at the time. So Carcass and Bolt Thrower were an experience and education for me at a young age. 

 

Next came Dead by Xmas (1988-1989) when I was 16/17 yrs old. 60s inspired light rock/few covers, then changed name to: Wino Suicide (1989-1990) then changed name to: Sweet Mary Jane(1990-1991). 18/19 yrs old. We recorded a 3 track cassette.

 

That must have been cool being on your 1st physical release.

 

Marty: It was cool and exciting. Having music you played and performed on a physical product. Next biggest challenge of my musical journey was moving to London to play with bands and continue with my studies. Very exciting and bleak times playing with a wide different variety of bands across different takes of music.

 

Cake (Squat hippy punk band) 1991 19 yrs old. A few crusty gigs. 

 

Uglystick (1992) 20 yrs old. Recorded a 3 track cassette. 

 

Donkey Bazzer and The Woof Bark Pigeon Thrashers (1994). Student charity gig band. 2 gigs done, 1 at the historic Cart and Horses, Where Maiden played!!

 

There’s your “Blue Plaque” moment right there. Iron Maiden and Marty From Slomatics played here.

 

Marty: If only that were true Steve. Definitely for Iron Maiden but ME. No chance. 



Next up is where the foundations of Slomatics were beginning to form. 

 

Marty: Very true Steve with Cosmonaut (1999). Me, Dave, Joe (ex Slomatics drummer) recorded a 3 track CD. Gigs in Ireland/UK

 

The Naut became a 5 piece by adding Chris and Baggy (From War Iron) 

 

The Favourites. Same time as The Naut. Me, Dave, Chris, Gary from The Kabinboy and Steve. 

 

War Iron, when The Naut split, me and Baggy formed the band. Core members of Me, Baggy, Goatlord on bass. Rotating 4th member on 2nd bass (3 came and went) Ross then stayed. Started on bass then onto guitar. Released 2 albums, 2 EPs. I left after playing some great shows after maybe 10 yrs. EyeHateGod was a highlight then the final show was with Napalm Death. 

 

WOW. A great way to end your journey with War Iron.

 

Marty: That it was. Next came up was Beef Central, same time as me being in War Iron and Slomatics. Me, Ian and ex Slomatics Joe. A demo 6 track CD and a few gigs. 

 

Bucolic Spectre, same time as War Iron, Slomatics, Beef Central. 2 piece improvisational noise/trippy vibe with Ian. 

 


Four bands at the same time. Impressive stuff there. Perhaps your busiest time.

 

Marty: That it was. Now we’re upto Slomatics, from 2011 I think? Rest is history and the present. Initially standing in for a few months. After a few months I’d played 2 shows and was recording A Hocht.

 

As you know I’ve been a massive fan/stalker of Slomatics for the last decade or so but I didn’t know that all the guys knew each other for so long and have been involved in multiple projects. I should have really prepared better or completed more research for that.

 

Marty: We do have a rich history. I’ve known David (Slomatics Guitarist) for over 38 years and Chris for a long time as well. Chris joined The Naut and it came back from there. With War Iron and Slomatics practice rooms were close together. I got asked to cover Joe's position for a few weeks and 10 years later I'm still here. 

 

Did you ever think it would last this long? You being with Somatics.

 

Marty: No. I didn’t but I must be doing something right as I still hear across 11 years and multiple albums. When I was asked to do vocals I didn't really want to do the Phil Collins thing but it happened and I've sung ever since. People seem to like it.

 


I feel Canyons is your best vocal performance and my favourite Slomatics album. Did you do different things then for that record. 

 

Marty: Yes. I learnt new things for my vocals and I feel I have improved to the earlier albums. I'm still looking to always improve my musical skills and I'm looking to have professional vocal lessons. Just to learn new techniques and keep my voice in top shape. 

 

I improved and learned new things with my vocals especially compared to the other albums I did especially on A Hocht. 

 

How did you get into music. 

 

Marty: I started originally learning trumpet at school for a few months. 

 

You actually played the trumpet. We need to bring trumpet into Slomatics next release. Just kidding.

 

Marty. HA HA. I wasn't very good at that and then I was given the chance to play the drums. I found out I was very good. Took me a few weeks to find my way. I Learned the basics and started playing better after a few months. Learning different techniques and just getting better and even trying to get heavier in places. It’s all about practice and finding your own way. 

 

Favourite album you've listened to in lockdown.

 

Marty: Lowrider. Refractions. Awesome album. The different tones on the album especially on Ode To Gamameyde. 

 

Such a brilliant album. I listen to that album all the time. Such a great workout album. Anyway, Highs And Lows being with Slomatics.

 

Marty: Being with the band is the highest and just the best. Plus the bands we've played with, worked with and people we've met. 

 

You just did your first gig in a long time at Bradford, UK recently. How did that go.

 

Marty: It was grand. Great crowd and great bands were playing that night. Fantastic atmosphere.

 

Were you apprehensive about COVID-19 still being around and people being in close proximity to the whole band.

 

Marty: Sure it was daunting and I didn’t want people to get too close to me that night. We had a job to do that night but we’ve always been friendly and approachable with our fans before COVID-19 hit. It was a fine balancing act but we managed to pull off and we came back home Virus Free. I’m always looking forward to playing more gigs after such a long time of not playing, so we’ll see what comes up in the future.

 


You have a new split release with Yanomamo. What can people expect from that.

 

Marty: It's a track that was originally recorded by Joe. We've done a different version and I've sung that song back in the day. One my first guest performances with the band live on stage. 

 

We did a split release with Yanomamo because they bring something different and we wanted to release with different bands. And it's good they're from different parts of the world. 

 

We've sold out our batch of records in 4 days. We got some more from Yanomamo to sell.

 

Anymore future splits. 

 

Marty: Yeah. We have. But I can't say anymore. It's a secret for now but expect a 2022 release. But both bands are excited for this one. 

 

Plans for next album. 

 

Marty: We are planning to make one soon. We are at different stages. No vocals. As we record them last but hoping late 2022 or 2023 for release. All depends on when everything is back to normal. 


 

I can’t let you go without discussing Newcastle United. As we are both supporters of our favourite football team. Though I’m still confused how usually folks from Northern Ireland support Manchester United and you support our beloved TOON.

 

Marty: Well look at the past managers (and players with Kevin Keegan) in charge. I was a massive fan of Ossie Ardiles and Kevin Keegan growing up. So I instantly got drawn to Newcastle United. So here we are many years later.

 

We’ve got a fucking shit owner who doesn’t care and a manager nobody wants. Even our fans and team don’t want him. So what can we do. Last day of the transfer window and everyone is strengthening their team apart from us. One £20 million signing and that’s it.

 

Marty or Allan Saint-Maximin. Tough call for Newcastle United To Make.


You do not foresee another successful campaign for us.

 

Marty: If we don’t get relegated then it’s a successful campaign.

 

HA HA. Very true there mate. Well Marty I want to thank you for doing this interview. Been a blast and I’ve had such a great time doing this.

 

Marty: You’re more than welcome Steve. It’s been great for me too. Going over old memories and it’s always great talking about Newcastle United. Farewell and take care.


Words by Steve Howe and Marty Harvey


Thanks to Marty for doing this interview and for all of the promotion materials.


Yanomamo / Slomatics Split is available to buy now.

Links

Official | Facebook | BandCamp