Showing posts with label Youngblood Supercult. Show all posts
Showing posts with label Youngblood Supercult. Show all posts

Monday, 10 July 2017

Youngblood Supercult - The Great American Death Rattle (Album Review)



Release date: August 17th 2017. Label: DHU Records Released. Format: CD/DD/Vinyl

The Great American Death Rattle – Tracklisting

1.The Great American Death Rattle 04:04
2.Burning Messiah 05:01
3.Draugr 04:29
4.Wormwood 04:46
5.The Hot Breath of God 03:57
6.Master of None 04:02
7.Mr. Gallows 05:22
8.Liberty or Death 03:10
9.Sticky Fingers 05:30

Band Members:

Bailey Smith--guitar
Weston Alford--drums
Brad Morris--bass
David Merrill--vocals

Review

US Heavy Blues/Stoner Rockers - Youngblood Supercult - return with their new album - The Great American Death Rattle. An album that sees the band focus more on heavy psychedelic blues based riffs compared to their last album. The album is perhaps their most dark and daring offering to date with the lyrics adding a more gloomy effect. You can tell this by the whole tone and nature of the album. The album is packed full of great riffs but it's the darker atmosphere that makes the most complete album that they have released to date.

Opening track - The Great American Death Rattle - is soulful and Blues Rock laiden slice of Stoner Rock. The song has elements of seventies sounding progressive/hard rock. The lead vocals from David instantly draw you in with heavy guitar based psychedelics that capture the whole mood of the album.

Second track - Burning Messiah - is a song rooted firmly between doomier sounds and an angrier Stoner Metal riff. The song does a feel a bit drawn out at times especially with the epic riff at the end of the song. Though I know long-time fans of the band will perhaps go crazy with this part of the album.

Third track - Draugr - is another well-crafted song with Youngblood Supercult walking a fine line between moments of heavy based riffs and the quieter parts that appear on the album.

Fourth track - Wormwood - sees Youngblood Supercult pay homage to Black Sabbath and Led Zeppelin as the sound of the album opts for a more classic feel and primarily those two legendary bands. The vocals have a major Robert Plant influence whilst the riffs are reminiscent of Black Sabbath.

Fifth track - The Hot Breath Of God - is a more diverse offering with the band being fuelled by dark lyrics and slowly played riffs that has a moody FUZZ based atmosphere to it. 

The remaining songs on the album follow the same path as Youngblood Supercult create huge sounding Blues/Stoner noises with the vocals and lyrics adding a more restrained approach. That doesn't stop Youngblood Supercult playing some of the albums heaviest moments on songs such as: Master Of None, Mr Gallows and Sticky Fingers.

The album sounds fantastic with Youngblood Supercult impressing yet again on levels in the sound and volume department.  The Great American Death Rattle could see Youngblood Supercult move onto bigger and better things as this is a true ROCK RECORD in every sense of the word. 

The album pays homage to Youngblood Supercult's musical heroes (perhaps to Fleetwood Mac the most) whilst offering a fresh approach to their music compared to their other albums they've released.

If you're already a fan of Youngblood Supercult then you're going to love this album. If you're new to the world of Youngblood Supercult then prepare to fall in love with this band and enjoy the many fine heavy moments contained on the album.

Words by Steve Howe
Links:


Thursday, 11 February 2016

High Plains Riffsters - An Interview with Bailey Smith from YOUNGBLOOD SUPERCULT


Today's guest is the lead guitarist from a band called Youngblood Supercult. To be honest I hadn't heard of this great band before I listened to their incredible new album – High Plains.

Once I pressed play on my MP3 Player, I was instantly drawn into the band's blend of hypnotic Doom/Stoner Metal riffs blended with heavy Fuzz based Psych sounds. If you're a fan of Uncle Acid and Black Sabbath then High Plains is going to blow your mind.

It's very different to their debut album – Season Of The Witch. High Plains is more direct and has heavier riffs than it's predecessor. This is a band who have progressed so much since their last debut album. You'll be hearing a lot more from Youngblood Supercult over the next 12 months or so. You can read my review here.

I wanted to find more about the band and I'm happy to say Bailey Smith (Lead Guitars) from the band is here to talk to us today...

Hi Bailey. How are things with you today.

Great, Hope things are well with you guys over at Outlaws of the Sun!

So why did you choose the name Youngblood Supercult for your band. Any specific meaning.

Well, haha…essentially I forced the name on the other members back when we formed the original line-up. We were trying to come up with something unique, something that would stick out, that we knew nobody else would have as a band name. I threw it out there, because I have a fascination with cults; Charles Manson, Jim Jones, David Koresh—all that counter-culture, dark side of humanity shit--and all the guys hated it. I kept pushing, and finally they just said “screw it.” I’m not sure Weston has ever really warmed up to it, but there’s no going back. Haha.


How did the band get together. Did you all know each other before forming the band.

In the beginning, it was Weston and I. We met through a mutual friend. Jammed for awhile and then I brought in Coder Potts, who I’d played with in a previous band. We had so much trouble finding a singer. This area is pretty dry, musically speaking. Especially in terms of our genre. There are some great bands here in Kansas, but not many free agents. We got in touch with Wyatt Desch, who we knew from the local music scene. He recorded the first album with us and then dipped out. When David came into the picture, we knew it was going to be special. Eventually Coder left, on good terms—he will always be one of my great friends—and David picked up the bass. He’s a guitarist at heart; this is the first group where he’s been lead singer.

How would you describe your music.

It’s a mixture of a lot of things. We get compared to Black Sabbath a lot, which is perfectly fine with me—they have always and will always be my favorite band of all time. We also put a lot of blues and folk influences into what we do, as kind of a reflection of where we come from. Some psychedelic vibes here and there, progressive rock time signature changes here and there. I’d say it’s Midwestern American heavy blues-psych. Really just the bastard child of so many of the classic rock and blues groups we love.

Your new album – High Plains – is superb. What can people expect from the record.

Thank you. People can expect a little bit of everything. You can listen to the songs independently, or as a concept. We ordered the tracks in such a way that it tells a story. It’s really all subjective, though. We’re happy with the response we’re getting so far, people seem to enjoy it.


Was it an easy or hard album to write and record for.

Fairly easy, we had most of the songs written, either lyrics or musical concepts, prior to the release of our first album. It was just fitting the pieces together and the line-up changes that made for such a long space in between the albums.

Now I must admit listened to your new album before your debut album. Though I could tell you've changed you're sound quite a bit from your debut album. Do you see your new album as a natural progression from your debut album.

Definitely. It resulted from the line-up changes and the desire to create something that was more “us.” David is a very talented vocalist, and having him come on allowed for a lot more vocal expression than the previous album. We also tried to dig in deeper to our core musical selves, and let that determine our direction as far as song structure and the utilization of musical styles we hadn’t explored in the first album. Our biggest regret is not recording harmonies on vocals we had written. Just ran out of time.

Was it an easy decision to make to change your sound for your new record. Were you afraid you might of alienated your fan-base.

Exactly the opposite. We knew this album far exceeded the first, musically, the first time we heard it in full. And I’m sure we will continue to grow into our own, and express ourselves through changes. Variety is the spice of life—nobody wants the same album 20 times.


I think the album cover makes the album stand out. Who designed the cover. Did you have much input into the final version.

I actually designed it myself, out of “financial necessity.” Haha. I’m an amateur graphic designer, so I went through several variations of what is now the final artwork. I wanted to reflect the tone of the album; I think it works for that. I was trying to rip off Pol from Branca Studio with it, he’s a fucking genius in terms of that throwback, metal look, but I failed miserably in terms of getting it to look as good as his work. He did our first album’s art, two of our shirts, and is currently working on something new for us.

The album is being released on CD/DD on February 19th. Now I've been asked by a few pals of mine who have heard your record are there any plans to release High Plains on Vinyl. OK, I'm asking for myself as well as I want to hear this on vinyl. Perhaps the best format to listen to.

Agreed! I will say this—later in the year your local record shop might be YBSC-friendly. It’s always been our desire to press vinyl.

How hard is it being a band in today's world. What are the most difficult aspects in being in a band.

Hard. You’ve got technology that is both helpful and harmful to the music industry. You’ve got these big dreams as a kid of being famous, living the Zeppelin lifestyle, but that era is gone. Not forever, I hope. The big record companies have all the money, but put out shit music. Getting people to come to local shows is like pulling teeth, at least where we live. We don’t mind the prospect of living out of a van, but we’ve all got families to support. It would be nice if the music industry would change course, but until then, hard work and sacrifice is what it’s going to take to get us there, and we’re all for it. Getting handed something doesn’t seem quite as satisfying.

What is the song-writing dynamic in the band. Is it a group collective or down to one individual.

Both, in a sense. I think the guys would agree that, so far, I’ve done the bulk of the songwriting. Lyrics, guitar riffs—that’s kinda how we start the songwriting process. Once we get a framework from those things, the song starts to come together. I think in the future it will become a more collaborative process, though.


What is your favourite song off the album and the reasons why.

White Nights. It’s just a beautiful song, in my opinion. Weston loves Before The Dawn. David, I think Forefather is his favorite. The subject matter is very personal to him, as well as me. You can hear that in his vocals, the passion that’s there.

Will you be touring this record heavily.

We certainly hope to. It’s a matter of compromise. We all have day jobs to support ourselves currently, it’s something we will have to carefully plan. Hopefully we can get some backing to take the financial burden off of us a little bit. It’s a matter of easing our way into it and thinking things through. Priorities suck. Haha.

Before you go, do you have anything to say to your fans.
Thank you for the tremendous response. We really hope to make it out on the road, and we really hope you enjoy High Plains as much as we enjoyed creating it!

Well folks, thanks for doing this. All the best with the new album as its' a great album.

Words by Steve Howe and Bailey Smith

Links:


Thanks to Bailey for taking the time out to talking to me. High Plains will be available to buy on CD/DD from Feb 19th 2016 directly from the band.


Tuesday, 9 February 2016

Youngblood Supercult - High Plains (Album Review)


Release date: February 19th 2016. Label: Self Released. Format: CD/DD

High Plains – Tracklisting

Stone Mountain Blues
Monolith
Nomad
Before The Dawn
Mind Control
White Nights
Hell Hath No Fury
Forefather
Black Hawk
Acid Tong
Down 75

Band Members:

Bailey Smith--guitar
Weston Alford--drums
David Merrill--vocals/bass

Review:

Youngblood Supercult (YB) new album High Plains is a blues rock inspired Fuzz/Stoner Metal odyssey highly influenced by Black Sabbath and Uncle Acid. The album has a very cool trippy feel as YB create eleven songs drenched in seventies style riffs with a few modern vibes appearing now and again.

Lead vocalist David is on majestic form throughout the album. His vocals are a mix of world weary mysticism and one of knowledge and power. Opening track – Stone Mountain Blues – is a straight forward Blues/Stoner Rock instrumental track that sets up the scene well. The song moves along at a leisurely pace but it shows you the style of music that awaits for you for the next ten songs or so.

Second track – Monolith – sees the band explore their love for Black Sabbath in a big way especially with the fuzz based riffs but YB do have their own style of psychedelic wonder. David’s vocals are very powerful at times as the riffs contain a dreamlike vibe. The lyrics have a slight bleak outlook on life merged with tales of old Americana.

That’s the vibe that I get from the song and most of the album. Lead guitarist – Bailey – creates stunning riffs on the whole album as she a great guitarist. The whole band is fantastic musicians as they keep you entertained throughout. The rhythm section of Westen and Dave on drums and bass respectively add much needed muscle to YB’s music. OK, now back to the music.

Third track – Nomad – is one of standout tracks on the album as YB creates an almost surreal psychedelic trip layered with progressive doom/stoner riffs. David’s superb vocals offer a blend of Classic Doom Metal theatrics with the more modern based Fuzz/Stoner Rock sounds will leave you nodding your head in agreement. Sure the lyrics may not make much sense but who cares when the music is good as this.

Fourth track – Before The Dawn – is an almost occult based Blues Rock offering with the doomy atmosphere being slightly louder than before. David’s vocals are drowned by the constant heavy riffs and it’s a shame as this is perhaps David’s strongest vocal performance on the album. Don’t let that put you off though as this is another great track from YB and it finally proves this band is worth giving a damn about.

The album does contain other great songs you need to check out mainly being – Mind Control, White Nights, Acid Tongue and Down 75. Though I will admit the one song that I have the biggest issue with is Forefather. Musically and vocally, Forefather is the best song on the album. Expertly written riffs and sublime vocals from David. It’s a trippy and wild psychedelic affair. However, it’s the lyrics that I have the biggest issue with. They’re very repetitive and with David singing them over and over again for most of the seven minute run time, the song becomes slightly tiring very quickly. As I said I can’t fault YB’s performance on the song. It’s the lyrics could have done with more work.

Other than that minor complaint YB have created a blues/doom/stoner metal riff-fest you’ll never get bored of. As High Plains is a truly stunning album that’s sure to get them more widely noticed within the Doom/Stoner Metal community. All in all, Youngblood Supercult should be proud of this album as High Plains is a must have record. Plain and simple.

Words by Steve Howe

Thanks to Bailey for the promo. High Plains will be available to buy on CD/DD from February 19th 2016.

Links: