Monday, 4 March 2024
Noise/Doom/Stoner Rockers ZOLLE Premiere New Song PEPE From Upcoming New Album ROSA
Sunday, 3 March 2024
Gods & Punks - Mountains Of Garbage (EP Review)
Release Date: 23rd February 2024. Record Label: Self Released. Formats: DD
Mountains Of Garbage - Tracklisting
1.Mountains of Garbage 05:44
2.Dinosaur Feathers 05:52
3.Purple Moon 03:06
Members
Alexandre C. - Vocals
Pedro C. - Bass
Rodrigo B. - Guitars
Gabriel S. - Drums
Reviewe
Mountains Of Garbage is the new EP from Doom/Stoner Rockers Gods & Punks who return after a three year absence and with some lineup changes compared to their last album. However, it’s business as usual with Gods & Punks playing more top-notch Doomed Out based Stonr Rock with a subtle Psychedelic Rock edge.
The EP has a more potent Classic Hard Rock sound which the band use to their advantage which you can hear and fully appreciate within the opening title track. Flashes of Blues Rock energy and some intense Guitar Solos are the main order of business with flashes of Monster Magnet riffs allowing this to be a damn good track to open the EP with. The vocals have a Space Rock element to them with the thrilling grooves slowly fading into space.
Second track Dinosaur Feathers takes its time to fully get going with Gods & Punks opting for a more mellow and laid back sound. The sound is quite solitary with small flashes of Stoner Rock aggression slowly coming through. The vocals from Alexandre C are more restrained compared to the previous track with a subtle Garage Rock sound being highly atmospheric. The doomed out guitars become more Cosmic and vibrant when the heavier instrumental sounds appear with Alexandre C’s vocals becoming more impressive with the song reaching its natural conclusion.
The final song Purple Moon is a classic style of Stoner Rock with moments of Black Sabbath and Motorhead creative energy. The song is quite simple but still a highly effective way of Gods & Punk delivering fast-paced and highly energetic sounds with a Punk Rock swagger. A great track to end the EP with and showing quite a Doom Rock edge on the later stages of the track before Gods & Punks deliver one intense blast of Classic Hard Rock guitars and swirling Psychedelic rhythms.
Mountains Of Garbage is another excellent release from Gods & Punks to add to their already impressive discography and keep their established fan base quite happy until they drop their next release.
Excellent and Highly Recommended.
Words by Steve Howe
Links
Facebook | BandCamp | Instagram
Saturday, 2 March 2024
HOWLING GIANT release new 'Juggernaut' Music Video + US Tour Dates with THE OBSESSED!
The new, smoking hot 'Juggernaut' video is now streaming here:
HOWLING GIANT comment: "The video for Juggernaut focuses on the real star of the Howling Giant universe, our hot sauce", drummer and singer Zach Wheeler writes. "Crafted in the fires of Pittsburgh, PA by our good friend Chad at Riff Zealot, we bring you: Bunker Sauce and Pioneer Pineapple hot sauce! These are the real reasons that got us into music in the first place. What are we if not traveling hot sauce salesmen?"
HOWLING GIANT will embark on an extended US tour as direct support for THE OBSESSED in March and April this spring. The now quartet from Nashville, TN will hit the roads in support of their highly acclaimed album "Glass Future", which is also the official introductory round for new rhythm guitarist and backing vocalist James Sanderson.
HOWLING GIANT welcome their new member: "James started working with us while we were writing 'Masamune', helping break down lyrical barriers and working on song arrangements, and followers of our online shenanigans might recognize him as the Dungeon Master in our streamed D&D campaigns", drummer and vocalist Zach Wheeler reveals. "We are stoked to welcome James officially into the Howling Giant fold, and can hardly wait to show off the four-piece fury that we'll be bringing forth on our upcoming run with The Obsessed and Gozu. See you all on the road!"
14 MAR 2024 Baltimore, MD (US) Metro Gallery
15 MAR 2024 Richmond, VA (US) Cobra Cabana
16 MAR 2024 Wilmington, NC (US) Reggie’s 42nd Street Tavern
17 MAR 2024 Asheville, NC (US) The Odd
19 MAR 2024 Atlanta, GA (US) Boggs Social & Supply
20 MAR 2024 New Orleans, LA (US) Siberia
22 MAR 2024 Fort Worth, TX (US) Tulips
23 MAR 2024 Austin, TX (US) The Lost Well
25 MAR 2024 Albuquerque, NM (US) Launchpad
26 MAR 2024 Mesa, AZ (US) The Nile Underground
27 MAR 2024 Los Angeles, CA (US) Resident
28 MAR 2024 Palmdale, CA (US) Transplants Brewing
29 MAR 2024 San Diego, CA (US) Brick By Brick
30 MAR 2024 Las Vegas, NV (US) The Usual Place
31 MAR 2024 Salt Lake City, UT (US) Aces High Saloon
01 APR 2024 Denver, CO (US) Hi-Dive
03 APR 2024 Chicago, IL (US) Reggies
04 APR 2024 Lakewood, OH (US) The Foundry
05 APR 2024 New Kensington, PA (US) Preserving Underground
06 APR 2024 Rochester, NY (US) Montage Music Hall
07 APR 2024 Brattleboro, VT (US) The Stone Church
09 APR 2024 Cambridge, MA (US) Sonia
10 APR 2024 Portland, ME (US) Geno’s Rock Club
11 APR 2024 Hamden, CT (US) Space Ballroom
12 APR 2024 Brooklyn, NY (US) The Meadows
Every song on HOWLING GIANT's sophomore album "Glass Future" tells its own story. Yet even without an overarching concept, all could exist within the same universe. Such crafty lyrical world-building is hardly surprising coming from a group of enthusiastic fantasy and science fiction aficionados. "Glass Future" downright asks to inspire a book or graphic novel, even as it explodes with furious energy and thunderous acrobatics.
Musically, "Glass Future" offers a continuation and evolution of all the elements that made debut album "The Space Between Worlds" (2019) such a success. HOWLING GIANT entice classic metal and hard rock to interact dynamically with spacy, prog-infused passages, desert and psychedelic metal moments, rock organs, catchy hooks, and top everything off with soaring harmonized vocals.
1. Hourglass
2. Siren Song
3. Aluminium Crown
4. In a Hurricane
5. First Blood of Melchor
6. Glass Future
7. Tempest, and the Liar's Gateway
8. Sunken City
9. Juggernaut
10. There's Time Now
HOWLING GIANT hail from one of the most legendary places for music on earth: Nashville, Tennessee, USA. Despite the city's reputation for assembly-line pop country, the town called Music City is a place of deep history, where brilliant songwriters and virtuoso session players keep dozens of musical legacies burning bright. Fertile ground, then, for a preeminent fuzz-psych power trio who consciously live in the pocket of that lineage.
Following a trilogy of EPs, "Howling Giant" (2015), "Black Hole Space Wizard: Part 1" (2016), and "Black Hole Space Wizard: Part 2" (2017), HOWLING GIANT delivered their debut full-length "The Space between Worlds" in 2019, which to the delight of their rapidly growing following and critics alike more than fulfilled the promise of the early releases.
HOWLING GIANT take a gargantuan leap forward with "Glass Future" that brings their outstanding musicianship and golden-throated triple vocal attack fully into stride. Nothing to do but try to keep up and enjoy the stunning sonic scenery along the way!
For More Info Visit:
www.instagram.com/howlinggiant
http://lnk.spkr.media/glass-future
HOWLING GIANT is:
Zach Wheeler – drums, vocals
Sebastian Baltes – bass, vocals
James Sanderson – rhythm guitar, backing vocals
PSYCHEDELIC ROCK BAND THE LUNAR EFFECT REVEAL NEW SINGLE "FLOWERS FOR TEETH”
“Sounds of Green & Blue” is a galactic journey through sound that showcases The Lunar Effect’s evolution and marks a pivotal chapter in their musical odyssey. The second single from the album, "Flowers For Teeth", will be released digitally on March 1st 2024, but you can pre-listen the song by watching the brand-new lyric video by Costin Chioreanu here or watch below: https://youtu.be/eR8bPm1HoPM
"Sounds of Green & Blue" sees The Lunar Effect expanding their sonic scope and bending all the elements and eras of Classic Rock into their own unique mold. The album is a testament to their musical growth and willingness to explore new territories while maintaining the brooding vintage sound that defines them. Each track is propelled into orbit by the low-end buzz of distorted chords, powerful enough to blow the moon-dust off your amp.
From the heyday of The Beatles, Floyd, Zeppelin and Sabbath to newer artists like Graveyard, Radio Moscow and Red Fang, The Lunar Effect have created a masterclass in Psychedelic Rock that takes you firmly by the collar. With a palette that also includes shades of the 90s Grunge scene like Nirvana and Soundgarden into their heady mix, The Lunar Effect paint their own trippy world, where genres blur into their unique brew of heart-felt space rock.
"Sounds of Green & Blue" by The Lunar Effect is proudly released by Svart Records, a label known for its commitment to uncovering high-quality, diverse, and boundary-pushing music. Svart Records continues to be a platform for artists who defy conventions, push the boundaries of their respective genres, and break out of the underground.
The Lunar Effect - Record release show - 26.4.2024 London, The Black Heart
https://www.ourblackheart.com/events/2024/4/26/the-lunar-effect
1.3. The Lunar Effect: Flowers For Teeth (digital)
https://orcd.co/qbryvme
12.4. The Lunar Effect: Sounds of Green & Blue LP/CD (pre-order)
https://svartrecords.com/en/product/the-lunar-effect-sounds-of-green-blue/12072
The Lunar Effect: Pulling Daisies (Official Video)
https://www.thelunareffect.co.uk/
https://thelunareffect.bandcamp.com/music
https://www.youtube.com/c/thelunareffectmusic
https://instagram.com/thelunareffect
www.twitter.com/Thelunareffect
https://www.facebook.com/TheLunarEffect/
We Follow The Earth - Extinct (Album Review)
Release Date: 01st March 2024. Record Label: Self Released. Formats: CD/DD
Extinct - Tracklisting
1.The Oracle 07:55
2.The Defilement 07:06
3.The Ruined 11:22
4.The Hunter 07:27
5.The Bloodshed 05:34
6.The Cave 06:55
Members
Matthew Crotts – Guitars, Vocals
Matthew Pickard – Bass
Matt Osburn – Drums
Review
Extinct is the new album from Doom/Sludge Metallers We Follow The Earth and this has a more sombre, bleak and aggressive tone compared to their 2023 debut Lightbearer. Extinct does follow a similar path to that album but We Follow The Earth plays music that’s driven by a harsher solitary tone with a distorted sound fuelled by a Post-Metal attitude which fits superbly well into the overall narrative of the story.
Extinct “is a crushingly heavy fantasy piece from start to finish, which tells the story of a Cyclops chieftain discovering that his entire tribe has been murdered and vowing revenge”.
Drawing upon bands such as CONAN, Slomatics, High On Fire and Neurosis, it’s great to see We Follow The Earth delivering their own blend of Doom/Sludge Metal carnage with across some epic tracks which can be downright ferocious and nasty in places especially on the excellent three opening tracks - The Oracle, The Defilement and The Ruined.
Once We Follow The Earth setup the creative structures of their music within The Oracle, things become more Psychedelic and even WEEDIAN inspired which gives way to strands of outstanding moments of instrumental trippy jams whilst keeping that down-tuned violent energy. This allows We Follow The Earth to become major disciples of the LOW & SLOW and AMPLIFIER DISTORTION approach on how to deliver their music. Matthew Crott’s vocals are full of angular power and energy which reminds me of Jon Paul Davis (CONAN) at times especially when he delivers a powerful narrative within the lyrics written for the album perhaps more on tracks such as The Defilement and The Ruined.
The second half of the album becomes more riff obsessed which is perhaps the most impressive aspect of the album whilst keeping with the first half’s volatile and violent sound with flashes of that modern day Post-Metal attitude. The story becomes more interesting when it reaches its violent and action packed conclusion with the final two tracks of The Bloodshed and The Cave.
We Follow The Earth does a wonderful job of bringing a cinematic atmosphere to the whole album where the sullen sounds are fully justified with those raw sounding grooves having a sense of tre purpose where the mood can be downright brutal and unforgiving in places. The album lasts forty five minutes in length but ultimately feels longer which is a good thing. This shows there’s a lot more waiting to be discovered with Extinct with multiple and repeated listens.
Extinct is an epic album from start to finish and is one that will surely elevate We Follow The Earth to greater heights within the Doom/Sludge Metal scene. Outstanding. End Of.
Words by Steve Howe
Thanks to Desert Bloom PR for the promo.
Links
Facebook | BandCamp | Instagram
Deadpeach - The Cosmic Haze And The Human Race (Album Review)
Release Date: 06th February 2024. Record Label: Self Released. Formats: DD/Vinyl
The Cosmic Haze And The Human Race - Tracklisting
1.Madras 07:11
2.Motor peach 03:14
3.Man on the hill 04:33
4.Ouroboros 04:42
5.Monday 05:57
6.Rust 02:56
7.Set the control to Mother Earth 07:58
Members
Federico Tebaldi – Drums
MrSteveman – Bass
Giovanni Giovannini – Guitar, Vocals
Daniele Bartoli – Guitar, Forth Man
Review
Famed Italian Heavy Psychedelic Rockers Deadpeach fourth album The Cosmic Haze And The Human Race is a mighty fine collection of trippy psychedelic passages with the elevated status of Stoner Rock allowing the album to have a more central FUZZIER sound compared to their previous albums. The album has moments of Spaced Out Rock which brings a heavier Desert Rock perspective and seedy 70’s Classic Hard Rock atmosphere.
Deadpeach take influence from a wide range of bands such as Dead Meadow, Earthless and Colour Haze to name but a few. However, Deadpeach bring their own “hip” creative vision to the Heavy Psych Field with moments of extended Hard Rock jams with a free-flowing attitude which can be quite DOOM based in places with a JAZZY outlook. The opening tracks of Madras, Motor Peach and Man On The Hill are exceptionally played and fully realised with Deadpeach bringing their wealth and knowledge of being together for over 31 years now. The music is fast-paced, highly energetic and full of Garage Rock energy. The vocals from Giovanni are superb as ever who has a rebellious Punk Rock style on this album.
The music is not overly produced and has the right amount of Stoner Rock presence which is always striving for heavier musical pastures. The record is perhaps dominated by Giovanni and Daniele’s intense guitar work but as always they have wonderful support by Federico on Drums and MrSteveman on Bass who provide a funk driven backline for the guitars to work upon.
Deadpeach conjures up wilder instrumental passages on the later stages of the album on tracks such as Ouroboros, Monday and Set The Control To Mother Earth. Soulful guitars and classic 1960’s based Psychedelic grooves become another destructive style of music for Deadpeach to delight fans of Heavy Psych Stoner Rock with from beginning to end.
The Cosmic Haze And The Human Race has been worth the nine year wait since their last album and they’ve delivered another winner here which could be considered as their finest, trippiest and weirdest record to date.
Excellent and Highly Recommended.
Words by Steve Howe
Thanks to Sheltered Life PR for the promo.
The Cosmic Haze And The Human Race is available to buy now on DD/Vinyl.
Links
Official | Facebook | BandCamp | Instagram









