Exclusive Song Premiere of Post-Rock/Post-Metal Duo CITIZEND New Song ETERNAL MACHINE

Citizend is made up of Emil Gustavsson and multi-instrumentalist and producer Otto Nilsson. The duo shares a vision of breaking down traditional genre borders and creating music where storytelling takes the lead. Their work blends sound, themes and atmosphere into something that moves between the cinematic and the intimate.

After the critically acclaimed release of The Spiral EP in 2024 with Majestic Mountain Records, which marked Citizend’s breakthrough and defined their dark, conceptual sound, the group has started working on the follow-up album DoomsVille.

The Spiral took listeners on an existential journey through the stages of life. Each song explored the human experience, the moments that shape us and society’s struggle to break destructive patterns. The result was a cohesive and emotionally gripping story.

With DoomsVille, Citizend continues to expand its artistic vision. This time the music unfolds in a dystopian city, where every song represents a character or a force within its collapsing world. The project brings together music, literature, sound and visual art into one immersive experience that challenges both form and genre.

Citizend’s sound draws on a wide range of influences where post rock meets Americana and the heavier side of rock, creating what they call their own form of Noirmericana.

Artists that have inspired the band include Mark Lanegan, Wovenhand, Ossler, Nine Inch Nails, Neurosis, Steve Von Till, Christian Kjellvander and The Afghan Whigs.

Thanks to the awesome folks over at Majestic Mountain Records, we're excited to premiere the brilliantly atmospheric song Eternal Machine from Citizend.

Citizend · Eternal Machine

Links

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Thanks to Majestic Mountain Records for the details.

Mississippi Bones - Maladroit Blues For The Colorblind (Album Review)

Release Date: September 08th 2026. Record Label: Self Released. Format: CD/DD/Vinyl

Maladroit Blues for the Colorblind - Tracklist

1.Elvis Stressly: The King Of Rock And Woe

2.If Failure Is A Learning Experience, I Should Be A Genius 03:50

3.The Owls Asked Me, “Who?”

4.Hornswaggled By Consumer Culture, Again

5.Void, Holy Night

6.A Penny For My Thoughts, And Other Common Investment Blunders

7.Thoughts On The Finer Points Of Lesser Things

8.The Feral Philosophers

9.Is That A Wunderkammer In Your Foyer, Or Are You Just Haughty To See Me?

10.Expect Disappointment And I’ll Never Let You Down

11.This Is Why We Can’t Have Nice Things

Members

Jared Collins

Dusty Donley

Review

Blues/Doom/Stoner Rockers Mississippi Bones return with their eighth album Maladroit Blues For The Colorbllind and it sees the band return to their creative roots whilst forging an exciting chapter for themselves at the same time. The record has a stripped back attitude with Mississippi Bones going back to basics with how the music has been produced, recorded and ultimately delivered here on the final product. 

The end result is a high voltage and hard rocking affair where the guys play a great style of Delta Blues, Grunge, Southern Rock, Psych, Doom and Stoner Rock passion which has a deceptive Americana quality way of life appearing within the lyrics. This is Mississippi Bones at their most daring and brutally honest than we’ve ever heard them. However, they’re also brilliantly funny with some laugh out lyrics appearing to lighten the mood. Look at the song titles which has always been one of the great things the band have shown over the extent of their impressive career.

The songs have a great organic sound and energy to them with a murky Grunge vibe being quite deceiving where the music suddenly changes from full on Heavy Rock to Semi Acoustic instrumental passages. Sometimes this feels like Mississippi Bones have been listening to the records they grew up with and this is perhaps why you can hear influences such as Johnny Cash, Alice In Chains Soundgarden, Black Sabbath, Robert Johnson, Muddy Waters, KISS, Clutch, Cactus and Led Zepp but I could be overthinking things there. 

You’ll be surprised at how freaky, fuzzy, psychedelic and distorted that Maladroit Blues For The Colorblind can actually be as Mississippi Bones play different styles of Heavy Rock/Metal and Delta Blues for different songs contained on the album. Though, each played with the same level of great talent throughout. Sure, it can be way over the top but that doesn’t stop Mississippi Bones allowing the listener to have such a damn good time where they play some Classic Hard Rock and Heavy Metal sounds that will have you headbanging in time at all.

I wanted to do a song-by-song review for this album but there’s a lot to cover with this record and I would have been here for days on end. If you want a record that goes through multiple and different genres of the Heavy Rock spectrum whilst keeping that core “Blues Rock” sound that can be even full on Doom Rock then transforming into a sullen Country Rock number then Maladroit Blues For The Colorblind is the album for you.

The lyrics are constantly engaging which shows the band’s emotional thoughts and playful humour with that masterful storytelling element that’s only become one of the best things to fully emerge from Mississippi Bones over the last few albums of late. 

Here are my favourite tracks from the album: Elvis Stressly: The King Of Rock And Woe, ‘If Failure Is A Learning Experience, I Should Be A Genius’, ‘Hornswaggled By Consumer Culture, Again’, ‘Void, Holy Night’, The Feral Philosophers and Expect Disappointment And I’ll Never Let You Down.

Yeah, the song titles can be a mouthful at times but each one tells you the type of track what to expect but it’s the epic creativity that’s hidden behind the song titles that make the journey so highly unexpected. The musical playing is first rate with Mississippi Bones playing instrumental passages with a real “whirlwind” / “tornado” quality. It’s quite hard to explain but you’ll fully understand when you listen to the whole album.

Maladroit Blues For The Colorblind is a superbly entertaining record that you can listen to all day long and still find something new you missed the first time round.

Excellent and Highly Recommended.

Words by Steve Howe

Maldaroit Blues For The Colorblind is available to buy now on CD/DD/Vinyl.

Links

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Ealdor Bealu - Graves Of The Silent Plain (Album Review)

Release Date: July 10th 2026. Record Label: Ripple Music. Formats: CD/DD/Vinyl

Graves Of The Silent Plain - Tracklist

1.Ponderay 

2.Abandonded to Decay

3.Erosion

4.Gold Mountain

5.Buried at Boot Hill 

Members

Carson Russell: Guitars, Vocals

Rylie Collingwood: Bass, Vocals

Travis Abbott: Guitars, Vocals

Cameron Elgart: Drums, Guitar

Review

Graves Of The Silent Plate is the next chapter from Americana/Doom/Psych/Stoner Rockers Ealdor Bealu which allows them to transform into HEAVY DOOMED OUT NOMADS of a scorched Desert Rock landscape. This record allows Ealdor Bealu to move into different Post-Apocalyptic areas of the Doom, Psych and Stoner Metal worlds with a stripped back delivery that gives an unflinching style of music to be delivered from start to finish.

The songs can be quite progressive and brilliantly outlandish but Ealdor Bealu feel like they’re doing something truly original and demonically heavy with their Americana imagery which allows a fast-paced Desert Rock identity to fully form and move into sudden shifts of Drone Rock/Metal. The vocals are perhaps all over the place which I mean as a compliment with Ealdor Bealu having three vocalists to call upon with Carson Russell, Rylie Collingwood and Travis Abbott never feeling the need to outshine each other and perhaps work as one cool sounding collaborative unit.

Cameron Elgart’s understated and epic sense of drumming gives Ealdor Bealu a pure cinematic sound that thrives on a sense of adventure. Carson (Guitars), Rylie (Bass) and Travis (Guitar) take care of the more psychedelic and spaced out destructive grooves that helps the whole journey move into another dimension altogether.

Ealdor Bealu plays music inspired by the likes of EARTH, KYUSS and YAWNING MAN but with a fractured and slightly downbeat MELODIC sound that can be quite offbeat, left-field and sometimes depressing. However, Ealdor Bealu always finds the time and creative sound to develop long drawn out instrumental Desert Rock passages that merge the finer, darker and twisted elements of Folk, Drone, Psych, Sludge and Stoner Metal for something can be beautifully surreal. 

All of the tracks are absolutely stunning and essential to listen to but if I need to choose my favourite aspects then I would say: Ponderay, Abandoned To Decay and Gold Mounting with Ealdor Bealu providing haunting and emotionally charging soundscapes where the lyrics can be downright gut-wrenching to listen to especially when Rylie takes the vocal spotlights mostly on the stunning third track Erosion.

Graves Of The Silent Plain never feels forced with Ealdor Bealu tapping into their Prog Rock, Folk Rock and Americana aspect of their sound for the majority of the album. Though, the band always manages to find ways to deliver epic instrumental soundscapes that become superbly destructive and mind-expanding all at the same time.

Ealdor Bealu thrive on being quite off-beat and highly experimental for this record which ranks as their most forward thinking and superbly creative to date. Graves Of The Silent Plain is a multi-layered and hypnotic audio experience that’s amazingly different with Ealdor Bealu once again proving why they’re an unstoppable force of nature that many bands don’t dare to tread.

Words by Steve Howe

Thanks to Purple Sage PR for the details.

You can buy Graves Of The Silent Plain now on CD/DD/Vinyl via Ripple Music.

Ealdor Bealu links

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Wailin Storms - The Arsonist (Album Review)

Release Date: July 10th 2026. Record Label: Season Of Mist. Formats: CD/DD/Vinyl

The Arsonist - Tracklisting

1. Dead End (4:48)

2. Heart of Mine (5:13)

3. You Never Answered (4:53)

4. The Arsonist (4:52)

5. Never Rest (4:59)

6. Saved (4:24)

7. Patient Night (3:22)

8. The Wind (6:01)

9. It's All Dark Now Where Your Eyes Used to Be (6:30)

Members

Justin Storms - Lead vocals, rhythm guitar

Ben Melton - Lead guitar, backup vocals, Rhodes organ, piano

Steve Stanczyk - Bass

Mark Oates - Drums

Review

Wailin Storms return with their fifth album The Arsonist that once again features their potent mix of Doom, Gothic, Southern Rock, Alt Rock and Americana that’s doused in a heavy dose of Blues Rock that’s held together by a Swamp Rock narrative. There’s always been an air of mystery behind Wailin Storms records which taps into the darkest corners of the Doom Rock and Southern Rock scenes. Lead vocalist / rhythm guitarist Justin Storms is the main creative force here with his grounded and gothic lyrics being one of the main highlights of the record.

There are shades of Nick Cave, Jeff Buckley, Black Sabbath, Alice In Chains and even DANZIG which shows the broad musical landscape the band have projected within their impressive discography. The Arsonist is quite subdued and is alarmingly heavy when the need arises but it’s a different kind of HEAVY ROCK with a stripped back style being semi-acoustic in places which develops very early on tracks such as Dead End, Heart Of Mine and You Never Answered. These songs are cautiously slow and bleakly pessimistic at the best times but the thundering melodies and post-doom surroundings allows Wailin Storms to portray a mellow and blues rock environment which never lets a ray of sunshine or uplifting grooves to appear. 

The Arsonist can be too unforgiving for its own good but it shows you the depths of Occult Rock and Gothic Doom that the band are willing to thrust upon the listener. There’s some great use of psychedelic instrumental passages and drone rock appearing within the later stages of the record with an aggressive sideline of moody Grunge melodies. The other members of the band Ben Melton (Lead guitar, backup vocals, Rhodes organ, piano), Steve Stanczyk (Bass) and Mark Oates (Drums) all play to their musical strengths by putting in phenomenal performances throughout. This record sounds and feels like a real team effort even when Justin’s vocals and majestic persona takes centre stage for large parts of the record.

Another great aspect of the record is the stripped back production values that have a lovely analogue feeling which gives the whole thing a crisp, clean and moody atmosphere from beginning to end. This allows the Post-Punk themes of the record to fully shine through on the second half of the album, even impressing me the most. 

Other great tracks on The Arsonist include: The Arsonist, Never Rest, Saved, The Wind and It’s All Dark Now Where Your Eyes Used To Be. There’s a haunting romantic aspect that does start to form here which feels like there’s a massive EARTH influence appearing when you least expect it but the bleak and sometimes nihilistic lyrics allows Wailin Storms to form their own definitive musical legacy. 

The band are five albums into their career at this point and are really starting to gain a reputation as one of America’s best Gothic Rock bands currently out there as they explore different musical themes that’s so brilliantly original and emotionally striking with each passing record. The Arsonist is a towering achievement that’s deeply unflinching vision with Wailin Storms leaving you emotionally satisfied with an intense and gut wrenching musical experience. There’s no other way I can describe this album and that’s where I’m going to end this review.

Words by Steve Howe

Thanks to Season Of Mist ffor the promo.

The Arsonist is available to buy now on CD/DD/Vinyl via Season Of Mist.

Links 

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Ryan Güt - The Shastafarian (Album Review)

Release Date: May 23rd 2026. Record Label: Self Released. Formats: DD/Vinyl

The Shastafarian - Tracklisting

Beggars and Choosers (explicit)

Basically Dead (This Town)

Song for G

On the Up & Up 

Sand to Snow

Crig Lord Archduke Earl of Montague (The Monkey)

DHS (12th St. Remixes)

Veteran of the Psychic Wars

Members

Ryan Güt - Everything

Review

The Shastafarian is the debut album from Desert Rock/Stoner Rock multi-instrumentalist Ryan Güt who is better known for his work with the legendary Brant Bjork, Mario Lalli and Nick Oliveri. Ryan has been part of projects such as Stöner, Mario Lalli & the Rubber Snake Charmers and Hammerface. Ryan’s musical and desert rock credentials have never been in doubt where he’s been part of some of the most memorable Desert/Stoner Rock records of the last decade.

The Shastafarian is an eclectic mix of Psych, Stoner Rock, Desert Rock, Americana, Prog and Jazz for a record that’s quite experimental whilst also being superbly familiar. Ryan channels the music of his youth and what has influenced him within his lifetime. There’s a subtle Blues Rock and Soft Rock charge that takes inspiration from the heartland of Seventies and Eighties AOR along the way but with a superb Desert Rock vibe. I would say The Shastafarian has close ties to Brant Bjork’s classic experimental laid back record Jacoozzi.

You can hear influences as diverse as Prince, The Eagles, Tom Petty and KYUSS but Ryan uses a superbly developed style of classic rock melodies set against a backdrop of Cosmic surroundings which shines a light beautifully on the legendary Californian Rock scene. The lyrics can be quite playful and subversive in equal measure especially on tracks such as Beggars And Choosers, Basically Dead (This Town) and Song For G which opens the album superbly well.

There is an “outsider” quality about this album about not fitting in and perhaps following your own destiny though the power of music that Ryan constructs here makes sure that everyone is welcome here with its warm hearted musical energy. I would say that influence has perhaps been learned by Ryan’s time with Brant Bjork over the last decade or so.

However, Ryan still deserves all the credit for releasing an album that is constantly refreshing and showcasing a lost art of storytelling we don’t truly appreciate nowadays especially on a debut album. The songs are wonderfully constructed which allows Ryan to explore the finer details of the Californian Desert Rock landscape. There are plenty of hard rocking moments to fully lose yourself in but you will be thrown a few curve balls along the way as Ryan embraces quite a nomadic creative structure on tracks such as Song For G, On The Up & Up and Sand To Snow.

The Shastafarian drifts into areas of Post-Rock and Electronica which can be quite classical or even low-key in many ways. The album may perhaps be too experimental for the casual Stoner Rock fan but there’s so much to admire and brilliantly enjoy here as the album takes a refreshing approach into how the Jazzy themes interlock with the classic Desert/Stoner Rock melodies. 

The second half of The Shastafarian perhaps contain the heaviest sounds on the record but still spliced with the earlier Post-Rock/Jazz/Desert Rock movements but still being quite grounded. The lyrics are bold and superbly earnest once more with Ryan fully embracing his storytelling persona with a freakish commanding performance on the standout tracks of Crig Lord Archduke Earl of Montague (The Monkey) and Veteran Of The Psychic Wars.

The lyrics could be inspired by the likes of Frank Zappa and perhaps other worldly WEEDIAN ingredients the whole scene is known for. All I can say is that The Shastafarian never plays out how you fully expect and that makes this such a truly outstanding and highly original Desert Rock record you’ll likely hear this year. 

The Shastafarian is superb and I’m hoping Ryan will be releasing more solo albums in the near future. As he’s a true original which this album proves time and time again.

Words by Steve Howe

Thanks to Rebelle Rebelle for the promo.

The Shastafarian is available to buy on DD/Vinyl from May 23rd 2026.

Links 

Official | BandCamp | Instagram

THE MON - Songs Of Abandon (Album Review)

Release Date: November 07th 2025. Record Label: Supernatural Cat. Formats: CD/DD/Vinyl

Songs Of Abandon - Tracklisting

1.Smiling Dog 02:18

2.Two Stones 03:54

3.The Hidden Ghost 05:08

4.Hourglass 03:22

5.The Moon And The Devil 03:25

6.Mayhem 03:22

7.Little Bird 03:33

8.The Fluorescent Sand 02:31

9.Beautiful Star 04:10

10.Your Eyes 03:26

Lineup

Urlo - Everything

Review

Drone/Doom/Ambient artist THE MON is back with their new album Songs Of Abandon which is the first part of "Embrace The Abandon" which is a two-chapter journey that explores loss and rebirth. For folks not in the know, THE MON is the solo project of Urlo (Bass/Vocals) from the legendary Doom Metallers UFOMAMMUT. This project is about as far as you can possibly get from UFOMAMMUT with Urlo exploring musical genres such as Drone, Ambient, Americana, Folk, Electronica and Alternative Sounds.

Songs Of Abandon is a gloomy experience with THE MON creating a minimal and solitary experience that’s full of emotional wonder with Urlo’s tender vocals set against his Post-Doom instrumental surroundings and subtle Ambient effects. There is a lovely and affectionate style of melody that develops very early on from the opening tracks of Smiling Dog and Two Stones which can be quite carefree and influenced by the dark sounds of the Sixties and Seventies rock scene.

This is quite a different affair compared to THE MON’s 2023 critically acclaimed album THE EYE as Urlo is doing everything himself here where THE EYE had major guest contributions from the likes of Steve Von Till (Neurosis), Colin H. Van Eeckhout (Amenra),Sarah Pendleton (Subrosa, The Otolith) and David W. (White Hills). Songs Of Abandon allows THE MON to go back closer to their earlier releases but still maintaining a similar style heard on THE EYE.

The music is quite experimental and brilliantly therapeutic especially within the standout third track The Hidden Ghost which has a grounded Country/Americana approach whilst adding Post-Doom and Drone based movements within the darker aspects of the track. Urlo’s vocals are earnest and superbly real that offer a stark contrast to his work with UFOMAMMUT. The song works best when the Drone aspect takes charge in the later stages as this album ventures briefly into the domain of Psych Rock and Space Rock soundscapes.

The haunting fourth track Hourglass explores that Space Rock angle for the first few seconds before settling upon an excellent style of Acoustic Doom groove with Urlo’s vocals being its most daring and remarkably honest with some experimental background vocals giving it an outlandish quality. The subtle flashes of semi-acoustic Psychedelic sounds once again twists the creative narrative where you begin to notice the smaller things being played in the background. As this is a superbly realized multi-layered track that will surprise you of how it ultimately plays out and changes the course for the rest of the album.

Songs Of Abandon flirts with a vivid assortment of different musical styles that are constantly evolving which makes this one of the most unique and engaging solo albums I’ve heard in quite some time and THE MON keeps on delivering songs of real beauty and quality especially on tracks such as The Moon And The Devil, Mayhem and Little Bird. However, THE MON still offers moments of intense DOOM & GLOOM quality which gives an unsettling feeling at times but the sheer cinematic and emotional scope that Urlo fully commits himself to is a joy to behold.

The songwriting on the album is simply magnificent and so is Urlo’s musical abilities which once again showcases a different side to his work on UFOMAMMUT. The album becomes quite adventurous with flashes of Post-Rock and Gothic Doom that surprised me in many different ways which appear on tracks Mayhem and Little Bird developing into hazy areas of trippy psychedelics that left me wanting more.

Songs Of Abandon is an absolutely exquisite record that shows how THE MON are at the top of their game with their most deeply rewarding and brilliantly engaging record to date. I can’t wait to hear part two to see where this extraordinary journey takes me. Until then, Songs Of Abandon is a record you all need to experience as soon as possible.

Words by Steve Howe

Thanks to THE MON for the promo.

Songs Of Abandon is available to buy now on CD/DD/Vinyl via Supernatural Cat.

Links

Official | Facebook | BandCamp | Instagram

Bear, Man Dangerous - When We Cease To Understand The World (Single Review)

Release Date: October 13th 2025. Record Label: Self Released. Formats: DD

When We Cease To Understand The World - Tracklisting

When We Cease To Understand The World

Review

When We Cease To Understand The World is the latest chapter from Metal Experimental Collective Bear, Man Dangerous who I’ve featured on the blog a number of times now. If you’re new to their musical world then I’ll break it down for you what kind of music they actually play. Well, that’s very hard to describe as they crossover into areas of Psych, Punk, Stoner, Hardcore, Noise, Sludge, Americana and other weird elements into one fully cohesive style of music.

This track is one that’s built on Shoegaze, Psych, Post-Doom and Sludge Rock with an intense Noise Rock atmosphere. The music is very stripped back giving Bear, Man Dangerous and air of authenticity to their music especially when they talk about the current political landscape going on within the whole world. The music can be quite abstract and one that offers no answers at all. The added use of HARSH sound effects that’s spliced within the Ambient / Noise Rock structure make sure this track won’t be for everyone and is perhaps suited mostly for the Experimental Rock crowd.

For me personally, this is another excellent track from Bear, Man Dangerous and may perhaps offer as the perfect introduction to casual listeners into the band’s impressive discography.

Excellent and Highly Recommended.

Words by Steve Howe

Links

Facebook | BandCamp

BASK - The Turning (Album Review)

Release Date: August 22nd 2025. Record Label: Season Of Mist Records. Formats: CD.DD/Vinyl

The Turning - Tracklisting

1.Chasm

2.In the Heat of the Dying Sun

3.The Traveler 

4.The Cloth

5.Dig My Heels 

6.Unwound

7.Long Lost Light 

8.The Turning

Members

Recording Line-Up:

-Scott Middleton

-Jesse Van Note

-Ray Worth

-Zeb Wright

-Jed Willis

Guest Musicians:

-Clay White - trumpet

-Franklin Keel - cello

-Alex Taub - piano, Hammond b3

Review

The Turning is the eagerly awaited fourth album from Psych/Doom/Stoner Rockers BASK which sees the band return after a six year absence with new material. This has been well worth the wait with BASK generating their own style of Progressive leaning Stoner Rock sound that sees their trademark use of Country, Americana, Space Rock and Blues Rock based harmonies being given a heavier Sludge Rock/Metal makeover influenced by the likes of MASTODON and BARONESS.

There’s also a chilling sense of Post-Doom and Post-Metal melodies that develops within the more abrasive and violent sounds that sees BASK venture out for the very first time in some places. Though, the classic early Americana themes that made BASK such a force to be reckoned with are never too far behind. Throw in a subtle mix of Prog Rock, Folk Rock and Cosmic Rock grooves which allows The Turning to be very hard to categorize and define at times.

This is also one of the albums and possibly BASK’s greatest strengths as you’re not sure what to expect with each passing song. Did you ever wonder what Heavy Spaced Out Doom would sound like when merged with Country, Southern Rock and Americana passages. Well, the answer is perfectly captured here on superbly constructed and brilliantly played tracks such as In The Heat Of The Dying Sun, The Traveler, Dig My Heels and Unwound being some of the best material that BASK have written to date.

Their music is constantly evolving but still showing a thrilling and adventurous creative attitude with BASK not afraid to add even more elements of music such as Post-Rock, Ambient Melodies and Shoegaze which is brought to life with their epic use of different instruments throughout the album. The record can be quite ROOTS based with the “TWANGY” instrumental movements but it’s kept within the areas of Sludge/Stoner Metal with BASK never afraid to experiment at the most crucial moment which transfers this record into MONOLITHIC and INTERDIMENSIONAL SPACE GOAT territory. 

With a range of diverse influences such as Mastodon, Baroness, Elder, Hawkwind, All Them Witches and King Buffalo with BASK even forging and creating their unique style of Heavy Psychedelic music of the highest order. What also makes them stand out is how the band brings a classic EVERYMAN level of storytelling into their cinematic adventure. The lyrics are quite hopeful and brilliantly insightful even when the music takes a daring and apocalyptic turn.

The Turning is an emotionally charged record of the highest order with BASK firmly establishing themselves as one of the most unique and original voices within the modern day Psych Stoner Rock/Metal scene. This is a record of REAL QUALITY and can easily be considered one of the best Psychedelic Rock albums of the year.

Words by Steve Howe

Thanks to Season Of Mist for the promo.

The Turning is available to buy on CD/DD/Vinyl via Season Of Mist.

Links

Apple Music: https://music.apple.com/us/artist/bask/209266263
Bandcamp: https://basknc.bandcamp.com/
Facebook: http://www.facebook.com/basknc
Instagram: https://www.instagram.com/baskband/
Twitter: https://twitter.com/thebandbask