Showing posts with label Black Throne Productions. Show all posts
Showing posts with label Black Throne Productions. Show all posts

Saturday, 29 August 2026

Aunt Cynthia’s Cabin Announce First New Music Since 2020 With Details Of Upcoming New Album

Photo by Cara Justice

On October 2, 2026 Aunt Cynthia’s Cabin return with “ Bash ” , the first single from their self-titled sophomore album, due December 18, 2026  through Black Throne Productions. The new material brings the band’s reverb-heavy guitars and desert-road songwriting back into focus after more than five years away from their debut album “Misty Woman”.

Pre-orders for both the new album and the third repress of “Misty Woman” will open alongside the single.

The band’s sound sits somewhere between the open-road guitar work of The Ventures, the heavier side of Dead Meadow and the blues-inspired approach of All Them Witches. Spring reverb, roomy drums and guitars that leave some air around the notes are central to ACC’s formula. The surf-inspired songs are built for long drives, empty roads and getting away from town for a while.

Aunt Cynthia’s Cabin was formed in 2017 by Brennan Justice, Anthony DeFreitas and Jeremy Luvaas. After releasing Misty Woman, the three members dispersed and did not see each other face-to-face for more than five years. The band returned in late 2025 with their first repressing of “ Misty Woman”  through Black Throne Productions. The first repress sold out, leading to two additional vinyl runs and the first ever pressing of Mud Room #13 which included a previously unreleased bonus track “Narwhal”.

The new album was recorded and mixed by Brennan Justice at Camp Verde, Arizona, with mastering handled by JJ Golden. Its Southwestern setting is fitting for a band whose music has always been tied to California coastlines, desert roads, mountains and summer heat.

The band has already taken its music well outside Southern California. Their catalog has appeared in Shameless, Thrasher and Flip Skateboards projects, Vans-related events, several mountain-bike films and a placement in commercials for Indian Motorcycles. Additionally, Mud Room #13 was named one of El Coyote’s top EPs of 2019.

Bash “ arrives October 2, 2026 along with both pre-orders for the self-titled album and the third pressing of “ Misty Woman”.

For fans of: All Them Witches, The Ventures, Dead Meadow
Recorded/mixed by: Brennan Justice, Camp Verde, Arizona
Mastered by: JJ Golden
Label: Black Throne Productions

BIO:

Aunt Cynthia’s Cabin is a San Diego-based psychedelic desert rock trio whose music blends reverb-soaked guitars, haunting melodies, and heavy blues-driven rhythms into a sound that evokes the dark California desert on a warm summer night. Formed in 2017 by Brennan Justice (guitar, lead vocals), Anthony DeFreitas (bass, vocals), and Jeremy Luvaas (drums, percussion), the band creates cinematic rock inspired by dusty highways, coastal sunsets, and the surreal landscapes of the American Southwest. Their name originated from a fictional 1970s murder mystery imagined during a late-night conversation, capturing the strange, mysterious, and heavy character that continues to define the band.

Emerging from the remnants of a surf-rock project, Justice and DeFreitas began recording in a San Diego garage with minimal equipment and a raw, lo-fi approach that prioritized creativity over polished production. Early releases including Cabin Fever and Mud Room #13 helped establish a sound influenced by Dead Meadow, The Ventures, and All Them Witches. With Luvaas joining on drums, the band's sound expanded into what would become its debut full-length, Misty Woman, recorded in Austin, Texas at Electric Deluxe Recorders with producer Adrian Quesada.

Now, Aunt Cynthia’s Cabin returns with its self-titled sophomore full-length album - the band's first full release of new music since Misty Woman in February 2020. Self-recorded by Brennan Justice in Camp Verde, Arizona and mastered by JJ Golden, the album is deeply rooted in the band's desert-rock identity while showcasing the melodic, cinematic, surf-influenced qualities that give Aunt Cynthia’s Cabin an audience beyond traditional heavy psych. The new record marks a long-awaited return fueled by continued demand from the band's worldwide fanbase.

Find Aunt Cynthia’s Cabin Here:

Spotify: https://spotify.link/OHhzUB1gOXb
BandCamp: https://auntcynthiascabin.bandcamp.com
Apple Music: https://music.apple.com/us/artist/aunt-cynthias-cabin/1351437121
Qobuz: https://open.qobuz.com/artist/9849997
Instagram: https://www.instagram.com/auntcynthiascabin
Facebook: https://www.facebook.com/auntcynthiascabin/
Merch: https://auntcynthiascabin.printful.me
YouTube: www.youtube.com/channel/UC61wjDcx2Jiqs_Hsds4trPw

Thanks to Black Throne Productions for the details.

Monday, 22 June 2026

Cannabus - Ride The Bus (Album Review)

Release Date: July 03rd 2026. Record Label: Black Throne Productions / Kozmik Artifactz. Formats: DD/Vinyl

Ride The Bus - Tracklisting

Intro

Heavy Joint

4Runner 

Volcano

The Green

Space Bussin’

In The Pocket

Far Gone Blues

Vagabond


Members


James Matheson - Guitar/Vocals

Brandon Doucet - Drums

Ethan Scott - Bass


Review


Doom/Stoner Metallers Cannabus finally release their debut album Ride The Bus and the only thing this album is taking the listener is to the mighty WEEDIAN promised land. As the band fully live out their STONER ROCK/METAL fantasies with this great album. Cannabus are supremely confident on this record whilst exploring areas of Blues Rock, Psych, Sludge and Punk in equal measure. The sound is murky and with an aggressive smoke fuelled sound that allows Cannabus to play music inspired by the likes of KYUSS, FU MANCHU, DOZER and NEBULA. 


However, there are a few hidden delightful surprises along the way with Cannabus moving away from the WEEDIAN influence and playing more Spaced Out sounds The vocals have a rough exterior to them with James Matheson tapping into a Punk Rock way of life. It’s a delivery that shouldn’t really work but James feels like he’s having the time of his life here though his vocals don’t appear until the excellent third track of 4Runner. Half of the album is instrumentally driven with the vocals appearing when they’re fully needed. 


The opening tracks of Intro and Heavy Joint sets the scene with Cannabus setting the building blocks and rules to play their music against. There is a Classic Hard Rock and Blues Rock sound coming from the speakers which gives extra weight and riff fuelled heaviness to the band’s wicked use of seedy amplifier distortion. The Psychedelic sounds also have that classic Seventies Doom melody which is laid on mightily thick on tracks Volcano, The Green, Space Bussin’ and Vagabond. 


Cannabus also excel in developing long drawn out instrumental passages that showcase a distorted style of Desert Rock and Fuzzy melodies to haunt the sludgy amplifiers for extended periods of time. Some folks may think this is another straight forward STONER record but it’s not. As Cannabus really strive for something different for their debut album with that wicked Psychedelic and Space Rock delivery that manifests into wonderful LOW & SLOW sludgy environments on the later stages of the record.


The epic rhythm section of Brandon Doucet on Drums and Ethan Scott on Bass have a jam based creative methodology within their music. Sometimes the music does feel like it’s going off into a different tangent but James’s heavy guitars allow his band mates to play a warped style of intense sonic exploration whilst adding a grounded approach that really holds everything together.


Ride The Bus is an outstanding debut album that is not ashamed to be part of the WEEDIAN underground. This is the type of album that fully embraces that fact and just has complete fun whilst delivering a collection of great tracks that are filled with amazing grooves and instrumental solos you can SHAKE YOUR BONG at. 


Black Throne Productions and Kozmik Artifactz are both releasing the album and it’s the perfect fit. As both labels have steadily been releasing a wave of great albums in 2026 and this is no different. Ride The Bus is one of the most essential STONER ROCK debut albums you’ll experience this year!!!


Words by Steve Howe


Thanks to Black Throne Productions for the promo.

Ride The Bus is available to buy on DD/Vinyl now via Black Throne Productions and Kozmik Artifactz.


Links 


Instagram: https://www.instagram.com/cannabusband
Bandcamp: https://cannabus.bandcamp.com/music
Spotify: https://open.spotify.com/artist/1howstrmxl7hJRzWTkFlmP
Apple Music: https://music.apple.com/ca/artist/cannabus/1674032226
Facebook: https://www.facebook.com/CannabusBand

Tuesday, 16 June 2026

Ol' Time Moonshine - Now I Bleed (Album Review)

Release Date: June 12th 2026. Record Label: Black Throne Productions. Formats: DD/Vinyl

Now I Bleed - Tracklisting

1.Poison 03:50

2.Royal Queen 04:06

3.Possession 03:58

4.Witches 04:21

5.Creeping Bad 03:19

6.She Moves 03:58

7.Dancing On Your Grave 04:12

8.Take Me Home 03:18


Members

 

Guitar/Vocals - Bill Kole

Drums - Adam Saitti

Bass - Jesse Mackowycz

Guitar - Chris Coleiro


Review


Now I Bleed is the latest album from Doom/Stoner Metallers Ol’ Time Moonshine and it’s another bombastic style of Southern Metal, Psych and Swampedelic Grooves which has a classic hard rock sound filling up the sludgy landscapes that the band apply to the overall mix of the whole record. Taking creative cues from the NOLA scene with some detours into the modern Post-Doom and Post-Stoner genres with a thrilling Progressive attitude being heard very early on within the album.


The record is quite direct and superbly compact with Ol’ Time Moonshine using the compact run time held within all of the tracks to great effect where they apply a MAXIMUM LEVEL of grounded heaviness into their music with muscular grooves and vocals holding everything together. Ol’ Time Moonshine add heavy amounts of Space Rock surroundings into their music which allows them to form tighter sounds of classic Heavy Metal and Hard Rock attitude especially on tracks such as Poision, Royal QUeen, Witches, Creeping Bad and Dancing On Your Grave.


Now I Bleed is perhaps the band’s most aggressive and doomed out record to date which sees them create some wicked OCCULT METAL imagery along the way. The vocals mostly from Bill Kole are quite determined with plenty of heavy screams, gruff exterior and outlandish clean sounds emitting from the speakers. With a fast-paced and intense melody being played by everyone, the record never feels rushed with Ol’ Time Moonshine adapting their music to the whole gloomy and thrilling mood that resonates within every track.


There is a great sense of nostalgia with Ol’ Time Moonshine paying homage to their musical heroes and perhaps borrowing certain musical solos but they do this with the utmost love and care. However, they still add their own spin into the mix especially with the lyrics which means Now I Bleed feels like the perfect record for the HALLOWEEN season and not the summer month’s it’s being released upon. 


Ol’ Time Moonshine is the type of band that plays Doom/Stoner Metal that comes straight from the heart and they always remain true to themselves and their creative beliefs. This allows Now I Bleed to be a record that’s superbly honest but one that’s brilliantly grounded with some sublime instrumental solos developing along the way. If you want a riff-fuelled Doom/Stoner Metal musical adventure that has a few GLOOMY surprises along the way then look no further as this album is the real deal.


Excellent and Highly Recommended.


Words by Steve Howe


Now I Bleed is available to buy now on Digital Download / Vinyl via Black Throne Productions.


Links 


Facebook | BandCamp | LinkTree


Sunday, 24 May 2026

DOOM/SLUDGE METAL MONSTERS - FROGLORD – “THE MYSTIC TOAD” VINYL REPRESS + NEW BONUS SINGLE “CROAK”



Black Throne Productions is proud to announce the long awaited vinyl repress of Froglord’s cult amphibious doom opus The Mystic Toad, arriving this summer alongside the brand new bonus single “Croak”, due for release on June 3.

Following the massive success of their sixth album Lower & Slower, the UK’s favourite Amphibious Swamp Doom outfit return to Loveland once again, delivering another monstrous collision of cryptid horror and swamp soaked doom in collaboration with the creators of the Frogman film saga.

Dallas Kyle’s journey into the mysteries of Loveland, Ohio continues in Frogman Returns, as Froglord once again provide the perfect sonic pairing to the film’s chaotic found footage horror. Combining swamp worshipping riffs, towering fuzz and cinematic atmosphere, the band continue expanding the mythology that has made them one of the UK underground doom scene’s most recognisable cult names.

The new single “Croak” expands the world of The Mystic Toad even further, serving as both a standalone amphibious sludge anthem and an essential addition to this definitive repress. Filthy, hypnotic and drenched in Loveland swamp energy, the track captures everything that has helped Froglord carve out a distinct identity within modern doom metal.


Originally released in 2021 in an ultra limited run of just 100 copies, The Mystic Toad has become one of the band’s most sought after releases, with fans calling for a repress for years. Partnering with Black Throne Productions finally allows the amphibian overlords to resurrect the record on vinyl once again, now featuring “Croak” as an exclusive bonus track.

The release continues the momentum built by Lower & Slower – Vol. 1, the band’s recent charity focused release supporting the Waterfowl and Wetlands Trust, which raised close to £1,000 for conservation efforts connected to the UK wetlands that inspired Froglord’s swamp dwelling mythology.

FFO: Electric Wizard, Conan, Weedeater, Acid Mammoth, cryptid folklore, swamp horror cinema, found footage terror

To support the release of “Croak” and The Mystic Toad repress, Froglord will tour across the UK this July for a two week run supporting Bat Sabbath, the Black Sabbath worshipping alter egos of Cancer Bats. Personally invited by Cancer Bats frontman Liam Cormier, the tour marks another huge step forward for the Bristol swamp dwellers following an increasingly explosive rise through the UK underground doom scene.

The tour also sees Froglord returning to Bloodstock Open Air for the festival’s 25th anniversary celebrations, alongside a debut appearance at Stoomfest London alongside bands including Stoned Jesus and Colour Haze.

Known for immersive live performances blending psychedelic sludge, creature feature horror and ritualistic swamp theatrics, Froglord continue building a world entirely of their own. Equal parts doom metal performance and amphibious fever dream, the band’s live reputation has rapidly transformed them into one of the UK underground’s most distinctive heavy acts.


TOUR DATES


July 12 – Nottingham – Beta, Rock City
July 14 – Manchester – Rebellion
July 15 – Glasgow – Cathouse
July 16 – Sheffield – Corporation
July 17 – Birmingham – Castle & Falcon
July 18 – Bristol – Electric
July 20 – Cardiff – Clwb Ifor Bach
July 21 – Brighton – Concorde 2
July 22 – Tunbridge Wells – The Forum
July 23 – London – Scala

August 8 – Derby – Bloodstock Festival (Sophie Stage)
August 25 – London – The Garage (Stoomfest London)

RELEASE INFORMATION

Release Date: June 3, 2026
Release: The Mystic Toad (Vinyl Repress) + “Croak” (Bonus Single)
Label: Black Throne Productions
Format: Vinyl + Digital

LINKS

https://blackthroneproductions.com/
https://linktr.ee/BlackThroneProductions
https://www.facebook.com/BlackThroneProd 

https://www.youtube.com/@blackthroneproductions


LINEUP

The current formation of Froglord consists of:

Benjamin “Froglord” Oak – vocals
Jordan “Caudata” Cross – guitars
Luke “Bufo” Clemenger – bass
Chris “Anura” Seldon – drums

BAND BIO

Since the dawn of time, mystics have prophesised the coming of an ancient amphibian bestowed with deathray vision and ectoplasmic slime. Emerging from deep within the mystic swamps of Bristol, UK, Froglord arise with their powerful blend of psychedelic doom, swamp sludge and colossal fuzz drenched riffs.

Formed in 2020 and inspired by everything from classic doom metal to cryptid folklore and found footage horror, the band have rapidly built a devoted following through relentless touring, immersive mythology and an unmistakable amphibious identity. Combining creature feature horror, towering sludge grooves and ritualistic live performances, Froglord continue their reign of swamp soaked terror across the underground metal world.

Thanks to Neon Leopard Promotions for the details.

KROKA - Believe It (Album Review)

Release Date: May 22nd 2026. Record Label: Black Throne Productions. Formats: DD/Vinyl

Believe It - Tracklisting

1Sasquatch 03:45

2.You Never Know 03:35

3.Mothman 03:31

4.Roses 05:10

5.Have You Lost Your Mind? 04:10

6.The Experiencer 04:22

7.Chupacabra 01:55

8.Wendigo 03:35

9.Piggy's Revenge 03:32


Members


Richard Fenna - Vocals, Guitar

Beau Ferguson - Vocals, Bass

Martin Thorsmatz - Drums


Review


Desert/Stoner Rockers KROKA debut album is a masterful collection of songs that has a gritty underground attitude contained within the majority of the tracks. The band are influenced by the likes of QOTSA, KYUSS, FU MANCHU and 1000 MODS. Helping them on this creative journey is a good friend of the blog with Jason Taylor (The Obsessed) who produces this record. Jason allows the band to inject their own  into the mix with a slight Alt Rock attitude appearing and a winning turbo-charged delivery developing throughout the whole record.


KROKA demonstrates a subtle Hard Rock attitude that allows some other cool sounding influences to appear within their music very early on tracks such as Sasquatch, You Never Know and Mothman. With KROKA being from Canada, there’s some Canadian themes, motifs and folklore being heard on the album but there’s still a global Stoner Rock element being included along the way. Just enjoy the ride with KROKA conjuring a ton of great musical melodies which feel quite razor sharp especially with how the music plays out within the heavier Psychedelic passages that surround the listener the best of times.


The vocals are catchy and flirt between Post-Stoner and Alt Rock delivery which is down to the great work from both Richard Fenna and Beau Ferguson working superbly well together. They never try to out do each other and fully support each other especially on the more melodic and emotionally engaging aspects of the album.


KROKA even find the time to move over into the heavier areas of the Doom and Sludge Rock scenes that gives their music a more unpredictable quality on tracks such as: Mothman, Roses, Have You Lost Your Mind?, The Experiencer and Wendingo. These tracks allow KROKA to add a progressive style of Fuzz, Desert Rock and Stoner Rock soundscapes where you can hear the 1000Mods influence fully breaking through.


Believe It is a splendid debut that allows KROKA to perform a classic style of Desert Rock/Stoner Rock that has some epic sounding METAL grooves and spicy lyrics to match that will leave you fully satisfied from start to finish.


Excellent and Highly Recommended.


Words by Steve Howe


Believe It is available to buy now on DD/Vinyl via Black Throne Productions

Links


Sunday, 17 May 2026

Stoner Metallers CANNABUS Release New Song/Video For "4RUNNER" Which Is A Psychedelic, Heavy Rock Trip From Their Forthcoming New Album


Canadian heavy psychedelic rockers Cannabus return with “4Runner,” the fourth single & third music video from their upcoming full-length album “Ride The Bus”, due July 3 through Black Throne Productions & Kozmik Artifactz.

“4Runner” captures the band’s continuing evolution beyond their jam-heavy roots seen in their previous EPs such as “The Other Side” and “The Maple Spliff Sessions”. It balances live-wire heaviness with sharpened songwriting and pushes the band further into a more refined direction while staying true to their signature blend of psychedelic rock and heavy desert rock grooves.

Accompanying the release is a new music video filmed and edited in house by Black Throne Productions & Strange Matter Media, delivering a kaleidoscopic visual trip through liquid light projections and mind-melting effects.

The video was shot live at Bovine Sex Club in Toronto during the single release show for “The Green”; the third single from the upcoming album and it reflects the hallucinatory effect Cannabus embodies during their live sets which combine heavy fuzz worship and mind-twisting psychedelic guitar work.

With “4Runner” Cannabus offers a final potent glimpse into “Ride The Bus” before it’s release on July 3rd 2026.

Vinyl Pre-Orders available at: 

https://blackthroneproductions.com/products/cannabus-ride-the-bus

https://kozmik-shop.com/CANNABUS-Ride-The-Bus-Brown-Sugar-Edition-metallic-transparent-antique-copper-LP


As a whole, “Ride the Bus” follows in the footsteps of their previous EP releases such as “The Maple Spliff Sessions” from April 20, 2023 and “Other Side” from April 19, 2024 and places heavy emphasis on authentic 70's-inspired, fuzzed out blues and high-energy psychoactive guitar solos.

Release Date: July 3
Label: Black Throne Productions & Kozmik Artifactz
Format: Digital / Vinyl

Listen To The New Single Here:

Bandcamp: https://cannabus.bandcamp.com/track/4runner
Spotify: https://open.spotify.com/artist/1howstrmxl7hJRzWTkFlmP?si=9vqo159qTCGFAEwFv8iHxg
Apple Music: https://music.apple.com/ca/artist/cannabus/1674032226
YouTube: https://youtu.be/7CEJtnfoN3c

“Far Gone Blues” Official Music Video: https://youtu.be/8eK4MHUK-d8?si=MnAx6ulAm4LMWYn3

“In the Pocket (Live)” Official Music Video: https://www.youtube.com/watch?v=nwO4bVbXSM8

https://blackthroneproductions.com/products/cannabus-ride-the-bus



BAND BIO

Cannabus is a three-piece stoner / desert rock band from Welland, Ontario, Canada, driven by grit, groove, and fuzz-drenched riffs. Blending dirty blues rock with heavy psych, punk attitude, and metal weight, they craft a raw, smoke-thick sound that hits low, drags slow, and lingers like a haze.

Their debut release, “The Maple Spliff Sessions” was the result of a year and a half of jams forged into a four-song EP, loaded with ’60's and ’70's heavy, tripped-out psychedelia and thunderous ’90's-inspired fuzz riffs.

Following up with their second EP “The Other Side”, the band continued to push their sound further into heavier, groovier territory. Previously released tracks & music videos from “Ride the Bus” include their first single “Far Gone Blues” the second “In the Pocket”, and now the final single from the album “4Runner”, all filmed and edited by Strange Matter Media / Black Throne Productions. The singles show promise of a hard-hitting dose of riff-driven psych and low-end heaviness.


CREDITS

James Matheson- Guitar/Vocals
Brandon Doucet- Drums
Ethan Scott- Bass

Recorded, Mixed and Mastered by Z Hollow Studios
Videos filmed & edited by Ryan Hilton at Strange Matter Media
Released by Black Throne Productions
Single Art by: Ryan Hilton


Thanks to Black Throne Productions For The Details.

Friday, 1 May 2026

Robot God - Onto The Afterlife (Album Review)

Release Date: 01st May 2026. Record Label: Kozmik Artifactz & Black Throne Productions. Formats: DD/Vinyl

Onto The Afterlife - Tracklisting

1.Soldier of Love 06:40

2.Onto the Afterlife 06:11

3.Cerebral Annihilation 08:57

4.I am the Night 11:13

5.Long Goodbye 08:19


Members


Matt Allen - Bass,Vocals & Synth

Raff Iacurto - Guitar, Vocals & Synth

Tim Pritchard - Drums & Synth


Review


Psych/Doom/Stoner Rockers Robot God return with their latest sonic conquest Onto The Afterlife after the two critically acclaimed albums (Portal WIthin and Subconscious Awakening) in 2024. This album continues the Psychedelic and Space Rock trajectory of those albums but with a more confident Grunge, Blues and Sludge Rock attitude. The band are also releasing another album called Curse Of The Driven to be released later this year and this is perhaps the first part of a much more expanded story.


Creative cues from the likes of Black Sabbath, Alice In Chains, Soundgarden, MONOLORD and KYUSS are just some of the bands you can hear throughout this album. However, Robot God are wise enough to formulate their own plans of Sonic Distortion which comes into life on the excellent opening track Soldier Of Love which pairs up the legendary SABBATHIAN heavy DOOMED OUT sound with the murky grunge attitude of Soundgarden. The level of overlapping psychedelic melodies and grounded vocals opens Robot God to new areas of seedy heaviness with a great level of mass distortion emitting from all corners.


There’s a slight dependency on Prog Metal and Proto-Metal which gives a surreal creative attitude which could even allow Robot God to move over to the Post-Stoner Metal brotherhood where the likes of ELDER and KING BUFFALO reign supreme. The influx of Ambient sounds and Post-Rock passages comes across superbly well on tracks Onto The Afterlife and Cerebral Annihilation with that gloomy “APOCALYPTIC” approach holding everything together.


The dual vocals from Matt Allen and Raff Iacurto work superbly well together and even against each other when they’re both trying to battle for vocal supremacy within the band. Robot God adds some thrilling use of intricate Psychedelic sound effects and Space Rock loops that allows the album to drift into heavier pastures.


Onto The Afterlife becomes vastly more creative within the second half as Robot God experiments even further with distorted fragments and down-tuned grooves on tracks such as Cerebral Annihilation, I Am The Night and Long Goodbye. Despite the fantastical element of the music, the album can be quite real with Robot God writing some killer socially aware lyrics that puts the record on a more subversive level with real intelligence appearing from start to finish.


Robot God have once again delivered the goods with Onto The Afterlife which perhaps leaves a few questions unanswered which maybe fully answered when their next album Curse Of The Driven is released in the second half of the year. 


Words by Steve Howe


Robot God Links:

Bandcamp | Youtube | Facebook | Spotify

Thursday, 26 March 2026

Psych/Doom/Stoner Rockers Cannabus Drops Groovy New Single “In The Pocket” from their upcoming album "Ride the Bus"


Ontario-based band Cannabus is back with a fresh release, unveiling their latest single, “In The Pocket”. Recorded in April 2025 with Z Hollow Studios, the track captures a moment in time for the band, tracked at their former practice space in St. Catharine’s, a location that helped shape their evolving sound.

“In The Pocket” is all about feel. Rooted in the idea of locking into life’s rhythm, the song explores finding those elusive “sweet spots”, the moments where everything clicks, and learning to enjoy the ride while you’re there. With a laid-back groove, the single reflects both a sense of lived-in authenticity and the band’s musical chemistry.

Along with the single, Cannabus has released a live music video from their single release show at the Black Throne Label Night at Doors Pub in Hamilton Ontario on March 20. The single is the second from their upcoming debut album titled “Ride the Bus”which is due for digital and vinyl release on July 3, 2026 through Black Throne Productions and Kozmik Artifactz.

“In the Pocket” Official Video Stream


“Ride the Bus” follows in the footsteps of their previous EP releases such as “The Maple Spliff Sessions” from April 20, 2023 and “Other Side” from April 19, 2024 and places heavy emphasis on authentic 70s-inspired, fuzzed out blues and high-energy psychoactive guitar solos.

The live video and audio was chosen to accompany the release as it highlights the raw authenticity and live quality which the band is known for in their home province of Ontario. “In the Pocket” is the second single from the record, with the first single “Far Gone Blues” and it’s music video releasing back in December of 2025

LISTEN / WATCH “In the Pocket”

Official Music Video: https://www.youtube.com/watch?v=nwO4bVbXSM8
Bandcamp: https://cannabus.bandcamp.com/track/in-the-pocket
Spotify: https://open.spotify.com/artist/1howstrmxl7hJRzWTkFlmP
Apple Music: https://music.apple.com/ca/artist/cannabus/1674032226
YouTube: https://www.youtube.com/watch?v=8ftKlwvJDwc


BAND BIO

Cannabus is a three piece Stoner/Desert Rock band from Welland, Ontario Canada. They meld a mix of fuzzed out blues rock with hints of Heavy Psych, Punk and Metal. Their first release "The Maple Spliff Session" was an accumulation of a year and a half of jams and transforming it into a 4 song EP ladened with 60's and 70's heavy tripped out psychedelic vibes and thunderous 90's fuzzed out riffs.

FIND CANNABUS HERE:

Instagram: https://www.instagram.com/cannabusband
Bandcamp: https://cannabus.bandcamp.com/music
Spotify: https://open.spotify.com/artist/1howstrmxl7hJRzWTkFlmP
Apple Music: https://music.apple.com/ca/artist/cannabus/1674032226
Facebook: https://www.facebook.com/CannabusBand

ALBUM CREDITS

James Matheson - Guitar/Vocals
Brandon Doucet - Drums
Ethan Scott - Bass

Thanks to Black Throne Productions for the details.